October News Round-Up…


Posting to the agency web site has been sporadic of late, entirely down to time constraints. Aside from the aftermath of Worldcon, there has been the Frankfurt Book Fair, the processing of the bi-annual royalties (a tough job, but the one of the reasons we’re here, I guess!) prep for this year’s World Fantasy Convention (in Columbus, OH) and a subsequent week of meetings in NYC and the fact that we’ve been to a number of rather nice parties! That said, here’s a little news…

  • Angry Robot have revealed this gorgeous David Frankland cover for Lavie Tidhar’s forthcoming novel, CAMERA OBSCURA, the follow-up to his Steampunk romp, THE BOOKMAN, due for release next May, and about which they say ‘ In this one we meet Milady de Winter, investigating some murders in, of all places, the Rue Morgue. (Why yes, that does sound strangely familiar…) As she dives deeper into Parisian society, it seems everyone knows who did it except her… and the real question is not who, but why? Her search for answers will take her to the far side of the world, and beyond.’
  • And THE BOOKMAN has just sold to Rani Graff at Graff Publishing in Israel.
  • Lavie’s CLOUD PERMUTATIONS, published by PS Publishing has been receiving some nice coverage and we’ve just done a deal with Peter Crowther at PS for a new Tidhar collection – more news on this anon.
  • And whilst we’re patting him on the back, congrats to Lavie for being winning the Last Drink Bird Head award for International Activism… follow that link to find out more.

And we’ve a couple of other Angry Robot covers to show off here – on the left is Colin Harvey‘s DAMAGE TIME, a seat of the pants, SF thriller from the author of WINTER’S SONG. This new one by Colin has just been released by AR and in a recent Guardian review was described thus by Eric Brown ‘The strength of the novel lies not only in the depiction of a detailed future of hardship and privation, but in the expert characterisation of [protagonist] Shah: a lone figure whose origins leave him open to prejudice within the police department, and whose problematic relationship with an intersexual courtesan reveals his own deep-seated prejudices.

And to the right, we’ve the cover for POINT by Thomas Blackthorn (a.k.a John Meaney), not due out until Feb 2011 and which looks rather splendid when placed next to EDGE, the first Blackthorn novel. Swapping identities and publishers for a moment, John reports he has just completed the second Ragnarok novel for Simon Spanton at Gollancz… more on that in due course.

Reviews for THE DERVISH HOUSE…


… are starting to appear and they’re universally glowing.

  • The Wertzone calls it ‘…a fascinating, thought-provoking, challenging and engrossing novel
  • SFrevu draws our attention to ‘…the pure luxurious enjoyment of the prose, the setting, the characters. And let’s not forget about the lavish descriptions of Istanbul itself. We see all of Istanbul’s faces – the once grand city at the crossroads between East and West, the still grand city that is now part of Europe. But we also see the poverty, we can feel the oppressive heat baking down on us, the dust of too many feet on old streets caught in our throats. The city is alive, vibrant, dangerous, beautiful and mysterious with many faces for its inhabitants.
  • Pat’s Fantasy Hotlist says ‘The Dervish House is without a doubt [McDonald’s] best and most accessible science fiction novel to date. And to put it simply, it just blew my mind. Believe me, I did try to find some shortcomings and facets that left a little to be desired. All to no avail, of course. The Dervish House is about as good as it gets, folks. McDonald’s past novels had already set the bar rather high, no question. But this one, at least for me, is as close to perfection as a book can get.
  • And what about this one over at Astro Guyz? ‘…MacDonald is an expert wordsmith and raises the bar in the Sci-Fi genre to a whole new plateau.’
  • And over on the Pyr Blog, a fine quote from Booklist, ‘…McDonald takes the history of Istanbul, both real and imagined, and forges a multi-faceted and fascinating character out of the city itself; then he adds in the experiences of six people whose lives are about to intersect in the most unexpected ways. …McDonald creates a magnificent knot of intrigue, thrills, and daring adventures, with the flair for character and setting that make his tales so satisfying to indulge in.’

And THE DERVISH HOUSE hasn’t even been released yet! Fingers crossed for more rave reviews to come. Watch this space!

the pure luxurious enjoyment of the prose, the setting, the characters. And let’s not forget about the lavish descriptions of Istanbul itself. We see all of Istanbul’s faces – the once grand city at the crossroads between East and West, the still grand city that is now part of Europe. But we also see the poverty, we can feel the oppressive heat baking down on us, the dust of too many feet on old streets caught in our throats. The city is alive, vibrant, dangerous, beautiful and mysterious with many faces for its inhabitants.

Ian McDonald Podcast…


The publication of THE DERVISH HOUSE draws near both here in the UK (Gollancz) and in the US (Pyr) and there is quite a buzz developing around this forthcoming Ian McDonald masterpiece.

Over at the Pyr-o-mania Blog, Lou Anders points folks to the Small World Podcast, where Ian can be heard talking about THE DERVISH HOUSE.  Check it out!

The Dervish House combines Islamic mysticism, political and economic intrigue, a terrorist threat, and a nanotechnology with the potential to transform every human on the planet. The Dervish House takes place in Istanbul in 2027. The Dervish House is seven days, six characters, three interconnected story strands, one central common core—the eponymous dervish house, that pins all these players together in a weave of intrigue, conflict, drama, and a ticking clock of a thriller.

In The Post Today…


Proof copies of the forthcoming Gollancz edition of Ian McDonald’s staggeringly brilliant new novel THE DERVISH HOUSE to be published in late July…

In the CHAGA novels McDonald brought an Africa in the grip of a bizarre ailien invasion to life, in RIVER OF GODS he painted a rich portrait of India in 2047, in BRASYL he looked at different Brazils, past present and future. Ian McDonald has found reknown at the cutting adge of a movement to take SF away from its British and American white roots and out into the rich cultures of the world. THE DERVISH HOUSE continues that journey and centres on Istanbul in 2025. Turkey is part of Europe but sited on the edge, it is an Islamic country that looks to the West. THE DERVISH HOUSE is the story of the families that live in and around its titular house, it is at once a rich mosaic of Islamic life in the new century and telling novel of future possibilities.’

… and as if that wasn’t enough, we also received today two copies of US the mass market edition of Freda Warrington‘s ELFLAND, published by Tor with a cover rosette that loudly and proudly advertsises the fact that the book is the winner of the RT Book Reviews Reviewers’ Choice Award for Best fantasy Novel of 2009. Congratulations to Freda!

This dreamlike, nuanced and sensual novel is reminiscent of the best of early Charles de Lint and is compulsively readable. Rose is a memorable, unique and wholly sympathetic protagonist, and the supporting cast is equally well drawn. The story of Rose and Sam is compelling, enchanting and utterly enthralling. This is simply one of the best fantasy novels of the year.’ — RT Book Reviews

Cyberabad Days wins Special Citation at PKD Awards…


Ian MacDonald’s superb short story collection CYBERABAD DAYS has won the judges ‘Special Citation’ at this years Philip K. Dick Awards, effectively placing it as runner up to the winning book, C. L. Anderson’s BITTER ANGEL (Bantam Spectra).

The prize is awarded annually for the most distinguished original science fiction paperback published for the first time during the previous year in the U.S.A and Ian was on hand to receive his citation, which was presented at Norwestcon 2010 in Seattle. (See here for Ian’s short blog post on the subject).

Ian previously won the award in 1992 for KING OF MORNING, QUEEN OF DAY and his novel SCISSORS CUT PAPER WRAPS STONE, was nominated in 1995.

CYBERABAD DAYS is published in the UK by Gollancz and in the US by Pyr. Congratulations to all involved.

Cyberabad Days Nominated…


The LOCUS Index to SF Awards proudly lists Ian McDonald as the winner of  “1 Hugo, 1 Sturgeon, 1 Philip K. Dick Award, 1 Locus Award, 4 British SF Awards, 2 Kurd Laáwitz”. Not a bad clutch of gongs by anyone’s standards, eh?

We’re delighted to report that we’ve just got word that Ian’s recent short story collection CYBERADBAD DAYS is one of seven works to be shortlisted for this year’s Philip K. Dick Award,  the prize to be awarded at Norwestcon 33 in April and one which he has, of course, won previously back in 1992 for his novel KING OF MORNING, QUEEN OF DAY.

CYBERABAD DAYS is published in the UK by Gollancz and in the US by Pyr.

All in all, Cyberabad Days is a terrific book and a satisfying return to the world of River of Gods. Ian McDonald is a genius, pure and simple.” — PAT’S FANTASY HOTLIST

McDonald’s India engulfs you with an overwhelming, perfumed, stinky embrace. A hugely impressive collection. Seven nifty, witty stories.” — Dave Langford in SFX

McDonald’s Cyberabad Days on Boing Boing…


Boing Boing – one of the finest, most popular and in my opinion, influential Internet sites around today posted a feature by Cory Doctorow on Ian McDonald and his recently published collection Cyberabad Days

Ian McDonald is one of science fiction’s finest working writers, and his latest short story collection Cyberabad Days, is the kind of book that showcases exactly what science fiction is for.

Read the full article here.

Ian McDonald on Cyberabad Days


Scifi Wire has an exclusive and in-depth interview with Ian McDonald following the US release of his new story collection Cyberabad Days

cyberad-days-us-thumbThe title Cyberabad Days is a deliberate echo of the Arabian Nights. The stories are fairy tales of New Delhi. River was an Indian—novel, fat, many-voiced, wide-screen; Cyberabad Days is tales. Mumbai movies tell stories in ways that challenge our Western aesthetics and values. They’re not afraid of sentiment, they’re not afraid of big acting, or putting in song and dance, because Bollywood cinema’s not supposed to be a mimetic art form. It’s not about realism—that most pernicious of Western values—it’s a show. I wanted these stories to have a similar feel. There are dance routines in the ‘The Djinn’s Wife’ (and it ends in a Bollywood melodrama bloodbath). There are indeed princesses who fall from power and exact revenge on their enemies. There are brothers whose feud plays out over decades.

Read the full article here.

Ian McDonald interviewed on BBC online


Ian McDonald reflects on the digital doppelgangers that our growing use of the net is bringing about…

river-of-gods-thumbI’m in bits. Pieces of me are all over the place.

My history is on Wikipedia, my photos are on Flickr, my petty rants are on Livejournal, my indiscretions are on Facebook, my globetrotting is stored on half a dozen travel sites, my likes and dislikes profiled and my reading recorded on Amazon.

And I’m a part-time mage in World of Warcraft. Well, I’m not. But it might be fun. More fun than Second Life, where I could be some tedious avatar and hang with boring people.’

Ian McDonald’s “The Tear” novella…


… is to be reprinted in Rich Horton’s Science Fiction: The Best of the Year, 2009 Edition, due to be published by Wildside Press in the new year. The Tear appeared originally in Galatic Empires, an anthology of original stories edited by Gardner Dozois for the Science Fiction Book Club and was roundly applauded by the reviewing community and blogger alike, with one commentator on the Asimov’s discussion forum stating “Ian McDonald’s THE TEAR (in Galactic Empires) is astonishing. Bewildering. The first pure sunsawunda story I’ve read this year. Pure Space Opera. Pure SF. Enough ideas for a whole tetralogy. I feel dizzy. Not because I drank a tear of two of pure malt. Because I drank a tear of McDonald.

Look out for The Tear on genre awards shortlists over the next few months!