Tag: Ian McDonald

Next Month: Ian McDonald’s DESOLATION ROAD Becomes an SF Masterwork!

Posted on Tuesday, November 3rd, 2020

Next month, Gollancz will add DESOLATION ROAD to the ranks of their SF Masterworks! The first novel in Ian McDonald‘s Mars duology, which also includes ARES EXPRESS, it was first published in 1988. The new edition is due to arrive on shelves on December 10th. Here’s the synopsis…

It all started thirty years ago on Mars. By the time it was finished, the town of Desolation Road had been witness to every abnormality yet seen on the Red Planet. From Adam Black’s Wonderful Travelling Chautauqua and Educational ‘Stravaganza, to the Astounding Tatterdemalion Air Bazaar, nowhere else boasts such sights for the wandering lucky traveller.

Its inhabitants are just as storied. From Dr. Alimantando — founder and resident genius — to the Babooshka, a barren grandmother with a child grown in a fruit jar; from Rajendra Das, mechanical hobo whose way with machines bordered on the mystic, to the Gallacelli brothers, identical triplets who fell in love with – and married – the same woman.

There’s nowhere quite like Desolation Road. Once you go there, you may never be the same again.

DESOLATION ROAD joins RIVER OF GODS, Ian’s other SF Masterwork title.

Here are just a few reviews that DESOLATION ROAD has received since it was first published…

‘Ian McDonald’s DESOLATION ROAD is one of my most personally influential novels. It’s an epic tale of the terraforming of Mars, whose sweep captures the birth and death of mythologies, economics, art, revolution, politics… Desolation Road pays homage to David Byrne’s Catherine Wheel, to Ray Bradbury’s entire canon and to Jack Vance, blending all these disparate creators in a way that surprises, delights, then surprises and delights again… Pyr Books has done us all the service of bringing this remarkable volume back into print after too long a hiatus.’ — Cory Doctorow (Boing Boing)

‘There’s a fair bit of science fiction that feels like fantasy, and vice versa, but DESOLATION ROAD is the only book I know that holds this particular balance… It was McDonald’s first novel, it absolutely bowled me over when it came out, and while I have read everything he’s published since, and admire all of it and like most of it, this remains my favourite of his books because it’s so unusual. It’s also some of the most beautiful prose imaginable… If you ever want to demonstrate how different science fiction can be, what an incredible range and sweep of things are published with a little spaceship on the spine, DESOLATION ROAD is a shining datapoint, because it isn’t like anything else and yet it is coming from a knowledge of what the genre can do and can be and making something new out of it.’ — Jo Walton (Tor.com)

‘This is the kind of novel I long to find yet seldom do. DESOLATION ROAD is a rara avis… Extraordinary and more than that!’ — Philip José Farmer

‘Flavoured with a voice that blends the delightful prose of Jack Vance with the idiosyncratic stylings of Cordwainer Smith, this novel is, most of all, about the dusty town of Desolation Road in the middle of the red Martian desert. Episodic in scope, it would also work as short stories. An elderly couple get lost in the infinite space of their garden, a baby growing in a jar is stolen and replaced with a mango, a man called The Hand plays electric guitar for the clouds and starts the first rain for one hundred and fifty thousand years.’ — SF Site

‘DESOLATION ROAD is a rich, rewarding novel that occupies territory of its own in science fiction. Like Bradbury’s The Martian Chronicles and Gabriel Garcia Marquez’s One Hundred Years of Solitude, it utilizes untamed creativity for literary purpose, wholly succeeding in telling an imagined history that directly comments on the real world with characters as genuine and colorful as those we meet in our daily lives. The fact the story takes place on a Mars where machines come to life, time can be twisted, and the air can crackle with purple and blue static makes no difference; the realism is all there beneath the sparkling surface… if you are looking for the literary side or something wildly unique in the genre, this is it.’ — Speculiction

Gollancz has published a whole host of Ian’s novels and series in the UK, including his most recent: Luna.

DESOLATION ROAD and ARES EXPRESS are published in North America by JABberwocky. The Luna series is published in North America by Tor Books.

Complex Chinese Editions of Ian McDonald’s LUNA Series out now!

Posted on Monday, September 28th, 2020

The Complex Chinese editions of Ian McDonald‘s highly-acclaimed, award-nominated Luna series are out now! Published by 麥田出版 (Rye Field Publications in Taiwan, Hong Kong and Macau, the whole trilogy is now available: 血染 新月 (NEW MOON), 狼嚎 時分 (WOLF MOON), and 王者 之戰 (MOON RISING).

The series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions around the world.

In case you haven’t yet had the chance to read the series, here’s the synopsis for NEW MOON…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit pay-dirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

There is also a prequel novella, THE MENACE FROM FARSIDE, published by Tor.com.

Here are just a few of the great reviews the series has received so far…

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

‘Luna: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

ICYMI: Lavie Tidhar Discusses BY FORCE ALONE with Ian McDonald

Posted on Tuesday, September 15th, 2020

A few weeks ago, Lavie Tidhar was invited to take part in an online event by Chevaliers Books, to discuss his latest, acclaimed novel BY FORCE ALONE. Fellow Zeno client Ian McDonald joined him for the discussion, and you can watch the video above.

BY FORCE ALONE is out now, published by Tor Books in North America and Head of Zeus in the UK. Here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork.

Here’s just a small selection taken from the great reviews the novel has received so far…

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’ — Locus (Gary K. Wolfe)

‘There are no parfit gentil knights in Lavie Tidhar’s Arthurian epic fantasy… It is a vicious, beautiful, profane and wickedly funny reimagining of the rise and fall of King Arthur without the chivalry, divine right or holy quests… This kind of retelling offers a wealth of opportunity to examine aspects of the familiar story in a completely new light, and is both exciting and enormously satisfying to read… The prose style is half of what makes the book so powerful. Tidhar is both clean and poetic, elegantly sparse but deeply evocative. Every phrase is load-bearing. The profanity serves its purpose. He switches between point-of-view characters and authorial voice seamlessly, using short almost-choppy sentences to give a sense of inevitable forward movement, events lensing into one another. The frequent references to Greek philosophy in the narration both serve to underline the post-Roman intellectual landscape of the time and to create a kind of distance between the reader and the text, which increases that slightly dreamy sense of inexorable direction. This story is going to happen; the terrible ending is going to occur, and we — and the characters — are swept along with it.’ — Washington Post

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’ — Tor.com

Ian McDonald’s latest series, Luna, is also out now and published by Tor Books in North America. The series is published in the UK by Gollancz (covers below). Here’s the synopsis for book one, NEW MOON…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

Complex Chinese Editions of Ian McDonald’s Luna Series Out Later this Month!

Posted on Thursday, September 10th, 2020

Today, we’re very happy to share with you the covers for the upcoming Complex Chinese editions of Ian McDonald‘s highly-acclaimed, award-nominated Luna series! Available in Taiwan, Hong Kong and Macau, all three novels will be published by 麥田出版 (Rye Field Publications) on September 28th.

The trilogy of novels includes 血染 新月 (NEW MOON), 狼嚎 時分 (WOLF MOON), and 王者 之戰 (MOON RISING).

The series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions around the world. There is also a prequel novella, THE MENACE FROM FARSIDE, published by Tor.com.

In case you haven’t yet had the chance to read the series, here’s the synopsis for NEW MOON…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit pay-dirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

Here are just a few of the great reviews the series has received so far…

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

‘No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly on WOLF MOON

‘NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

Ian McDonald’s 月球家族 Series out Next Month in China!

Posted on Tuesday, August 25th, 2020

Next month, 理想国/Imaginist is due to published Ian McDonald‘s acclaimed Luna series in China! The simplified Chinese editions will be available in a three-volume set, and includes 新月 (NEW MOON), 狼月 (WOLF MOON), and 月出 (MOON RISING). The cover for book one is above, and books two and three below.

We don’t have the Chinese synopsis just yet, but here’s the English-language synopsis for the first novel…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

The series is published by Gollancz in the UK, Tor Books in North America, and in an ever-growing number of translated editions. In fact, we would also like to take this opportunity to mark a milestone for NEW MOON: the Chinese edition is the fifteenth edition! Here are all the covers to date…

The Chinese editions of the second and third novels are each their tenth editions. Here are WOLF MOON‘s covers…

… and MOON RISING‘s covers…

Finally, in case you need more convincing to give the Luna series a try, here are just a few of the many great reviews the series has received so far…

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

‘No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

Ian McDonald’s MOON RISING out tomorrow in USPB!

Posted on Monday, August 10th, 2020

The paperback edition of Ian McDonald‘s MOON RISING, the third novel in his acclaimed, award-nominated Luna series, is due to be published by Tor Books in North America, tomorrow!

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Tor Books has also published the first two novels in the series in North America — NEW MOON and WOLF MOON; a prequel novella, THE MENACE FROM FARSIDE, is also available, published by Tor.com. The series is published in the UK by Gollancz, and has also been published widely in translation.

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights

‘[T]here are few excuses for not reading Ian McDonald’ — Cheryl Morgan

Ian McDonald’s THE DERVISH HOUSE Turns 10!

Posted on Wednesday, July 29th, 2020

Ten years ago today, Ian McDonald‘s highly-acclaimed, award-winning THE DERVISH HOUSE was first published in the UK! Published by Gollancz, here’s the synopsis…

In the CHAGA novels Ian McDonald brought an Africa in the grip of a bizarre alien invasion to life, in RIVER OF GODS he painted a rich portrait of India in 2047, in BRASYL he looked at different Brazils, past present and future. Ian McDonald has found renown at the cutting edge of a movement to take SF away from its British and American white roots and out into the rich cultures of the world.

THE DERVISH HOUSE continues that journey and centres on Istanbul in 2025. Turkey is part of Europe but sited on the edge, it is an Islamic country that looks to the West. THE DERVISH HOUSE is the story of the families that live in and around its titular house, it is at once a rich mosaic of Islamic life in the new century and a telling novel of future possibilities.

The novel has racked up a number of great awards and commendations since its release. For example…

  • John W. Campbell Memorial Award, Winner (2011)
  • BSFA Award, Best Novel Winner (2011)
  • SF Site Readers Poll, SF/Fantasy Novel, Winner (2011)
  • Seiun Award, Translated Novel, Nominee (2015)
  • Hugo Award, Best Novel Nominee (2011)
  • Arthur C. Clark Award, Shortlist (2011)
  • Locus Award, Best SF Novel, 3rd Place (2011)

In addition to UK and North American editions (Pyr Books originally, now available via JABberwocky), the novel has been published quite widely in translation, with editions appearing in Turkey (Pegasus), Poland (MAG), France (Denoël/Gallimard), Hungary (Ad Astra), Bosnia (Paladin), Russia (ACT), Japan (東京創元社), and Bulgaria (Altera)! It is also available as an audiobook. Here are the covers…

And, finally, here are just a few of the great reviews the novel has received since it was first published…

‘… a writer with an unerring instinct for finding resonance between theme and location… a rich and assured novel that, like much of Ken MacLeod’s recent work, revels in the shiny precision of the airport tech-thriller, yet insists on putting forward disquieting ideas rather than offering all-too-neat reassurances that you can somehow put escaped djinns back in bottles. This is as good as contemporary literary SF gets.’ — SFX (5* Review)

‘I know what to expect from Ian McDonald: broad vistas, intricately imagined futures, poetic language that transports and delights, a blend of mysticism and science that thrills and moves. But no matter how much foreknowledge I bring to a new Ian McDonald, I am always, always startled and thrilled by the exciting, moving epic story I find inside… To read McDonald is to fall in love with a place and to become drunk with it (see this free sample from Dervish House for a taste). I you’ve never read him, you’re in for a treat. If you’re a fan like me, you’ll be delighted anew. What a wonderful, wonderful book.’ — BoingBoing

‘[T]hrilling… A master in his own right, McDonald has written some of the best SF of the last fifteen years… a mosaic of a story that can be admired for its finely-wrought pieces but not fully appreciated until the book is finished and looked at again from some distance. The biggest part of the thrill is wondering how the characters will inevitably intersect… As much as THE DERVISH HOUSE is about biogenetics and history, McDonald couches some of his lushest prose in explorations of mysticism… McDonald, who is a native of Scotland, has an uncanny ability to write about other cultures authentically. He is a painstaking researcher and while he cannot always write with absolute authority, his dedication to making settings and characters feel alive is incredibly impressive… Ian McDonald has crafted a gorgeously lush novel, oozing with exciting, relevant ideas, a love letter to the Queen of Cities, to all cities, really.’ — Tor.com

‘A lush, complex and hugely entertaining novel.’ — Guardian

‘… Istanbul, the Queen of Cities, and the setting for Ian McDonald’s near-future story of terrorism, nanotechnology and change rushing over us like a tidal wave of strangeness. Like his novels about the future of Indian, African and Brazilian society, McDonald’s new book is a conscientious attempt to write the Other from the inside and accept the possibility that the Anglo world may be a sideline… a brilliant, jewelled machine of a novel in which lives trigger events in other lives, in a sequence that skirts chaos and disaster, but ends with gorgeous order.’ — Independent

‘Those who have previously enjoyed McDonald’s narrative style will find a great deal to like in THE DERVISH HOUSE… McDonald’s writing has been steadily improving in terms of its lyrical and descriptive quality over the years, and it seems his recent foray into short stories with CYBERABAD DAYS has helped his focus and tightness. Several passages shine with literary flow and power… McDonald keeps his story fresh with every chapter and its flickering viewpoints, giving a series of snapshots that come together to form a panorama of his world. THE DERVISH HOUSE is an excellent sci-fi tale from a phenomenal writer, one who deserves every plaudit that can be heaped upon him. Those who appreciate slow-burning, dense and creative genre work should get this book now.’  —  SciFiNow

‘If you only read one SF book this year… make sure it’s Ian McDonald’s THE DERVISH HOUSE… I wish I’d written this!!! … It’s too bloody good for comfort… THE DERVISH HOUSE takes the expansive cultural mosaic of  RIVER OF GODS, multiplies it by the driving Latin beat and teetering sense of jeopardy in BRASYL, and gives you a novel that is his best yet by a whole new order of imaginative and sensuous magnitude… I cannot recommend it highly enough.’ — Richard K. Morgan (author of Altered Carbon and The Steel Remains)

‘[I]n THE DERVISH HOUSE, aspects of the geography, socioeconomic, religious and political groups do come alive – perhaps not as full characters, but as not-quite separate personalities within Istanbul – a city suffering and celebrating its multiple personalities… McDonald’s tried and true strategy of exploring the people of emerging economies in combination with the implications of technology on society in a near-future setting succeeds once again… It’s at times powerful, informative, and fun and another example of science fiction alive in our world.’ — NethSpace

‘[B]uilds on the complex, multi-layered narratives that McDonald has already produced in RIVER OF GODS and BRASYL. Like them, the very richness of the bustling world, the differing ways in which a range of characters intersect with the world, makes for a convincing portrait of the near future. In both those earlier novels, the past is the foundation upon which the future has been built, but the new novel goes further, because here the past is inescapable and the future perhaps unreachable. You feel that ten or so years from now, Istanbul could be just the way it is described here. The most important thing, though, is that as a kaleidoscopic portrait of that place at that time, THE DERVISH HOUSE is a very fine, very powerful novel indeed.’ — SF Site

‘[A] beautiful homage to one of most unique cities on earth… Nominated for the Hugo Award last week, THE DERVISH HOUSE is a worthy addition to that tradition. It is certainly one of the best novels I read in 2010. McDonald asks a lot his readers, but he rewards them with a beautiful novel that I believe will appeal to traditional readers in some ways more than lovers of genre fiction.’ — Staffer’s Book Review

‘[A]n audacious look at the shift in the power centers of the world and an intense vision of one possible future.’ — New York Times

Short Fiction Watch: Ian McDonald in THE YEAR’S TOP HARD SCIENCE FICTION STORIES 4!

Posted on Friday, June 19th, 2020

In this instalment of Short Fiction Watch, we wanted to draw your attention to the upcoming collection THE YEAR’S TOP HARD SCIENCE FICTION STORIES 4. Edited by Allan Kaster, it includes THE MENACE FROM FARSIDE by Ian McDonald!

Here’s the relevant portion of the synopsis…

An unabridged collection spotlighting the best hard science fiction stories published in 2019 by current and emerging masters of the genre, edited by Allan Kaster…

… A teenager seeks to maintain her “Captain” status among her non-traditional lunar family by leading her siblings on a dangerous trek to Neil Armstrong’s first footprint on the moon in “The Menace from Farside,” by Ian McDonald.

THE MENACE FROM FARSIDE is the prequel novella in Ian’s Luna series, and was originally published by Tor.com. Here’s the full synopsis…

Remember: Lady Luna knows a thousand ways to kill you, but family is what you know. Family is what works.

Cariad Corcoran has a new sister who is everything she is not: tall, beautiful, confident. They’re unlikely allies and even unlikelier sisters, but they’re determined to find the moon’s first footprint, even if the lunar frontier is doing its best to kill them before they get there.

The highly acclaimed Luna series is published in North America by Tor Books, in the UK by Gollancz, and is available in a growing number of translated editions around the world.

McDonald, de Bodard and Lafferty are Locus Award Finalists!

Posted on Monday, June 8th, 2020

We are delighted to share the news — in case you missed it — that Ian McDonald, Aliette de Bodard and R.A. Lafferty are all finalists in this year’s Locus Awards! Congratulations for these very well deserved nominations! Winners of the awards will be announced on June 27th.

Read on for some more details.

Ian’s third Luna novel, MOON RISING, is nominated for Best Science Fiction novel. Published in the UK by Gollancz, in North America by Tor Books, and widely in translation, here’s the synopsis…

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera pitched as Game of Thrones meets The Expanse

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Aliette’s Xuya acclaimed collection OF WARS, AND MEMORIES, AND STARLIGHT is nominated for Best Collection. Published by Subterranean Press, here’s the synopsis…

A major first collection from a writer fast becoming one of the stars of the genre… Aliette de Bodard, multiple award winner and author of The Tea Master and the Detective, now brings readers fourteen dazzling tales that showcase the richly textured worldbuilding and beloved characters that have brought her so much acclaim.

Come discover the breadth and endless invention of her universes, ranging from a dark Gothic Paris devastated by a magical war; to the multiple award-winning Xuya, a far-future space opera inspired by Vietnamese culture where scholars administrate planets and sentient spaceships are part of families.

In the Nebula award and Locus award winning “Immersion”, a young girl working in a restaurant on a colonized space station crosses paths with an older woman who has cast off her own identity. In the novelette “Children of Thorns, Children of Water”, a shapeshifting dragon infiltrating a ruined mansion finds more than he’s bargained for when his partner is snatched by eerie, child-like creatures. And in the award-winning “Three Cups of Grief, by Starlight”, three very different people — a scholar, an engineer, and a spaceship — all must deal with the loss of a woman who was the cornerstone of their world.   

This collection includes a never-before seen 20,000-word novella, “Of Birthdays, and Fungus, and Kindness”, set in Bodard’s alternative dark Paris.

R.A. Lafferty is also up for Best Collection, for THE BEST OF R.A. LAFFERTY, which is published by Gollancz and contains a number of Lafferty’s award-winning fiction. Through their SF Gateway imprint, Gollancz publishes a whole host of Lafferty’s work. Here’s the synopsis for the nominated collection…

Acclaimed as one of the most original voices in modern literature, Raphael Aloysius Lafferty has been awarded and nominated for a multitude of accolades over the span of his career, including the World Fantasy Award for Lifetime Achievement.

This collection contains 22 unique tall tales, including:

Hugo Award-winning
‘Eurema’s Dam’ — introduced by Robert Silverberg

Hugo Award-nominated
‘Continued on the Next Rock’ — introduced by Nancy Kress
‘Sky’ — introduced by Gwenda Bond

Nebula Award-nominated
‘In Our Block’ — introduced by Neil Gaiman

And more stories introduced by other modern masters of SF who acknowledge.

R.A. Lafferty as a major influence and force in the field.

Zeno represents R.A. Lafferty in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.

John Berlyne Interviewed on Coode Street Podcast!

Posted on Wednesday, June 3rd, 2020

Zeno Managing Director and Agent John Berlyne has been interviewed for Jonathan Strahan’s Coode Street Podcast! Part of the “10 Minutes With” series of episodes, it is intended to bring together ‘readers and booklovers from around the world talk about what they’re reading right now and what’s getting them through these difficult times.’

The episode covers a lot of ground (it is actually over 30 minutes), many books, and the state of publishing today.

We hope you enjoy the interview!

If you’d like more Zeno-related podcast goodness, both Ian McDonald and Lavie Tidhar have also also been guests for the 10 Minutes With series…

Ian is the author of, most recently, the critically-acclaimed Luna series, published by Tor Books (North America), Gollancz (UK) and Tor.com (prequel novella).

Lavie is the author of, most recently BY FORCE ALONE — out now in the UK, published by Head of Zeus; and due to be published in North America by Tor Books in August. He is also the author of the critically-acclaimed, award-winning CENTRAL STATION, UNHOLY LAND and THE VIOLENT CENTURY, which are published in North America and in the UK by Tachyon Publications.

Ian McDonald’s THE BROKEN LAND out now in Italy!

Posted on Thursday, May 14th, 2020

Ian McDonald‘s acclaimed, classic novel THE BROKEN LAND is now available in Italy! Published by Urania/Mondadori as LA TERRA INFRANTA, here’s the synopsis…

Suo nonno era un albero.
Suo padre allevava boveicoli, in quindici colori diversi.
Sua madre conosceva il canto della doppia elica, lo cantava dritto nel cuore degli esseri viventi e li trasformava.

Fin dal suo incipit, “La Terra infranta”, romanzo stand alone dalla penna straordinaria di Ian McDonald, ci fa assaporare la visione del mondo della protagonista, Mathembe Fileli.

Nata e cresciuta nel villaggio di Chepsenyt, sulla Terra di un futuro lontano, Mathembe è circondata da persone che hanno imparato a vivere in armonia con la natura, grazie ad avanzatissime conoscenze di ingegneria genetica, e in un perfetto equilibrio fra le differenti religioni, credenze e culture dell’umanità.

Purtroppo, questa enclave armoniosa si trova ai bordi dell’Impero Oltre il Fiume, che di pacifico ha ben poco, e quando le truppe dell’Impero scopriranno che i suoi abitanti nascondono dei ribelli, il villaggio verrà dato alle fiamme.

Mathembe, vittima di una violenta oppressione politica e religiosa, si ritroverà suo malgrado ad allungare le file dei profughi, e dovrà imparare a lottare per sopravvivere e per ritrovare la sua famiglia.

First published in 1992, the novel is now available in the UK and US as an eBook, published by JABberwocky. Here’s the English-language synopsis…

Grandfather was a tree, Father grew trux, in fifteen colours. Mother could sing the double-helix song, sing it right into the hearts of living things and change them…

The Land is a living, breathing, sentient world, where careful skills and talent can manipulate its very substance into a myriad different shapes and forms.

This is the world in which Mathembe Fileli grows up, until the conflicts tearing her country apart shatter her village, her home and her family and scatter them to the four winds. Can Mathembe reunite her family in a world full of angels, talking trees, squalor and glory?

Here are just a few reviews the novel has received…

‘Inventive and often effective drama, but dense and oppressive, with the dark and anguished backdrop looming above the characters; and the ending bleakly acknowledges that, in terms of today’s troubles, nothing much can be done.’ — Kirkus

‘[The] world is a captivating one with its rampant biotechnology and passionate characters. But McDonald…, a lifelong resident of Belfast, also succeeds in presenting the religious and national conflict of an Ireland that still knows no respite from bloodshed.’ — Publishers Weekly

‘Ian McDonald takes on all the atrocity and strife of the 20th Century, radically displaces it, and dares to envision a means of change. It’s a brilliant achievement.’ — Locus

‘At once disturbing and beautiful . . . superbly realized.’ — The Times

Two Award Nominations for Ian McDonald!

Posted on Monday, April 27th, 2020

We are very happy to share the news that Ian McDonald has racked up another couple of award nominations! Announced over the past couple of weeks, read on for more details!

The third novel in Ian’s Luna series, MOON RISING, is a Prometheus Award finalist! All three of the novels in the series have been nominated for the award. Here’s what the organization had to say about the novel…

In the sequel to the Prometheus-nominated novels LUNA: NEW MOON and LUNA: WOLF MOON, McDonald dramatizes the struggle for independence and sovereignty as feuding lunar factions unite against a threat from Earth. The trilogy’s thrilling finale builds on McDonald’s intricate future of moon colonization, buoyed by somewhat free markets marred by violence, corporate espionage, and political marriages as the Five Dragons family dynasties control the main lunar industrial companies. Characters empowered by personal freedom and individual/social achievement in a society where contracts with others define people. Rendering a more positive view of a free society than earlier novels, McDonald offers justifications for freedom and markets while showing more negative aspects of politics and human behavior dealt with by people addressing inevitable problems in more voluntary ways.

The Luna series is also a finalist for the Hugo Award for Best Series! The winners will be announced as part of the 78th World Science Fiction Convention, CoNZealand, which recently announced that it will shift to a virtual format given the ongoing COVID-19 pandemic.

Congratulations Ian on these nominations!

The Luna series is published in the UK by Gollancz (covers below), in North America by Tor Books (covers above), and in a growing number of translated editions around the world.

Here’s the synopsis for MOON RISING…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here are just a few of the great reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘LUNA: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

Ian McDonald’s LUNA: WSCHÓD is out now!

Posted on Monday, April 20th, 2020

MOON RISING, the third novel in Ian McDonald‘s acclaimed, award-nominated Luna series is now available in Poland! Published by MAG as LUNA: WSCHÓD, here’s the synopsis…

Trylogia Luna McDonalda, do której prawa ekranizacji za ogromną sumę zakupiła telewizja CBS, dawno została uznana za jeden z najbardziej ekscytujących i ważnych cykli SF ostatniej dekady. Jest dla nowego pokolenia czymś w rodzaju trylogii marsjańskiej Kima Stanleya Robinsona. To idealna fantastyka dla fanów Grawitacji i Marsjanina szukających czegoś o szerszej perspektywie i większej skali.

Rodziny księżycowych Pięciu Smoków przypominają nieco mafijne rody z Ojca Chrzestnego. Kontrolują bogate surowce Księżyca i pogrążeni są w nieskończonej i brutalnej walce o dominację nad nimi. Nagle pokój, który panował na skolonizowanym Księżycu zaczyna się sypać. Którzy następcy tronu Pięciu Smoków zyskają hegemonię? A może ostatecznym zwycięzcą okaże się sam Księżyc, z jego surową próżnią, morderczym mrozem i ostrym promieniowaniem?

MAG has also published the first two novels in the series, NEW MOON and WOLF MOON, as LUNA: NÓW and LUNA: WILCZA PEŁNIA.

The series is published in the UK by Gollancz, and in North America by Tor Books. Here’s the English-language synopsis…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Tor.com has also published a prequel novella, THE MENACE FROM FARSIDE, which is out now.

Here are just a few reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com

‘Fans of cerebral, high-concept science fiction will love this exploration of society on the moon many decades after it has been colonized. The focus is more on concept and plot than on character, but the former are compelling enough to make this an addictive page-turner. Including the stories of many characters gives the reader important insights into different facets of society, and although the book starts at a slow pace, it accelerates into a mesmerizing political thriller.’ — RT Book Reviews

‘The way that Ian McDonald flawlessly adapts his writing to the relevant culture and country at hand is ingenious, and he showcases this perfectly in his much-lauded previous work. In LUNA: NEW MOON though, McDonald has clearly perfected this skill… McDonald certainly shows off the well-developed Cortas to illustrate his knack for creating dynamic human relationships that encompass the whole Moon… LUNA: NEW MOON is a world that has been intricately woven together by its author. It’s compelling and thought-provoking, and all without relying on overbearing sci-fi clichés. Brilliantly done.’ — SciFiNow

Lavie Tidhar Curates the BEST OF BRITISH SFF Story Bundle…

Posted on Thursday, April 16th, 2020

Lavie Tidhar has curated an excellent Story Bundle, featuring some of the best of British science fiction! The bundle is available until April 3rd, as a pay-what-you-want/can, and goes to support not only the authors but also Locus Magazine. Here’s a short description from Lavie…

It feels surreal to be writing this as the world is in the grip of a pandemic, and Britain itself, like much of the rest of the world, is on lockdown, in scenes that could only have been dismissed as science fiction a few weeks ago. Or years. How long has it been? I have lost the sense of time by now. As we’re all holding on, many, including the writers here and elsewhere, have been affected. Bookshops and newsstands are closed, publishers are laying off staff and delaying books, and all of us are feeling the pinch. Buying this bundle will help the small publishers included here, from Apex and NewCon to Solaris and Tachyon – the very independent publishers who continue to champion exciting new voices and works.

Finally, this bundle will help, in however small a way, my favourite magazine. Locus was established in 1968, and has become the single most important news source for the SF/F field, offering unparalleled cover, in-depth reviews and author interviews, and so much more. They have won the Hugo Award more times than I can mention. The effect of the shutdown has hit Locus hard. As a non-profit, they rely on a mixture of traditional revenue and on donations. Your purchase of this bundle will raise some much needed cash to help Locus weather the current apocalypse – and we all need Locus.

The bundle includes the following titles:

If you pay at least $15, you will also get the following six books:

  • THE BEST OF MICHAEL MOORCOCK
  • COIL by Ren Warom
  • A MAN LIES DREAMING by Lavie Tidhar
  • THE IRON TACTICIAN by Alastair Reynolds
  • BEST OF BRITISH FANTASY 2018 edited by Jared Shurin
  • BEST OF BRITISH SCIENCE FICTION 2018 edited by Donna Scott

Ian McDonald’s RIVER OF GODS is a now a SF Masterwork!

Posted on Thursday, March 19th, 2020

RIVER OF GODS, the first novel in Ian McDonald‘s acclaimed India 2047 series is now a SF Masterwork! The new edition is published today by Gollancz. It’s a great time to give Ian’s classic novel a try (if you haven’t already), or grab yourself a great new edition. Here’s the synopsis…

August 15th, 2047. Happy Hundredth Birthday, India … On the eve of Mother India’s hundredth birthday, ten people are doing ten very different things. In the next few weeks, all these people will be swept together to decide the fate of the nation. From gangsters to government advisors, from superstitious street-boys to scientists to computer-generated soap stars, River of Gods shows a civilization in flux – a river of gods.

RIVER OF GODS is an epic SF novel as sprawling, vibrant and colourful as the sub-continent it describes. This is an SF novel that blew apart the narrow Anglo- and US-centric concerns of the genre and ushered in a new global consciousness for the genre.

The novel is also available in North America, published via the JABberwocky eBook Program. The second novel in the series, CYBERABAD DAYS., is also available via Gollancz and JABberwocky.

Here are just a few of the great reviews the novel has received…

‘A staggering achievement, brilliantly imagined and endlessly surprising … A brave, brilliant and wonderful novel.’ — Christopher Priest, Guardian

‘This ambitious portrait of a future India from British author McDonald (Desolation Road) offers multitudes: gods, castes, protagonists, cultures… readers will become increasingly hooked as the pieces of McDonald’s richly detailed world fall into place. Already nominated for both Hugo and Arthur C. Clarke awards, this is sure to be one of the more talked-about SF novels of the year.’ — Publishers Weekly

‘Hugely adventurous and entertaining, sumptuously inventive and full of heart… it is likely to rank as Ian McDonald’s finest creative achievement.’ — Locus

‘An ambitious science fiction thriller set in a futuristic India that is fabulously rewarding… in terms of risk-taking, sheer scale, ideas, detail, inventiveness, and intellectual scope there are few recent books to match River of Gods, and as a novel about India, there is nothing like it… [It’s] not just the definitive thriller set in India but the most richly imaginative thriller about India.’ — The Hindu (India’s National Newspaper)

‘[A] bold, brave look at India on the eve of its centennial, 41 years from now… McDonald takes his readers from India’s darkest depths to its most opulent heights, from rioting mobs and the devastated poor to high-level politicians and lavish parties. He handles his complex plot with flair and confidence and deftly shows how technological advances and social changes have subtly changed lives. RIVER OF GODS is a major achievement from a writer who is becoming one of the best sf novelists of our time.’ — Washington Post

‘[P]erhaps his most accomplished novel to date. It’s a dense and sometimes difficult read, reminiscent of William Gibson in full-throttle cultural-immersion mode, packed with technical jargon, religious and sociological observation and allusions to art both high and low. But RIVER OF GODS amply rewards careful consideration and more than delivers its share of straight-ahead entertainment. Already a multiple-award nominee following its British publication, McDonald’s latest ranks as one of the best science fiction novels published in the United States this year.’ — San Francisco Chronicle