Lavie Tidhar’s BY FORCE ALONE out now in UK Paperback!


Lavie Tidhar‘s critically-acclaimed BY FORCE ALONE — a gritty, superb retelling of the King Arthur myth — is out today in a new UK paperback edition! Published by Head of Zeus, here’s the synopsis…

There is a legend…

Britannia, AD 535

The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation’s carcass, slaughtering and being slaughtered in turn.

This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.

This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.

This is the story of a legend forged from a pack of self-serving, turd-gilding, weasel-worded lies told to justify foul deeds and ill-gotten gains.

This is the story – viscerally entertaining, ominously subversive and poetically profane – of a Dark Age myth that shaped a nation.

Here are just a few of the (many) great reviews the novel has received so far…

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’Guardian

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ Starburst

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’Locus (Gary K. Wolfe)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

‘… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus (Ian Mond)

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’Tor.com

BY FORCE ALONE is a joyous rush of a novel, sweeping up everything from grimdark to gangster films to kung fu to Russian science fiction in its wake, and somehow pulling them together into a coherent whole that critiques Britain’s toxic self-image and the lineage of the Fantasy genre itself… BY FORCE ALONE shows the power and playfulness of Tidhar’s imagination, as he uses pop culture to make us confront grim political reality, all whilst having a whale of a time. It is this that makes him one of today’s most essential and unpredictable writers.’Fantasy Hive

‘[An] extraordinary and vivid retelling of our national myth. Gritty revisionism is supercharged by the supernatural… rich and breakneck narrative… As eclectic as the Sword In The Stone and as ruthless as A Game Of Thrones, this retelling of the whole Arthurian Legend stands alongside the very best.’Daily Mail

‘Tidhar’s latest fantasy is a ferocious and often very funny reinvention of the King Arthur myth, taking in references from Tolkien to Brexit.’I News

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Drawing on everything from wushu movies to The Wire by way of Tarkovsky and Tarantino, BY FORCE ALONE is wild, surprising and entertaining, and a hugely immersive read.’M.R. Carey

‘A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table.’Adrian Tchaikovsky

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’Daryl Gregory

‘Tidhar turns King Arthur’s court into a gangster’s paradise, full of wheelings and dealings, and true grit. If the tale didn’t go down like this, it should have.’Silvia Moreno-Garcia

The novel is published in North America by Tor Books (hardcover edition out now, paperback due in May).

New Limited Edition BITTER SEEDS on the way!


You may have seen the news via Twitter already, but there’s a new, limited edition of Ian Tregillis‘s superb debut novel, BITTER SEEDS on the way! Due to be published by Midworld Press, you can see the stunning cover above.

BITTER SEEDS is the first novel in the highly-acclaimed Milkweed Triptych, which also includes THE COLDEST WAR and NECESSARY EVIL. The trilogy is published in the UK by Orbit Books, in North America by Tor Books, and in a number of translated editions.

Milkweed Triptych (UK Covers)

Here’s the synopsis for BITTER SEEDS

The year is 1939. Raybould Marsh and other members of British Intelligence have gathered to watch a damaged reel of film in a darkened room. It appears to show German troops walking through walls, bursting into flames and hurling tanks into the air from afar.

If the British are to believe their eyes, a twisted Nazi scientist has been endowing German troops with unnatural, unstoppable powers. And Raybould will be forced to resort to dark methods to hold the impending invasion at bay.

But dealing with the occult exacts a price. And that price must be paid in blood.

Milkweed Triptych (North American Covers)

Here are just a few of the many great reviews BITTER SEEDS has received since it was first published…

‘Debut novelist Tregillis breathes new life into alternate military history with this fun take on WWII… exciting and intense, and the clash of magic and (mad) science meshes perfectly with the tumultuous setting.’ — Publishers Weekly

‘Tregillis… has created a unique, unsettling, and deeply atmospheric setting; populated it with a diversity of grimly fascinating characters; and turned up the heat with the sort of plot that requires those characters to keep shovelling frantically if they are ever to stay in advance of the needs of the firebox… These are the book’s strengths – its atmosphere, its setting, the vividly imagined consequences of immoral and desperate actions… All in all, this is an excellent first book, and I am eagerly awaiting number two.’ — Tor.Com (Elizabeth Bear)

‘Invoking black magic in an alternate history sounds silly, but Tregillis makes the psychic and physical costs to the combatants so painfully high that the supernatural elements become terrifying indeed. This novel is too bleak to be fun, but true horror was never supposed to be humorous.’ — Cleveland Plain Dealer

‘[O]ne of the best novels I’ve read this year. It’s original, inspired and engrossing from the first page until the last… brilliantly written, and filled with so many great passages – from brisk and realistic dialogue to lush, gothic description. The story kept me guessing until the end, and drops plenty of hints for things to come in the future… a superb novel, and a wonderful start to this series… I loved everything about BITTER SEEDS, and I definitely consider it among my best reads this year.’ — Civilian Reader

BITTER SEEDS is a book of questions and is far deeper than you might expect… Aside from the depth of characters and meanings, this book is filled with the kinds of exciting, intelligent and intense scenes that you’ll find in only the best page turners… another huge point regarding BITTER SEEDS and that is that it is just written so damned beautifully. The prose really is some of the most accessible yet academic that I have read in a while. Tregillis writes with authority while displaying a firm understanding of the subtler things that make us human… Whether you are looking for a cool alternate history that questions the core of humanity or just a damned brilliant story with twisted powers and great action, you should check this out and be wowed. It’s one hell of a ride.’ — Fantasy Faction

Ian’s second (and equally acclaimed) trilogy, the Alchemy Wars is also out now, published by Orbit Books in both the UK and North America (it is also available in a growing number of translated editions).

New UK Paperback Edition of Lavie Tidhar’s BY FORCE ALONE out in March!


On March 4th, Head of Zeus are due to publish a new UK paperback edition of Lavie Tidhar‘s critically-acclaimed BY FORCE ALONE — a gritty, superb retelling of the King Arthur myth. Here’s the synopsis…

There is a legend…

Britannia, AD 535

The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation’s carcass, slaughtering and being slaughtered in turn.

This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.

This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.

This is the story of a legend forged from a pack of self-serving, turd-gilding, weasel-worded lies told to justify foul deeds and ill-gotten gains.

This is the story – viscerally entertaining, ominously subversive and poetically profane – of a Dark Age myth that shaped a nation.

The novel is published in North America by Tor Books (hardcover edition out now, paperback due in May — cover below).

Here are just a few of the (many) great reviews the novel has received so far…

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’Guardian

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ Starburst

‘Lavie Tidhar has built a career out of not playing it safe. Over the last decade he has written bold, provocative novels… with a flair for metafiction and inspired by the pulps (both hard-boiled and genre)… given the political nature of his work, it’s not entirely surprising that he would shift his focus to the question of nationalism and Brexit… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… For all its foul language and radical deconstruction, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), BY FORCE ALONE isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets – Robert Wace, Chretien de Troyes, Wolfram von Eschenbach, and Thomas Mallory (just to name a few) – who took their turn in adapting and refining Monmouth’s text… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus (Ian Mond)

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’Locus (Gary K. Wolfe)

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’Tor.com

BY FORCE ALONE is a joyous rush of a novel, sweeping up everything from grimdark to gangster films to kung fu to Russian science fiction in its wake, and somehow pulling them together into a coherent whole that critiques Britain’s toxic self-image and the lineage of the Fantasy genre itself… the book’s serious intent does not make BY FORCE ALONE a difficult read. It is a book that is both funny and fun. Tidhar has a wonderful time stretching the stories into unfamiliar genres and shapes, whilst maintaining the core of the tale which has seen its appeal last for so long… BY FORCE ALONE shows the power and playfulness of Tidhar’s imagination, as he uses pop culture to make us confront grim political reality, all whilst having a whale of a time. It is this that makes him one of today’s most essential and unpredictable writers.’Fantasy Hive

‘[An] extraordinary and vivid retelling of our national myth. Gritty revisionism is supercharged by the supernatural… rich and breakneck narrative… As eclectic as the Sword In The Stone and as ruthless as A Game Of Thrones, this retelling of the whole Arthurian Legend stands alongside the very best.’Daily Mail

‘Tidhar’s latest fantasy is a ferocious and often very funny reinvention of the King Arthur myth, taking in references from Tolkien to Brexit.’I News

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Drawing on everything from wushu movies to The Wire by way of Tarkovsky and Tarantino, BY FORCE ALONE is wild, surprising and entertaining, and a hugely immersive read.’M.R. Carey

‘A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table.’Adrian Tchaikovsky

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’Daryl Gregory

‘Tidhar turns King Arthur’s court into a gangster’s paradise, full of wheelings and dealings, and true grit. If the tale didn’t go down like this, it should have.’Silvia Moreno-Garcia

Short Fiction Watch: New Stories by Ian McDonald & Lavie Tidhar!


In the final instalment of Short Fiction Watch of 2020, we want to draw your attention to two recent sci-fi anthologies featuring work by Zeno clients. Specifically: Ian McDonald and Lavie Tidhar.

First up, both authors have stories included in THE 2020 LOOK AT MARS FICTION (pictured above), edited by Allan Kaster. In Ian’s story, THE OLD COSMONAUT AND THE CONSTRUCTION WARKER DREAM OF MARS, which first appeared in 2002’s MARS PROBES collection…

… the lives of a young Indian construction worker and an old Estonian cosmonaut collide during the terraforming of Mars by quantum machines.

Lavie’s TERMINAL, which was first published on Tor.com in 2016, is about…

An improbable group of astronauts are slingshot to Mars in cheap one-person, one-way jalopies…

Finally, Ian has another story in THE 2020 LOOK AT SPACE OPERA BOOK, also edited by Allan Kaster. The collection ‘highlights 20 stellar space operas published over the past 20 years by top-notch authors of the science fiction genre’. Ian’s contribution is BOTANICA VENERIS: THIRTEEN PAPERCUTS BY IDA COUNTESS RATHAGAN, which was first published in Clarkesworld in 2017…

An aristocrat’s trip to Venus, in search of her disgraced brother, is memorialized by papercuts of flora native to the planet…

Ian McDonald’s latest series is Luna, published by Gollancz in the UK and Tor Books in North America — NEW MOON, WOLF MOON, and MOON RISING are all out now. The prequel novella, THE MENACE FROM FARSIDE, is published by Tor.com.

Lavie Tidhar’s latest novel is BY FORCE ALONE, published by Head of Zeus in the UK and Tor Books in North America.

Aliette de Bodard and Lavie Tidhar Feature among the Tor.com Reviewers’ Best of 2020!


Two of our clients’ books are featured in the Tor.com Reviewers’ Choice: Best of 2020! Specifically, SEVEN OF INFINITIES by Aliette de Bodard and BY FORCE ALONE by Lavie Tidhar. We personally feel that these are entirely justified selections to be among the Best of 2020! Congrats, Aliette and Lavie!

Aliette’s SEVEN OF INFINITIES is out now, published by Subterranean Press in limited edition and eBook. Here’s what Liz Bourke had to say about her selection of the book…

‘Drawing inspiration from Arsene Lupin and Raffles, it sees a poor scholar and a gentleperson thief — a mindship who’s been growing bored in retirement — faced with a mysterious death, a dangerous kind of treasure-hunt, and a growing mutual attraction. A dense, atmospheric, emotionally satisfying gem of a space opera.’

Here’s the synopsis…

Vân is a scholar from a poor background, eking out a living in the orbitals of the Scattered Pearls Belt as a tutor to a rich family, while hiding the illegal artificial mem-implant she manufactured as a student. 

Sunless Woods is a mindship — and not just any mindship, but a notorious thief and a master of disguise. She’s come to the Belt to retire, but is drawn to Vân’s resolute integrity.

When a mysterious corpse is found in the quarters of Vân’s student, Vân and Sunless Woods find themselves following a trail of greed and murder that will lead them from teahouses and ascetic havens to the wreck of a mindship — and to the devastating secrets they’ve kept from each other.

And here are some of the other reviews the book has received…

‘With this lush, immersive sci-fi tale, de Bodard (The House of Sundering Flames) delves into a world as gritty as it is ethereal… De Bodard hints at a vast, fully realized world… readers will be swept away by the vivid prose, intrigue, and romance of this intricate tale. This fascinating, unusual story is sure to entrance.’ — Publishers Weekly

‘A magnificent sf mystery, nuanced, intense, and romantic, with a complex, clever plot nested inside de Bodard’s rich, evocative, and vivid Xuya universe.’ — Kate Elliott

‘Aliette de Bodard is an author whose works I both like (in several cases, the word adore may be more appropriate) and admire… De Bodard’s work is marked by precision and delicacy of prose, by a concern with ethics and relationships, and by the presence of uncaring systems that violently resist critique from without – and even from within… SEVEN OF INFINITIES is a novella concerned with forgiveness, deserved or not, about cages, self-made or otherwise. It concerns itself with growth, with grace, with ruthlessness and its costs and consequences. It’s a tightly written jewel of a story, intense and full of feeling, and I recommend it highly.’ — Locus

Lavie’s BY FORCE ALONE is published by Tor Books in North America and Head of Zeus in the UK. Matt Keeley selected the novel…

‘Tidhar’s revisionist Arthurian fantasy By Force Alone was a great mix of high learning and low behavior. To my mind, the best Arthur novel since Thomas Berger’s Arthur Rex back in 1978.’

Here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork.

Here are just a few of the great reviews the novel has received so far…

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Lavie Tidhar has built a career out of not playing it safe. Over the last decade he has written bold, provocative novels… with a flair for metafiction and inspired by the pulps (both hard-boiled and genre)… given the political nature of his work, it’s not entirely surprising that he would shift his focus to the question of nationalism and Brexit… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… For all its foul language and radical deconstruction, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), BY FORCE ALONE isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets – Robert Wace, Chretien de Troyes, Wolfram von Eschenbach, and Thomas Mallory (just to name a few) – who took their turn in adapting and refining Monmouth’s text… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus (Ian Mond)

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’ — SFX (4.5*/5)

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’ — Tor.com

Complex Chinese Editions of Ian McDonald’s LUNA Series out now!


The Complex Chinese editions of Ian McDonald‘s highly-acclaimed, award-nominated Luna series are out now! Published by 麥田出版 (Rye Field Publications in Taiwan, Hong Kong and Macau, the whole trilogy is now available: 血染 新月 (NEW MOON), 狼嚎 時分 (WOLF MOON), and 王者 之戰 (MOON RISING).

The series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions around the world.

In case you haven’t yet had the chance to read the series, here’s the synopsis for NEW MOON

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit pay-dirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

There is also a prequel novella, THE MENACE FROM FARSIDE, published by Tor.com.

Here are just a few of the great reviews the series has received so far…

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

‘Luna: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

ICYMI: Lavie Tidhar Discusses BY FORCE ALONE with Ian McDonald


A few weeks ago, Lavie Tidhar was invited to take part in an online event by Chevaliers Books, to discuss his latest, acclaimed novel BY FORCE ALONE. Fellow Zeno client Ian McDonald joined him for the discussion, and you can watch the video above.

BY FORCE ALONE is out now, published by Tor Books in North America and Head of Zeus in the UK. Here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork.

Here’s just a small selection taken from the great reviews the novel has received so far…

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’ — Locus (Gary K. Wolfe)

‘There are no parfit gentil knights in Lavie Tidhar’s Arthurian epic fantasy… It is a vicious, beautiful, profane and wickedly funny reimagining of the rise and fall of King Arthur without the chivalry, divine right or holy quests… This kind of retelling offers a wealth of opportunity to examine aspects of the familiar story in a completely new light, and is both exciting and enormously satisfying to read… The prose style is half of what makes the book so powerful. Tidhar is both clean and poetic, elegantly sparse but deeply evocative. Every phrase is load-bearing. The profanity serves its purpose. He switches between point-of-view characters and authorial voice seamlessly, using short almost-choppy sentences to give a sense of inevitable forward movement, events lensing into one another. The frequent references to Greek philosophy in the narration both serve to underline the post-Roman intellectual landscape of the time and to create a kind of distance between the reader and the text, which increases that slightly dreamy sense of inexorable direction. This story is going to happen; the terrible ending is going to occur, and we — and the characters — are swept along with it.’ — Washington Post

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’ — Tor.com

Ian McDonald’s latest series, Luna, is also out now and published by Tor Books in North America. The series is published in the UK by Gollancz (covers below). Here’s the synopsis for book one, NEW MOON

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

Lavie Tidhar’s BY FORCE ALONE out now in North America!


Today, Lavie Tidhar‘s highly-anticipated new novel, BY FORCE ALONE is finally available in North America! (The novel was unfortunately delayed.) Published by Tor Books, here’s the synopsis…

A retelling of Arthurian myth for the age of Brexit and Trump…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.

The UK edition of the novel is published by Head of Zeus (cover below), and was published back in March. Here are just a handful of the great reviews the novel has received so far…

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ — Starburst

‘… Tidhar’s prose is anything but brutish. The word choice is what makes the train wreck so fascinating and fast-paced. Heavy but never slow, short sentences and snappy wit keep the book moving. A power fantasy that pushes both words to their limits, BY FORCE ALONE adds a sharp, obscene new take to the Arthurian genre.’ — Den of Geek

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’ — Guardian

‘[An] extraordinary and vivid retelling of our national myth. Gritty revisionism is supercharged by the supernatural… rich and breakneck narrative… As eclectic as the Sword In The Stone and as ruthless as A Game Of Thrones, this retelling of the whole Arthurian Legend stands alongside the very best.’ — Daily Mail

Lavie is the multi-award-winning author of a host of critically-acclaimed novels and short fiction, including UNHOLY GHOST, CENTRAL STATION (both published by Tachyon Publications), THE VIOLENT CENTURY (Tachyon), the award-winning A MAN LIES DREAMING, CANDY (Scholastic), and many more.

Here’s just a small selection of the aforementioned critical acclaim that Lavie’s other novels have received so far…

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus 

‘The best book I read last year is A MAN LIES DREAMING by Lavie Tidhar, a form of fictional historiography based on a’ what if ‘principle. I love that, if it is done well and intelligently.’Sting (yes, that Sting)

‘…savagely funny… A MAN LIES DREAMING, by the Israeli-born novelist Lavie Tidhar, has not been published with the fanfare bestowed on Martin Amis’s The Zone of Interest or Howard Jacobson’s J, but it is their equal for savage humour… Those who enjoy laughter in the dark will relish Tidhar’s parade of mordant ironies… This novel is weird, upsetting, unmissable.’ 5* — Telegraph

‘Vintage Lavie, and also I think his most fully accomplished novel yet. Nobody rides that fast-rolling wave separating schlocky pulp and serious literary sensibilities so deftly as Tidhar. He manages to make serious points about the benighted twentieth-century and its obsession with ‘supermen’ without ever letting the narrative slacken or the adventure pale. If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like THE VIOLENT CENTURY.’ — Adam Roberts, author of Jack Glass

OSAMA has ushered Tidhar into the limelight… OSAMA is the narrative symphony Philip K. Dick wished he could have composed. Not only is it beautifully written, it is expertly crafted… OSAMA is a work of art. And Tidhar is a word-painter, constructing vibrant and poetic landscapes of narrative in spite of the novel’s dark and brooding subject matter. Too often, I am surprised by works that win the World Fantasy Award, among others in the speculative genres (none more so than the Bram Stoker Award). Sometimes the quality of winners doesn’t hold up and their nominations seem to be a matter of sheer star power or nepotism. In this case, I’m happy to say, the judges got it dead right.’ — Los Angeles Review of Books

‘Delicious pastiche of “noir” fiction from SF author Lavie Tidhar, set in a city where everything sweet and sugary is banned. Private eye Nelle searches for a lost teddy bear and uncovers a Chinatown-style conspiracy. You could think of it as The Malteser Falcon, or perhaps Double Inde-mint-y.’ — Financial Times (Summer Books of 2018) on CANDY

Ian McDonald’s MOON RISING out tomorrow in USPB!


The paperback edition of Ian McDonald‘s MOON RISING, the third novel in his acclaimed, award-nominated Luna series, is due to be published by Tor Books in North America, tomorrow!

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Tor Books has also published the first two novels in the series in North America — NEW MOON and WOLF MOON; a prequel novella, THE MENACE FROM FARSIDE, is also available, published by Tor.com. The series is published in the UK by Gollancz, and has also been published widely in translation.

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights

‘[T]here are few excuses for not reading Ian McDonald’ — Cheryl Morgan

Two New Lavie Tidhar Releases in Two Weeks!


In two weeks, readers will be able to get their hands on two new titles by Lavie Tidhar!

First up, August 11th sees the delayed North American release of BY FORCE ALONE! Published by Tor Books, here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.

Already available in the UK, published by Head of Zeus, the novel has received a number of great reviews already. Here are just a few of them…

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’ — Guardian

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ — Starburst

‘… Tidhar’s prose is anything but brutish. The word choice is what makes the train wreck so fascinating and fast-paced. Heavy but never slow, short sentences and snappy wit keep the book moving. A power fantasy that pushes both words to their limits, BY FORCE ALONE adds a sharp, obscene new take to the Arthurian genre.’ — Den of Geek

Following on August 12th, is the third issue of Lavie’s comic series, ADLER! Published by Titan Comics, with art by Paul McCaffrey, here are the covers and synopsis…

From the World Fantasy Award-winning writer Lavie Tidhar and artist Paul McCaffrey (DC’s Men of War, TMNT) comes an all-new story written in the vein of Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen!

Irene Adler and her team of Victorian heroines encounter a mysterous villain, even more dangerous that Moriarty!

*

Finally, we wanted to just remind everyone that the Lavie-curated World SF 3 StoryBundle is still available — but ends tomorrow! Featuring novels and novellas from Lavie, Aliette de Bodard, Silvia Moreno-Garcia, and others! Some of the proceeds will also go to charity.

Lavie Tidhar’s BY FORCE ALONE Unfortunately Delayed


Today, Tor Books was supposed to publish Lavie Tidhar‘s highly-anticipated and already-critically-acclaimed new novel, BY FORCE ALONE  in North America. Unfortunately, given the current environment, the novel has been pushed back to August 11th. We’ll post another reminder closer to the new release date.

In the meantime, and in case you’ve missed it, here’s the synopsis…

A retelling of Arthurian myth for the age of Brexit and Trump…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.

The UK edition of the novel is published by Head of Zeus, and was published back in March.

Lavie is the multi-award-winning author of a host of critically-acclaimed novels and short fiction, including UNHOLY GHOST, CENTRAL STATION (both published by Tachyon Publications), THE VIOLENT CENTURY (Tachyon), the award-winning A MAN LIES DREAMING, CANDY (Scholastic), and many more.

Here’s just a small selection of the aforementioned critical acclaim that Lavie’s other novels have received so far…

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis on UNHOLY LAND

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus 

‘The best book I read last year is A MAN LIES DREAMING by Lavie Tidhar, a form of fictional historiography based on a’ what if ‘principle. I love that, if it is done well and intelligently.’Sting

‘…savagely funny… A MAN LIES DREAMING, by the Israeli-born novelist Lavie Tidhar, has not been published with the fanfare bestowed on Martin Amis’s The Zone of Interest or Howard Jacobson’s J, but it is their equal for savage humour… Those who enjoy laughter in the dark will relish Tidhar’s parade of mordant ironies… This novel is weird, upsetting, unmissable.’ 5* — Telegraph

‘Vintage Lavie, and also I think his most fully accomplished novel yet. Nobody rides that fast-rolling wave separating schlocky pulp and serious literary sensibilities so deftly as Tidhar. He manages to make serious points about the benighted twentieth-century and its obsession with ‘supermen’ without ever letting the narrative slacken or the adventure pale. If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like THE VIOLENT CENTURY.’ — Adam Roberts, author of Jack Glass

OSAMA has ushered Tidhar into the limelight… OSAMA is the narrative symphony Philip K. Dick wished he could have composed. Not only is it beautifully written, it is expertly crafted… OSAMA is a work of art. And Tidhar is a word-painter, constructing vibrant and poetic landscapes of narrative in spite of the novel’s dark and brooding subject matter. Too often, I am surprised by works that win the World Fantasy Award, among others in the speculative genres (none more so than the Bram Stoker Award). Sometimes the quality of winners doesn’t hold up and their nominations seem to be a matter of sheer star power or nepotism. In this case, I’m happy to say, the judges got it dead right.’ — Los Angeles Review of Books

‘Delicious pastiche of “noir” fiction from SF author Lavie Tidhar, set in a city where everything sweet and sugary is banned. Private eye Nelle searches for a lost teddy bear and uncovers a Chinatown-style conspiracy. You could think of it as The Malteser Falcon, or perhaps Double Inde-mint-y.’ — Financial Times (Summer Books of 2018) on CANDY

McDonald, de Bodard and Lafferty are Locus Award Finalists!


We are delighted to share the news — in case you missed it — that Ian McDonald, Aliette de Bodard and R.A. Lafferty are all finalists in this year’s Locus Awards! Congratulations for these very well deserved nominations! Winners of the awards will be announced on June 27th.

Read on for some more details.

Ian’s third Luna novel, MOON RISING, is nominated for Best Science Fiction novel. Published in the UK by Gollancz, in North America by Tor Books, and widely in translation, here’s the synopsis…

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera pitched as Game of Thrones meets The Expanse

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Aliette’s Xuya acclaimed collection OF WARS, AND MEMORIES, AND STARLIGHT is nominated for Best Collection. Published by Subterranean Press, here’s the synopsis…

A major first collection from a writer fast becoming one of the stars of the genre… Aliette de Bodard, multiple award winner and author of The Tea Master and the Detective, now brings readers fourteen dazzling tales that showcase the richly textured worldbuilding and beloved characters that have brought her so much acclaim.

Come discover the breadth and endless invention of her universes, ranging from a dark Gothic Paris devastated by a magical war; to the multiple award-winning Xuya, a far-future space opera inspired by Vietnamese culture where scholars administrate planets and sentient spaceships are part of families.

In the Nebula award and Locus award winning “Immersion”, a young girl working in a restaurant on a colonized space station crosses paths with an older woman who has cast off her own identity. In the novelette “Children of Thorns, Children of Water”, a shapeshifting dragon infiltrating a ruined mansion finds more than he’s bargained for when his partner is snatched by eerie, child-like creatures. And in the award-winning “Three Cups of Grief, by Starlight”, three very different people — a scholar, an engineer, and a spaceship — all must deal with the loss of a woman who was the cornerstone of their world.   

This collection includes a never-before seen 20,000-word novella, “Of Birthdays, and Fungus, and Kindness”, set in Bodard’s alternative dark Paris.

R.A. Lafferty is also up for Best Collection, for THE BEST OF R.A. LAFFERTY, which is published by Gollancz and contains a number of Lafferty’s award-winning fiction. Through their SF Gateway imprint, Gollancz publishes a whole host of Lafferty’s work. Here’s the synopsis for the nominated collection…

Acclaimed as one of the most original voices in modern literature, Raphael Aloysius Lafferty has been awarded and nominated for a multitude of accolades over the span of his career, including the World Fantasy Award for Lifetime Achievement.

This collection contains 22 unique tall tales, including:

Hugo Award-winning
‘Eurema’s Dam’ — introduced by Robert Silverberg

Hugo Award-nominated
‘Continued on the Next Rock’ — introduced by Nancy Kress
‘Sky’ — introduced by Gwenda Bond

Nebula Award-nominated
‘In Our Block’ — introduced by Neil Gaiman

And more stories introduced by other modern masters of SF who acknowledge.

R.A. Lafferty as a major influence and force in the field.

Zeno represents R.A. Lafferty in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.

‘Ten Minutes with Lavie Tidhar’ Podcast Interview


A little while ago, Jonathan Strahan interviewed Lavie Tidhar for Coode Street’s “Ten Minutes With…” series of podcast episodes. You can listen to the interview on the podcast’s website, but we’ve also embedded the interview below…

Lavie’s latest novel, the acclaimed BY FORCE ALONE, is out now in the UK (Head of Zeus) and due to be published in North America in August 2020 (Tor Books). In case you’ve missed the coverage, here’s the synopsis…

Britannia, AD 535.

The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation’s carcass, slaughtering and being slaughtered in turn.

This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.

This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.

This is the story of a legend forged from a pack of self-serving, turd-gilding, weasel-worded lies told to justify foul deeds and ill-gotten gains.

This is the story – viscerally entertaining, ominously subversive and poetically profane – of a Dark Age myth that shaped a nation.

Here’s just a small selection of the aforementioned acclaim for BY FORCE ALONE

‘Drawing on everything from wushu movies to The Wire by way of Tarkovsky and Tarantino, BY FORCE ALONE is wild, surprising and entertaining, and a hugely immersive read.’ — M.R. Carey

‘A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table.’ — Adrian Tchaikovsky

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’ — Daryl Gregory

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’ — SFX (4.5*/5)

‘A violent, funny, absurd epic – Tidhar remains an utterly original voice in contemporary fiction.’ — Daniel Polansky

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Lavie Tidhar has built a career out of not playing it safe. Over the last decade he has written bold, provocative novels… with a flair for metafiction and inspired by the pulps (both hard-boiled and genre)… given the political nature of his work, it’s not entirely surprising that he would shift his focus to the question of nationalism and Brexit… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… For all its foul language and radical deconstruction, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), BY FORCE ALONE isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets – Robert Wace, Chretien de Troyes, Wolfram von Eschenbach, and Thomas Mallory (just to name a few) – who took their turn in adapting and refining Monmouth’s text… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’ — Guardian

Two Award Nominations for Ian McDonald!


We are very happy to share the news that Ian McDonald has racked up another couple of award nominations! Announced over the past couple of weeks, read on for more details!

The third novel in Ian’s Luna series, MOON RISING, is a Prometheus Award finalist! All three of the novels in the series have been nominated for the award. Here’s what the organization had to say about the novel…

In the sequel to the Prometheus-nominated novels LUNA: NEW MOON and LUNA: WOLF MOON, McDonald dramatizes the struggle for independence and sovereignty as feuding lunar factions unite against a threat from Earth. The trilogy’s thrilling finale builds on McDonald’s intricate future of moon colonization, buoyed by somewhat free markets marred by violence, corporate espionage, and political marriages as the Five Dragons family dynasties control the main lunar industrial companies. Characters empowered by personal freedom and individual/social achievement in a society where contracts with others define people. Rendering a more positive view of a free society than earlier novels, McDonald offers justifications for freedom and markets while showing more negative aspects of politics and human behavior dealt with by people addressing inevitable problems in more voluntary ways.

The Luna series is also a finalist for the Hugo Award for Best Series! The winners will be announced as part of the 78th World Science Fiction Convention, CoNZealand, which recently announced that it will shift to a virtual format given the ongoing COVID-19 pandemic.

Congratulations Ian on these nominations!

The Luna series is published in the UK by Gollancz (covers below), in North America by Tor Books (covers above), and in a growing number of translated editions around the world.

Here’s the synopsis for MOON RISING

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here are just a few of the great reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

LUNA: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

Lavie Tidhar’s BY FORCE ALONE now available in audio!


Lavie Tidhar‘s latest critically-acclaimed novel, BY FORCE ALONE is now available as an audiobook! Published by Jammer/W. F. Howes, and narrated by Toby Longworth, here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table, but they don’t know sh*t. There was never a painting that showed the true Britain, that clogged sewer Rome abandoned just as soon as it could. A Britain where petty warlords murdered each other in the mud, while all the while the Angles and Saxons and worst of all the Jutes, were coming over here and taking our lands and taking our jobs and taking our women.

You want to know the truth? Are you sure you can handle the truth? Arthur? An over-promoted gangster, in thrall to that eldritch parasite, Merlin. Excalibur? A shady deal with a watery arms dealer. The Grail Quest? Have you no idea about the aliens and the radioactive blight? Well, you’d better read this then.

The print and eBook editions of the novel are published by Head of Zeus in the UK (out now) and Tor Books in North America (due out in August 2020).

Here is just a small selection of the aforementioned critical acclaim the novel has received already…

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’ — Daryl Gregory

‘Tidhar turns King Arthur’s court into a gangster’s paradise, full of wheelings and dealings, and true grit. If the tale didn’t go down like this, it should have.’ — Silvia Moreno-Garcia

‘Lavie Tidhar has created something wonderful, and extraordinary blend of history, legend, and sheer, lunatic inspiration. I loved it.’ — Christopher Farnsworth

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’ — SFX (4.5*/5)

‘A violent, funny, absurd epic – Tidhar remains an utterly original voice in contemporary fiction.’ — Daniel Polansky

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Lavie Tidhar has built a career out of not playing it safe. Over the last decade he has written bold, provocative novels… with a flair for metafiction and inspired by the pulps (both hard-boiled and genre)… given the political nature of his work, it’s not entirely surprising that he would shift his focus to the question of nationalism and Brexit… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… For all its foul language and radical deconstruction, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), BY FORCE ALONE isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets – Robert Wace, Chretien de Troyes, Wolfram von Eschenbach, and Thomas Mallory (just to name a few) – who took their turn in adapting and refining Monmouth’s text… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’ — Guardian