The winner receives a £750 prize, a hand-crafted tentacular trophy and (best of all!) a bottle of the Kraken’s finest black rum. See here for more details and for the full shortlist.

‘OSAMA is exceptional. Compelling, confrontational, and surprisingly moving, it is one of the best novels yet on terror in our times.’ — World Literature Today

‘Not a writer to mess around with half measures … brings to mind Philip K Dick’s seminal science fiction novel THE MAN IN THE HIGH CASTLE.’ –- The Guardian on OSAMA.

‘Bears comparison with the best of Philip K Dick’s paranoid, alternate-history fantasies. It’s beautifully written and undeniably powerful.’ – The Financial Times on OSAMA.

‘OSAMA is written with both an obvious affection for genre fiction and a sense of wild-eyed disbelief at the insanity of a world where people fly planes into skyscrapers. 4.5/5 stars.’ –- SFX

‘Intensely moving.‘ -– Interzone on OSAMA

Produced essentially for private distribution and in support of the pending release of the novel, copies of this piece of collectable MacLeod ephemera were only available at Eastercon and are thus extremely scarce, but I managed to swipe a few for the Zeno archives – including one signed by Ian.

• Angry Robot have revealed this gorgeous David Frankland cover for Lavie Tidhar’s forthcoming novel, CAMERA OBSCURA, the follow-up to his Steampunk romp, THE BOOKMAN, due for release next May, and about which they say ‘… In this one we meet Milady de Winter, investigating some murders in, of all places, the Rue Morgue. (Why yes, that does sound strangely familiar…) As she dives deeper into Parisian society, it seems everyone knows who did it except her… and the real question is not who, but why? Her search for answers will take her to the far side of the world, and beyond.’
• And THE BOOKMAN has just sold to Rani Graff at Graff Publishing in Israel.
• Lavie’s CLOUD PERMUTATIONS, published by PS Publishing has been receiving some nice coverage and we’ve just done a deal with Peter Crowther at PS for a new Tidhar collection – more news on this anon.
• And whilst we’re patting him on the back, congrats to Lavie for being winning the Last Drink Bird Head award for International Activism… follow that link to find out more.

And we’ve a couple of other Angry Robot covers to show off here – on the left is Colin Harvey‘s DAMAGE TIME, a seat of the pants, SF thriller from the author of WINTER’S SONG. This new one by Colin has just been released by AR and in a recent Guardian review was described thus by Eric Brown ‘The strength of the novel lies not only in the depiction of a detailed future of hardship and privation, but in the expert characterisation of [protagonist] Shah: a lone figure whose origins leave him open to prejudice within the police department, and whose problematic relationship with an intersexual courtesan reveals his own deep-seated prejudices.‘

And to the right, we’ve the cover for POINT by Thomas Blackthorn (a.k.a John Meaney), not due out until Feb 2011 and which looks rather splendid when placed next to EDGE, the first Blackthorn novel. Swapping identities and publishers for a moment, John reports he has just completed the second Ragnarok novel for Simon Spanton at Gollancz… more on that in due course.

• We’ve some delivery news too… Tim Powers handed in new novel HIDE ME AMONGST THE GRAVES (working title) to Nic Cheetham at Corvus, and Ian Sinclair delivered GHOST MILK to Simon Prosser at Hamish Hamilton.
• And in deal news, we’ve been very busy indeed – highlights  include recently cemented contracts for Michael Cobley, whose Humanity’s Fire books will be released by Audible next year; for Peter V. Brett (in a major deal with Voyager); for Charlaine Harris (more audio) ; numerous foreign sales of Sir Roger Penrose‘s CYCLES OF TIME; for Ian McDonald (foreign language sales); for Justina Robson (a brand new story collection forthcoming from Australian publisher Ticonderoga); a film option for Andrew Hodges;  and an exciting top secret project for Ben Aaronovitch which we’ll be announcing in due course; and one or two other things too.

Audible have also acquired world rights to Michael Cobley‘s epic Space Opera series HUMANITIES FIRE, comprising  SEEDS OF EARTH, ORPHANED WORDS and THE ASCENDANT STARS. Published in the UK by Orbit and in Germany by Heyne, this series has been widely acclaimed by reviewers and reader alike.

No word yet as to who will narrate either of these acquisitions nor on when we can expect their release, but we’ll let you know as and when we’re told.

As well as the stalwart, energetic smaller presses, for example PS Publishing, Newcon Press, Telos, Nightjar Press, Pendragon, Atomic Fez and Ash-Tree Press amongst others who have, collectively, for many years been the only folks willing to push the horror genre, there were representatives from larger trade publishers such as Little, Brown (both Orbit and Piatkus had editorial staff present), Headline, Gollancz, Constable & Robinson, Solaris/Rebellion, Titan, Angry Robot, Quercus, and Bragelonne.

This turnout shows there’s a very real and very active interest from the trade in the horror and dark fiction fields and this is a most encouraging and tangible sign of horror’s resurgence as a going commercial concern. If this interest can translate into sales, there’s the best chance there’s been in a generation for new talent to come through.

There’s a flipside to this however that became apparent to me as I took part in the Pitch Black event on the Thursday afternoon. Set up as an opportunity for both the trading of rights and the chance for authors to pitch their work directly to agents and publishers, I likened the experience (on my side of the table at least) to being repeatedly hit in the face for five hours with a shit-covered shovel.

There is a reason for this admittedly harsh description (and it doesn’t apply to everyone I met by any means) and it comes down to simple basics. No matter how much agents and editors bang on (on panels at conventions, in interviews, in conversation or on their blogs) about the importance of doing so, many of the writers who material submit to us completely fail to consider their work within the context of the market.

Repeatedly throughout Pitch Black I asked ‘Who is the market for this novel? Who is the ideal reader? Whose readers are you looking to steal with this novel?‘ and repeatedly (and in one particular and spectacularly rude case where the person appeared incapable of grasping why the question was a fundamental one) these enquiries were met with blank looks and the scratching of heads.

Writing is by definition a solitary art – but you are not writing for yourself. Not ever. If you are then you will have a readership of one. And good luck with that.

Writing something publishable is a different kettle of fish. If you want a publisher to give you money for your work, you better be clued in to the kind of thing they publish. If your book is something entirely original, something that completely re-invents the wheel, something so new that it breaks the mould, then as an agent I can do absolutely nothing with it. If there is no market precedent then the likelihood that I can get a publisher to take a risk on your masterpiece – a masterpiece written by a complete unknown – is zero. Zilch. Nada.

Does this mean I’m looking for derivative, cloned material? Poor man’s copies of the best-sellers? Nope.

Think Dragons’ Den. Money paid to you by a publisher is an investment in your product and they expect to receive a return. It therefore needs to be something that people actually want. So, do your market research – otherwise everyone you approach will wisely say ‘I’m out’!

(Note the links I’ve provided above to the various publisher websites. That’s where your research begins – go check out what they’re up to!)

‘I am utterly thrilled to have acquired Will’s trilogy,‘ says Johnston. ‘Pendulum is the most exciting and original new fantasy I have read in years, and this prodigiously talented young writer is arguably the jewel in the crown on our fast-growing genre list.‘

Will Elliott’s remarkable début novel THE PILO FAMILY CIRCUS (also published by Quercus) won the inaugural ABC fiction award beating 900 competing works. It went on to win the Golden Aurealis for best novel, the Australian Shadows Award, the Ditmar, the Sydney Morning Herald “Best Young Novelist Award” for 2007, and was short-listed for the 2007 International Horror Guild Award. It was published in a limited edition by PS Publishing in 2008, with John Berlyne (at that time merely a fan of Elliott’s work) providing the introduction.

“Hollywood, 1940. It’s the Golden Age of the Feelies. All one-time actor and unlicensed matrimonial private eye Clark Gable has to do is impersonate a wealthy scriptwriter for a few hours, and sign the contract for the biopic of the inventor of a device which has changed entertainment forever. What could go wrong? Already, he’s seeing ghosts — but that’s nothing unusual. Europe is devastated by war and America is sleep-walking into Fascism — but what’s that got to do with him? By turns wry and romantic, but always gripping, multi-award winning writer Ian R MacLeod’s latest novel is a dazzling collision of science, fantasy and history. Like the feelies themselves, WAKE UP AND DREAM is film noir with Technicolor wraiths.”

Peter Crowther says ‘After the wonderful smorgasbord of emotion that was the multiple-award-winning SONG OF TIME, Ian Macleod could have gone two ways: the familiar and workmanlike approach of not taking any chances, or the bold sweeping-clean of the planning table in order to come up with something set to blow readers totally out of the water. Well, WAKE UP AND DREAM is that latter…  in spades. It’s alternate reality Hollywood steeped in film noir, Dick meets Hammett…  a truly mesmerising word-trip that melds science, history and fantasy in  equal parts — and you know, you just can’t see the joins. We’re thrilled that Ian has allowed us to publish it — it’s a book that will take the genre’s readers by storm.’

If you came to the party early and picked this one up during its first outing in trade paperback, you’ll be excited to learn that the follow up, ORPHANED WORLDS is due out in April. Thank to the folks at Orbit for sending along the cover visual – what great artwork! Incidentally, we’ve already done a deal with Bragelonne for a French translation of this series and so more on that in due course.

Mike has dropped us a line to tell us about a tonne of other stuff he has going on too…

• A short story, BLACK FRAGMENTARIA, is published in the current edition of Postscripts Quarterly (PS 20/21) which is now available. Visit the PS Publishing web site for further details. Note that this edition also feature stories by Zeno clients Chris Roberson, Matthew Hughes and Lavie Tidhar. It should have been called the Zeno Edition!

• Another Cobley short, THE MAKER’S MARK, is to appear in the Conflicts anthology, edited by Ian Whates and Ian Watson, published by Newcon Press. This is scheduled for release in February/March 2010

• Michael is one of the featured authors taking part in the Aye Write festival, held in Glasgow March 5-13th. He’ll be participating in a panel entitled ‘The Early Days Of A Better Future’, along withother genre authors, Ken Macleod, Richard Morgan, Hal Duncan, Debbie Miller, and chaired by Andrew Wilson. This is a ticketed event.

• Finally Michael will be at this year’s Eastercon, which takes place at the Radisson Edwardian, Heathrow over Easter weekend.  Zeno will be there too, as will a host of other genre folks and fans. There’s still time to get your membership!