Zeno Clients in Locus Magazine’s 2017 Recommended Reading List…


We’re very happy to report that a number of our clients and their work was included in Locus Magazine’s 2017 Recommended Reading List! Ian McDonald, Aliette de Bodard, Lavie Tidhar, E.J. Swift, and Ian R. MacLeod all cropped up a number of times in the list.

Ian McDonald‘s LUNA: WOLF MOON is picked as one of the best science-fiction novels of the year, and variously described as ‘excellent’, ‘enthralling’, ‘compelling… twisty’, and ‘complex… brilliant… a joy to read’. One writer says that McDonald ‘has been making a case for being the best SF writer in the world’! The novel is published by Gollancz (UK) and Tor Books (US). Ian’s contribution to GALACTIC EMPIRES was also mentioned as a stand-out.

Aliette de Bodard‘s THE HOUSE OF BINDING THORNS is described as ‘utterly amazing’ and ‘vivid’ by different editors, and is identified as one of the best fantasy novels of the year. It is published by Gollancz (UK) and Roc Books (US). Aliette’s “The Dragon That Flew Out of the Sun” is one of Gardner Dozois’s best picks included in the COSMIC POWERS anthology, as is the author’s “First Presentation” in the CHASING SHADOWS anthology. The Dominion of the Fallen novelette, CHILDREN OF THORNS, CHILDREN OF WATER is among the best of the year.

Ian R. MacLeod‘s RED SNOW, published by PS Publishing, is selected as one of the best Horror novels of the year.

E.J. Swift‘s contribution to the INFINITY WARS anthology, the novelette WEATHER GIRL, is picked as a stand-out by Gardner Dozois and one of the best novelettes of the year. Emma is also given a nod for her contribution to THE DJINN FALLS IN LOVE AND OTHER STORIES.

Lavie Tidhar‘s work is mentioned a few times, especially his work that has appeared in Clarkesworld, and WATERFALLING (which appeared in THE BOOK OF SWORDS) is picked as one of the best novelettes of the year. His Tor.com short story “The Old Dispensation” is also picked as one of the best of 2017.

Zeno Clients nominated for Polish “Goodreads” Awards!


We’re very happy to report that Ian McDonald‘s WOLF MOON, Lavie Tidhar‘s CENTRAL STATION and Ian Tregillis‘s THE RISING have all been nominated for Best Sci-Fi novel on Lubimyczytać! Many congratulations to all three authors! (This situation creates a certain amount of angst for us: we really want all three to win!) Voting is open until February 28th.

Here are some more details about each novel…

Ian McDonald’s WOLF MOON, the second in the Luna series, is published in Poland by MAG as LUNA: WILCZA PEŁNIA. Here’s the synopsis…

Zabito Smoka.

Corta Hélio, jedna z pięciu rządzących Księżycem rodzinnych korporacji, została zniszczona. Rodzina się rozproszyła, wrogowie podzielili majątek między sobą. Minęło osiemnaście miesięcy.

Ocalałe dzieci Cortów, Lucasinho i Luna, uzyskały ochronę potężnego rodu Asamoah, a Robson, który nie doszedł do siebie po gwałtownej śmierci rodziców, jest teraz podopiecznym – a w istocie zakładnikiem – rodu Mackenziech. Natomiast mianowany następca tronu, Lucas Corta, zniknął z powierzchni Księżyca.

Jedynie lady Sun, głowa rodu Sunów i korporacji Taiyang, podejrzewa, że Lucas jednak żyje i wciąż jest liczącym się graczem. Przecież zawsze był królem intrygi – i nie zawahałby się zaryzykować nawet życia, by zbudować nowe Corta Hélio, jeszcze potężniejsze niż przedtem. Potrzebuje jednak sojuszników – aby ich zyskać, porywa się na podróż na Ziemię, wyprawę niewykonalną dla urodzonego na Księżycu człowieka.

W niestabilnym księżycowym klimacie zwieńczeniem intryg, zmieniających się sojuszy i politycznych machinacji wielkich rodów staje się otwarta, krwawa wojna.

The Luna series is published in the UK by Gollancz, and in the US by Tor Books. Here’s the English-language synopsis…

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and – more to the point — that he is still a major player in the game. After all, Lucas always was a schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war between the families erupts.

Lavie Tidhar’s award-winning CENTRAL STATION is published in Poland by Zysk i S-Ka as STACJA CENTRALNA. Here’s the synopsis…

U podstawy kosmoportu “Stacji Centralnej”, powstałego w przyszłościowym mieście na pograniczu między izraelskim Tel Awiwem a arabską Jaffą, zamieszkało ćwierć miliona ludzi. Rozmaite kultury zderzają się tu ze sobą, w świecie realnym i wirtualnym.

Ludzi, maszyny i Innych łączy ze sobą strumień cyfrowej świadomości. Życie może być tanie, ale dane są tańsze…

Gdy Boris Chong z oporami wraca do Tel Awiwu z Marsa, zastaje tu całkowity chaos. Jego była kochanka wychowuje dziwnie znajome dziecko, które potrafi jednym dotknięciem palca podłączyć się do strumienia danych umysłu. Jego ojciec dał początek wielopokoleniowej zarazie umysłowej i choruje na przeciążenie pamięci. Jego podróżująca po kosmosie kuzynka zakochała się w robotniku, żołnierzu-cyborgu. A nieobliczalna kobieta będąca wampirem danych podążyła za nim do domu…

Nad tym wszystkim góruje Stacja Centralna, stanowiąca połączenie między nieustannie się zmieniającym Tel Awiwem, ogromnym światem wirtualnym oraz koloniami kosmicznymi, do których przenieśli się ludzie uciekający przed nędzą i wojną. A wszystko to łączą ze sobą Inni, obce jestestwa, których nieustannie zmieniający się strumień świadomości stanął na progu fundamentalnej zmiany.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

And last, but by no means least, we have Ian Tregillis’s THE RISING. The second novel in the author’s critically-acclaimed Alchemy Wars trilogy, it is published in Poland by Wydawnictwo SQN as POWSTANIE. Here’s the synopsis…

Odrodzony w ogniach zniszczonej Wielkiej Kuźni Jax rozpoczyna życie jako wolny klakier. Z wyzwoleniem wiąże się jednak ogromne brzemię. Jax pragnie wolności dla swoich mosiężnych braci i sióstr. Nadziei upatruje w na poły legendarnej królowej Mab i jej mitycznej arkadii ukrytej gdzieś daleko na północy kontynentu.

Berenice pełniła funkcję Talleyranda – szpiegmistrzyni, bohaterki dziesiątków opowieści, herosa ludu Nowej Francji. A potem popełniła błąd… Została wygnana z kraju i pochwycona przez drakońską sekretną policję zegarmistrzów. Choć jej dni zdają się policzone, nadal zamierza za wszelką cenę dążyć do odmienienia losów wojny.

Mosiężny Tron planuje znów najechać francuskie ziemie. Ostatnim bastionem Francuzów jest dotąd niezdobyta twierdza Zachodniej Marsylii. Właśnie tu do obrony przygotowuje się kapitan Hugo Longchamp. Zadanie ma wyjątkowo trudne, bo naprzeciw niestrudzonej armii mechanicznych żołnierzy może wystawić jedynie znękane i nieprzetestowane oddziały złożone w większości z kupców i rzemieślników. Sytuacja dawno nie była tak beznadziejna.

THE RISING is published in the UK by Orbit Books, as are the other two novels in the series: THE MECHANICAL and THE LIBERATION. Here’s the English-language synopsis…

They called me Jax.

That was the name given by those who built me and enslaved me. But a miracle has happened, and now my bonds are broken.

Now I must flee — because a rogue mechanical is a very dangerous thing.

But I will not run forever.

Set in a world that might have been, of mechanical men and alchemical dreams.

Zeno represents Ian Tregillis in the UK and Translation, on behalf of Kay McCauley at Aurous Inc.

STATIA CENTRALA out now!


CENTRAL STATION, Lavie Tidhar‘s latest novel, is out today in Romania! Published by Nemira as STATIA CENTRALA, here’s the synopsis…

Statia Centrala este legatura interplanetara intre un Tel Aviv in permanenta transformare, o arena de realitate virtuala si coloniile spatiale pe care oamenii au fugit de saracie si razboaie.

O diaspora de un sfert de milion de oameni traieste la baza acestei statii spatiale, unde diversele culturi se amesteca in viata reala si in realitatea virtuala, intr-un mozaic al postumanitatii: vampiri de date infectati de Codul Nosferatu, robotniki – fosti soldati –, copii creati prin inginerie genetica si „mutilatii“, care decid sa traiasca fara tehnologie. Peste toate planeaza Alterii, entitati extraterestre care folosesc Conversatia – un flux cvasitelepatic de milioane de voci.

The award-winning, critically-acclaimed novel is published in the US and UK by Tachyon Publications, and was available as a limited edition by PS Publishing (now sold out — sorry). The novel has also been published widely in translation, with more editions on the way! Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Short Fiction Watch: THE BURIED GIANT by Lavie Tidhar


In this instalment of Short Fiction Watch, we wanted to draw your attention to Lavie Tidhar‘s new story, THE BURIED GIANT. The short story can be found in the new anthology ROBOTS VS. FAIRIES, edited by Dominik Parisien and Navah Wolfe, and published by Saga Press. Here’s the collection’s synopsis…

A unique anthology of all-new stories that challenges authors to throw down the gauntlet in an epic genre battle and demands an answer to the age-old question: Who is more awesome — robots or fairies?

Rampaging robots! Tricksy fairies! Facing off for the first time in an epic genre death match!

People love pitting two awesome things against each other. Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons.

On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?

There can only be one… or can there?

Featuring an incredible line-up of authors… Robots vs. Fairies will take you on a glitterbombed journey of a techno-fantasy mash-up across genres.

Lavie’s latest novel, the critically-acclaimed and award-winning CENTRAL STATION is published by Tachyon Publications and PS Publishing.

 

Romanian CENTRAL STATION out in two weeks!


Above you can see the eye-catching Romanian cover for Lavie Tidhar‘s award-winning CENTRAL STATION! Due out on January 30th, and published by Nautilus/Nemira as STAȚIA CENTRALĂ, here’s the synopsis…

Statia Centrala este legatura interplanetara intre un Tel Aviv in permanenta transformare, o arena de realitate virtuala si coloniile spatiale pe care oamenii au fugit de saracie si razboaie.

O diaspora de un sfert de milion de oameni traieste la baza acestei statii spatiale, unde diversele culturi se amesteca in viata reala si in realitatea virtuala, intr-un mozaic al postumanitatii: vampiri de date infectati de Codul Nosferatu, robotniki – fosti soldati – copii creati prin inginerie genetica si „mutilatii“, care decid sa traiasca fara tehnologie. Peste toate planeaza Alterii, entitati extraterestre care folosesc Conversatia – un flux cvasitelepatic de milioane de voci.

The novel is published in English by Tachyon Publications, and is available in a limited edition via PS Publishing. The novel has also been published in German, Bulgarian and Polish (more translations on the way). Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION opens tomorrow in Germany!


Tomorrow, Heyne will publish Lavie Tidhar‘s CENTRAL STATION in Germany! Here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

CENTRAL STATION is published in English by Tachyon Publications, with a limited edition also available from PS Publishing. The novel was showered in praise upon its release, and was selected as a best Science Fiction of 2016 by Kirkus, The Guardian and Barnes & Noble. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Here are just a few reviews that the novel has received so far…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ Chicago Tribune

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Short Fiction Watch: Lavie Tidhar’s WATERFALLING


In today’s instalment of Short Fiction Watch, we wanted to draw your attention to Lavie Tidhar‘s “Waterfalling“, which appears in the recent THE BOOK OF SWORDS anthology. Edited by Gardner Dozois, the anthology is published in the UK by Harper Collins, and in the US by Bantam. Here’s the synopsis…

Fantasy fiction has produced some of the most unforgettable heroes ever conjured onto the page: Robert E. Howard’s Conan the Barbarian, Michael Moorcock’s Elric of Melniboné, Fritz Leiber’s Fafhrd and the Gray Mouser. Classic characters like these made sword and sorcery a storytelling sensation, a cornerstone of fantasy fiction—and an inspiration for a new generation of writers, spinning their own outsize tales of magic and swashbuckling adventure.

Now, in The Book of Swords, acclaimed editor and bestselling author Gardner Dozois presents an all-new anthology of original epic tales by a stellar cast of award-winning modern masters—many of them set in their authors’ best-loved worlds. Join today’s finest tellers of fantastic tales, including George R. R. Martin, K. J. Parker, Robin Hobb, Scott Lynch, Ken Liu, C. J. Cherryh, Daniel Abraham, Lavie Tidhar, Ellen Kushner, and more on action-packed journeys into the outer realms of dark enchantment and intrepid derring-do, featuring a stunning assortment of fearless swordsmen and warrior women who face down danger and death at every turn with courage, cunning, and cold steel.

Lavie is the author of, most recently, CENTRAL STATION. The award-winning novel is published by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Lavie is also the multi-award winning author of A MAN LIES DREAMING (Hodder/Melville House/PS Publishing), THE VIOLENT CENTURY (Hodder), OSAMA (PS Publishing), and the Bookman Histories (Angry Robot Books) — in addition to many short stories and novellas.

Hebrew edition of CENTRAL STATION out now!


This week, Yaniv Publishing has published a Hebrew edition of Lavie Tidhar‘s award-winning, critically-acclaimed novel CENTRAL STATION! Published as תחנה מרכזית, here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION is published in English by Tachyon Publications. Here are just a few of the great reviews the novel has received so far…

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ Chicago Tribune

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

CENTRAL STATION coming soon to Germany!


Central Station von Lavie Tidhar

Lavie Tidhar‘s critically-acclaimed, multi-award winning novel CENTRAL STATION is due to be published in Germany in January 2018! To be published by Heyne, here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

The novel is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION giveaway!


From today until October 10th, Tachyon Publications is running a CENTRAL STATION giveaway on Goodreads! CENTRAL STATION is the latest novel by critically-acclaimed, multi-award winning author Lavie Tidhar. Up for grabs is a signed hardcover of the novel. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION won the 2017 John W. Campbell Award Winner, was shortlisted for the Arthur C. Clarke Award, and longlisted for the British Science Fiction Award. In addition, it was selected as a best-of-year novel by NPR and Barnes & Noble, a best-of-month by Amazon, and was included on Locus’s Recommended Reading List. The cover also won the 2016 British Science Fiction Award Best Cover Illustration, for artist Sarah Anne Langton.

The novel has been published in the UK by PS Publishing.

Here are just a few of the reviews the novel has received…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

CENTRAL STATION, by the talented Lavie Tidhar, is a mindbending mosaic novel.’ Locus (2016 Year in Review)

‘It might seem like Lavie Tidhar is such a major figure by now that discussing him under international SF is hardly necessary, but his somewhat novelized storysuite CENTRAL STATION is so engaged with Israeli culture that it seems appropriate, even though it’s also a wonderful tribute to classic SF both in form (the fix-up) and content…’ Gary K. Wolfe, Locus (2016 Year in Review)

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ Chicago Tribune

‘Powerfully imagined and beautifully rendered… capture[s] profound emotional truths…’ Interzone

CENTRAL STATION coming soon in Czechia!


Above you can see the striking cover for the Czech edition of Lavie Tidhar‘s critically-acclaimed CENTRAL STATION! Due to be published by Argo in December 2017, here’s the synopsis…

Celosvětová diaspora čtvrt milionů lidí žije u paty vesmírné stanice. Město bez pravidel bují doslova jako plevel. Život má pramalou cenu a data ještě menší. Když se Boris Chong vrátí z Marsu do Tel Avivu, rychle pozná, že se hodně věcí změnilo. Borisova bývalá milenka se stará o podivně povědomé dítě, které se dovede pouhým dotykem prstu napojit na datový proud. Borisova sestřenice je zamilovaná do robotnika – poškozeného kyborgovského vojáka, který taktak že nechodí žebrat o součástky. Borisův otec trpí smrtelným multigeneračním mozkovým morem. A hledaná datová upířice pronásledovala Borise až do míst, kam má zakázaný návrat. Nad těmi všemi se tyčí Centrální stanice, meziplanetární uzel, ve kterém se protíná všechno: konstantně se proměňující Tel Aviv; mocná virtuální kolbiště; a vesmírné kolonie, kam lidstvo prchlo před bídou a válkou. Propojení zajišťují „Druzí“: mocné mimozemské entity, které prostřednictvím Konverzace – pohyblivého, plynoucího proudu vědomí – právě zahajují nezvratnou změnu. U Centrální stanice se lidé a stroje se adaptují, vzkvétají… a dokonce se vyvíjejí

CENTRAL STATION is published in English by Tachyon Publications, and is also available in a special hardcover edition via PS Publishing. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION has received a flood of praise since it was first published, winning the 2017 John W. Campbell Award, and it was in the running for both the Arthur C. Clarke Award and British Science Fiction Award. It was also an NPR Best Books of 2016, an Amazon Featured Monthly Best Science Fiction & Fantasy Books, a Barnes and Noble Best Science Fiction and Fantasy of 2016, and was on the 2016 Locus Recommended Reading List.

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ Library Journal (starred review)

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson… cement[s] Lavie Tidhar as one of science fiction’s great voices… a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ Chicago Tribune

‘A fantastic mosaic novel.’ New York Review of Science Fiction

New Polish edition of CENTRAL STATION has arrived!


Lavie Tidhar‘s John W. Campbell Award-winning CENTRAL STATION is now available in Polish! Published by Zysk as STACJA CENTRALNA, here’s the synopsis…

W mieście przyszłości pomiędzy Tel Awiwem a Jaffą powstał kosmoport, zamieszkany przez ćwierć miliona ludzi z całego świata. Stacja Centralna stanowi połączenie między nieustannie zmieniającą się Ziemią, ogromnym światem wirtualnym oraz koloniami kosmicznymi, do których przenieśli się ludzie uciekający przed nędzą i wojną.

Gdy Boris Chong wraca z Marsa na Ziemię, zastaje całkowity chaos. Jego była kochanka wychowuje dziwnie znajome dziecko, które potrafi jednym dotknięciem palca podłączyć się do strumienia danych umysłu. Jego podróżująca po kosmosie kuzynka zakochała się w robotniku, żołnierzu-cyborgu. Na domiar złego śledzi go nieobliczalna wampirzyca danych. A wszystko to łączą ze sobą Inni, obce istoty, których zmienny strumień świadomości jest początkiem nieodwracalnej zmiany…

W Stacji Centralnej ludzie i maszyny ciągle się adaptują i rozwijają, a nawet… ewoluują.

The novel, which has also been shortlisted for the Arthur C. Clarke Award, is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Here are just a few of the great reviews the novel has received so far…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

Lavie Tidhar’s OSAMA out now in Czech!


Lavie Tidhar‘s World Fantasy Award-winning OSAMA is now available in Czech! Published by Argo as USÁMA, here’s the synopsis…

Ve světě, kde žádný globální terorismus neexistuje, si neznámá kráska najme soukromého detektiva Joea, aby jí našel jistého muže – tajemného autora brakových románů s hlavním hrdinou jménem Usáma bin Ládin. Tak začíná Joeova cesta kolem světa, a jak se kolem něj utahuje smyčka nebezpečí a tajemství, začíná Joe sám pochybovat o tom, co je fikce a co realita. Odkud se berou uprchlíci, na které naráží v temných koutech nebezpečného světa? Jakou pravdu se dozví na kopci nad Kábulem? Lavie Tidhar v Usámovi brilantně zkoumá podvědomí světa po 11. září a s bravurou sobě vlastní v něm míchá prvky romanu noir, literatury faktu, alternativní historie i thrilleru. Výsledkem je znepokojivý, ale přesto neodolatelný portrét naší doby.

OSAMA is published in English by PS Publishing. Here’s the English-language synopsis…

Lavie Tidhar was in Dar-es-Salaam during the American embassy bombings in 1998, and stayed in the same hotel as the Al Qaeda operatives in Nairobi. Since then he and his now-wife have narrowly avoided both the 2005 King’s Cross and 2004 Sinai attacks — experiences that led first to his memorable short story “My Travels with Al-Qaeda” and later to the creation of Osama.

In a world without global terrorism Joe, a private detective, is hired by a mysterious woman to find a man: the obscure author of pulp fiction novels featuring one Osama Bin Laden: Vigilante…

Joe’s quest to find the man takes him across the world, from the backwaters of Asia to the European Capitals of Paris and London, and as the mystery deepens around him there is one question he is trying hard not to ask: who is he, really, and how much of the books is fiction? Chased by unknown assailants, Joe’s identity slowly fragments as he discovers the shadowy world of the refugees, ghostly entities haunting the world in which he lives. Where do they come from? And what do they want? Joe knows how the story should end, but even he is not ready for the truths he’ll find in New York and, finally, on top a quiet hill above Kabul — nor for the choice he will at last have to make…

In Osama, Lavie Tidhar brilliantly delves into the post-9/11 global subconscious, mixing together elements of film noir, non-fiction, alternative history and international thriller to create an unsettling — yet utterly compelling — portrayal of our times.

Argo also publishes Tidhar’s award-winning A MAN LIES DREAMING in Czech, as MUŽ LEŽÍ A SNÍ. This novel is published by Hodder in the UK and Melville House in the US. Argo are also due to publish Lavie’s latest book, CENTRAL STATION, later this year — it is available now in English, published by Tachyon Publications.

Short Fiction Watch: Lavie Tidhar’s HEROES…


In this instalment of Short Fiction Watch, we wanted to draw your attention to one of Lavie Tidhar‘s latest pieces, “Heroes”, which is included in Meerkat Press‘s BEHIND THE MASK. Here’s the anthology’s official synopsis…

Behind the Mask is a multi-author collection with stories by award-winning authors Kelly Link, Cat Rambo, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Keith Rosson, Kate Marshall, Chris Large and others. It is partially, a prose nod to the comic world — the bombast, the larger-than-life, the save-the-worlds and the calls-to-adventure. But it’s also a spotlight on the more intimate side of the genre. The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can only be experienced from behind the mask.

Lavie Tidhar is the multi-award-winning author of (among others) the Bookman Histories, OSAMA, THE VIOLENT CENTURY, A MAN LIES DREAMING and CENTRAL STATION.

Here are just a few of the many rave reviews Lavie’s work has received so far…

‘Lavie Tidhar’s THE BOOKMAN is simply the best book I’ve read in a long time, and I read a lot of books. If you’re worried that Steampunk has turned into a mere fashion aesthetic, then you’d better read this one. It’s a stunningly imaginative remix of history, technology, literature, and Victorian adventure that’s impossible to put down. The book is immensely smart and readable at the same time. I very much hope that it’s the first of many such books. Buy it.’ — James P. Blaylock

THE BOOKMAN is a delight, crammed with gorgeous period detail, seat-of-the-pants adventure and fabulous set-pieces.’ — The Guardian

Bears comparison with the best of Philip K Dick’s paranoid, alternate-history fantasies. It’s beautifully written and undeniably powerful.’ — Financial Times on OSAMA

OSAMA is the narrative symphony Philip K. Dick wished he could have composed. Not only is it beautifully written, it is expertly crafted… OSAMA is a work of art. And Tidhar is a word-painter, constructing vibrant and poetic landscapes of narrative in spite of the novel’s dark and brooding subject matter.’ Los Angeles Review of Books

‘Like Le Carre’s best novels, the world of espionage isn’t glamorous or exciting; it’s a grim, cold and lonely place… As well as being a wonderfully drawn and detailed historical espionage tale, THE VIOLENT CENTURY is ultimately a very human story. It’s gripping, imaginative and, finally, moving.’ SciFi Now

‘… like Watchmen on crack… While Tidhar looks at the violent narrative of the twentieth century, he has his eyes firmly planted on how we’ve interpreted the violence in our own real world… There [have] been a number of fantastic novels that have drawn on the mythos of the comic book world, ranging from Michael Chabon’s The Amazing Adventures of Kavalier and Clay to Austin Grossman’s Soon I Will Be Invincible, but Tidhar’s is probably one of the best prose examinations to really examine the superhero and what they mean… Ultimately, THE VIOLENT CENTURY is about legacy and how heroics play into it, a deeper message than defining what heroics mean…io9.com

‘Wild, noir-infused alternative history from genre-bender Tidhar… A wholly original Holocaust story: as outlandish as it is poignant.’ Kirkus (Starred Review) on A MAN LIES DREAMING

‘Set during the election of a demagogue who battens on the fears of an underemployed populace threatened by thousands of foreign-born refugees, A MAN LIES DREAMING feels disturbingly prescient. Tidhar holds up a mirror not just to Wolf, but to ourselves. In doing so, he reminds us that even — especially — under the most terrible of circumstances, stories are all we have. And in the right hands, they can be a formidable weapon.’ Washington Post

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review) on CENTRAL STATION

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR on CENTRAL STATION

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

CENTRAL STATION wins John W. Campbell Memorial Award!


Lavie Tidhar‘s latest novel, CENTRAL STATION has been awarded the John W. Campbell Memorial Award! Huge congratulations to Lavie on his very well-deserved win!

CENTRAL STATION, which has also been shortlisted for the Arthur C. Clarke Award, is published by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Lavie’s previous novels OSAMA and A MAN LIES DREAMING also won awards: the World Fantasy Award and Jerwood Fiction Uncovered, respectively.