Lavie Tidhar‘s CENTRAL STATION will soon be available in Poland! Published by Zysk i S-Ka as STACJA CENTRALNA, here’s the synopsis…
U podstawy kosmoportu “Stacji Centralnej”, powstałego w przyszłościowym mieście na pograniczu między izraelskim Tel Awiwem a arabską Jaffą, zamieszkało ćwierć miliona ludzi. Rozmaite kultury zderzają się tu ze sobą, w świecie realnym i wirtualnym.
Ludzi, maszyny i Innych łączy ze sobą strumień cyfrowej świadomości. Życie może być tanie, ale dane są tańsze…
Gdy Boris Chong z oporami wraca do Tel Awiwu z Marsa, zastaje tu całkowity chaos. Jego była kochanka wychowuje dziwnie znajome dziecko, które potrafi jednym dotknięciem palca podłączyć się do strumienia danych umysłu. Jego ojciec dał początek wielopokoleniowej zarazie umysłowej i choruje na przeciążenie pamięci. Jego podróżująca po kosmosie kuzynka zakochała się w robotniku, żołnierzu-cyborgu. A nieobliczalna kobieta będąca wampirem danych podążyła za nim do domu…
Nad tym wszystkim góruje Stacja Centralna, stanowiąca połączenie między nieustannie się zmieniającym Tel Awiwem, ogromnym światem wirtualnym oraz koloniami kosmicznymi, do których przenieśli się ludzie uciekający przed nędzą i wojną. A wszystko to łączą ze sobą Inni, obce jestestwa, których nieustannie zmieniający się strumień świadomości stanął na progu fundamentalnej zmiany.
CENTRAL STATION, which is a finalist for both the Arthur C. Clarke Award and John W. Campbell Award, is published by Tachyon Publications. Here’s the English-language synopsis…
A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.
When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.
Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.
At Central Station, humans and machines continue to adapt, thrive… and even evolve.
The Tachyon cover, below, won the British Science Fiction Award for Best Cover 2016. The artwork and design are by Sarah Anne Langton.
‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)
‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR
‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus
‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)
‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst