We’re very happy to report that a few titles by our clients are on the ballots for the 2023 Dragon Awards! The ballots were announced by Locus Magazine a few days ago.
Lavie Tidhar‘s NEOM is a finalist for Best Science Fiction novel. The second novel set in the author’s Central Station universe, it’s published by Tachyon Publishing. Here’s the synopsis…
Today, Neom is a utopian dream — a megacity of the future yet to be built in the Saudi desert. In this deeply imaginative novel from the award-winning universe of Central Station, far-future Neom is already old. Sentient machines roam the desert searching for purpose, works of art can be more deadly than weapons, and the spark of a long-overdue revolution is in the wind. Only the rekindling of an impossible love affair may slow the inevitable sands of time.
The city known as Neom is many things to many beings, human or otherwise. It is a tech wonderland for the rich and beautiful, an urban sprawl along the Red Sea, and a port of call between Earth and the stars.
In the desert, young orphan Elias has joined a caravan, hoping to earn his passage off-world. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.
In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business. Just one robot can change a city’s destiny with a single rose—especially when that robot is in search of lost love.
Lavie Tidhar’s newest lushly immersive novel, Neom, which includes a guide to the Central Station universe, is at turns gritty, comedic, transportive, and fascinatingly plausible.
Silvia Moreno-Garcia‘s THE DAUGHTER OF DOCTOR MOREAU is also a finalist for Best Science Fiction novel. Published in the UK by Jo Fletcher Books, here’s the synopsis…
A dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.
Carlota Moreau: A young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula, the only daughter of a genius – or a madman.
Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol, an outcast who assists Dr Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas with plentiful coffers.
The hybrids: The fruits of the Doctor’s labour, destined to blindly obey their creator while they remain in the shadows, are a motley group of part-human, part-animal monstrosities.
All of them are living in a perfectly balanced and static world which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron – who will, unwittingly, begin a dangerous chain-reaction.
For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle passions may ignite.
Brandon Sanderson‘s TRESS OF THE EMERALD SEA is a finalist for Best Fantasy novel. The first of the author’s Secret Projects books (as well as a story set in the author’s Cosmere), it’s published in the UK by Gollancz. Here’s the synopsis…
Brandon Sanderson brings us deeper into the Cosmere Universe with a standalone adventure that will appeal to fans of The Princess Bride.
The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?
Zeno represents Silvia Moreno-Garcia and Brandon Sanderson in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.