Zeno Literary Agency Ltd.

It is with great pleasure that we announce the arrival of US author Myke Cole, who  joins the Zeno client roster with the sale of his fabulous, high energy military fantasy series, SHADOW OPS, described by Peter V Brett as ‘Black Hawk Down meets the X-Men’ and ‘military fantasy like you’ve never seen it before’.

UK and Commonwealth rights have been acquired by Headline, with recently appointed commissioning editor John Wordsworth concluding a five figure, three book deal negotiated by John Berlyne of the Zeno Agency on behalf of Joshua Bilmes of JABberwocky Agency, Inc. in the US.

Headline will publish the first book in the series, CONTROL POINT in late 2012 with sequels FORTRESS FRONTIER and BREACH ZONE following in February 2013 and February 2014.

‘CONTROL POINT is an absolutely thrilling, fresh take on the military fantasy novel,’  says Wordsworth. ‘Myke has drawn from his own considerable experience, which includes three tours in Iraq, to create a world with breathtaking scope. I’m just itching to see where he takes it in the next two books. I am over the moon that the Shadow Ops series will be published by Headline.’

Michael Cobley‘s acclaimed science fiction trilogy, Humanity’s Fire, (comprising SEEDS OF EARTH, THE ORPHANED WORLDS and THE ASCENDANT STARS) will be published in the US by Orbit next year – the books are provisionally scheduled for October, November and December 2012.

Here’s a couple of pretties for fans of Michael Cobley‘s Humanity’s Fire books…

• Bragelonne have just published the French translation of book one under the title L’OMBRE DE LA LONGUE NUIT.
• And for German readers, WAISEN DES ALLS, the translation of the second novel in the series now available from Heyne.

We’re delighted to welcome US author Ian Tregillis as a Zeno client. We’re representing Ian (who has been described by George R.R. Martin as ‘A major talent‘) in the UK, Commonwealth and translation markets on behalf of his head agent Kay McCauley at  Pimlico/Aureous Inc in NYC.

We’re equally delighted to announce in the same breath that UK/BC rights to Ian’s Milkweed Trilogy – comprising of BITTER SEEDS, THE COLDEST WAR and NECESSARY EVIL – have been acquired by Orbit in a deal negotiated by John Berlyne.

John says ‘This is a particularly sweet sale for me, as I read and absolutely loved BITTER SEEDS when Tor first published it in the US back in 2010, long before I had any professional dealings with the author. The mix of WWII action and comic book super-powers was something I found completely irresistible as a reader. To have the chance to handle these books outside the US is a real privilege and I’m thrilled that Orbit have picked them up and they will, I’m quite sure, do a wonderful job with them.’

Orbit Commissioning Editor Anna Gregson says ‘We’re delighted to have acquired this thrillingly sinister, clever and compelling tale that melds real-life events with occult forces and weird science. Its vivid atmosphere and supernatural twist make this a deeply mesmerising and entertaining novel, with great appeal for any fans of alternate histories, dark fantasy and superhero comics. Think Inglourious Basterds crossed with X-Men!‘.

BITTER SEEDS is scheduled for publication in December 2012, with the second and third titles following respectively in February and April2013.

‘Mad English warlocks battling twisted Nazi psychics?  Yes please, thank you.  Tregillis’s debut has a white-knuckle plot, beautiful descriptions, and complex characters — an unstoppable Vickers of a novel.’ – Cory Doctorow

When I was over in San Diego recently at the World Fantasy Convention, I got together with Mur Lafferty, author and the brains behind the I SHOULD BE WRITING podcast, a massively useful resource for aspiring authors and one that I am very happy to recommend and endorse.

The interview covers quite a lot of ground, including my thoughts on the current state of the market (especially here in the UK) and some advice on how to approach not just us here at Zeno, but any literary agent you might be hoping to interest. Enjoy!

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Penguin have bought UK and British Commonwealth rights to William Gibson‘s non-fiction collection DISTRUST THAT PARTICULAR FLAVOR and an untitled new novel.

The deal was negotiated by John Parker on behalf of the author’s primary agent Martha Millard and Zeno is absolutely delighted to add this marquee name to our list of clients.

News on the novel is strictly under wraps for now, but this superb collection should certainly whet your appetite whilst we wait. Here’s the cover copy…

‘William Gibson was writing fiction when he predicted the internet. And as his stories bled into reality, so he became one of the first to report on the real-world consequences of cyberspace’s growth and development.

Now, with the dust settling on the first internet revolution, comes Gibson’s first collection of non-fiction essays from the technological and cultural frontiers of this new world. Covering a variety of subjects, they include:

• Metrophagy: The Art and Science of Digesting Great Cities
• An account of obsession in ‘the world’s attic’:eBay
• Reasons why ‘The Net is a Waste of Time’
• Singapore as ‘Disneyland with the Death Penalty’
• A primer on Japan, our default setting for the future

These and many other pieces, collected for the first time in DISTRUST THAT PARTICULAR FLAVOR, are studded with revealing autobiographical fragments and map the development of Gibson’s acute perceptions about modern life.

Here, then, is a guide to the new territory we find ourselves in written by one of its discoverers.‘

We’ve some choice titles due for release by Angry Robot during 2012 and so I thought it’d be nice to show off these very cool covers. Check the links to each title below for further details…

THE ALCHEMIST OF SOULS by Anne Lyle
GIANT THIEF by David Tallerman
THE GREAT GAME by Lavie Tidhar

It’s been a busy time here at Zeno Towers, what with the recent Worldcon in Reno, the upcoming Fantasycon and World Fantasy Convention, plus one or two personal bits and bobs that JP and I have been catching up on… life, I think some people call it!

That notwithstanding, we’ve been beavering away and are delighted to announce a few deals that we’ve recently concluded…

• James P. Blaylock‘s first novel length Steampunk story in twenty years has sold to Titan in a world English deal negotiated by John Berlyne. THE AYLESFORD SKULL, which features further  gaslight adventures of Langdon St. Ives and his nemesis Ignatio Narbondo will be published by Titan late next year or early 2013. A limited edition is also planned. In addition to THE AYLESFORD SKULL, Titan will also be re-issueing two Blaylock steampunk classics, the 1988 Philip K Dick Award winning HOMUNCULUS and also LORD KELVIN’S MACHINE. Audio rights for all three novels went to Stacy Patton Anderson at Audible.
• Titan have also acquired world English rights (excluding India) to TURBULENCE and an UNTITLED sequel by Samit Basu. Publication is set for Feb 2012.
• Audible will release an audiobook edition of Ian R. MacLeod‘s WAKE UP AND DREAM along with two earlier MacLeod novels THE SUMMER ISLES and THE GREAT WHEEL.
• Audible also picked up audio rights to the third novel in Michael Cobley‘s HUMANITY’S FIRE series, THE ASCENDANT STARS. German rights for this title went to Heyne via Thomas Schluck.
• Sheila Gilbert at DAW Books has acquired World English rights to  Kari Sperring‘s THE GRASS KING’S CONCUBINE and an UNTITLED sequel in a nice  deal negotiated by John Parker.
• German rights to Freda Warrington’s ELFLAND sold to Carl Ueberreuter Verlag GMBH via Paul & Peter Fritz AG.
• French rights to the first three novels in Ben Aaronovitch‘s best selling RIVERS OF LONDON series went to J’ai lu via Lora Fountain. Orion have sold rights to the series in Poland, Hungary and Italy.
• Also via Lora Fountain, French rights to Ian McDonald‘s PLANESRUNNER sold to Gallimard Jeunesse.
• The Library of America will publish the Algis Budrys‘ classic SF work WHO? as part of a reissue series to be edited by Gary K. Wolfe.
• UK / British Commonwealth rights to a new graphic novel series by Charlaine Harris and Christopher Golden entitled CEMETERY GIRL went to Jo Fletcher at Jo Fletcher Books. Jo has also acquired three anthologies edited by Charlaine Harris and Toni P. Kelner.
• US rights to Iain Sinclair‘s GHOST MILK and AMERICAN SMOKE went to Mitzi Angel at Farrar, Strauss and Giroux.
• UK /British  Commonwealth rights to two brand new titles in Elizabeth Moon‘s PALADIN’S LEGACY series sold to Orbit.

And there are plenty more things in the pipeline! More in due course.

Matt Hughes‘ THE DAMNED BUSTERS, published by Angry Robot a couple of months ago has been getting some amazing reviews. Here’s a selection of gushing comments along with relevant links…

‘Hughes writing is both funny and clever, with some great descriptive passages.  he has a style that instantly hooks the reader, that manages  to balance the fine line between being a funny novel, and novel that is just full of jokes… I will be picking up the next instalment of this series without a doubt. A highly recommended read.‘ — Ginger Nuts of Horror

‘…a damn good book. Chesney Arnstruther is a uniquely charming protagonist; the plot is immensely entertaining, full of wit, humor and heart; the ideas presented are original and thought-provoking; and Matthew Hughes’ writing is skillful and engaging. Best of all, The Damned Busters is a blast to read and not quite like any book I’ve ever tried before, instantly making the sequel one of my most anticipated releases of 2012…‘ — Fantasy Book Critic

‘THE DAMNED BUSTERS is a supernatural adventure that blends a rich and unpredictable story, with a tone and wit that provides plenty of laughs along the way. A great balance of action and comedic situations with some romance thrown in for good measure, albeit an awkward romance, this is a great read. It will forever contain the most intense game of poker I have ever read. 5 *****‘ — Celebrity Cafe

‘Hughes continues to carve out a unique place for himself in the fantasy-mystery realm. A droll narrative voice, dry humor and an alternate universe that’s accessible without explicit exposition make this a winner.‘ — Publisher’s Weekly

‘What Matt achieves in this title is not only chock full of humour but a title that has an unlikely hero, a devilishly intriguing sidekick and above all else a plot that moves along at its own pace keeping the humour very much in the fore. It makes no bones about what it is, it has some novel solutions and it was a title that gave me a lot of fun with my reading time, so much so that I really couldn’t wait to get back to it. All in the prose is decent, the characters outstanding and the overall arc very pleasing to the reader. Great stuff.’ — Falcata Times

‘A little bit of Terry Pratchett, a little bit of Mystery Men, a whole lotta hilarious punny word-play alongside some meta bookishness and probably some misdirection, The Damned Busters is a damn good book.   As funny and light-hearted as it is thought provoking and belief challenging, I’ve never read anything quite like it.‘ — Little Red Reviewer

‘This is a funny and surprisingly endearing book with some interesting discussions about the role of sin and our reactions to it.‘ — The Guardian

‘…you’re missing out if you haven’t bought this book yet. Pure and simple. 9.75 / 10‘ — The Founding Fields

‘The Damned Busters is a very clever book (and fast read), exactly the type of work that Angry Robot Books is noted for: it is a smooth melange of genres–comic, noir, humor, fantasy, and metaphysical; ultimately entertaining and damned smart.‘ — Red Book Review

Further raves can be found at The Antick Musings of G.B.H Hornswoggler, Gent ;  Goodreads ; The Horror Review ; Drying Ink and I Will Read Books.

Ian McDonald‘s superb novel THE DERVISH HOUSE has scooped yet another accolade. The author adds this year’s John W. Campbell Award to the BSFA Award and the nominations the novel has received for both the Arthur C. Clarke Award and the Hugo.

Even though Zeno has only been in business for three years, this is the second time a Zeno client has won this coveted prize… in fact, it’s the second time a client called Ian was won it! (See here) – not a back track record, eh?

Huge congratulations to Ian and to publishers, Pyr and Gollancz, who have done such a wonderful job with the novel. Note the UK mass market edition is due out on July 29th.

Following last year’s experiment, we are once again opening submissions specifically for folks who will be attending Renovation, this year’s Worldcon being held in Reno, Nevada from the 17th to the 21st August, 2011.

John Berlyne will be attending and will also be appearing on a number of panels. Here are the relevant and *very specific criteria* for submitting. If you can’t tick ALL  these boxes, unfortunately we will not be able to to consider your work…

• This submissions window is open *ONLY* for people who are attending Renovation. Please include your membership number in your covering email. If we don’t find you on the membership list, we won’t be able to consider your work. Telling us that you are ‘intending to attend’ won’t cut it – sorry!

• Please follow our submission guidelines. If you are unable to follow the guidelines, we will be unable to consider your work.

• We’re looking for all shades of  commercial genre fiction – be it SF, Fantasy or Horror or any such permutations thereof (there are many). That said,  the most important factors for us are the excellence of the writing and the commercial hook, rather than how many rockets or wizards or ghosts appear in the story, so look to our Submission Guidelines and the About Zeno page to gauge our tastes.

• You should submit ONLY if you have a finished novel-length manuscript to send, should we wish to see it. We’re not interested in reviewing your work-in-progress or the novel you’ve written a bit of.

• Did we mention you should look at our Submission Guidelines?

• Note that we reserve the right not to ask to see your work should your pitch email not appeal.

Good luck! See you in Reno!

Zeno Literary Agency is delighted to announce our first sale to Subterranean Press, who will publish James P. Blaylock‘s YA novel, ZEUGLODON in 2012, following a deal negotiated by John Berlyne.

‘A skeletal hand clutching an iron key lies hidden within a mermaid’s wooden sarcophagus; a hand-drawn map is stolen from beneath the floorboards of an old museum; an eccentric sleeping inventor dreams of a locked passage to the centre of the hollow earth, and by dreaming of the passage, brings it into being…

Pursued by kidnappers thinking of riches and murder, Katherine Perkins and her two cousins, junior members of The Guild of St. George, must descend into the depths of the earth in order to return the Sleeper to his ancestral home on the shores of Lake Windermere.  But to awaken him would mean the end of the dream, the closing of the passage, and the three intrepid explorers marooned in a savage land forgotten by time itself…’

Subterranean have a long and fruitful relationship with Blaylock having for some years published a good deal of his work in beautiful premium, collectable editions. Bill Schafer says “We at SubPress are more than pleased to add that most Blaylockian of novels, ZEUGLODON, to our schedule next year. It’s vintage James P. Blaylock, set on the same fictional map as his classic novel, THE DIGGING LEVIATHAN, with all the mystery, charm, and whimsy one could want.“

Gosh, anyone would think it’s awards season! And the latest wonderful news we have to impart in this department  is that Brandon Sanderson‘s THE WAY OF KINGS has just scooped this year’s David Gemmell Legend Award. WOOT!

A recent arrival in the awards calendar, the Legend award is three years old now, and is decided by popular vote rather than by a jury. There are three categories – for best newcomer, best artist and the Legend award itself, which is given to the best fantasy novel.

We are absolutely delighted for Brandon and publisher Gollancz who have done a really wonderful job with this thwacking great novel. And Brandon is hard at work on the second volume. Let’s hope the arrival of the very large “Snaga” axe he just won doesn’t distract him!

Two Zeno clients have just been short listed for major genre awards …

First up, as previously announced here, Ian McDonald‘s novel THE DERVISH HOUSE has already been short-listed for the BSFA Award (which he won!) the Arthur C. Clarke award (which he didn’t) and the Hugo Award for best novel (which he still might).

Yesterday came the news that THE DERVISH HOUSE is one of those novels short-listed for this year’s John W. Campbell Award – a major industry award given annually in the US for the best SF novel and which was recently won (in 2009) by another Zeno client, Ian R. MacLeod.

Also announced yesterday was the short list for this years Theodore Sturgeon Memorial Award, given for the best short short in the genre in a given year. Many congratulations to Lavie Tidhar, whose story THE NIGHT TRAIN,  published at Strange Horizons, has deservedly  made it onto the short list. You can read the story by following the link above.

Winners will be announced for both awards in July at this year’s Campbell Conference Banquet in Lawrence, Kansas – further details can be found here.

Zeno Agency is delighted to announce that film and television rights to Ian McDonald‘s award winning novel THE DERVISH HOUSE have been optioned by Warp Films. The deal was negotiated by Zeno’s John Richard Parker who says, ‘As with all Ian’s books THE DERVISH HOUSE is very much cinematic as well being  an imaginative tour de force. I have always believed it has the qualities that  make it eminently suitable for film and I am sure that with Warp’s enthusiasm for the project and their fantastic track record, all the ingredients are in place to put together something very special indeed.’

Warp Films have had notable successes recently with SUBMARINE and FOUR LIONS and Executive Producer Peter Carlton says ‘We’re delighted to have the chance to adapt THE DERVISH HOUSE for the screen, set in that most iconic of cities, crossroads of east and west, past and future, Istanbul. It starts with an explosion on a tram and ends in a race to stop a terrorist plot, but in the meantime Ian somehow weaves together speculative share trading, nanotechnology and Islamic microcalligraphy, to name but a few strands in this visual feast that has a narrative sweep and ambition all too rare in contemporary fiction.‘