Ian McDonald‘s critically-acclaimed first Luna novel, NEW MOON is now available in Hungary! Published by Gabo as LUNA: ÚJHOLD, here’s the synopsis…
A Holdon meg kell küzdened minden talpalatnyi helyért.
És Adriana Corta pontosan ezt tette.
A Hold legfiatalabb uralkodócsaládjának fejeként Adriana kicsavarta a Hold hélium-3 iparát a Mackenzie vállalat kezéből, és új státuszt vívott ki a családjának. Élete alkonyán azonban Adriana vállalatát számos ellenség támadja, akiket üstökösszerű felemelkedése során szerzett. A Corta család csak úgy maradhat fent, ha Adriana öt gyermeke megvédi az anyjuk birodalmát a támadóktól… és egymástól is.
„Hajunkban virágok, kezünkben gyertyák. Vártuk a pillanatot, amikor a Hold pereme kibukkan a tenger fölött. És meg is jelent: az elképzelhető legapróbb szegélye, olyan vékony, akár a körömnyesedék. Mintha átvérzett volna a láthatáron. Hatalmas volt. Annyira hatalmas. Aztán már másként érzékeltem, és azt láttam, hogy nem a világ peremén túl emelkedik: a tengerből formálódik éppen. Szóhoz sem jutottam. Egyikünk se. Csak álltunk ott ezrével, mozdulatlanul. Fehér-kék sor Brazília szegélyén. Aztán felemelkedett a Hold, tisztán és teljesen, és a tengeren át ezüst vonal ért el tőle egészen hozzám. Yemanja ösvénye. Az út, amit az Úrnő bejárt, hogy eljusson a mi világunkig. És emlékszem, ahogy azt gondolom, hogy az utak mindkét irányban járhatók. Én is végigjárhatom, egészen a Holdig.”
NEW MOON is published in the UK by Gollancz, in the US by Tor Books, and has been published widely elsewhere in translation (see below for a selection of covers). The sequel, WOLF MOON, is also published by Gollancz and Tor Books, and has a growing number of international editions as well. Here’s the English-language synopsis for NEW MOON…
The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.
The Moon wants to kill you.
Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations — the Five Dragons — in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.
As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.
Here are some of the great reviews the novel has received so far…
‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan
‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review)
‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian
‘No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing… Now I’m all a-quiver for the next one.’ — BoingBoing
‘Fans of cerebral, high-concept science fiction will love this exploration of society on the moon many decades after it has been colonized. The focus is more on concept and plot than on character, but the former are compelling enough to make this an addictive page-turner. Including the stories of many characters gives the reader important insights into different facets of society, and although the book starts at a slow pace, it accelerates into a mesmerizing political thriller.’ — RT Book Reviews
‘LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and others to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDonald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus
‘Heralds the welcome return of one of western science fiction’s foremost globally oriented authors. Bristling with the energy and action… Nestled within a narrative of lunar colonization driven by STEM developments and a decimated, post-oil Earth economy, LUNA burns with the desperate anxieties of the late-capitalist, financialized age: the universalization of debt, the demand for contingent and flexible labor, and the resulting polarized wealth gap… one of McDonald’s greatest strengths: an ability to think through the uneven development and cultural diffusion of global economic and technological change… McDonald’s worlds, whether grim, hopeful, or — as is often the case — both, feel lived in rather than culturally depleted or used up… With an action narrative driving this political commentary, LUNA is actually a fantastically fun read as well as an important one.’ — LA Review of Books