Ian McDonald and Roger Zelazny Get New Italian Editions


Italian publisher Urania is celebrating their 70th anniversary publishing great science fiction. To celebrate, the publisher has paired up with Corriere della Sera and La Gazzetta dello Sport to release a selection of 25 notable titles. We’re very happy to report that included in this selection are Ian McDonald‘s THE BROKEN LAND and Roger Zelazny‘s TO DIE IN ITALBAR!

Both books have new covers by Franco Brambilla. Read on for some more details about each book.

Ian McDonald‘s THE BROKEN LAND is published in Italy as LA TERRA INFRANTA. Here’s the synopsis…

Siamo in un futuro lontano, sulla Terra. Il villaggio di Chepsenyt è un’enclave pacifica e autosufficiente i cui residenti vivono in armonia con la natura attraverso le loro conoscenze di ingegneria genetica. Ma quando le truppe dell’Impero scoprono che tra la popolazione si celano dei ribelli, il villaggio viene dato alle fiamme e gli abitanti si disperdono. Da qui parte il doloroso viaggio della giovane Mathembe Fileli verso l’età adulta, per sopravvivere e ritrovare la propria famiglia.

The novel is published in English by JABberwocky. Here’s the English-language synopsis…

Grandfather was a tree, Father grew trux, in fifteen colours. Mother could sing the double-helix song, sing it right into the hearts of living things and change them…

The Land is a living, breathing, sentient world, where careful skills and talent can manipulate its very substance into a myriad different shapes and forms.

This is the world in which Mathembe Fileli grows up, until the conflicts tearing her country apart shatter her village, her home and her family and scatter them to the four winds. Can Mathembe reunite her family in a world full of angels, talking trees, squalor and glory?

Urania have published a number of Ian’s other books in Italy: the Luna series, the India 2047 series, and the Everness trilogy. You can find out more about them here.

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Roger Zelazny‘s TO DIE IN ITALBAR is the second novel in the author’s Francis Sandow duology — the first is ISLE OF THE DEAD (1969). TO DIE IN ITALBAR is published in Italy as MORIRE A ITALBAR. Here’s the synopsis…

«Il sentiero era la sua vita. Le tombe, il simbolo delle centinaia, no, forse migliaia, di morti che si era lasciati indietro. Al suo tocco gli uomini morivano. Il suo alito appassiva intere città. Dove arrivava la sua ombra, talvolta non rimaneva nulla. Pure, era suo potere vincere le malattie. E proprio adesso arrancava faticosamente con questa intenzione. Era conosciuto per questo, anche se solo con il nome H.»

Questo romanzo è stato definito un’avventura assurda: personaggi vividi, un ritmo veloce ed emozioni forti sono scaturiti dalla fertile immaginazione di Roger Zelazny.

TO DIE IN ITALBAR was first published in 1971. Here’s the English-language synopsis…

The Walker in the Valley of the Shadow

H was the name he was known by. H was unique in the galaxy, for he had the healing touch. Where there was plague, sickness, pain, H was the universal cure.

But H also had the slaying touch. Where he went death and disaster often followed. Where there had been health there would be left desolation and desert.

The talent alternated. It reversed itself — and H always warned people of this. To live in Italbar or TO DIE IN ITALBAR, that was always the question.

Three other novels by Zelazny are published by Urania: THE DREAM MASTER, EYE OF CAT, DAMNATION ALLEY; and the publisher has also released DOPPIA DIMENSIONE, which is an anthology including HOME IS THE HANGMAN and HE WHO SHAPES.

Ian McDonald’s THE BROKEN LAND out now in Italy!


Ian McDonald‘s acclaimed, classic novel THE BROKEN LAND is now available in Italy! Published by Urania/Mondadori as LA TERRA INFRANTA, here’s the synopsis…

Suo nonno era un albero.
Suo padre allevava boveicoli, in quindici colori diversi.
Sua madre conosceva il canto della doppia elica, lo cantava dritto nel cuore degli esseri viventi e li trasformava.

Fin dal suo incipit, “La Terra infranta”, romanzo stand alone dalla penna straordinaria di Ian McDonald, ci fa assaporare la visione del mondo della protagonista, Mathembe Fileli.

Nata e cresciuta nel villaggio di Chepsenyt, sulla Terra di un futuro lontano, Mathembe è circondata da persone che hanno imparato a vivere in armonia con la natura, grazie ad avanzatissime conoscenze di ingegneria genetica, e in un perfetto equilibrio fra le differenti religioni, credenze e culture dell’umanità.

Purtroppo, questa enclave armoniosa si trova ai bordi dell’Impero Oltre il Fiume, che di pacifico ha ben poco, e quando le truppe dell’Impero scopriranno che i suoi abitanti nascondono dei ribelli, il villaggio verrà dato alle fiamme.

Mathembe, vittima di una violenta oppressione politica e religiosa, si ritroverà suo malgrado ad allungare le file dei profughi, e dovrà imparare a lottare per sopravvivere e per ritrovare la sua famiglia.

First published in 1992, the novel is now available in the UK and US as an eBook, published by JABberwocky. Here’s the English-language synopsis…

Grandfather was a tree, Father grew trux, in fifteen colours. Mother could sing the double-helix song, sing it right into the hearts of living things and change them…

The Land is a living, breathing, sentient world, where careful skills and talent can manipulate its very substance into a myriad different shapes and forms.

This is the world in which Mathembe Fileli grows up, until the conflicts tearing her country apart shatter her village, her home and her family and scatter them to the four winds. Can Mathembe reunite her family in a world full of angels, talking trees, squalor and glory?

Here are just a few reviews the novel has received…

‘Inventive and often effective drama, but dense and oppressive, with the dark and anguished backdrop looming above the characters; and the ending bleakly acknowledges that, in terms of today’s troubles, nothing much can be done.’ — Kirkus

‘[The] world is a captivating one with its rampant biotechnology and passionate characters. But McDonald…, a lifelong resident of Belfast, also succeeds in presenting the religious and national conflict of an Ireland that still knows no respite from bloodshed.’ — Publishers Weekly

‘Ian McDonald takes on all the atrocity and strife of the 20th Century, radically displaces it, and dares to envision a means of change. It’s a brilliant achievement.’ — Locus

‘At once disturbing and beautiful . . . superbly realized.’ — The Times