TALES FROM THE FOLLY, Ben Aaronovitch‘s highly-anticipated short story collection set in the Rivers of London universe, is officially out on Friday (31st)! A must read for fans of Ben’s internationally best-selling and highly acclaimed series, here’s the synopsis and table of contents…
Tales from the Folly is a carefully curated collection that gathers together previously published stories and brand new tales in the same place for the first time.
Each tale features a new introduction from the author, filled with insight and anecdote offering the reader a deeper exploration into this absorbing fictional world. This is a must read for any Rivers of London fan.
Join Peter, Nightingale, Abigail, Agent Reynolds and Tobias Winter for a series of perfectly portioned tales. Discover what’s haunting a lonely motorway service station, who still wanders the shelves of a popular London bookshop, and what exactly happened to the River Lugg…
With an introduction from internationally bestselling author of the Sookie Stackhouse series, Charlaine Harris.
This collection includes:
The Home Crowd Advantage
The Domestic
The Cockpit
The Loneliness of the Long-Distance Granny
King of The Rats
A Rare Book of Cunning Device
A Dedicated Follower of Fashion
Favourite Uncle
Vanessa Sommer’s Other Christmas List
Three Rivers, Two Husbands and a Baby
Moments One-Three
Available first as an eBook, published by JABberwocky, there are plans for an audio and print edition in the works — we’ll share more information as we have it.
The Rivers of London/Peter Grant series — currently at eight novels and two novellas — is published in the UK by Gollancz; in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas); and widely in translation.
‘Ben Aaronovitch has created a wonderful world full of mystery, magic and fantastic characters. I love being there more than the real London’ — Nick Frost
‘As brilliant and funny as ever’ — The Sun
‘Charming, witty, exciting’ — The Independent
‘An incredibly fast-moving magical joyride for grown-ups’ — The Times