Auf dem Mond ist der Mensch die tödlichste aller Gefahren
Achtzehn Monate sind seit dem Tod Adriana Cortas vergangen. Die Corta Helio Corporation ist zerschlagen und die mächtigste Familie des Mondes ruiniert. Die vier verbliebenen Drachen, wie die einflussreichen Clans auf dem Mond genannt werden, wittern ihre Chance und liefern sich einen erbitterten Kampf um die Vormachtstellung in der High Society des Mondes – es ist ein Machtspiel voller Verführung, Lügen und Intrigen. Ein Spiel, das die Menschen auf dem Mond schon bald an den Rand eines Krieges bringen wird…
WOLF MOON is the sequel to the critically acclaimed NEW MOON, which has also been published in German by Heyne. The series is published in the UK by Gollancz, and in the US by Tor Books. It has also been published widely in translation, with more editions on the way! (More details can be found on his author page. If you have any other questions, please do get in touch for details.) Here’s the English-language synopsis for WOLF MOON…
Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.
The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.
Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and — more to the point — that he is still a major player in the game. After all, Lucas always was a schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.
In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war between the families erupts.
Here is some of the aforementioned critical acclaim for the series…
‘Powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.’ — Publishers Weekly on WOLF MOON
‘NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review
‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike… McDonald’s great gift is to hold the micro- and macro-scale in his hand at once… McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON
‘A Howling Good Read… No one builds a world like Ian McDonald does… Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON
‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON
‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON