New Polish Edition of Ian McDonald’s DESOLATION ROAD and ARES EXPRESS!


We’re very happy to report that there’s a new Polish omnibus edition available, collecting Ian McDonald‘s acclaimed Desolation Road series! DROGA BEZ ZNACZENIA / EKSPRES ARES collects both novels in the duology (DESOLATION ROAD and ARES EXPRESS), and is published by MAG as part of their Artefakty collection. The novels have been translated by Wojciech Próchniewicz.

Here’s the synopsis…

Droga bez znaczenia

To wszystko zaczęło się trzydzieści lat temu na Marsie, od zielonej osoby. I zanim dobiegło końca, miasteczko Droga Bez Znaczenia przeżyło wszystkie wyobrażalne anomalie, począwszy od Objazdowej Edukacyjno-Rozrywkowej Ekstrawagancji Adama Blacka (z prawdziwym aniołem w klatce do kompletu) aż po Niesamowity Powietrzny Bazar Tatterdemalionów. Jego mieszkańcy stanowili pełen przekrój osobowości, od doktora Alimantanda, założyciela miasteczka i lokalnego geniusza, przez Babuszkę, bezpłodną staruszkę, która po prostu chciała mieć własne dziecko, wyhodowane w słoju na przetwory, przez Rajendrę Dasa, włóczęgę i gundę, mającego magiczną rękę do maszyn, aż po braci Gallacellich, identyczne trojaczki, które zakochały się — i poślubiły — tę samą kobietę.

Ekspres Ares

Akcja tej powieści rozgrywa się w kalejdoskopowej przyszłości Drogi Bez Znaczenia — na Marsie po terraformacji, gdzie termojądrowe lokomotywy kursują po sieci torów będącej planetarnym krwiobiegiem, a sztuczne inteligencje miliardy razy na sekundę rekonfigurują rzeczywistość. Pewna młoda kobieta, Sweetness Octave Glorious-Honeybun Asiim Maszynistka XII staje się osobą, od której zależy przyszłość — lub przyszłości — Marsa. Dzieje się tu z przytupem, awanturniczo, zabawnie, autor pożycza sobie Marsa Raya Bradbury’ego oraz nowsze, terraformowane Marsy Kima Stanleya Robinsona i Grega Beara, aby spleść z nich szaloną fantastykę połączoną z realizmem magicznym, pełną dziwacznych filozofii, niesamowitych, niespodziewanych pomysłów oraz wielkich jak miasta pociągów.

The first novel, DESOLATION ROAD was recently published as part of Gollancz’s SF Masterworks series. Both novels are also available via JABberwocky, in North America. Here’s the English-language synopsis for DESOLATION ROAD

It all started thirty years ago on Mars. By the time it was finished, the town of Desolation Road had been witness to every abnormality yet seen on the Red Planet. From Adam Black’s Wonderful Travelling Chautauqua and Educational ‘Stravaganza, to the Astounding Tatterdemalion Air Bazaar, nowhere else boasts such sights for the wandering lucky traveller.

Its inhabitants are just as storied. From Dr. Alimantando — founder and resident genius — to the Babooshka, a barren grandmother with a child grown in a fruit jar; from Rajendra Das, mechanical hobo whose way with machines bordered on the mystic, to the Gallacelli brothers, identical triplets who fell in love with – and married – the same woman.

There’s nowhere quite like Desolation Road. Once you go there, you may never be the same again.

Ian’s latest novel is the acclaimed stand-alone HOPELAND, which was published by Gollancz and Tor Books last week (UK and North America, respectively).

Ian R. MacLeod’s AETHER UNIVERSE Novels Available in Poland!


We’re very happy to announce that Ian R. MacLeod‘s acclaimed Aether Universe novels are available in Poland! Both novels — THE LIGHT AGES and THE HOUSE OF STORMS — are published by MAG, and out now. Read on for mored details.

THE LIGHT AGES (2003), the first novel in the series, was nominated for the World Fantasy Award, and was in third place for the Locus Award for Best Fantasy Novel. It is published in Poland as WIEKI ŚWIATŁA (cover above)…

Najwybitniejsze dzieło nowego nurtu New Weird. Powieść inspirowana m.in. „Klubem Pickwicka” rozgrywa się w XIX w. w industrialnej Anglii w środowisku lewicowego proletariatu.

Ian MacLeod w „Wieku Światła” pokazuje wpływ magii na rewolucję industrialną i na proces demokratyzacji systemu władzy. Tylko, że MacLeod odrzuca wszystkie ograniczenia konwencji gatunku i sprowadza swoją magię do postaci eteru – kopaliny wydobywanej z ziemi jak kolejny surowiec naturalny. Wszelkie mechanizmy zmian społeczno-ekonomiczno-politycznych poddane są wpływom wynikającym z posiadania, i nie-posiadania tego surowca. System załamuje się gdy złoża się wyczerpują i na moment znowu podlega prawom Historii, aż do odkrycia nowych źródeł eteru. Magia powraca i wszystko ponownie zamiera.

THE LIGHT AGES is published in the UK and North America by JABberwocky. Here’s the English-language synopsis…

Aether is industry, industry is magic and the Great Guilds rule the known world.

Raised amid the smokestacks, terraced houses and endless subterranean pounding of the aether engines of the Yorkshire town of Bracebridge, Robert Borrows is nevertheless convinced that life holds a greater destiny than merely working endless shifts for one of the Lesser Guilds. Then, on a day out with his mother to the strange gardens and weirdly encrusted towers of a remote mansion, he encounters a wizened changeling, and the young girl in her charge called Anna, and glimpses a world of wonder, mystery and surprise.

From then on, as he flees to London in the hope of escape and advancement, and explores its wide streets and dark alleys, and all the tiers of society from the lowest to the highest, he comes to realize that he holds the keys to secrets far bigger than even he imagined.

THE HOUSE OF STORMS, first published in 2005, is called DOM BURZ in Polish. Here’s the synopsis…

Mamy dziewięćdziesiąty dziewiąty rok Wieku Światła. Alice Meynell, wykorzystując wszystkie talenty pięknej kobiety oraz parę innych, bardziej tajemniczych, wywalczyła sobie tytuł arcycechmistrzyni Cechu Telegrafistów. Czyniła to wszystko z myślą o własnym rodzie – jednak jej jedyny syn, Ralph, od dzieciństwa cierpi na suchoty. Nie potrafią ich wyleczyć żadne znane w Europie lekarstwa, zaklęcia ani zabiegi.

W desperacji zawozi go do Invercombe na zachodnim wybrzeżu Anglii. Ma nadzieję, że Ralphowi pomoże ruch i czyste morskie powietrze. Lecz naprawdę pokłada mroczniejszą nadzieję w leżącej nieopodal, na odludziu, znanej niewielu krainie odmieńców: Einfell. Mieszka tam człowiek, który niegdyś ją kochał; teraz potwornie odmieniony przez magię. Alice odwiedza go i dobija targu o życie syna.

The second book in the series was also a contender for the Locus Award for Best Fantasy Novel. Also available in the UK and North America via JABberwocky, here’s the English-language synopsis…

In the ninety-ninth year of the Age of Light, Alice Meynell has fought her way up to Greatgrandmistress of the Guild of Telegraphers, and is determined not to let even the consumption which is ravaging her son stand in the way. What follows, through a long, hot summer in the great house of Invercombe overlooking the Bristol Channel, changes not only their lives but those of everyone in England, and perhaps the whole known world.

The House of Storms follows on from double World Fantasy Award-winner Ian R MacLeod’s The Light Ages in creating a vividly three-dimensional vision of a landscape and a society both very like, but also wonderfully different from, our own. Part fantasy and part history, and filled with compelling characters and a deep sense of place, the story he tells is uniquely powerful and strange.

Here, too, is a selection of reviews the series has received…

‘… this beautifully written, complex fantasy novel… With its strong character development and gritty, alternate London, this book won’t attract fans of Robert Jordan or Terry Goodkind, but should hold great appeal to readers who love the more sophisticated fantasy of Michael Swanwick, John Crowley or even China Miéville.’ — Publishers Weekly (Starred Review) on THE LIGHT AGES

‘MacLeod’s triumphs come in various ways. First of all is the depth and consistency and physicality of his creation. The 300-year-old world of aetherish England is palpably real, encrusted with hoary traditions, ancient legends (the tale of a redeemer figure known as Goldenwhite is particularly significant, for Anna’s career will parallel Goldenwhite’s) and odd customs. Yet strange and beautiful and resonant as all these counterfactual adornments are, they are perfectly balanced by the things in common with our world: social climbing, Oedipal longings, the allure of the big city for the rural youth. In other words, MacLeod has succeed in fusing Great Expectations (1861) or Look Homeward, Angel (1929) with Peake’s exoticism, producing a book that is at once real literature and real fantasy, betraying neither tradition.’ — SciFi.com on THE LIGHT AGES

‘MacLeod’s descriptive powers are so effective that you can visualize every detail… [He] skillfully incorporates literary influences ranging from William Blake to Dickens to 1984 and the working class novels of the 1950s—and arrives at something original. Magical, visionary and enthralling, THE LIGHT AGES is award-winning stuff.’ — SFX

‘Totally convincing and vividly written, this book invests the dark streets of London with a magic the reader will never forget… a brilliant writer.’ — Tim Powers on THE LIGHT AGES

‘… Ian R MacLeod, a seasoned, gritty writer with a great depth of knowledge and understanding, who could teach us all a thing or two about writing a damn good tale… characters are well developed and interesting and, more importantly, highly believable and real. To me it was JG Ballard meets Robert Fripp. Intelligent and yet not pretentious, well written but not academic… It is a plot that is like a journey on British Rail – fraught with perils and dangers, but eventually getting you there… The House of Storms will not win prizes because no prize could do it justice… It is a monumental work of science fiction far superior to Asimov. MacLeod is set to become a writer of the magnitude of Dickens or Tolkien, yet I fear his work will not be truly appreciated for a generation to come.’ — Guardian on THE HOUSE OF STORMS

‘Ian MacLeod writes like an angel. It’s as simple as that. He strings together ideally chosen words into sentences that are variously lush, sparse, subtle, bold, joyous, mournful, comic or tragic. These sentences mount into perfectly balanced paragraphs, which in turn assemble themselves into poised and dramatically organic chapters. The reader is carried along effortlessly on the flow of MacLeod’s prose, internalizing his vision as if in a dream.’ — SciFi.com on THE HOUSE OF STORMS

‘MacLeod’s ability to tell a tale that blends history-in-the-making with the stories of men and women who make that history renders this chronicle of love, war, and human aspiration a strong addition to any fantasy collection.’ — Library Journal on THE HOUSE OF STORMS

‘In the end, as compelling as the plot may be, readers will find themselves slowing down, holding back, turning the pages with deliberate care. For the world MacLeod creates, the characters who live there, the schemes and terrors they find themselves involved in are so real, so beautifully rendered, that readers will not want to leave them behind.’ — Interzone on THE HOUSE OF STORMS

Ian McDonald’s THE DERVISH HOUSE Turns 10!


Ten years ago today, Ian McDonald‘s highly-acclaimed, award-winning THE DERVISH HOUSE was first published in the UK! Published by Gollancz, here’s the synopsis…

In the CHAGA novels Ian McDonald brought an Africa in the grip of a bizarre alien invasion to life, in RIVER OF GODS he painted a rich portrait of India in 2047, in BRASYL he looked at different Brazils, past present and future. Ian McDonald has found renown at the cutting edge of a movement to take SF away from its British and American white roots and out into the rich cultures of the world.

THE DERVISH HOUSE continues that journey and centres on Istanbul in 2025. Turkey is part of Europe but sited on the edge, it is an Islamic country that looks to the West. THE DERVISH HOUSE is the story of the families that live in and around its titular house, it is at once a rich mosaic of Islamic life in the new century and a telling novel of future possibilities.

The novel has racked up a number of great awards and commendations since its release. For example…

  • John W. Campbell Memorial Award, Winner (2011)
  • BSFA Award, Best Novel Winner (2011)
  • SF Site Readers Poll, SF/Fantasy Novel, Winner (2011)
  • Seiun Award, Translated Novel, Nominee (2015)
  • Hugo Award, Best Novel Nominee (2011)
  • Arthur C. Clark Award, Shortlist (2011)
  • Locus Award, Best SF Novel, 3rd Place (2011)

In addition to UK and North American editions (Pyr Books originally, now available via JABberwocky), the novel has been published quite widely in translation, with editions appearing in Turkey (Pegasus), Poland (MAG), France (Denoël/Gallimard), Hungary (Ad Astra), Bosnia (Paladin), Russia (ACT), Japan (東京創元社), and Bulgaria (Altera)! It is also available as an audiobook. Here are the covers…

And, finally, here are just a few of the great reviews the novel has received since it was first published…

‘… a writer with an unerring instinct for finding resonance between theme and location… a rich and assured novel that, like much of Ken MacLeod’s recent work, revels in the shiny precision of the airport tech-thriller, yet insists on putting forward disquieting ideas rather than offering all-too-neat reassurances that you can somehow put escaped djinns back in bottles. This is as good as contemporary literary SF gets.’ SFX (5* Review)

‘I know what to expect from Ian McDonald: broad vistas, intricately imagined futures, poetic language that transports and delights, a blend of mysticism and science that thrills and moves. But no matter how much foreknowledge I bring to a new Ian McDonald, I am always, always startled and thrilled by the exciting, moving epic story I find inside… To read McDonald is to fall in love with a place and to become drunk with it (see this free sample from Dervish House for a taste). I you’ve never read him, you’re in for a treat. If you’re a fan like me, you’ll be delighted anew. What a wonderful, wonderful book.’ BoingBoing

‘[T]hrilling… A master in his own right, McDonald has written some of the best SF of the last fifteen years… a mosaic of a story that can be admired for its finely-wrought pieces but not fully appreciated until the book is finished and looked at again from some distance. The biggest part of the thrill is wondering how the characters will inevitably intersect… As much as THE DERVISH HOUSE is about biogenetics and history, McDonald couches some of his lushest prose in explorations of mysticism… McDonald, who is a native of Scotland, has an uncanny ability to write about other cultures authentically. He is a painstaking researcher and while he cannot always write with absolute authority, his dedication to making settings and characters feel alive is incredibly impressive… Ian McDonald has crafted a gorgeously lush novel, oozing with exciting, relevant ideas, a love letter to the Queen of Cities, to all cities, really.’ Tor.com

‘A lush, complex and hugely entertaining novel.’ Guardian

‘… Istanbul, the Queen of Cities, and the setting for Ian McDonald’s near-future story of terrorism, nanotechnology and change rushing over us like a tidal wave of strangeness. Like his novels about the future of Indian, African and Brazilian society, McDonald’s new book is a conscientious attempt to write the Other from the inside and accept the possibility that the Anglo world may be a sideline… a brilliant, jewelled machine of a novel in which lives trigger events in other lives, in a sequence that skirts chaos and disaster, but ends with gorgeous order.’ Independent

‘Those who have previously enjoyed McDonald’s narrative style will find a great deal to like in THE DERVISH HOUSE… McDonald’s writing has been steadily improving in terms of its lyrical and descriptive quality over the years, and it seems his recent foray into short stories with CYBERABAD DAYS has helped his focus and tightness. Several passages shine with literary flow and power… McDonald keeps his story fresh with every chapter and its flickering viewpoints, giving a series of snapshots that come together to form a panorama of his world. THE DERVISH HOUSE is an excellent sci-fi tale from a phenomenal writer, one who deserves every plaudit that can be heaped upon him. Those who appreciate slow-burning, dense and creative genre work should get this book now.’  —  SciFiNow

‘If you only read one SF book this year… make sure it’s Ian McDonald’s THE DERVISH HOUSE… I wish I’d written this!!! … It’s too bloody good for comfort… THE DERVISH HOUSE takes the expansive cultural mosaic of  RIVER OF GODS, multiplies it by the driving Latin beat and teetering sense of jeopardy in BRASYL, and gives you a novel that is his best yet by a whole new order of imaginative and sensuous magnitude… I cannot recommend it highly enough.’ Richard K. Morgan (author of Altered Carbon and The Steel Remains)

‘[I]n THE DERVISH HOUSE, aspects of the geography, socioeconomic, religious and political groups do come alive – perhaps not as full characters, but as not-quite separate personalities within Istanbul – a city suffering and celebrating its multiple personalities… McDonald’s tried and true strategy of exploring the people of emerging economies in combination with the implications of technology on society in a near-future setting succeeds once again… It’s at times powerful, informative, and fun and another example of science fiction alive in our world.’ NethSpace

‘[B]uilds on the complex, multi-layered narratives that McDonald has already produced in RIVER OF GODS and BRASYL. Like them, the very richness of the bustling world, the differing ways in which a range of characters intersect with the world, makes for a convincing portrait of the near future. In both those earlier novels, the past is the foundation upon which the future has been built, but the new novel goes further, because here the past is inescapable and the future perhaps unreachable. You feel that ten or so years from now, Istanbul could be just the way it is described here. The most important thing, though, is that as a kaleidoscopic portrait of that place at that time, THE DERVISH HOUSE is a very fine, very powerful novel indeed.’ SF Site

‘[A] beautiful homage to one of most unique cities on earth… Nominated for the Hugo Award last week, THE DERVISH HOUSE is a worthy addition to that tradition. It is certainly one of the best novels I read in 2010. McDonald asks a lot his readers, but he rewards them with a beautiful novel that I believe will appeal to traditional readers in some ways more than lovers of genre fiction.’ Staffer’s Book Review

‘[A]n audacious look at the shift in the power centers of the world and an intense vision of one possible future.’ New York Times

Ian McDonald’s LUNA: WSCHÓD is out now!


MOON RISING, the third novel in Ian McDonald‘s acclaimed, award-nominated Luna series is now available in Poland! Published by MAG as LUNA: WSCHÓD, here’s the synopsis…

Trylogia Luna McDonalda, do której prawa ekranizacji za ogromną sumę zakupiła telewizja CBS, dawno została uznana za jeden z najbardziej ekscytujących i ważnych cykli SF ostatniej dekady. Jest dla nowego pokolenia czymś w rodzaju trylogii marsjańskiej Kima Stanleya Robinsona. To idealna fantastyka dla fanów Grawitacji i Marsjanina szukających czegoś o szerszej perspektywie i większej skali.

Rodziny księżycowych Pięciu Smoków przypominają nieco mafijne rody z Ojca Chrzestnego. Kontrolują bogate surowce Księżyca i pogrążeni są w nieskończonej i brutalnej walce o dominację nad nimi. Nagle pokój, który panował na skolonizowanym Księżycu zaczyna się sypać. Którzy następcy tronu Pięciu Smoków zyskają hegemonię? A może ostatecznym zwycięzcą okaże się sam Księżyc, z jego surową próżnią, morderczym mrozem i ostrym promieniowaniem?

MAG has also published the first two novels in the series, NEW MOON and WOLF MOON, as LUNA: NÓW and LUNA: WILCZA PEŁNIA.

The series is published in the UK by Gollancz, and in North America by Tor Books. Here’s the English-language synopsis…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Tor.com has also published a prequel novella, THE MENACE FROM FARSIDE, which is out now.

Here are just a few reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR

Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com

‘Fans of cerebral, high-concept science fiction will love this exploration of society on the moon many decades after it has been colonized. The focus is more on concept and plot than on character, but the former are compelling enough to make this an addictive page-turner. Including the stories of many characters gives the reader important insights into different facets of society, and although the book starts at a slow pace, it accelerates into a mesmerizing political thriller.’ — RT Book Reviews

The way that Ian McDonald flawlessly adapts his writing to the relevant culture and country at hand is ingenious, and he showcases this perfectly in his much-lauded previous work. In LUNA: NEW MOON though, McDonald has clearly perfected this skill… McDonald certainly shows off the well-developed Cortas to illustrate his knack for creating dynamic human relationships that encompass the whole Moon… LUNA: NEW MOON is a world that has been intricately woven together by its author. It’s compelling and thought-provoking, and all without relying on overbearing sci-fi clichés. Brilliantly done.’ — SciFiNow

Ian McDonald’s THE DERVISH HOUSE and CYBERABAD DAYS reissued in Poland


This week, MAG re-issues Ian McDonald‘s critically-acclaimed THE DERVISH HOUSE and CYBERABAD DAYS in Poland! Published as an omnibus edition colleting DOM DERWISZY and DNI CYBERABADU, here are the synopses for the two novels…

DOM DERWISZY

Minela pora modlitwy, ale pora pieniedzy — jeszcze nie.

Stambul, Królowa Miast, budzi sie z krzykiem.

W halasie budzacego sie miasta wybuch przechodzi niemal niezauwazony. Gluchy trzask. Potem cisza.

W sennej dzielnicy Eskiköy stoi dawny dom wirujacych derwiszy Mistrza Adema. W ciagu pieciodniowej fali upalów w Stambule, zycie szesciorga bohaterów splata sie w historie o korporacyjnych knowaniach i machinacjach, islamskim mistycyzmie, intrydze politycznej i gospodarczej, tajemnicach dawnego imperium osmanskiego, nowym, przerazajacym zagrozeniu terrorystycznym oraz nanotechnologii mogacej potencjalnie odmienic zycie wszystkich mieszkanców Ziemi.

DNI CYBERABADU

Zbiór nadzwyczajnych opowiadan osadzonych w Indiach przyszlosci Rzeki bogów.

Rzeka Bogów Iana McDonalda, obwolana przez ,,Asimov’s Science Fiction” arcydzielem, chwalona przez ,,Washington Post” jako ,,wielkie osiagniecie autora, który staje sie wlasnie jednym z najwybitniejszych wspólczesnych powiesciopisarzy” – kreslila zywy obraz Indii w bliskiej przyszlosci, w stulecie niepodleglosci. Zrewolucjonizowala nowa generacje fantastyki, przyjmujac perspektywe, która nie byla ani europejska, ani amerykanska. Nominowano ja do nagród Hugo i Arthura C. Clarke’a, zdobyla nagrode BSFA; bogata sceneria tej powiesci zainspirowala McDonalda do ponownej wizyty – w serii opowiadan, których fabula takze odbywa sie w swiecie Rzeki Bogów.

Dni Cyberabadu to triumfalny powrót do Indii roku 2047, nowego, preznego supermocarstwa majacego póltora miliarda mieszkanców, w epoce sztucznych inteligencji, suszy wywolanej zmianami klimatycznymi, wojen o wode, osobliwych nowych plci, genetycznie ulepszonych dzieci, starzejacych sie dwukrotnie wolniej od zwyklych ludzi, i ludnosci, w której mezczyzn jest czterokrotnie wiecej niz kobiet. Same Indie rozpadly sie tu na kilkanascie panstw, od Kerali, po górne doplywy Gangesu w Himalajach.

Dni Cyberabadu to zbiór siedmiu opowiadan, wsród nich jedno nominowane do Hugo i jedno bedace zdobywca tej nagrody oraz osiemdziesieciostronicowa mikropowiesc.

Jak zwykle w przypadku utworów McDonalda, i o tej ksiazce bedzie sie w tym roku wiele mówic.

CYBERABAD DAYS is published in the UK by Gollancz, and available in the US via the JABberwocky eBook Program. Here’s the English-language synopsis…

The world: ‘Cyberabad’ is the India of 2047, a new, muscular superpower of one and a half billion people in an age of artificial intelligences, climate-change induced drought, water-wars, strange new genders, genetically improved children that age at half the rate of baseline humanity and a population where males out-number females four to one. India herself has fractured into a dozen states from Kerala to the headwaters of the Ganges in the Himalayas. Cyberabad is a collection of 7 stories:

The Little Goddess. Hugo nominee Best Novella 2006. In near future Nepal, a child-goddess discovers what lies on the other side of godhood.

The Djinn’s Wife. Hugo nominee and BSFA short fiction winner 2007

A minor Delhi celebrity falls in love with an artificial intelligence but is it a marriage of heaven and hell?

The Dust Assassin. Feuding Rajasthan water-rajas find that revenge is a slow, subtle process.

Jasbir and Sujay go Shaadi. Love and marriage should be plain-sailing when your matchmaker is a soap-star artificial intelligence

Sanjeev and Robotwallah. What happens to the boy-soldier roboteers when the war of Separation is over?

Kyle meets the River. A young American in Varanas learns the true meaning of ‘nation building’ in the early days of a new country.

Vishnu at the Cat Circus. A genetically improved ‘Brahmin’ child finds himself left behind as he grows through the final generation of humanity.

THE DERVISH HOUSE is also published in the UK by Gollancz, and available in the US as an eBook via the JABberwocky eBook Program. Here’s the English-language synopsis…

Welcome to the world of The Dervish House — the great, ancient, paradoxical city of Istanbul, divided like a human brain, in the great, ancient, equally paradoxical nation of Turkey. With a population pushing one hundred million, and Istanbul alone swollen to fifteen million, Turkey is the largest, most populous, and most diverse nation in the new Europe, but also one of the poorest and most socially divided. The Dervish House is seven days, six characters, and three interconnected story strands all woven around the common core of the old dervish house of Aden Dede. A terror attack, a vision of djinn, a commodities scam, a hunt for half a miniature Koran that holds the key to new technology, and a quest for a creature from Arabic legend — that may not be so legendary after all.

A RED SNOW falls on Poland…


Ian R. MacLeod‘s latest novel, RED SNOW, is now available in Poland! Published by MAG as CZERWONY ŚNIEG, here’s the synopsis…

Na pobojowisku po ostatniej wielkiej bitwie Wojny Secesyjnej rozczarowany życiem unionista-lekarz natrafia na obrabiającą trupy dziwną postać i jego życie zmienia się na zawsze…

W Strasburgu, parę lat przed Rewolucją Francuską, konserwator obrazów dostaje zlecenie namalowania cyklu portretów pięknej kobiety w różnych fazach jej życia, choć sama kobieta najwyraźniej się nie starzeje…

W Nowym Jorku z czasów prohibicji młoda marksistka pojawia się nagle wśród elit, w dodatku podszywając się pod osobę, która nigdy nie istniała…

Czerwony śnieg to powieść o miłości i krwi, o ideach i snach, a wszystko wiąże w całość tajemnicze stworzenie wywiedzione z najmroczniejszych przedwiecznych ludzkich mitów, które cudem przetrwało do dzisiejszych czasów, wciąż rośnie i wciąż zabija…

RED SNOW is also published by PS Publishing. The novel has been described as ‘a rich, beautifully written, deftly plotted vampire novel’ on Goodreads, and Locus said the novel ‘always manages to take us somewhere unexpected… by turns western adventure, Renaissance horror, political intrigue, dysfunctional family drama, and more.’ Here’s the English-language synopsis…

In the aftermath of the last great battle of the American Civil War, a disillusioned Union medic stumbles across a strange figure picking amid the corpses, and his life is changed forever…

In the cathedral city of Strasbourg in the years before the French Revolution, a church restorer is commissioned to paint a series of portraits that chart the changing appearance of a beautiful woman over the course of her life, although the woman herself seems ageless…

In Prohibition-era New York, an idealistic young Marxist is catapulted into the realms of elite society, and forced to assume the identity of someone who never existed…

Red Snow is a novel of love and violence, ideas and dreams, and revolves around the mystery of a monster drawn from humanity’s darkest myths which still somehow survives, and thrives, and kills, in this modern age.

Zeno Clients nominated for Polish “Goodreads” Awards!


We’re very happy to report that Ian McDonald‘s WOLF MOON, Lavie Tidhar‘s CENTRAL STATION and Ian Tregillis‘s THE RISING have all been nominated for Best Sci-Fi novel on Lubimyczytać! Many congratulations to all three authors! (This situation creates a certain amount of angst for us: we really want all three to win!) Voting is open until February 28th.

Here are some more details about each novel…

Ian McDonald’s WOLF MOON, the second in the Luna series, is published in Poland by MAG as LUNA: WILCZA PEŁNIA. Here’s the synopsis…

Zabito Smoka.

Corta Hélio, jedna z pięciu rządzących Księżycem rodzinnych korporacji, została zniszczona. Rodzina się rozproszyła, wrogowie podzielili majątek między sobą. Minęło osiemnaście miesięcy.

Ocalałe dzieci Cortów, Lucasinho i Luna, uzyskały ochronę potężnego rodu Asamoah, a Robson, który nie doszedł do siebie po gwałtownej śmierci rodziców, jest teraz podopiecznym – a w istocie zakładnikiem – rodu Mackenziech. Natomiast mianowany następca tronu, Lucas Corta, zniknął z powierzchni Księżyca.

Jedynie lady Sun, głowa rodu Sunów i korporacji Taiyang, podejrzewa, że Lucas jednak żyje i wciąż jest liczącym się graczem. Przecież zawsze był królem intrygi – i nie zawahałby się zaryzykować nawet życia, by zbudować nowe Corta Hélio, jeszcze potężniejsze niż przedtem. Potrzebuje jednak sojuszników – aby ich zyskać, porywa się na podróż na Ziemię, wyprawę niewykonalną dla urodzonego na Księżycu człowieka.

W niestabilnym księżycowym klimacie zwieńczeniem intryg, zmieniających się sojuszy i politycznych machinacji wielkich rodów staje się otwarta, krwawa wojna.

The Luna series is published in the UK by Gollancz, and in the US by Tor Books. Here’s the English-language synopsis…

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and – more to the point — that he is still a major player in the game. After all, Lucas always was a schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war between the families erupts.

Lavie Tidhar’s award-winning CENTRAL STATION is published in Poland by Zysk i S-Ka as STACJA CENTRALNA. Here’s the synopsis…

U podstawy kosmoportu “Stacji Centralnej”, powstałego w przyszłościowym mieście na pograniczu między izraelskim Tel Awiwem a arabską Jaffą, zamieszkało ćwierć miliona ludzi. Rozmaite kultury zderzają się tu ze sobą, w świecie realnym i wirtualnym.

Ludzi, maszyny i Innych łączy ze sobą strumień cyfrowej świadomości. Życie może być tanie, ale dane są tańsze…

Gdy Boris Chong z oporami wraca do Tel Awiwu z Marsa, zastaje tu całkowity chaos. Jego była kochanka wychowuje dziwnie znajome dziecko, które potrafi jednym dotknięciem palca podłączyć się do strumienia danych umysłu. Jego ojciec dał początek wielopokoleniowej zarazie umysłowej i choruje na przeciążenie pamięci. Jego podróżująca po kosmosie kuzynka zakochała się w robotniku, żołnierzu-cyborgu. A nieobliczalna kobieta będąca wampirem danych podążyła za nim do domu…

Nad tym wszystkim góruje Stacja Centralna, stanowiąca połączenie między nieustannie się zmieniającym Tel Awiwem, ogromnym światem wirtualnym oraz koloniami kosmicznymi, do których przenieśli się ludzie uciekający przed nędzą i wojną. A wszystko to łączą ze sobą Inni, obce jestestwa, których nieustannie zmieniający się strumień świadomości stanął na progu fundamentalnej zmiany.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

And last, but by no means least, we have Ian Tregillis’s THE RISING. The second novel in the author’s critically-acclaimed Alchemy Wars trilogy, it is published in Poland by Wydawnictwo SQN as POWSTANIE. Here’s the synopsis…

Odrodzony w ogniach zniszczonej Wielkiej Kuźni Jax rozpoczyna życie jako wolny klakier. Z wyzwoleniem wiąże się jednak ogromne brzemię. Jax pragnie wolności dla swoich mosiężnych braci i sióstr. Nadziei upatruje w na poły legendarnej królowej Mab i jej mitycznej arkadii ukrytej gdzieś daleko na północy kontynentu.

Berenice pełniła funkcję Talleyranda – szpiegmistrzyni, bohaterki dziesiątków opowieści, herosa ludu Nowej Francji. A potem popełniła błąd… Została wygnana z kraju i pochwycona przez drakońską sekretną policję zegarmistrzów. Choć jej dni zdają się policzone, nadal zamierza za wszelką cenę dążyć do odmienienia losów wojny.

Mosiężny Tron planuje znów najechać francuskie ziemie. Ostatnim bastionem Francuzów jest dotąd niezdobyta twierdza Zachodniej Marsylii. Właśnie tu do obrony przygotowuje się kapitan Hugo Longchamp. Zadanie ma wyjątkowo trudne, bo naprzeciw niestrudzonej armii mechanicznych żołnierzy może wystawić jedynie znękane i nieprzetestowane oddziały złożone w większości z kupców i rzemieślników. Sytuacja dawno nie była tak beznadziejna.

THE RISING is published in the UK by Orbit Books, as are the other two novels in the series: THE MECHANICAL and THE LIBERATION. Here’s the English-language synopsis…

They called me Jax.

That was the name given by those who built me and enslaved me. But a miracle has happened, and now my bonds are broken.

Now I must flee — because a rogue mechanical is a very dangerous thing.

But I will not run forever.

Set in a world that might have been, of mechanical men and alchemical dreams.

Zeno represents Ian Tregillis in the UK and Translation, on behalf of Kay McCauley at Aurous Inc.

A RED SNOW falls next month in Poland…


Next month, MAG are due to publish Ian R. MacLeod‘s latest, ambitious novel, RED SNOW. A novel about an ancient evil that is somehow able to survive into the modern age, it is published in Polish as CZERWONY ŚNIEG. Here’s the synopsis…

Na pobojowisku po ostatniej wielkiej bitwie Wojny Secesyjnej rozczarowany życiem unionista-lekarz natrafia na obrabiającą trupy dziwną postać i jego życie zmienia się na zawsze…

W Strasburgu, parę lat przed Rewolucją Francuską, konserwator obrazów dostaje zlecenie namalowania cyklu portretów pięknej kobiety w różnych fazach jej życia, choć sama kobieta najwyraźniej się nie starzeje…

W Nowym Jorku z czasów prohibicji młoda marksistka pojawia się nagle wśród elit, w dodatku podszywając się pod osobę, która nigdy nie istniała…

Czerwony śnieg to powieść o miłości i krwi, o ideach i snach, a wszystko wiąże w całość tajemnicze stworzenie wywiedzione z najmroczniejszych przedwiecznych ludzkich mitów, które cudem przetrwało do dzisiejszych czasów, wciąż rośnie i wciąż zabija…

RED SNOW was first published by PS Publishing. MacLeod described it as ‘featur[ing] vampires, the Wild West, the French Revolution, the Wall Street Crash, and a fair amount of mysticism.’ Here’s the English-language synopsis…

In the aftermath of the last great battle of the American Civil War, a disillusioned Union medic stumbles across a strange figure picking amid the corpses, and his life is changed forever…

In the cathedral city of Strasbourg in the years before the French Revolution, a church restorer is commissioned to paint a series of portraits that chart the changing appearance of a beautiful woman over the course of her life, although the woman herself seems ageless…

In Prohibition-era New York, an idealistic young Marxist is catapulted into the realms of elite society, and forced to assume the identity of someone who never existed…

Red Snow is a novel of love and violence, ideas and dreams, and revolves around the mystery of a monster drawn from humanity’s darkest myths which still somehow survives, and thrives, and kills, in this modern age.

Tim Powers described the novel as, ‘By turns horrifying and hauntingly beautiful, this epic vampire story is the stuff of real nightmares.’

Listen to Humanity’s Fire in Poland


Storytel has published Polish audiobook editions of Michael Cobley‘s critically-acclaimed Humanity’s Fire trilogy. The three novels are published as ZIARNA ZIEMI, OSIEROCONE ŚWIATY and WSCHODZĄCE GWIAZDY. Here’s the synopsis for book one…

Pierwszy inteligentny gatunek, jaki napotkał ludzkość, zaatakował bez ostrzeżenia. Bezlitosny. Nieubłagany. Niepowstrzymany. Nie mając nadziei na powstrzymanie inwazji, Ziemia chwyciła się ostatniej deski ratunku, wysyłając trzy statki kolonizacyjne – ziarna Ziemi – w różne rejony galaktyki. Rodzaj ludzki miał przetrwać… w takim czy innym miejscu. 150 lat później na planecie Darien mieści się tętniąca życiem kolonia ludzka, utrzymująca przyjazne relacje z tubylczą rozumną rasą – uczonymi Uvovo. Lecz na lesistym księżycu Dariena pogrzebane są tajemnice. Tajemnice datujące się z czasów apokaliptycznej bitwy, jaka rozegrała się między starożytnymi rasami u zarania cywilizacji galaktycznej. Choć koloniści jeszcze o tym nie wiedzą, Darien wkrótce stanie się zarzewiem międzygalaktycznej walki o władzę, której prawdziwe stawki są dla nich niepojęte. A jakich wyborów dokonają Uvovo, gdy na jaw wyjdzie ich prawdziwa natura, zaś niebo pociemnieje od statków wroga?

The three novels are published in Polish print editions by MAG.

SEEDS OF EARTH, THE ORPHANED WORLDS and THE ASCENDANT STARS are published in the UK and North America by Orbit Books, and in Germany by Heyne. The fourth novel based in the setting, the stand-alone ANCESTRAL MACHINES, is also published by Orbit (UK/US) and Heyne.

Here’s the English-language synopsis for book one…

The first intelligent species to encounter mankind attacked without warning. Merciless. Relentless. Unstoppable. With little hope of halting the invasion, Earth’s last roll of the dice was to dispatch three colony ships, seeds of Earth, to different parts of the galaxy. The human race would live on… somewhere.

150 years later, the planet Darien hosts a thriving human settlement, which enjoys a peaceful relationship with an indigenous race, the scholarly Uvovo. But there are secrets buried on Darien’s forest moon. Secrets that go back to an apocalyptic battle fought between ancient races at the dawn of galactic civilisation. Unknown to its colonists Darien is about to become the focus of an intergalactic power struggle, where the true stakes are beyond their comprehension. And what choices will the Uvovo make when their true nature is revealed and the skies grow dark with the enemy?

Here are some of the great reviews the series has received…

‘A well-constructed space opera with a sense of vast scope, populated with an array of beautifully differentiated intelligences both organic and artificial… this is a thick and satisfying 10-course meal of starchy pageantry, meaty characters, bitter losses, and sweet romance.’ Publishers Weekly on SEEDS OF EARTH

‘There are merciless alien invaders, lost human colonies, mysterious secrets of the ancients… all the ingredients for a gripping science-fiction adventure that combines the traditions of the field with a deft contemporary touch… What’s not to like?’ Guardian on SEEDS OF EARTH

‘The story is huge, complex and moves between its varied cast with assured purpose… a tightly plotted, action packed epic that leaves you wanting more.’ SciFi Now on SEEDS OF EARTH

Cobley writes energetic space opera, rarely dallying with sentiment and mostly assaulting the reader with exotic locations and sudden skirmishes. There are joyous moments of invention but overall there’s too much going on… Fortunately, as the saga progresses, THE ORPHANED WORLDS begins knotting some of the threads together – it still feels like an over-shaken can of fizzy diet Banks…’ — SFX

‘Fast and exciting… an excellent middle book in the trilogy, expanding on SEEDS OF EARTH and setting everything in place for a thrilling conclusion’ Waterstone’s Book Quarterly on THE ORPHANED WORLDS

‘Few writers attempt the tricky crossover from high fantasy to hard science fiction. Cobley’s first books were the Shadowkings series; with the Humanity’s Fire science fiction trilogy, he has successfully transported his dark visions to the wide-screen baroque sub-genre… Cobley combines a fast-paced plot of great scope and complexity with the convincing smaller-scale stories of the human protagonists. He’s also skilful at explicating the knotty machinations of political intrigue. Space opera has never been in more capable hands.’ Guardian on THE ORPHANED WORLDS

‘A dark vision of humanity pitched against vast forces; the plight of strong individuals caught up in titanic struggles and fighting for what they see as a just cause. THE ASCENDANT STARS is … a space opera of mind-bending depth and scope… The result is a marvellously readable examination of people under extreme stress, a convincing depiction of startlingly alien aliens, and a mature political analysis often lacking in the genre. Cobley expertly juggles multiple plot-lines and brings them to thematically satisfying conclusions while providing the landmark trilogy with a thrilling finale.’ Guardian on THE ASCENDANT STARS

‘An excellent space opera, full of imagination and invention. The human characters are mostly likeable and the inhuman ones send a shiver down the spine… There is a pleasing familiarity to much of it for those well-read in the genre and even for those who only do their Science Fiction on film and television. The writing is crisp and clear throughout and it all leads beautifully to a glorious conclusion… I highly recommend the series. Michael Cobley has added a fine piece of work to a grand tradition and I think old E.E. ‘Doc’ Smith is lying tranquil in his grave.’ SF Crowsnest on THE ASCENDANT STARS

WHISPERS UNDERGROUND heard in Poland…


Ben Aaronovitch‘s WHISPERS UNDERGROUND is out now in Poland! The third novel in the author’s best-selling, critically-acclaimed Peter Grant series, is published by MAG as SZEPTY POD ZIEMIĄ. Here’s the synopsis…

Nazywam się Peter Grant i jestem detektywem posterunkowym w potężnej armii sprawiedliwości znanej jako policja londyńska (tudzież psiarnia). Szkolę się także na czarodzieja, jestem pierwszym takim uczniem od pięćdziesięciu lat. Oficjalnie pracuję w wydziale do zwalczania przestępstw gospodarczych i innych, w jednostce dziewiątej, znanej też jako Szaleństwo i jako jednostka, o której grzeczni, dobrze wychowani gliniarze nie rozmawiają w kulturalnym towarzystwie.

Od poniedziałku mam okazję zająć się prawdziwą policyjną robotą. Niezidentyfikowana Ofiara została zadźgana na torach metra przy stacji Baker Street. Obecność magii niewykluczona.

Niezidentyfikowana Ofiara okazuje się synem amerykańskiego senatora i zanim zdążysz powiedzieć „międzynarodowy incydent” do sprawy posterunkowego detektywa Granta dołącza agentka FBI Kimberley Reynolds.

A w ciemnych tunelach londyńskiego metra, pośród pogrzebanych rzek i wiktoriańskich rynsztoków niesie się szept o zemście zza grobu.

Najnowsza sprawa posterunkowego detektywa Granta zaraz się wtoczy na śliskie tory…

Also available from MAG today, new editions of the first two novels in the series: RIVERS OF LONDON and MOON OVER SOHO, published as RZEKI LONDYNU and KSIĘŻYC NAD SOHO, respectively.

These three novels are published in the UK by Gollancz, and in the US by Del Rey. Here’s the English-language synopsis for WHISPERS UNDERGROUND

A WHOLE NEW REASON TO MIND THE GAP

It begins with a dead body at the far end of Baker Street tube station, all that remains of American exchange student James Gallagher — and the victim’s wealthy, politically powerful family is understandably eager to get to the bottom of the gruesome murder. The trouble is, the bottom — if it exists at all — is deeper and more unnatural than anyone suspects… except, that is, for London constable and sorcerer’s apprentice Peter Grant. With Inspector Nightingale, the last registered wizard in England, tied up in the hunt for the rogue magician known as “the Faceless Man,” it’s up to Peter to plumb the haunted depths of the oldest, largest, and — as of now — deadliest subway system in the world.

At least he won’t be alone. No, the FBI has sent over a crack agent to help. She’s young, ambitious, beautiful… and a born-again Christian apt to view any magic as the work of the devil. Oh yeah — that’s going to go well.

Gollancz has published all six of the novels in the Peter Grant series to date, as well as the new novella, THE FURTHEST STATION. DAW Books has published books 4-6 in North America, and Subterranean Press publishes the novella.

Peter Grant gets some new Polish jackets…


Above you can see the cover for the upcoming Polish edition of Ben Aaronovitch‘s WHISPERS UNDERGROUND. Due to be published by MAG, here’s the synopsis…

Nazywam się Peter Grant i jestem detektywem posterunkowym w potężnej armii sprawiedliwości znanej jako policja londyńska (tudzież psiarnia). Szkolę się także na czarodzieja, jestem pierwszym takim uczniem od pięćdziesięciu lat. Oficjalnie pracuję w wydziale do zwalczania przestępstw gospodarczych i innych, w jednostce dziewiątej, znanej też jako Szaleństwo i jako jednostka, o której grzeczni, dobrze wychowani gliniarze nie rozmawiają w kulturalnym towarzystwie.

Od poniedziałku mam okazję zająć się prawdziwą policyjną robotą. Niezidentyfikowana Ofiara została zadźgana na torach metra przy stacji Baker Street. Obecność magii niewykluczona.

Niezidentyfikowana Ofiara okazuje się synem amerykańskiego senatora i zanim zdążysz powiedzieć „międzynarodowy incydent” do sprawy posterunkowego detektywa Granta dołącza agentka FBI Kimberley Reynolds.

A w ciemnych tunelach londyńskiego metra, pośród pogrzebanych rzek i wiktoriańskich rynsztoków niesie się szept o zemście zza grobu.

Najnowsza sprawa posterunkowego detektywa Granta zaraz się wtoczy na śliskie tory…

The first two novels in the series — RIVERS OF LONDON and MOON OVER SOHO — have already been published in Poland (also by MAG), but will also receive new covers, to match the style of the third book…

The Peter Grant series is published in the UK by Gollancz, and currently includes six novels and one novella. Ben has also written, with Andrew Cartmel, four comic series featuring the characters and set in the world of the series (published by Titan Comics).

LUNA: WOLF MOON out now in Poland!


Ian McDonald‘s second Luna novel, WOLF MOON is out now in Poland! Published by MAG as WILCZA PEŁNIA, here’s the synopsis…

Zabito Smoka.

Corta Hélio, jedna z pięciu rządzących Księżycem rodzinnych korporacji, została zniszczona. Rodzina się rozproszyła, wrogowie podzielili majątek między sobą. Minęło osiemnaście miesięcy.

Ocalałe dzieci Cortów, Lucasinho i Luna, uzyskały ochronę potężnego rodu Asamoah, a Robson, który nie doszedł do siebie po gwałtownej śmierci rodziców, jest teraz podopiecznym – a w istocie zakładnikiem – rodu Mackenziech. Natomiast mianowany następca tronu, Lucas Corta, zniknął z powierzchni Księżyca.

Jedynie lady Sun, głowa rodu Sunów i korporacji Taiyang, podejrzewa, że Lucas jednak żyje i wciąż jest liczącym się graczem. Przecież zawsze był królem intrygi – i nie zawahałby się zaryzykować nawet życia, by zbudować nowe Corta Hélio, jeszcze potężniejsze niż przedtem. Potrzebuje jednak sojuszników – aby ich zyskać, porywa się na podróż na Ziemię, wyprawę niewykonalną dla urodzonego na Księżycu człowieka.

W niestabilnym księżycowym klimacie zwieńczeniem intryg, zmieniających się sojuszy i politycznych machinacji wielkich rodów staje się otwarta, krwawa wojna.

MAG has also published the first novel in the series, NEW MOON (LUNA: NÓW), as well as Ian’s BRASYL and RIVER OF GODS (RZEKA BOGÓW).

The Luna series is published in the UK by Gollancz, and in the US by Tor Books. Here’s the English-language synopsis for WOLF MOON

A Dragon is dead.

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed .

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished of the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and more to the point — that he is still a major player in the game. After all, Lucas always was the Schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war erupts.

Here are some of the reviews the novel has received so far…

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ Boing Boing

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone… it is fascinating, all of it… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ NPR

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.’ Publishers Weekly

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ Sci-Fi & Fantasy Review

Lavie Tidhar’s VIOLENT CENTURY out this week in Poland


Lavie Tidhar‘s critically-acclaimed THE VIOLENT CENTURY is out this week in Poland! Published on Wednesday by MAG, as STULECIE PRZEMOCY, here’s the synopsis…

Nie chcieli zostać bohaterami.

Bronili Imperium Brytyjskiego przez siedemdziesiąt lat. Oblivion i Fogg, nierozłączni przyjaciele powiązani wspólnym przeznaczeniem. Aż do pewnej nocy w Berlinie, kiedy rozdzieliła ich wojna i tajemnica.

Jednakże przeszłość potrafi dogonić każdego.

Wezwani ponownie do Biura Spraw Przestarzałych – instytucji, dla której żadna sprawa nie staje się przestarzała – Fogg i Oblivion muszą stawić czoło pamięci o straszliwej wojnie, nieupamiętnionych aktach heroizmu oraz życiu w dusznych korytarzach i zamkniętych pokojach, gdzie odbywają się potajemne spotkania. Muszą się z tym wszystkim zmierzyć, by znaleźć odpowiedź na pytanie ostateczne:

Co czyni bohatera?

THE VIOLENT CENTURY is published in the UK by Hodder. Here’s the English-language synopsis…

For seventy years they guarded the British Empire. Oblivion and Fogg, inseparable friends, bound together by a shared fate. Until one night in Berlin, in the aftermath of the Second World War, and a secret that tore them apart.

But there must always be an account… and the past has a habit of catching up to the present.

Now, recalled to the Retirement Bureau from which no one can retire, Fogg and Oblivion must face up to a past of terrible war and unacknowledged heroism — a life of dusty corridors and secret rooms, of furtive meetings and blood-stained fields — to answer one last, impossible question:

What makes a hero?

Here’s just a selection from the aforementioned critical acclaim the novel has received…

‘A brilliantly etched phantasmagoric reconfiguring of that most sizzling of eras – the twilight 20th…  This book has it all:  time travel, political intrigue, hellacious history…  You’ve got superheroes in the guise of regular humans, you’ve got World War II … THE VIOLENT CENTURY is a torrid tour de force!’ James Ellroy

THE VIOLENT CENTURY… may be his best yet: a blistering alt-historical retelling of a 20th century lousy with superheroes.’ The Guardian, Best SFF of 2013

‘While perhaps not as politically loaded as OSAMA, Tidhar’s THE VIOLENT CENTURY… is no less powerful. He imagines a world where superheroes are real. But while the Americans go for the brash costumes and public displays of power, Tidhar’s British heroes – primarily Oblivion and Fog – operate in the shadows, and bear witness to the major events of the 20th century in what is quite simply a stunning masterpiece.’ The Independent

‘Vintage Lavie, and also I think his most fully accomplished novel yet. Nobody rides that fast-rolling wave separating schlocky pulp and serious literary sensibilities so deftly as Tidhar. He manages to make serious points about the benighted twentieth-century and its obsession with ‘supermen’ without ever letting the narrative slacken or the adventure pale. If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like THE VIOLENT CENTURY.’ Adam Roberts, author of Jack Glass

‘Something like John le Carré, not as a matter of slavish imitation so much, but rather as an evocation of darkness, idealism turning to exhaustion, and moral ambiguity… It’s hard, but not impossible as Alan Moore, Neil Gaiman, Mike Carey and others have shown, to create a morally complex, artistically ambitious story based on characters whose origins are not that far removed from the simplicity of Superman, Spiderman, and their ilk. Tidhar has succeeded brilliantly in this task. THE VIOLENT CENTURY is a masterful example of alternate universe science fiction and can only add to its author’s rapidly growing reputation.’ Los Angeles Review of Books

‘The level of detail with which Tidhar fills his novel ensures that the events he is using as his setting feel convincing. Like Le Carre’s best novels, the world of espionage isn’t glamorous or exciting; it’s a grim, cold and lonely place. The author does a lot with a relatively minimalist style, and he envelops us in Transylvanian forests with Count Dracula’s transformed descendant and the frozen battleground of Minsk without ever slowing down… it’s impressive how much ground Tidhar covers. At the centre of this is the question, ‘What makes a hero?’ The supermen of Tidhar’s novel are forced to commit terrible acts in the name of the greater good, and stand by and watch as terrible acts are committed for the same reason. As well as being a wonderfully drawn and detailed historical espionage tale, THE VIOLENT CENTURY is ultimately a very human story. It’s gripping, imaginative and, finally, moving.’ SciFi Now

MAG have also published Lavie’s World Fantasy Award-winning OSAMA.

THE VIOLENT CENTURY coming soon in Poland!


Next month, MAG are due to publish Lavie Tidhar‘s critically-acclaimed THE VIOLENT CENTURY! Published in Poland as STULECIE PRZEMOCY, with the stunning cover above, here’s the synopsis…

Nie chcieli zostać bohaterami.

Bronili Imperium Brytyjskiego przez siedemdziesiąt lat. Oblivion i Fogg, nierozłączni przyjaciele powiązani wspólnym przeznaczeniem. Aż do pewnej nocy w Berlinie, kiedy rozdzieliła ich wojna i tajemnica.

Jednakże przeszłość potrafi dogonić każdego.

Wezwani ponownie do Biura Spraw Przestarzałych – instytucji, dla której żadna sprawa nie staje się przestarzała – Fogg i Oblivion muszą stawić czoło pamięci o straszliwej wojnie, nieupamiętnionych aktach heroizmu oraz życiu w dusznych korytarzach i zamkniętych pokojach, gdzie odbywają się potajemne spotkania. Muszą się z tym wszystkim zmierzyć, by znaleźć odpowiedź na pytanie ostateczne:

Co czyni bohatera?

THE VIOLENT CENTURY is published in the UK by Hodder, in the US by Thomas Dunne Books, and as a Limited Edition by PS Publishing. It has also been published in a number of other territories and languages. Here’s the English-language synopsis…

They never meant to be heroes.

For seventy years they guarded the British Empire. Oblivion and Fogg, inseparable friends, bound together by a shared fate. Until one night in Berlin, in the aftermath of the Second World War, and a secret that tore them apart.

But there must always be an account… and the past has a habit of catching up to the present.

Now, recalled to the Retirement Bureau from which no one can retire, Fogg and Oblivion must face up to a past of terrible war and unacknowledged heroism — a life of dusty corridors and secret rooms, of furtive meetings and blood-stained fields — to answer one last, impossible question:

What makes a hero?

Here is a selection from the afore-mentioned critical acclaim that has been heaped on the novel…

‘A brilliantly etched phantasmagoric reconfiguring of that most sizzling of eras – the twilight 20th…  This book has it all:  time travel, political intrigue, hellacious history…  You’ve got superheroes in the guise of regular humans, you’ve got World War II … THE VIOLENT CENTURY is a torrid tour de force!’ James Ellroy

‘Tidhar synthesises the geeky and the political in a vision of world events that breaks new superhero ground… the world-building is so profoundly smart… Comics, of course, have been doing “what if they were real?” for ages, from Alan Moore’s Watchmen to Pat Mills’s Marshal Law. But the politics in Tidhar’s novel are very much about real-world subterfuge… the truly clever thing here is that while the reader has to suspend disbelief in the existence of superheroes, the superheroes themselves struggle to believe in the war, and especially the Holocaust: repeatedly they refer to it as being like a fiction rather than reality. The war becomes, again, something unthinkable. Using fantasy to reassert the awful reality of the 20th century is a smart piece of defamiliarisation.’ The Guardian

THE VIOLENT CENTURY… may be his best yet: a blistering alt-historical retelling of a 20th century lousy with superheroes.’ The Guardian, Best SFF of 2013

‘While perhaps not as politically loaded as OSAMA, Tidhar’s THE VIOLENT CENTURY… is no less powerful. He imagines a world where superheroes are real. But while the Americans go for the brash costumes and public displays of power, Tidhar’s British heroes – primarily Oblivion and Fog – operate in the shadows, and bear witness to the major events of the 20th century in what is quite simply a stunning masterpiece.’ The Independent

‘Vintage Lavie, and also I think his most fully accomplished novel yet. Nobody rides that fast-rolling wave separating schlocky pulp and serious literary sensibilities so deftly as Tidhar. He manages to make serious points about the benighted twentieth-century and its obsession with ‘supermen’ without ever letting the narrative slacken or the adventure pale. If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like THE VIOLENT CENTURY.’ Adam Roberts, author of Jack Glass

‘Good fantasy creates new worlds for us to dream in. Great fantasy, such as THE VIOLENT CENTURY, holds a dark mirror up to these dreams and tests them to the limit… Espionage inhabits a sort of parallel universe. Lavie Tidhar has taken this idea and run with it, creating a sophisticated, moving and gripping take on 20th century conflicts and our capacity for love and hate, honour and betrayal.’Daily Mail

‘[a] high stakes tale of friendship and what it ultimately means to truly be a hero… Tidhar has created a book that oozes excellence in both characterisation and storytelling.’ Huffington Post

‘Something like John le Carré, not as a matter of slavish imitation so much, but rather as an evocation of darkness, idealism turning to exhaustion, and moral ambiguity. The Old Man, Oblivion, Fogg, these are men who have been fighting in the shadows for far too long and whatever sense of right and wrong they started out with is now dangerously suspect… But this is also a novel of alternate history and the world these characters live in is not exactly ours. In fact it may have almost as much in common with the seedy world of Alan Moore’s Watchmen  for all of the characters mentioned so far are actually superhuman… It’s hard, but not impossible as Alan Moore, Neil Gaiman, Mike Carey and others have shown, to create a morally complex, artistically ambitious story based on characters whose origins are not that far removed from the simplicity of Superman, Spiderman, and their ilk. Tidhar has succeeded brilliantly in this task. THE VIOLENT CENTURY is a masterful example of alternate universe science fiction and can only add to its author’s rapidly growing reputation.’ Los Angeles Review of Books

‘The level of detail with which Tidhar fills his novel ensures that the events he is using as his setting feel convincing. Like Le Carre’s best novels, the world of espionage isn’t glamorous or exciting; it’s a grim, cold and lonely place. The author does a lot with a relatively minimalist style, and he envelops us in Transylvanian forests with Count Dracula’s transformed descendant and the frozen battleground of Minsk without ever slowing down… it’s impressive how much ground Tidhar covers. At the centre of this is the question, ‘What makes a hero?’ The supermen of Tidhar’s novel are forced to commit terrible acts in the name of the greater good, and stand by and watch as terrible acts are committed for the same reason. As well as being a wonderfully drawn and detailed historical espionage tale, THE VIOLENT CENTURY is ultimately a very human story. It’s gripping, imaginative and, finally, moving.’ SciFi Now

‘… like Watchmen on crack… the great strength of the book: Tidhar’s examination not of what makes a hero, but how we perceive our heroes… While Tidhar looks at the violent narrative of the twentieth century, he has his eyes firmly planted on how we’ve interpreted the violence in our own real world… There [have] been a number of fantastic novels that have drawn on the mythos of the comic book world, ranging from Michael Chabon’s The Amazing Adventures of Kavalier and Clay to Austin Grossman’s Soon I Will Be Invincible, but Tidhar’s is probably one of the best prose examinations to really examine the superhero and what they mean…’ io9.com

Ian McDonald’s LUNA: NÓW out now in Poland!


McDonald-Luna1-NewMoonPO-Blog

Ian McDonald‘s LUNA: NEW MOON is out now in Poland! Published by MAG as LUNA: NÓW, here’s the synopsis…

Po misternie utkanych fabułach z intrygującym spojrzeniem na przyszłość krajów takich, jak Indie, Brazylia i Turcja, Ian McDonald zwrócił się ku Księżycowi. Luna to wciągający thriller o pięciu rodzinnych korporacjach uwikłanych w zaciętą walkę o hegemonię nad surowym księżycowym środowiskiem. Na Księżycu bardzo łatwo zginąć, ale dzięki bogactwu jego złóż równie łatwo się tu dorobić. To fantastyka, która idealnie przemówi tak do fanów Kima Stanley’a Robinsona, jak Kena Macleoda.

Ten pierwszy tom z planowanych dwóch zrobi z Księżycem to samo, co Rzeka Bogów z Indiami, a Dom Derwiszy z Turcją – odmaluje barwną, intensywną, nadzwyczajną, a jednocześnie wiarygodną przyszłość.

McDonald-Luna1-NewMoonPB-Blog

LUNA: NEW MOON is published in the US by Tor Books, and in the UK by Gollancz. Here’s the English-language synopsis…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

The sequel, LUNA: WOLF MOON is published Tor Books in September 2016, and by Gollancz in July 2016.

McDonald-Luna2-WolfMoon-Blog