Out Now: Lavie Tidhar’s JUDGE DEE AND THE EXECUTIONER OF EPINAL


Judge Dee is back on the case! JUDGE DEE AND THE EXECUTIONER OF EPINAL by Lavie Tidhar is out now! With another fantastic cover by the always-superb Red Nose Studio, it’s published by Reactor — on their website, and as an eBook — it is the seventh Judge Dee story. Here’s the synposis…

Unknown forces attempt to stop Judge Dee and Jonathan from transporting a mysterious and possibly dangerous prisoner, who holds a secret about the Judge, to an executioner in France…

The first six stories are still available, on Reactor’s website and also as eBooks (each with its own excellent Red Nose Studio cover!).

Lavie Tidhar’s MAROR Out Today in Germany!


Lavie Tidhar‘s acclaimed novel MAROR is out today in a new German edition! Published by Suhrkamp, it was translated by Conny Lösch. Here’s the synopsis…

Israel, 1974-2008. Zwei Polizisten führen uns durch fast vier Jahrzehnte israelischer Geschichte. Cohen, der Strippenzieher im Hintergrund, und Avi Sagi, der den korrumpierenden Versuchungen seines Jobs nicht widerstehen kann. Diese Geschichte ist die dunkle Geschichte Israels. Der Patriot Cohen kennt nur eine Aufgabe – seinen Staat zu beschützen, auch wenn er dafür die bittersten Realitäten akzeptieren muss und gnadenlos danach handelt. Cohen und Sagi haben es mit jüdischen, arabischen und türkischen Gangstern, mit der CIA und dem KGB, mit den Contras und den Kartellen, mit militanten Orthodoxen und anderen Playern mehr zu tun. Cohen versucht, »die Dinge in der Balance zu halten«, und kennt dabei keine Grenzen.

Tidhar entwirft ein gewaltiges, kaleidoskopisches Panorama aus politischen Skandalen, Korruption, Mord und Verbrechen auf staatlicher und privater Ebene, das sich auch auf die weltweiten Aktivitäten Israels bezieht. Ein Epos, das zu Recht mit Balzac und Dickens verglichen wurde. Ein Epos auch über Moral und Realpolitik, eine Art Chronique scandaleuse Israels und ein grimmiges, schwarz-humoriges Plädoyer für dessen Existenzrecht. Maroreben, wie die bitteren Kräuter auf dem Sederteller: »Mit bitteren Kräutern sollen sie es essen.« (Exodus, 12:8)

MAROR is the first novel in Tidhar’s Matter of Israel series, and is published in the UK by Head of Zeus/Apollo. The second novel, ADAMA, is also out now.

Here’s MAROR‘s English-language synopsis…

How do you build a nation?

It takes statesmen and soldiers, farmers and factory workers, of course. But it also takes thieves, prostitutes and policemen.

Nation-building demands sacrifice. And one man knows exactly where those bodies are buried: Cohen, a man who loves his country. A reasonable man for unreasonable times.

A car bomb in the back streets of Tel Aviv. A diamond robbery in Haifa. Civil war in Lebanon. Rebel fighters in the Colombian jungle. A double murder in Los Angeles.

How do they all connect? Only Cohen knows.

Maror is the story of a war for a country’s soul – a dazzling spread of narrative gunshots across four decades and three continents.

It is a true story. All of these things happened.

The novel, which was a Guardian and Economist Best Book of 2022, has received an incredible amount of praise since it was published. Here’s just a small selection…

‘Some write in ink, others in song, Tidhar writes in fire… MAROR is a kaleidoscopic masterpiece, immense in its sympathies, alarming in its irreverences and altogether exhilarating.’ — Junot Díaz

‘One of the boldest, most visionary writers I’ve ever read creates both a vivid political exploration and a riveting crime epic. It’s like the Jewish Godfather!’ — Silvia Moreno-Garcia

‘A masterpiece of the sacred and the profane … a literary triumph.’ — Guardian

‘Amos Oz’s A Tale of Love and Darkness… Fade[s] into oblivion compared with Lavie Tidhar’s magnificent novel MAROR, a panoramic look at four decades of the dark, despicable side of Israel, of death, corruption, violence and drugs… It’s a brilliant undertaking.’ — Jewish Chronicle

‘One of the sensational novels of 2022, a violent rollercoaster and drug-fuelled ride into Israel’s history’ — Jewish Chronicle (as part of ADAMA review)

MAROR blends the page-turning wit of a hard-boiled detective noir with the stirring intrigue of a multi-national political epic. An ambitious achievement that weaves a tapestry of both story and statement.’ — Kevin Jared Hosein

‘A bloody beast of a book… MAROR is to Israeli history what Tarantino is to American movie culture’ — Daily Mail

‘Comparisons to James Ellroy and Marlon James are valid… On every page we feel we’re among real, breathing people… [a] compelling, unflinching roman-fleuve.’ — Times Literary Supplement (joint review of ADAMA and MAROR)

‘Radiant with all the brutally elegant atmosphere of crime noir, and the richly nuanced complexity and style of Marlon James’ A Brief History of Seven Killings, it’s a genre-busting novel that will catch your breath … At once illuminating, thrilling and thought-provoking, this tale of corruption, killings, sacrifice and the souls that make up a nation is a symphonic feat of fiction.’ — LoveReading

THE BEST OF WORLD SF Volume 3 Paperback Out Now!


The new paperback edition of THE BEST OF WORLD SF, Volume 3 is out today! Curated and edited by Lavie Tidhar, it is published by AdAstra/Head of Zeus. Here’s the synopsis…

The Best of World SF series is a fixture on the global science fiction scene. If you want to find the most exciting SF authors writing today, look no further.

In this third instalment, you’ll discover alien artists, rioting dinosaurs, shape-shifting rabbits, heartbreak-harvesting cafes and one robot on a quest for meaning. You will be transported to the stars and back down to Earth and sideways, with the order of the world turned upside down.

Featuring authors from Austria, Bulgaria, China, Finland, Ghana, Greece, India, Korea, Malaysia, Mexico, the Netherlands, Nigeria, Pakistan, Palestine, the Philippines, Portugal, Russia, Singapore and South Africa, this collection’s stories have been selected by award-winning writer, editor and World SF expert Lavie Tidhar.

The most exciting science fiction on the planet comes from all corners of the globe. And it’s all in the Best of World SF series.

Here is the full table of contents for the anthology:

  1. “A Minor Kalahari” by Diana Rahim (Singapore)
  2. “Behind Her, Trailing Like Butterfly Wings” by Daniela Tomova (Bulgaria)
  3. “Cloudgazer” by Timi Odueso (Nigeria)
  4. “The EMO Hunter” by Mandisi Nkomo (South Africa)
  5. “Tloque Nahuaque” by Nelly Geraldine García-Rosas (Mexico) — translated by Silvia Moreno-Garcia
  6. “The Walls of Benin City” by M.H. Ayinde (UK)
  7. “The Foodie Federation’s Dinosaur Farm” by Luo Longxiang (China) — translated by Andy Dudak
  8. “The Day The World Turned Upside Down” by Thomas Olde Heuvelt (The Netherlands) — translated by Lia Belt
  9. “The Worldless” by Indrapramit Das (India)
  10. “Now You Feel It” by Andrea Chapela (Mexico) — translated by Emma Törzs
  11. “Act of Faith” by Fadzlishah Johanabas (Malaysia)
  12. “Godmother” by Cheryl S. Ntumy (Ghana)
  13. “I Call Upon the Night as Witness” by Zahra Mukhi (Pakistan)
  14. “Sulfur” by Dmitry Glukhovsky (Russia) — translated by Marian Schwartz
  15. “Proposition 23” by Efe Okogu (Nigeria)
  16. “Root Rot” by Fargo Tbakhi (US)
  17. “Catching the K-Beast” by Chen Qian (China) — translated by Carmen Yiling Yan
  18. “Two Moons” by Elena Pavlova (Bulgaria) — translated by Kalin M. Nenov and Elena Pavlova
  19. “Symbiosis Theory” by Choyeop Kim (Korea) — translated by Joungmin Lee Comfort
  20. “My Country is a Ghost” by Eugenia Triantafyllou (Greece)
  21. “Old People’s Folly” by Nora Schinnerl (Austria)
  22. “Echoes of a Broken Mind” by Christine Lucas (Greece)
  23. “Have Your #Hugot Harvested at This Diwata-Owned Café” by Vida Cruz (Philippines)
  24. “Order C345” by Sheikha Helawy (Palestine) — translated by Raphael Cohen
  25. “Dark Star” by Vraiux Dorós (Mexico) — translated by Toshiya Kamei
  26. “An excerpt from ‘A Door Opens: The Beginning of the Fall of the Ispancialo-in-Hinirang (Emprensa Press: 2007)’ by Salahuddin Alonto, Annotated by Omar Jamad Maududi, MLS, HOL, JMS.” by Dean Francis Alfar (Philippines)
  27. “Ootheca” by Mário de Seabra Coelho (Portugal)
  28. “Where The Trains Turn” by Pasi Ilmari Jääskeläinen (Finland) — translated by Liisa Rantalaiho

The first two volumes in the series are also published by AdAstra/Head of Zeus, available now in paperback.

Here are just a few of the many great reviews the series has received so far…

There is not a poor story here… nice balance between light and harder stories… IMMERSION by Aliette de Bodard reads like hard Sci Fi but digs a little deeper… As a group, the stories on offer within THE BEST OF WORLD SF Volume 1 are so strong… This is a great introduction to what the rest of the world has to offer.’ — SF Book Reviews

‘Rare and wonderful’ — The Times (UK)

‘In addition to being an award-winning sci-fi writer, Israeli-born UK-based Lavie Tidhar is also a tireless champion of international sci-fi… an excellent, lovingly curated collection that is also uniformly well translated.’ — Financial Times

‘Tidhar has assembled a weighty and impressive collection of 26 stories by authors from around the world, several of them appearing in English for the first time. The variety and diversity of the material on offer is refreshing, the quality does not waver, and the translations are top-notch.’ — Financial Times (Summer Books of 2021: Science Fiction)

‘Stories like these are the ones you sometimes want to foist upon readers who claim not to like SF, and The Best of World SF: Volume 1 reminds us that such stories can come from anywhere these days, if only we get to see them. I look forward to future volumes.’ — Locus (Gary K. Wolfe)

‘Now this book exists, it feels absurd it didn’t exist sooner… hefty, beautifully presented collection… an excellent samples and delight in itself… fizzes with great ideas and wonderful writing.’ — SFX (5*)

‘[Tidhar] is really a pioneer… He was looking at writers from Malaysia, from Africa, from China, from Japan when no one was really doing that. You might get some stories here and there from other parts of the world. But the way that he constructed this global structure of science fiction and looked at science fiction not as a monoculture but as a vibrant sphere for people to speak from all over the world, and the promotion he gave that over the long term and pushing it on and on in an independent space, is exciting to see and inspiring.’ — Silvia Moreno-Garcia

‘… offers robots, spaceships, time travel, and a few weird stories, showcasing authors from five continents and over twenty countries. On top of that is plenty of optimism, plenty of stories that start as one thing and then become something completely different, and plenty of envelope pushing… Once you read one story by some of these folks, you’ll be itching for more. A truly enjoyable anthology with something for everyone…’ — Apex Magazine

‘Tidhar brings together another outstanding assortment of international sci-fi shorts, showcasing 29 thought-provoking stories… This sweeping survey rewards the time it demands of its readers with a bold and powerful argument for non-Anglophone SF’s potential to push the genre’s boundaries.’ — Publishers Weekly (Starred Review)

‘“Fresh” is an overused word in book reviews, but Lavie Tidhar’s second trawl of recent science fiction from around the world earns the compliment… For my money, this volume is stronger than the last. It is certainly creepier… The few comic tales here sparkle against a dark ground… We need this anthology, and we need editors like Tidhar.’ — The Times (Book of the Month, November 2022)

Lavie Tidhar’s NEOM Available in Japan!


Lavie Tidhar‘s acclaimed novel NEOM is available in Japan! Translated by Ken Mogi (茂木健), and with a spectacular cover by Takeshi Oga (緒賀岳志), it is published by Tokyo Sogensha, as ロボットの夢の都市. Here’s the synopsis…

太陽系を巻き込んだ大戦争から数百年。宇宙への脱出を夢見るジャンク掘りの少年、それ自体がひとつの街のような移動隊商宿で旅をつづける少年、そして砂漠の巨大都市の片隅で古びた見慣れぬロボットと出会った女性。彼らの運命がひとつにより合わさるとき、かつて一夜にしてひとつの都市を滅ぼしたことのある戦闘ロボットが、長い眠りから目覚めて……

世界幻想文学大賞作家が贈る、どこか懐かしい未来の、ふしぎなSF物語。

The novel is published in English by Tachyon Publications. Here’s the English-language synopsis…

Today, Neom is a utopian dream — a megacity of the future yet to be built in the Saudi desert. In this deeply imaginative novel from the award-winning universe of Central Station, far-future Neom is already old. Sentient machines roam the desert searching for purpose, works of art can be more deadly than weapons, and the spark of a long-overdue revolution is in the wind. Only the rekindling of an impossible love affair may slow the inevitable sands of time.

German Edition of MAROR Out in Four Weeks!


Lavie Tidhar‘s acclaimed novel MAROR is due out in a new German edition in four weeks! To be published by Suhrkamp, on April 15th, it was translated by Conny Lösch. Here’s the synopsis…

Israel, 1974-2008. Zwei Polizisten führen uns durch fast vier Jahrzehnte israelischer Geschichte. Cohen, der Strippenzieher im Hintergrund, und Avi Sagi, der den korrumpierenden Versuchungen seines Jobs nicht widerstehen kann. Diese Geschichte ist die dunkle Geschichte Israels. Der Patriot Cohen kennt nur eine Aufgabe – seinen Staat zu beschützen, auch wenn er dafür die bittersten Realitäten akzeptieren muss und gnadenlos danach handelt. Cohen und Sagi haben es mit jüdischen, arabischen und türkischen Gangstern, mit der CIA und dem KGB, mit den Contras und den Kartellen, mit militanten Orthodoxen und anderen Playern mehr zu tun. Cohen versucht, »die Dinge in der Balance zu halten«, und kennt dabei keine Grenzen.

Tidhar entwirft ein gewaltiges, kaleidoskopisches Panorama aus politischen Skandalen, Korruption, Mord und Verbrechen auf staatlicher und privater Ebene, das sich auch auf die weltweiten Aktivitäten Israels bezieht. Ein Epos, das zu Recht mit Balzac und Dickens verglichen wurde. Ein Epos auch über Moral und Realpolitik, eine Art Chronique scandaleuse Israels und ein grimmiges, schwarz-humoriges Plädoyer für dessen Existenzrecht. Maroreben, wie die bitteren Kräuter auf dem Sederteller: »Mit bitteren Kräutern sollen sie es essen.« (Exodus, 12:8)

MAROR is the first novel in Tidhar’s Matter of Israel series, and is published in the UK by Head of Zeus/Apollo. The second novel, ADAMA, is also out now.

Here’s MAROR‘s English-language synopsis…

How do you build a nation?

It takes statesmen and soldiers, farmers and factory workers, of course. But it also takes thieves, prostitutes and policemen.

Nation-building demands sacrifice. And one man knows exactly where those bodies are buried: Cohen, a man who loves his country. A reasonable man for unreasonable times.

A car bomb in the back streets of Tel Aviv. A diamond robbery in Haifa. Civil war in Lebanon. Rebel fighters in the Colombian jungle. A double murder in Los Angeles.

How do they all connect? Only Cohen knows.

Maror is the story of a war for a country’s soul – a dazzling spread of narrative gunshots across four decades and three continents.

It is a true story. All of these things happened.

The novel, which was a Guardian and Economist Best Book of 2022, has received an incredible amount of praise since it was published. Here’s just a small selection…

‘Some write in ink, others in song, Tidhar writes in fire… MAROR is a kaleidoscopic masterpiece, immense in its sympathies, alarming in its irreverences and altogether exhilarating.’ — Junot Díaz

‘One of the boldest, most visionary writers I’ve ever read creates both a vivid political exploration and a riveting crime epic. It’s like the Jewish Godfather!’ — Silvia Moreno-Garcia

‘A masterpiece of the sacred and the profane … a literary triumph.’ — Guardian

‘Amos Oz’s A Tale of Love and Darkness… Fade[s] into oblivion compared with Lavie Tidhar’s magnificent novel MAROR, a panoramic look at four decades of the dark, despicable side of Israel, of death, corruption, violence and drugs… It’s a brilliant undertaking.’ — Jewish Chronicle

‘One of the sensational novels of 2022, a violent rollercoaster and drug-fuelled ride into Israel’s history’ — Jewish Chronicle (as part of ADAMA review)

MAROR blends the page-turning wit of a hard-boiled detective noir with the stirring intrigue of a multi-national political epic. An ambitious achievement that weaves a tapestry of both story and statement.’ — Kevin Jared Hosein

‘A bloody beast of a book… MAROR is to Israeli history what Tarantino is to American movie culture’ — Daily Mail

‘Comparisons to James Ellroy and Marlon James are valid… On every page we feel we’re among real, breathing people… [a] compelling, unflinching roman-fleuve.’ — Times Literary Supplement (joint review of ADAMA and MAROR)

‘Radiant with all the brutally elegant atmosphere of crime noir, and the richly nuanced complexity and style of Marlon James’ A Brief History of Seven Killings, it’s a genre-busting novel that will catch your breath … At once illuminating, thrilling and thought-provoking, this tale of corruption, killings, sacrifice and the souls that make up a nation is a symphonic feat of fiction.’ — LoveReading

Coming Soon: THE CHILDREN’S BOOK OF THE FUTURE by Lavie Tidhar


We’re very happy to share the news (and cover) for Lavie Tidhar‘s next book for younger readers: THE CHILDREN’S BOOK OF THE FUTURE. Co-authored with Richard Watson, and illustrated by Cinthya Alvarez, it’s due to be published by DK on June 25th. Here’s the synopsis…

A Children’s Book of the Future is a narrative nonfiction book that will offer an inclusive and hopeful vision of the future, with a diverse, multicultural approach that will appeal to children of all backgrounds and further appeal to the foreign market audience.

The book will consist of approximately eighteen chapters that each take inspiration from current scientific research. They’ll present engaging, optimistic futures that could result from the real-world science, with insets delving into how that science works. The book will be highly illustrated throughout to make complex ideas more accessible, as well as to better depict the wondrous futures that could be ahead. There will also be a preface, afterword and an activities section.

Some of the diverse visions explored include underwater cities; the solar system and space travel; green technologies and sustainability; robots and artificial intelligence; the future of cities; and much more!

In short, the book sets out to reclaim the future for current and future generations of children.

Here’s a sample from inside…

Lavie is the multi-award winning and nominated author of many novels, novellas, and short stories. His recent novels include the critically-acclaimed MAROR and ADAMA (published by Ad Astra/Head of Zeus), and THE CIRCUMFERENCE OF THE WORLD (published by Tachyon Publications).

ICYMI: First Episode of Lavie Tidhar’s MARS MACHINES is Out Now!


Lavie Tidhar continues his forays into animated works, with MARS MACHINES, which was originally written during the height of the COVID-19 pandemic! The first episode was released on February 19th, and the remaining six episodes will be released weekly. The trailer is abive, and here’s the series synopsis…

A grumpy toaster and a fastidious coffeepot uneasily cohabit in a kitchen on Mars. Their owner is gone, out on a case. The toaster used to be a spaceship, the coffeepot a burglar working for the Robo-Pope. Beyond the window ice-meteorites fall, and the enigmatic Dr Novum haunts their dreams, trying to get into their hidden shelter – and their minds. When a new answering machine turns out to be Bianca, a secret agent from Earth long on the trail of the inhuman Novum, their worlds collide.

Featuring the voice talents of Russell Wilcox (Buddy the coffeepot), Digger Mesch (Toaster) and Anne Wittman (Bianca), the show was scripted by World Fantasy Award winner Lavie Tidhar and directed, animated and scored by Nir Yaniv under their Positronish label.

You can watch the first episode YouTube now, with the other six episodes to follow on a weekly basis.

Written by Lavie Tidhar. Directed by Nir Yaniv. Produced in the US, 2024. Language: English. Seven episodes of 4-6min each. Starring Digger Mesch, Russell Wilcox and Anne Wittman. Type: animated sci fi.

Lavie Tidhar’s CENTRAL STATION is Out Now in France!


Lavie Tidhar‘s award-winning, widely-acclaimed novel CENTRAL STATION is out now in France! Published by Mnémos, it was translated by Julien Bétan. Here’s the synpopsis…

Boris Chong vit sur Mars depuis de nombreuses années. À son retour sur Terre, il atterrit à Central Station, un hub interplanétaire où l’humanité s’est réfugiée pour échapper aux ravages de la pauvreté et de la guerre : un véritable carrefour où se croisent des humains, des augmentés, des robots, des IA, des créatures génétiquement modifiées et même des entités extra-terrestres. Depuis son départ, bien des choses ont changé et c’est l’histoire de plusieurs vies qu’il va découvrir, entre une ancienne amante, un enfant aux dons étranges, un père malade, un cousin amoureux, un cyborg mendiant ou encore une data-vampire dont la présence est interdite sur Terre. De carrefour des planètes, Central Station devient alors le carrefour d’une humanité faite de débrouillardises, de sensibilités et d’amours, où chaque vie à son importance et chaque destin son parcours unique.

Lavie Tidhar nous offre une vision d’un futur et d’une humanité qui portent en eux la mosaïque d’un avenir fascinant, d’un monde en mutation constante où l’espoir est toujours présent.

CENTRAL STATION and its sequel, NEOM, are published in the UK and North America by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION racked up a number of awards and commendations after its publication (in 2017). In addition to landing on many best-of-year lists (Amazon, NPR, Barnes & Noble), it won the John W. Campbell Award (2017) and Xiyung Award For Best Translated Fiction (China, 2020), and was shortlisted and/or a finalist for a number of other awards.

In addition to these accolades, the novel received an outpouring of praise from readers, critics, and authors alike. Here are just a few of the reviews CENTRAL STATION has received…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ — Chicago Tribune

‘Powerfully imagined and beautifully rendered… capture[s] profound emotional truths…’ — Interzone

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

‘It might seem like Lavie Tidhar is such a major figure by now that discussing him under international SF is hardly necessary, but his somewhat novelized storysuite CENTRAL STATION is so engaged with Israeli culture that it seems appropriate, even though it’s also a wonderful tribute to classic SF both in form (the fix-up) and content…’ — Gary K. Wolfe, Locus (2016 Year in Review)

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Zeno Clients & Titles on the Locus 2023 Recommended Reading List!


Locus Magazine released their February 2024 issue, which includes their annual Recommended Reading List, covering 2023 releases. We’re very happy to report that a number of Zeno clients and titles are featured on the list. Check out below for more information on each of the featured titles.

SF Novel

Aliette de Bodard, A FIRE BORN OF EXILE (Gollancz/JABberwocky)

The Scattered Pearls Belt is a string of habitats under tight military rule… where the powerful have become all too comfortable in their positions, and their corruption. But change is coming, with the arrival of Quynh: the mysterious and enigmatic Alchemist of Streams and Hills.

To Minh, daughter of the ruling prefect of the Belt, Quynh represents a chance for escape. To Hoà, a destitute engineer, Quynh has a mysterious link to her own past… and holds a deeper, more sensual appeal. But Quynh has her own secret history, and a plan for the ruling class of the Belt. A plan that will tear open old wounds, shake the heavens, and may well consume her.

A beautiful exploration of the power of love, of revenge, and of the wounds of the past, this fast-paced, heartwarming standalone space opera is set against a backdrop of corruption, power, and political scheming in the far reaches of the Xuya universe, also home to the Arthur C. Clarke Award-shortlisted The Red Scholar’s Wake.

Ian McDonald, HOPELAND (Gollancz/Tor Books)

Hopeland is not a nation. It is not a cult. It is not a religion.

Hopeland is a community. It is a culture. It is a family.

When Raisa Hopeland, determined to win her race to become the next electromancer of London, bumps into Amon Brightbourne – tweed-suited, otherworldly, guided by the Grace – in the middle of a London riot, she sets in motion a series of events which will span decades, continents and a series of events which will change the world.

Amon falls in love in that moment of chaos, but being loved by him can have a cost. And while Raisa has Hopeland, Amon has a family of his own, and they have their own secrets.

From rioting London to geothermal Iceland to the climate-struck islands of Polynesia, from birth to life to death, from tranquillity to terror to joy, Raisa’s journey will encompass the world. But one thing will always be true.

Hopeland is family.

Lavie Tidhar, THE CIRCUMFERENCE OF THE WORLD (Tachyon)

Caught between realities, a mathematician, a book dealer, and a mobster desperately seek a notorious book that disappears upon being read. Only the author, a rakish sci-fi writer, knows whether his popular novel is truthful or a hoax. In a story that is cosmic, inventive, and sly, multi-award-winning author Lavie Tidhar (Central Station) travels from the emergence of life to the very ends of the universe.

Delia Welegtabit discovered two things during her childhood on a South Pacific island: her love for mathematics and a novel that isn’t supposed to exist. But the elusive book proves unexpectedly dangerous. Oskar Lens, a science fiction-obsessed mobster in the midst of an existential crisis, will stop at nothing to find the novel. After Delia’s husband Levi goes missing, she seeks help from Daniel Chase, a young, face-blind book dealer.

The infamous novel Lode Stars was written by the infamous Eugene Charles Hartley: legendary pulp science-fiction writer and founder of the Church of the All-Seeing Eyes. In Hartley’s novel, a doppelganger of Delia searches for her missing father in a strange star system. But is any of Lode Stars real? Was Hartley a cynical conman on a quest for wealth and immortality, creating a religion he did not believe in? Or was he a visionary who truly discovered the secrets of the universe?

Fantasy Novel

Jonathan Carroll, MR. BREAKFAST (Melville House)

Graham Patterson’s life has hit a dead end. His career as a comedian is failing. The love of his life recently broke up with him and he literally has no idea what to do next. With nothing to lose, he buys a new car and hits the road, planning to drive across country and hopefully figure out his next moves before reaching California.

But along the way Patterson does something his old self would never have even considered: he gets tattooed by a brilliant tattoo artist in North Carolina. The decision sets off a series of extraordinary events that changes his life forever in ways he never could have imagined. Among other things, Patterson is gifted with the ability to see in real time three different lives that are available to him. The choice is his: The life he is leading right now, or two very different ones. In all of them there is love or fame and of course danger because once he has chosen, there is no telling what will happen next.

Mr. Breakfast is a dazzling, absorbing and deeply moving novel about the choices that we have to confront and face, confirming Jonathan Carroll’s status as one of our greatest and most imaginative storytellers.

Tim Powers, MY BROTHER’S KEEPER (Ad Astra)

Howarth, 1846.

In a parsonage at the edge of the moors, a widowed rector lives with his family: three daughters and their dissolute brother, Bramwell.

Though the future will celebrate Charlotte, Emily and Anne, right now they are unknown, their genius concealed. In just a few short years they will all be dead, and it will be middle sister Emily’s chance encounter with a grievously wounded man on the moor that sets them on the path to their doom.

For there is an ancient pagan secret haunting the moors, a dark inheritance in the family bloodline and something terrible buried under an ogham-inscribed slab in the church. Not only are their lives at stake, but their very souls.

My Brother’s Keeper is an atmospheric gothic novel that mixes diabolical hatred and vengeance with the supreme power of love to conjure dark magic from the tragic fate of the Brontë sisters.

Horror Novel

Grady Hendrix, HOW TO SELL A HAUNTED HOUSE (Titan UK)

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world.

Mostly, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. But she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market.

Some houses don’t want to be sold…

Collections

Ian R. MacLeod, RAGGED MAPS (Subterranean Press)

From furthest reaches of deep space in “The Memory Artist” to the jungles of Yucatan in “Lamagica,” and from the strange suburbia of “Stuff” to a Vatican where a dying pope awaits deliverance in “Sin Eater,” the worlds mapped out by these stories range far and wide. 

As, from the mythic ancient city of “The God of Nothing” to the post-human futures of “Ephemera” and “The Fall of the House of Kepler,” via alternate pasts and some very twisted presents in such tales as “Selkie,” “The Mrs Innocents” and “The Chronologist,” do the times. 

What holds all these pieces together, including the gripping long new novelette “Downtime” and its vision of a near-future penal system, are vivid writing, strong characters and a sense of awe and surprise. On travels that will take you from cluttered attics and strange shorelines to star-flung civilisations and beyond, let Ian R. MacLeod be your guide.

Anthologies

Lavie Tidhar (ed.), THE BEST OF WORLD SF, Volume 3 (Ad Astra)

The third annual instalment to the ‘excellent, lovingly curated’ (Financial Times) The Best of World SF series

The Best of World SF series is a fixture on the global science fiction scene. If you want to find the most exciting SF authors writing today, look no further.

In this third instalment, you’ll discover alien artists, rioting dinosaurs, shape-shifting rabbits, heartbreak-harvesting cafes and one robot on a quest for meaning. You will be transported to the stars and back down to Earth and sideways, with the order of the world turned upside down.

Featuring authors from Austria, Bulgaria, China, Finland, Ghana, Greece, India, Korea, Malaysia, Mexico, the Netherlands, Nigeria, Pakistan, Palestine, the Philippines, Portugal, Russia, Singapore and South Africa, this collection’s stories have been selected by award-winning writer, editor and World SF expert Lavie Tidhar.

The most exciting science fiction on the planet comes from all corners of the globe. And it’s all in the Best of World SF series.

Short Stories

Aliette de Bodard, “The Mausoleum’s Children“ (Uncanny 5-6/23)

Lavie Tidhar’s FOUR NOVELLAS Out Tomorrow!


Lavie Tidhar‘s new collection, FOUR NOVELLAS, is out tomorrow! To be published by JABberwocky, here’s the synopsis…

A nun enters a poker tournament as she wrestles with her faith in God; a boy travels across a mysterious, cloud-covered planet in search of a mythical space port; in Nazi-occupied London a screenwriter searches for an old flame with deadly consequences; three wise men from the East travel to Judea to give a newborn baby an unexpected power.

Collected for the first time in one volume, this omnibus edition from World Fantasy Award winner Lavie Tidhar gathers four mind-bending novellas:

THE BIG BLIND (2020)

CLOUD PERMUTATIONS (2011)

THE VANISHING KIND (2018)

JESUS AND THE EIGHTFOLD PATH (2010)

The collection is available from all of the usual eBook distributors…

Here are just a few of the great reviews the novellas have received…

‘Tidhar has long taken a kind of perverse glee in his own unpredictability, sometimes blurring the line between pointed literary allusiveness and simple attention deficit…. So while the question of what Tidhar might come up with next is a perfectly reasonable one, I have to admit that the last thing I’d have expected is a sweet-natured tale that, with almost no changes, would work just fine as a 1950s Audrey Hepburn comedy about a young poker-playing Irish nun trying to save her convent from foreclosure… touching… the story unfolds like a Hollywood playbook… a feel-good ending.’ — Locus (Gary K. Wolfe) on THE BIG BLIND

‘A really enjoyable book, different from anything I’d read by Tidhar before (but then, I think that every time I open one of his books). Recommended.’ — Blue Book Balloon on THE BIG BLIND

‘Lavie Tidhar is one of the most interesting new writers to enter the genre in some time, and his chapbook novella JESUS & THE EIGHTFOLD PATH is another major work by him, although even harder to pin down by genre than is his usual work. A vivid and gonzo reimagining of the life of Jesus, it’s less sacrilegious and more respectful than you would think a story whose working title was “Kung Fu Jesus” would be… Much of the gonzo humor, and much of the entertainment value, is carried by the Three Wise Men, here reimagined as former kings, wizards, and minor gods impressed into service by a superior supernatural force, and called Sandy, Monkey, and Pigsy; they get many of the best lines. There’s also a supporting role for the slippery Jewish historian, Josephus Flavius. Perhaps what this reminds me the most of is the movie Big Trouble in Little China, if the filmmakers had decided to tackle the Gospels as well as Chinese mythology. Although some of the more pious may be offended, most readers will probably find this hugely entertaining.’ — Gardner Dozios (LOCUS) on JESUS & THE EIGHTFOLD PATH

‘[B]egan life as an irreverent brain-nugget: the story of kung-fu Jesus. The final result is less cheeky than you might imagine, fusing classical Chinese novel Journey to the West with the life of Christ as recounted in the New Testament… a characteristic example of Tidhar’s writing and storytelling; it repurposes the mythic with a deft touch that retains some degree of familiarity yet introduces enough difference to produce a stark sense of contrast. It also has his characteristic lightness of tone juxtaposed with gravitas and respect for his subject matter. It’s rarely wildly funny but produces plenty of wry smiles. Readers who enjoy laughter lines will find this book does actually crease them up.’ — Nostalgia for Infinity on JESUS & THE EIGHTFOLD PATH

‘As well as being a fun book – and it is a playful read – it does contain a true sense of spirituality.’ — Geek Syndicate on JESUS & THE EIGHTFOLD PATH

Lavie’s latest full-length novel is ADAMA — out now, published by Head of Zeus/Bloomsbury.

New Lavie Tidhar Collection, FOUR NOVELLAS Out in Two Weeks!


In two weeks (February 6th), JABberwocky are due to publish FOUR NOVELLAS — a new collection of Lavie Tidhar‘s shorter works! These four varied novellas are a great introduction to Tidhar’s work. Here’s the collection’s synopsis…

A nun enters a poker tournament as she wrestles with her faith in God; a boy travels across a mysterious, cloud-covered planet in search of a mythical space port; in Nazi-occupied London a screenwriter searches for an old flame with deadly consequences; three wise men from the East travel to Judea to give a newborn baby an unexpected power.

Collected for the first time in one volume, this omnibus edition from World Fantasy Award winner Lavie Tidhar gathers four mind-bending novellas:

THE BIG BLIND

CLOUD PERMUTATIONS

THE VANISHING KIND

JESUS AND THE EIGHTFOLD PATH

Here are just a few of the reviews the novellas have received…

‘Tidhar has long taken a kind of perverse glee in his own unpredictability, sometimes blurring the line between pointed literary allusiveness and simple attention deficit…. So while the question of what Tidhar might come up with next is a perfectly reasonable one, I have to admit that the last thing I’d have expected is a sweet-natured tale that, with almost no changes, would work just fine as a 1950s Audrey Hepburn comedy about a young poker-playing Irish nun trying to save her convent from foreclosure… touching… the story unfolds like a Hollywood playbook… a feel-good ending.’ — Locus (Gary K. Wolfe) on THE BIG BLIND

‘A really enjoyable book, different from anything I’d read by Tidhar before (but then, I think that every time I open one of his books). Recommended.’ — Blue Book Balloon on THE BIG BLIND

‘Lavie Tidhar is one of the most interesting new writers to enter the genre in some time, and his chapbook novella JESUS & THE EIGHTFOLD PATH is another major work by him, although even harder to pin down by genre than is his usual work. A vivid and gonzo reimagining of the life of Jesus, it’s less sacrilegious and more respectful than you would think a story whose working title was “Kung Fu Jesus” would be… Much of the gonzo humor, and much of the entertainment value, is carried by the Three Wise Men, here reimagined as former kings, wizards, and minor gods impressed into service by a superior supernatural force, and called Sandy, Monkey, and Pigsy; they get many of the best lines. There’s also a supporting role for the slippery Jewish historian, Josephus Flavius. Perhaps what this reminds me the most of is the movie Big Trouble in Little China, if the filmmakers had decided to tackle the Gospels as well as Chinese mythology. Although some of the more pious may be offended, most readers will probably find this hugely entertaining.’ — Gardner Dozios (LOCUS) on JESUS & THE EIGHTFOLD PATH

‘[B]egan life as an irreverent brain-nugget: the story of kung-fu Jesus. The final result is less cheeky than you might imagine, fusing classical Chinese novel Journey to the West with the life of Christ as recounted in the New Testament… a characteristic example of Tidhar’s writing and storytelling; it repurposes the mythic with a deft touch that retains some degree of familiarity yet introduces enough difference to produce a stark sense of contrast. It also has his characteristic lightness of tone juxtaposed with gravitas and respect for his subject matter. It’s rarely wildly funny but produces plenty of wry smiles. Readers who enjoy laughter lines will find this book does actually crease them up.’ — Nostalgia for Infinity on JESUS & THE EIGHTFOLD PATH

‘As well as being a fun book – and it is a playful read – it does contain a true sense of spirituality.’ — Geek Syndicate on JESUS & THE EIGHTFOLD PATH

Lavie’s latest full-length novel is ADAMA — out now, published by Head of Zeus/Bloomsbury.

French CENTRAL STATION Out in Four Weeks!


A reminder, today, that the new French edition of Lavie Tidhar‘s award-winning, widely-acclaimed novel CENTRAL STATION is due out in four weeks! To be published by Mnémos on February 21st, 2024, it was translated by Julien Bétan. Here’s the synpopsis…

Boris Chong vit sur Mars depuis de nombreuses années. À son retour sur Terre, il atterrit à Central Station, un hub interplanétaire où l’humanité s’est réfugiée pour échapper aux ravages de la pauvreté et de la guerre : un véritable carrefour où se croisent des humains, des augmentés, des robots, des IA, des créatures génétiquement modifiées et même des entités extra-terrestres. Depuis son départ, bien des choses ont changé et c’est l’histoire de plusieurs vies qu’il va découvrir, entre une ancienne amante, un enfant aux dons étranges, un père malade, un cousin amoureux, un cyborg mendiant ou encore une data-vampire dont la présence est interdite sur Terre. De carrefour des planètes, Central Station devient alors le carrefour d’une humanité faite de débrouillardises, de sensibilités et d’amours, où chaque vie à son importance et chaque destin son parcours unique.

Lavie Tidhar nous offre une vision d’un futur et d’une humanité qui portent en eux la mosaïque d’un avenir fascinant, d’un monde en mutation constante où l’espoir est toujours présent.

CENTRAL STATION and its sequel, NEOM, are published in the UK and North America by Tachyon Publications. Here’s CENTRAL STATION‘s English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION racked up a number of awards and commendations after its publication (in 2017). In addition to landing on many best-of-year lists (Amazon, NPR, Barnes & Noble), it won the John W. Campbell Award (2017) and Xiyung Award For Best Translated Fiction (China, 2020), and was shortlisted and/or a finalist for a number of other awards.

In addition to these accolades, the novel received an outpouring of praise from readers, critics, and authors alike. Here are just a few of the reviews CENTRAL STATION has received…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ — Chicago Tribune

‘Powerfully imagined and beautifully rendered… capture[s] profound emotional truths…’ — Interzone

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

‘It might seem like Lavie Tidhar is such a major figure by now that discussing him under international SF is hardly necessary, but his somewhat novelized storysuite CENTRAL STATION is so engaged with Israeli culture that it seems appropriate, even though it’s also a wonderful tribute to classic SF both in form (the fix-up) and content…’ — Gary K. Wolfe, Locus (2016 Year in Review)

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

ICYMI: Travis Baldree and Lavie Tidhar on Best of 2023 Lists!


Even though 2023 is now behind us, and most are looking forward to what 2024 will bring (especially all of the great books that are in the pipeline!), we just wanted to take a moment to recognize some appearances on Best of 2023 lists.

After a truly spectacular year, Travis Baldree‘s acclaimed and #1 best-selling second novel, BOOKSHOPS & BONEDUST not only ended 2023 back on the best-seller lists (at #9 in the US!), but was also selected by the Los Angeles Public Library as one of the best fiction books of the year! Published by Tor Books in North America and in the UK, here’s the synopsis…

When an injury throws a young, battle-hungry orc off her chosen path, she may find that what we need isn’t always what we seek.

Set in the world of New York Times bestselling Legends & Lattes, Travis Baldree’s Bookshops & Bonedust takes us on a journey of high fantasy, first loves, and secondhand books.

Viv’s career with the notorious mercenary company Rackam’s Ravens isn’t going as planned.

Wounded during the hunt for a powerful necromancer, she’s packed off against her will to recuperate in the sleepy beach town of Murk—so far from the action that she worries she’ll never be able to return to it.

What’s a thwarted soldier of fortune to do?

Spending her hours at a beleaguered bookshop in the company of its foul-mouthed proprietor is the last thing Viv would have predicted, but it may be both exactly what she needs and the seed of changes she couldn’t possibly imagine.

Still, adventure isn’t all that far away. A suspicious traveler in gray, a gnome with a chip on her shoulder, a summer fling, and an improbable number of skeletons prove Murk to be more eventful than Viv could have ever expected.

Travis’s debut novel, LEGENDS & LATTES — also published by Tor Books in North America and in the UK — was also selected by Huffington Post as one of the best Books of 2023!

The LAPL also selected Lavie Tidhar‘s THE CIRCUMFERENCE OF THE WORLD as one of their best fiction books of 2023! Here’s what they had to say about the novel…

‘This novel is an homage to the golden age of science fiction; the authors who provided the genesis of the genre; and the fans who turned their love of the literature into a sub-culture. The author weaves rational thought, a bit of fanaticism, madness and mysticism into a tapestry that will fascinate contemporary readers and would have made the writers who came before him proud.’

THE CIRCUMFERENCE OF THE WORLD was also selected as a Publishers Weekly Best of 2023. The novel is published by Tachyon Publication. Here’s the synopsis…

Caught between realities, a mathematician, a book dealer, and a mobster desperately seek a notorious book that disappears upon being read. Only the author, a rakish sci-fi writer, knows whether his popular novel is truthful or a hoax. In a story that is cosmic, inventive, and sly, multi-award-winning author Lavie Tidhar (Central Station) travels from the emergence of life to the very ends of the universe.

Delia Welegtabit discovered two things during her childhood on a South Pacific island: her love for mathematics and a novel that isn’t supposed to exist. But the elusive book proves unexpectedly dangerous. Oskar Lens, a science fiction-obsessed mobster in the midst of an existential crisis, will stop at nothing to find the novel. After Delia’s husband Levi goes missing, she seeks help from Daniel Chase, a young, face-blind book dealer.

The infamous novel Lode Stars was written by the infamous Eugene Charles Hartley: legendary pulp science-fiction writer and founder of the Church of the All-Seeing Eyes. In Hartley’s novel, a doppelganger of Delia searches for her missing father in a strange star system. But is any of Lode Stars real? Was Hartley a cynical conman on a quest for wealth and immortality, creating a religion he did not believe in? Or was he a visionary who truly discovered the secrets of the universe?

French Edition of Lavie Tidhar’s CENTRAL STATION Out in February!


We’re very happy to report that Lavie Tidhar‘s award-winning, widely-acclaimed novel CENTRAL STATION is getting a French edition next year! Due to be published by Mnémos, on February 21st, 2024, it was translated by Julien Bétan. Here’s the synpopsis…

Boris Chong vit sur Mars depuis de nombreuses années. À son retour sur Terre, il atterrit à Central Station, un hub interplanétaire où l’humanité s’est réfugiée pour échapper aux ravages de la pauvreté et de la guerre : un véritable carrefour où se croisent des humains, des augmentés, des robots, des IA, des créatures génétiquement modifiées et même des entités extra-terrestres. Depuis son départ, bien des choses ont changé et c’est l’histoire de plusieurs vies qu’il va découvrir, entre une ancienne amante, un enfant aux dons étranges, un père malade, un cousin amoureux, un cyborg mendiant ou encore une data-vampire dont la présence est interdite sur Terre. De carrefour des planètes, Central Station devient alors le carrefour d’une humanité faite de débrouillardises, de sensibilités et d’amours, où chaque vie à son importance et chaque destin son parcours unique.

Lavie Tidhar nous offre une vision d’un futur et d’une humanité qui portent en eux la mosaïque d’un avenir fascinant, d’un monde en mutation constante où l’espoir est toujours présent.

CENTRAL STATION and its sequel, NEOM, are published in the UK and North America by Tachyon Publications. Here’s CENTRAL STATION‘s English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

CENTRAL STATION racked up a number of awards and commendations after its publication (in 2017). In addition to landing on many best-of-year lists (Amazon, NPR, Barnes & Noble), it won the John W. Campbell Award (2017) and Xiyung Award For Best Translated Fiction (China, 2020), and was shortlisted and/or a finalist for a number of other awards.

In addition to these accolades, the novel received an outpouring of praise from readers, critics, and authors alike. Here are just a few of the reviews CENTRAL STATION has received…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘It might seem like Lavie Tidhar is such a major figure by now that discussing him under international SF is hardly necessary, but his somewhat novelized storysuite CENTRAL STATION is so engaged with Israeli culture that it seems appropriate, even though it’s also a wonderful tribute to classic SF both in form (the fix-up) and content…’ — Gary K. Wolfe, Locus (2016 Year in Review)

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ — Chicago Tribune

‘Powerfully imagined and beautifully rendered… capture[s] profound emotional truths…’ — Interzone

German Edition of Lavie Tidhar’s MAROR Out Next Year!


A new German edition of Lavie Tidhar‘s acclaimed novel MAROR is on the way! Due to be published by Suhrkamp, on April 14th, it was translated by Conny Lösch. Here’s the synopsis…

Israel, 1974-2008. Zwei Polizisten führen uns durch fast vier Jahrzehnte israelischer Geschichte. Cohen, der Strippenzieher im Hintergrund, und Avi Sagi, der den korrumpierenden Versuchungen seines Jobs nicht widerstehen kann. Diese Geschichte ist die dunkle Geschichte Israels. Der Patriot Cohen kennt nur eine Aufgabe – seinen Staat zu beschützen, auch wenn er dafür die bittersten Realitäten akzeptieren muss und gnadenlos danach handelt. Cohen und Sagi haben es mit jüdischen, arabischen und türkischen Gangstern, mit der CIA und dem KGB, mit den Contras und den Kartellen, mit militanten Orthodoxen und anderen Playern mehr zu tun. Cohen versucht, »die Dinge in der Balance zu halten«, und kennt dabei keine Grenzen.

Tidhar entwirft ein gewaltiges, kaleidoskopisches Panorama aus politischen Skandalen, Korruption, Mord und Verbrechen auf staatlicher und privater Ebene, das sich auch auf die weltweiten Aktivitäten Israels bezieht. Ein Epos, das zu Recht mit Balzac und Dickens verglichen wurde. Ein Epos auch über Moral und Realpolitik, eine Art Chronique scandaleuse Israels und ein grimmiges, schwarz-humoriges Plädoyer für dessen Existenzrecht. Maroreben, wie die bitteren Kräuter auf dem Sederteller: »Mit bitteren Kräutern sollen sie es essen.« (Exodus, 12:8)

MAROR is the first novel in Tidhar’s Matter of Israel series, which is published in the UK by Head of Zeus/Apollo. The second novel, ADAMA, is also out now.

Here’s MAROR‘s English-language synopsis…

How do you build a nation?

It takes statesmen and soldiers, farmers and factory workers, of course. But it also takes thieves, prostitutes and policemen.

Nation-building demands sacrifice. And one man knows exactly where those bodies are buried: Cohen, a man who loves his country. A reasonable man for unreasonable times.

A car bomb in the back streets of Tel Aviv. A diamond robbery in Haifa. Civil war in Lebanon. Rebel fighters in the Colombian jungle. A double murder in Los Angeles.

How do they all connect? Only Cohen knows.

Maror is the story of a war for a country’s soul – a dazzling spread of narrative gunshots across four decades and three continents.

It is a true story. All of these things happened.

The novel, which was a Guardian and Economist Best Book of 2022, has received an incredible amount of praise since it was published. Here’s just a small selection…

‘Some write in ink, others in song, Tidhar writes in fire… MAROR is a kaleidoscopic masterpiece, immense in its sympathies, alarming in its irreverences and altogether exhilarating.’ — Junot Díaz

‘One of the boldest, most visionary writers I’ve ever read creates both a vivid political exploration and a riveting crime epic. It’s like the Jewish Godfather!’ — Silvia Moreno-Garcia

‘A masterpiece of the sacred and the profane … a literary triumph.’ — Guardian

‘Amos Oz’s A Tale of Love and Darkness… Fade[s] into oblivion compared with Lavie Tidhar’s magnificent novel MAROR, a panoramic look at four decades of the dark, despicable side of Israel, of death, corruption, violence and drugs… It’s a brilliant undertaking.’ — Jewish Chronicle

‘One of the sensational novels of 2022, a violent rollercoaster and drug-fuelled ride into Israel’s history’ — Jewish Chronicle (as part of ADAMA review)

MAROR blends the page-turning wit of a hard-boiled detective noir with the stirring intrigue of a multi-national political epic. An ambitious achievement that weaves a tapestry of both story and statement.’ — Kevin Jared Hosein

‘A bloody beast of a book… MAROR is to Israeli history what Tarantino is to American movie culture’ — Daily Mail

‘Comparisons to James Ellroy and Marlon James are valid… On every page we feel we’re among real, breathing people… [a] compelling, unflinching roman-fleuve.’ — Times Literary Supplement (joint review of ADAMA and MAROR)

‘Radiant with all the brutally elegant atmosphere of crime noir, and the richly nuanced complexity and style of Marlon James’ A Brief History of Seven Killings, it’s a genre-busting novel that will catch your breath … At once illuminating, thrilling and thought-provoking, this tale of corruption, killings, sacrifice and the souls that make up a nation is a symphonic feat of fiction.’ — LoveReading