Tag: International Editions

Ian McDonald’s VUČJI MESEC Available in Serbia!

Posted on Friday, December 3rd, 2021

WOLF MOON, the second novel in Ian McDonald‘s acclaimed Luna series is now available in Serbia! Published by Laguna as VUČJI MESEC, and translated by Goran Skrobonja, here’s the synopsis…

JEDAN OD ZMAJEVA JE MRTAV.

Pala je Korta helio, jedna od pet porodičnih korporacija koje vladaju Mesecom. Njena blaga podelili su brojni neprijatelji, a preživeli su se razbežali.

Prošlo je osamnaest meseci. Preostala deca senjore Korte, Lukasinjo i Luna, pod zaštitom su moćne porodice Asamoa, dok je Robson, u šoku jer je prisustvovao očevoj nasilnoj smrti, sada štićenik – praktično talac – Makenzi metala. A poslednji naslednik Lukas nestao je s površine Meseca.

Samo gospa Sun, udova Taijanga, podozreva da Lukas Korta nije mrtav, i još važnije – da je i dalje jedan od glavnih igrača. Najzad, Lukas je oduvek bio Spletkaroš, pa čak ni u smrti neće prezati ni od čega kako bi povratio sve i izgradio novi i moćniji Korta helio. Ali Korta heliju su potrebni saveznici, a da bi ih pronašao, odbegli sin će se drznuti na nemoguće putovanje – na Zemlju.

U nestabilnom lunarnom okruženju proračunate odanosti i političke mahinacije svake porodice dosežu zenit u njihovim najplodonosnijim zaverama usred erupcije pravog rata.

Laguna also publishes the first novel in the series in Serbia, as MLAD MESEC.

WOLF MOON and the other two Luna novels (NEW MOON and MOON RISING) are published in the UK by Gollancz, in North America by Tor Books, and are also available in a growing number of translated editions around the world. A prequel novella — THE MENACE FROM FARSIDE — is also available, published by Tor.com.

Here’s the English-language synopsis for the novel…

A Dragon is dead.

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and more to the point — that he is still a major player in the game. After all, Lucas always was the Schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war erupts.

Here are just a few of the great reviews WOLF MOON has received so far…

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly

‘NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com

Ian R. MacLeod’s AETHER UNIVERSE Novels Available in Poland!

Posted on Tuesday, November 23rd, 2021

We’re very happy to announce that Ian R. MacLeod‘s acclaimed Aether Universe novels are available in Poland! Both novels — THE LIGHT AGES and THE HOUSE OF STORMS — are published by MAG, and out now. Read on for mored details.

THE LIGHT AGES (2003), the first novel in the series, was nominated for the World Fantasy Award, and was in third place for the Locus Award for Best Fantasy Novel. It is published in Poland as WIEKI ŚWIATŁA (cover above)…

Najwybitniejsze dzieło nowego nurtu New Weird. Powieść inspirowana m.in. „Klubem Pickwicka” rozgrywa się w XIX w. w industrialnej Anglii w środowisku lewicowego proletariatu.

Ian MacLeod w „Wieku Światła” pokazuje wpływ magii na rewolucję industrialną i na proces demokratyzacji systemu władzy. Tylko, że MacLeod odrzuca wszystkie ograniczenia konwencji gatunku i sprowadza swoją magię do postaci eteru – kopaliny wydobywanej z ziemi jak kolejny surowiec naturalny. Wszelkie mechanizmy zmian społeczno-ekonomiczno-politycznych poddane są wpływom wynikającym z posiadania, i nie-posiadania tego surowca. System załamuje się gdy złoża się wyczerpują i na moment znowu podlega prawom Historii, aż do odkrycia nowych źródeł eteru. Magia powraca i wszystko ponownie zamiera.

THE LIGHT AGES is published in the UK and North America by JABberwocky. Here’s the English-language synopsis…

Aether is industry, industry is magic and the Great Guilds rule the known world.

Raised amid the smokestacks, terraced houses and endless subterranean pounding of the aether engines of the Yorkshire town of Bracebridge, Robert Borrows is nevertheless convinced that life holds a greater destiny than merely working endless shifts for one of the Lesser Guilds. Then, on a day out with his mother to the strange gardens and weirdly encrusted towers of a remote mansion, he encounters a wizened changeling, and the young girl in her charge called Anna, and glimpses a world of wonder, mystery and surprise.

From then on, as he flees to London in the hope of escape and advancement, and explores its wide streets and dark alleys, and all the tiers of society from the lowest to the highest, he comes to realize that he holds the keys to secrets far bigger than even he imagined.

THE HOUSE OF STORMS, first published in 2005, is called DOM BURZ in Polish. Here’s the synopsis…

Mamy dziewięćdziesiąty dziewiąty rok Wieku Światła. Alice Meynell, wykorzystując wszystkie talenty pięknej kobiety oraz parę innych, bardziej tajemniczych, wywalczyła sobie tytuł arcycechmistrzyni Cechu Telegrafistów. Czyniła to wszystko z myślą o własnym rodzie – jednak jej jedyny syn, Ralph, od dzieciństwa cierpi na suchoty. Nie potrafią ich wyleczyć żadne znane w Europie lekarstwa, zaklęcia ani zabiegi.

W desperacji zawozi go do Invercombe na zachodnim wybrzeżu Anglii. Ma nadzieję, że Ralphowi pomoże ruch i czyste morskie powietrze. Lecz naprawdę pokłada mroczniejszą nadzieję w leżącej nieopodal, na odludziu, znanej niewielu krainie odmieńców: Einfell. Mieszka tam człowiek, który niegdyś ją kochał; teraz potwornie odmieniony przez magię. Alice odwiedza go i dobija targu o życie syna.

The second book in the series was also a contender for the Locus Award for Best Fantasy Novel. Also available in the UK and North America via JABberwocky, here’s the English-language synopsis…

In the ninety-ninth year of the Age of Light, Alice Meynell has fought her way up to Greatgrandmistress of the Guild of Telegraphers, and is determined not to let even the consumption which is ravaging her son stand in the way. What follows, through a long, hot summer in the great house of Invercombe overlooking the Bristol Channel, changes not only their lives but those of everyone in England, and perhaps the whole known world.

The House of Storms follows on from double World Fantasy Award-winner Ian R MacLeod’s The Light Ages in creating a vividly three-dimensional vision of a landscape and a society both very like, but also wonderfully different from, our own. Part fantasy and part history, and filled with compelling characters and a deep sense of place, the story he tells is uniquely powerful and strange.

Here, too, is a selection of reviews the series has received…

‘… this beautifully written, complex fantasy novel… With its strong character development and gritty, alternate London, this book won’t attract fans of Robert Jordan or Terry Goodkind, but should hold great appeal to readers who love the more sophisticated fantasy of Michael Swanwick, John Crowley or even China Miéville.’ — Publishers Weekly (Starred Review) on THE LIGHT AGES

‘MacLeod’s triumphs come in various ways. First of all is the depth and consistency and physicality of his creation. The 300-year-old world of aetherish England is palpably real, encrusted with hoary traditions, ancient legends (the tale of a redeemer figure known as Goldenwhite is particularly significant, for Anna’s career will parallel Goldenwhite’s) and odd customs. Yet strange and beautiful and resonant as all these counterfactual adornments are, they are perfectly balanced by the things in common with our world: social climbing, Oedipal longings, the allure of the big city for the rural youth. In other words, MacLeod has succeed in fusing Great Expectations (1861) or Look Homeward, Angel (1929) with Peake’s exoticism, producing a book that is at once real literature and real fantasy, betraying neither tradition.’ — SciFi.com on THE LIGHT AGES

‘MacLeod’s descriptive powers are so effective that you can visualize every detail… [He] skillfully incorporates literary influences ranging from William Blake to Dickens to 1984 and the working class novels of the 1950s—and arrives at something original. Magical, visionary and enthralling, THE LIGHT AGES is award-winning stuff.’ — SFX

‘Totally convincing and vividly written, this book invests the dark streets of London with a magic the reader will never forget… a brilliant writer.’ — Tim Powers on THE LIGHT AGES

‘… Ian R MacLeod, a seasoned, gritty writer with a great depth of knowledge and understanding, who could teach us all a thing or two about writing a damn good tale… characters are well developed and interesting and, more importantly, highly believable and real. To me it was JG Ballard meets Robert Fripp. Intelligent and yet not pretentious, well written but not academic… It is a plot that is like a journey on British Rail – fraught with perils and dangers, but eventually getting you there… The House of Storms will not win prizes because no prize could do it justice… It is a monumental work of science fiction far superior to Asimov. MacLeod is set to become a writer of the magnitude of Dickens or Tolkien, yet I fear his work will not be truly appreciated for a generation to come.’ — Guardian on THE HOUSE OF STORMS

‘Ian MacLeod writes like an angel. It’s as simple as that. He strings together ideally chosen words into sentences that are variously lush, sparse, subtle, bold, joyous, mournful, comic or tragic. These sentences mount into perfectly balanced paragraphs, which in turn assemble themselves into poised and dramatically organic chapters. The reader is carried along effortlessly on the flow of MacLeod’s prose, internalizing his vision as if in a dream.’ — SciFi.com on THE HOUSE OF STORMS

‘MacLeod’s ability to tell a tale that blends history-in-the-making with the stories of men and women who make that history renders this chronicle of love, war, and human aspiration a strong addition to any fantasy collection.’ — Library Journal on THE HOUSE OF STORMS

‘In the end, as compelling as the plot may be, readers will find themselves slowing down, holding back, turning the pages with deliberate care. For the world MacLeod creates, the characters who live there, the schemes and terrors they find themselves involved in are so real, so beautifully rendered, that readers will not want to leave them behind.’ — Interzone on THE HOUSE OF STORMS

Ben Aaronovitch’s DIE FÜCHSE VON HAMPSTEAD HEATH Out Now in Audio!

Posted on Tuesday, November 16th, 2021

The audiobook edition of Ben Aaronovitch‘s DIE FÜCHSE VON HAMPSTEAD HEATH is out now! The German edition of WHAT ABIGAIL DID THAT SUMMER, it is published by GoyaLiT, and narrated by Dietmar Wunder.

Es ist Ferienzeit in London und Abigail, Peter Grants lästige Cousine, kann mehr oder weniger tun und lassen, was sie will. Was bei allen, die sie kennen, eigentlich die Alarmglocken schrillen lassen sollte. Doch Peter ist irgendwo auf dem Land auf Einhornjagd, sodass niemand Abigail davon abhält, magischen Unfug zu treiben — und einem Geheimnis auf die Spur zu kommen: In der Gegend von Hampstead Heath verschwinden immer wieder Teenager. Nach kurzer Zeit tauchen sie wieder auf, unverletzt, aber ohne eine Erinnerung, wo sie waren. Wer hat sie fortgelockt — und warum? Unterstützt von einer Bande sprechender (und ziemlich eingebildeter) Füchse stürzt sich Abigail ins magische Abenteuer.

It is published in the UK by Gollancz and in North America by Subterranean Press. It is the first novella set in the Rivers of London world to star Abigail Kamara.

DIE FÜCHSE VON HAMPSTEAD HEATH and Ben’s other Rivers of London novels and novellas are also all published in Germany in print and eBook, by DTV. GoyaLiT has also published them all as audiobooks in Germany.

Two New Rivers of London Spanish Paperback Editions Out Now!

Posted on Tuesday, November 9th, 2021

Today, Oz Editorial publish two new Rivers of London/Peter Grant paperback editions: MOON OVER SOHO and THE HANDING TREE! The second and sixth novels in Ben Aaronovitch‘s series, they are published in Spanish as LA LUNA SOBRE EL SOHO and EL ÁRBOL DEL AHORCADO. Here’s the synopsis for the former…

Vuelve Peter Grant, el detective más mágico de Scotland Yard.

Cyrus Wilkins, bajista de jazz por las noches y contable de día, sufre un ataque al corazón durante una actuación en el Club 606 del Soho. Cuando el detective de Scotland Yard y aprendiz de mago Peter Grant examina su cadáver, no puede evitar fijarse en la canción que emerge del cuerpo de la víctima… un claro indicio de que una fuerza sobrenatural acabó con su vida. Con la ayuda de su padre, el famoso trompetista Lord Grant; el inspector Nightingale, el último mago de Inglaterra; y la hermosa y misteriosa aficionada al jazz Simone Fitzwilliam, Peter tratará de acabar con una magia muy poderosa que amenaza la vida en el célebre y pintoresco barrio del Soho.

Oz Editorial has published the first six novels in the series in Spain.

The Rivers of London novels and novellas are published in the UK by Gollancz; the books are published in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas).

Here’s the English-language synopsis for MOON OVER SOHO…

I was my dad’s vinyl-wallah: I changed his records while he lounged around drinking tea, and that’s how I know my Argo from my Tempo. And it’s why, when Dr Walid called me to the morgue to listen to a corpse, I recognised the tune it was playing. Something violently supernatural had happened to the victim, strong enough to leave its imprint like a wax cylinder recording. Cyrus Wilkinson, part-time jazz saxophonist and full-time accountant, had apparently dropped dead of a heart attack just after finishing a gig in a Soho jazz club. He wasn’t the first.

No one was going to let me exhume corpses to see if they were playing my tune, so it was back to old-fashioned legwork, starting in Soho, the heart of the scene. I didn’t trust the lovely Simone, Cyrus’ ex-lover, professional jazz kitten and as inviting as a Rubens’ portrait, but I needed her help: there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives.

And as I hunted them, my investigation got tangled up in another story: a brilliant trumpet player, Richard ‘Lord’ Grant – my father – who managed to destroy his own career, twice. That’s the thing about policing: most of the time you’re doing it to maintain public order. Occasionally you’re doing it for justice. And maybe once in a career, you’re doing it for revenge.

The series has also been published widely in translation, and has been an international best-seller.

A NIGHT IN THE LONESOME OCTOBER: Perfect for Halloween!

Posted on Friday, October 29th, 2021

The spooky season is upon us! With Halloween on Sunday, we thought it would be a great opportunity to remind you all that Roger Zelazny‘s acclaimed A NIGHT IN THE LONESOME OCTOBER could serve as a perfect read for this weekend! Published in the UK by Farrago Books, and widely in translation, here’s the English-language synopsis…

All is not what it seems.

In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff – gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.

Some have come to open the gates. Some have come to slam them shut. And now the dread night approaches – so let the Game begin.

Here is a selection of the various other editions the novel is available in…

‘One of Zelazny’s most delightful books: Jack the Ripper’s dog Snuff narrates a mad game of teams to cause or prevent armageddon.’ — Neil Gaiman

‘The last great novel by one of the giants of the genre.’ — George R.R. Martin

‘A madcap blend of horror tropes and fantasy… There aren’t many authors who would set out to write a novel in which the Wolfman and Jack the Ripper were the two heroes… And I’m not sure anyone else could have made it work.’ — Science Fiction Chronicle

‘Sparkling, witty, delightful. Zelazny’s best for ages, perhaps his best ever.’ — Kirkus

‘A cheerful, witty, well-crafted fantasy… Its deft, understated good humor and spare, poetic prose reaffirm Zelazny as one of fantasy’s most skilled practitioners.’ — Publishers Weekly

Two New Chronicles of Amber Czech Audiobook Editions Out Now!

Posted on Tuesday, October 19th, 2021

We’re very happy to report that Walker & Volf have published two more audiobook editions of Roger Zelazny‘s Chronicles of Amber! Specifically, the fourth and fifth volumes in the classic fantasy series, both of which are narrated by Luboš Ondráček.

First up, the fourth volume in the series, THE HAND OF OBERON is available as PAŽE OBERONOVA (cover above)…

Ve čtvrtém díle ságy Tajemný Amber princ Corwin pátrá po tom, kdo z Ambeřanů otevřel cestu zrůdám Chaosu. Byl to snad zmizelý Oberon? Brand, který podle všeho měl být dávno mrtev? Fiona, která vládne silami, o kterých ostatní nemají ani potuchy? Někdo úplně jiný? Corwin neví, ale musí jednat. Na Amberu se totiž začínají dít hrůzyplné věci. Vstupte s námi do napínavého a složitého světa Stínů!

Originally published in 1976, here’s the English-language synopsis…

Across the mysterious Black Road, demons swarm into Shadow. The ancient, secret source of the royal family’s power is revealed, & an unholy pact between a prince of the realm & the forces of Chaos threaten all the known worlds with absolute obliteration. The hour of battle is at hand.

Now Corwin and the remaining princes of Amber must call upon all their superhuman powers to defeat their brother-turned-traitor before he can walk the magical Pattern that created Amber and remake the universe in his own image.

The fifth volume in the series, THE COURTS OF CHAOS (1978), is published in Czechia as DVORY CHAOSU. It is the final volume in the first part of the series, the Corwin Cycle. Here’s the Czech synopsis…

Americký spisovatel, držitel literárních cen Hugo, Nebula a Locus, Roger Zelazny dovedl šlechtice Corwina na závěr jeho spletité a krvavé poutě.

Pátým dílem fantasy ságy Tajemný svět Amberu se uzavírají proslulé „Corwinovy kroniky“.

Vstupte s námi naposled do Amberu a vydejte se s jeho hrdinou do rozhodující bitvy!

Here’s the English-language synopsis…

Amber, the one real world of which all others – including our own Earth – are but Shadows…

For untold millennia, the cosmic Pattern sustained order in Amber and all the known worlds. But now the forces of Chaos have succeeded in disrupting the Pattern, unleashing destructive forces beyond measure… forces meant to reshape the universe.

To save Amber, Corwin, prince of the blood, champion of the perfect realm, must undertake the most perilous journey of his life. A journey that will take him through all the terrors of Shadows to the enemy’s last stonghold. A journey beyond the very edge of existence… to the Courts of Chaos.

Walker & Volf have also published the first three novels in the series: DEVĚT PRINCŮ AMBERU (NINE PRINCES IN AMBER), PUŠKY AVALONU (THE GUNS OF AVALON), and ZNAMENÍ JEDNOROŽE (SIGN OF THE UNICORN) — all narrated by Luboš Ondráček.

Zeno represents Roger Zelazny in translation, on behalf of the Zelazny Estate.

New Illustrated Edition of Zelazny’s Ночь в тоскливом октябре Out Now!

Posted on Tuesday, October 12th, 2021

We’re very happy to report that Эксмо has released a new, illustrated edition of Roger Zelazny‘s classic novel A NIGHT IN THE LONESOME OCTOBER! With interior artwork by ViaEstelar, this special edition is out just in time for Halloween! Here’s the synopsis for Ночь в тоскливом октябре…

Добро пожаловать в Лондон конца XIX века! Под покровом тумана этого промозглого октября сойдутся в Великой Игре известнейшие персоны своего времени, а также их питомцы-помощники. Великий сыщик, граф, пробуждающийся по ночам, таинственный учёный и его создание – игроки не афишируют своих имён, но вы наверняка узнаете их без труда. А наградой победителю станет возможность изменить весь существующий мир…

Уникальное иллюстрированное издание знаменитого романа-трибьюта классикам фантастики и мистики, где образы Грандмастера фэнтези Роджера Желязны оживают в великолепном исполнении художницы ViaEstelar.

First published in 1993, the novel is now available in the UK via Farrago Books. Here’s the English-language synopsis…

All is not what it seems.

In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff — gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.

Some have come to open the gates. Some have come to slam them shut. And now the dread night approaches — so let the Game begin.

Here, too, are just some of the great reviews the novel has received…

‘One of Zelazny’s most delightful books: Jack the Ripper’s dog Snuff narrates a mad game of teams to cause or prevent armageddon.’ — Neil Gaiman

‘The last great novel by one of the giants of the genre.’ — George R.R. Martin

‘A madcap blend of horror tropes and fantasy… There aren’t many authors who would set out to write a novel in which the Wolfman and Jack the Ripper were the two heroes… And I’m not sure anyone else could have made it work.’ — SF Chronicle

‘Sparkling, witty, delightful. Zelazny’s best for ages, perhaps his best ever.’ — Kirkus

‘A cheerful, witty, well-crafted fantasy… Its deft, understated good humor and spare, poetic prose reaffirm Zelazny as one of fantasy’s most skilled practitioners.’ — Publishers Weekly

New Slovak Edition of RIVERS OF LONDON!

Posted on Friday, October 8th, 2021

Ten years after it was first published, Ben Aaronovitch‘s RIVERS OF LONDON continues its global conquest! A new Slovak edition of the novel is now available, published by Slovart as RIEKY LONDYNA. The first novel in the author’s Peter Grant series, here’s the synopsis…

Jedna z najúspešnejších mestských fantasy za posledných desať rokov! Keď sa Peter Grant zamestnal u londýnskych strážcov zákona, netušil, že na britskej polícií existuje akési zvláštne oddelenie mágie a nadprirodzených javov. Po nečakanom stretnutí s duchom sa však stane prvým učňom inšpektora Nightingala, jediného predstaviteľa tohto zvláštneho útvaru. A ešte ako zelenáč musí nielenže riešiť dva zdanlivo nesúvisiace zločiny a zistiť, čo robí z obyčajných ľudí krutých zabijakov, ale okrem toho aj sprostredkovať mier medzi dvoma bohmi rieky Temže, ktorí sú na vojnovej nohe.

RIVERS OF LONDON is published in the UK by Gollancz, in North America by Del Rey (as MIDNIGHT RIOT), and widely in translation. Here’s the English-language synopsis…

My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (and as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit – we do paperwork so real coppers don’t have to – and finding a way to climb into the panties of the outrageously perky WPC Leslie May. Then one night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly voluble, and that brought me to the attention of Inspector Nightingale, the last wizard in England.

Now I’m a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden … and there’s something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair.

The spirit of riot and rebellion has awakened in the city, and it’s falling to me to bring order out of chaos – or die trying.

The series has grown to include eight novels, three novellas, a short story collection, and nine comic series (to date).

Lavie Tidhar’s UNHOLY LAND Wins 2021 Prix Planète SF Des Blogueurs!

Posted on Friday, October 1st, 2021

We’re very happy to report that the French edition of Lavie Tidhar‘s UNHOLY LAND has won the Prix Planète SF des blogueurs 2021!

Intelligent, fascinant, intrigant avant de devenir clair, Aucune terre n’est promise est un grand roman qui mérite amplement le Prix Planète-SF 2021.

The novel is published in France by Editions Mü as AUCUNE TERRE N’EST PROMISE. Here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

The English-language edition of UNHOLY LAND is published by Tachyon Publications.

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

The Prix Planète SF award joins a long list of the novel’s other commendations, which was also a best book of the year selected by NPR, Library Journal, Publishers Weekly, the Guardian, and Crime Time. It was also a Barnes & Noble Favorite Science Fiction and Fantasy Book of 2018, appeared on the Locus Recommended Reading List, and was nominated for the 2018 SCKA Award. The cover, by Sarah Anne Langton, was also a finalist for the BSFA Award for Best Cover.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

New Spanish Paperback Editions of MOON OVER SOHO & THE HANDING TREE Out Next Month!

Posted on Friday, October 1st, 2021

Next month, Oz Editorial are due to publish new, paperback editions of MOON OVER SOHO and THE HANDING TREE! The second and sixth novels in Ben Aaronovitch‘s Peter Grant/Rivers of London series, they are published in Spanish as LA LUNA SOBRE EL SOHO and EL ARBOL DEL AHORCADO. Here’s the synopsis for the former…

Vuelve Peter Grant, el detective más mágico de Scotland Yard.

Cyrus Wilkins, bajista de jazz por las noches y contable de día, sufre un ataque al corazón durante una actuación en el Club 606 del Soho. Cuando el detective de Scotland Yard y aprendiz de mago Peter Grant examina su cadáver, no puede evitar fijarse en la canción que emerge del cuerpo de la víctima… un claro indicio de que una fuerza sobrenatural acabó con su vida. Con la ayuda de su padre, el famoso trompetista Lord Grant; el inspector Nightingale, el último mago de Inglaterra; y la hermosa y misteriosa aficionada al jazz Simone Fitzwilliam, Peter tratará de acabar con una magia muy poderosa que amenaza la vida en el célebre y pintoresco barrio del Soho.

Oz Editorial has published the first six novels in the series in Spain.

The Rivers of London novels and novellas are published in the UK by Gollancz; the books are published in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas).

Here’s the English-language synopsis for MOON OVER SOHO…

I was my dad’s vinyl-wallah: I changed his records while he lounged around drinking tea, and that’s how I know my Argo from my Tempo. And it’s why, when Dr Walid called me to the morgue to listen to a corpse, I recognised the tune it was playing. Something violently supernatural had happened to the victim, strong enough to leave its imprint like a wax cylinder recording. Cyrus Wilkinson, part-time jazz saxophonist and full-time accountant, had apparently dropped dead of a heart attack just after finishing a gig in a Soho jazz club. He wasn’t the first.

No one was going to let me exhume corpses to see if they were playing my tune, so it was back to old-fashioned legwork, starting in Soho, the heart of the scene. I didn’t trust the lovely Simone, Cyrus’ ex-lover, professional jazz kitten and as inviting as a Rubens’ portrait, but I needed her help: there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives.

And as I hunted them, my investigation got tangled up in another story: a brilliant trumpet player, Richard ‘Lord’ Grant – my father – who managed to destroy his own career, twice. That’s the thing about policing: most of the time you’re doing it to maintain public order. Occasionally you’re doing it for justice. And maybe once in a career, you’re doing it for revenge.

The series has also been published widely in translation, and has been an international best-seller.

Ben Aaronovitch’s FALEŠNÁ HODNOTA out now!

Posted on Thursday, September 30th, 2021

The Czech edition of FALSE VALUE is out now! The eighth novel in Ben Aaronovitch‘s acclaimed, best-selling Rivers of London/Peter Grant series, it is published in Czechia by Argo, as FALEŠNÁ HODNOTA. Here’s the synopsis…

Nové dobrodružství Petera Granta… a zároveň nový rozjezd! Jsme stále v Londýně, ale Peter už nepracuje u metropolitní policie. Po uzavření případu Muže bez tváře a dalších peripetiích se Peter usazuje, připravuje se na otcovskou roli a zároveň čelí poněkud nejisté budoucnosti. Nastupuje do soukromého sektoru, do IT firmy Terrence Skinnera, kde věci nejsou takové, jaké se zdají být. V rámci zaměstnání se musí naučit splynout s civilisty, kteří jsou ještě větší geekové než on, byť nadále zůstává v kontaktu se starými známými, jež ho provázeli při dřívějších vyšetřováních, ať operují v Rozmaru nebo třeba v Americe. A i zde má samozřejmě slovo magie. Pracoviště skrývá tajemství, technologii, která je sice high-tech a zkoumá možnosti umělé inteligence, ale má kořeny u Ady Lovelaceové a Charlese Babbage.

V pořadí osmý román série Řeky Londýna má všechno, na co jsme byli zvyklí z dřívějších částí – humor i svérázný pohled na svět – a také něco navíc: třeba to, že firma, kde teď Peter působí, nese silný otisk světa Stopařova průvodce po galaxii!

Argo has published all of the other previous novels in Ben’s series in Czechia, as well as a couple of his novellas and comic series (the latter co-authored with Andrew Cartmel).

FALSE VALUE is published in the UK by Gollancz, in North America by DAW Books; it is also available in Germany, published by DTV (as EIN WEISSER SCHWAN IN TABERNACLE STREET). Here’s the English-language synopsis…

Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm.

Leaving his old police life behind, he takes a job with Silicon Valley tech genius Terrence Skinner’s new London start up: the Serious Cybernetics Corporation.

Drawn into the orbit of Old Street’s famous ‘silicon roundabout’, Peter must learn how to blend in with people who are both civilians and geekier than he is. Compared to his last job, Peter thinks it should be a doddle.

But magic is not finished with the Met’s first trainee wizard in fifty years…

Because a secret is hiding somewhere in the building. A technology that stretches back to Ada Lovelace and Charles Babbage, and forward to the future of artificial intelligence. A secret that is just as magical as it technological – and twice as dangerous.

Here are just a few of the reviews the novel has received so far…

‘Aaronovitch showcases a superlative blend of whimsy and grit in the eighth Rivers of London urban fantasy… The suspenseful mystery at the novel’s core is laced with humor and charm. Jim Butcher meets Douglas Adams in this winning series installment.’ — Publishers Weekly (Starred Review)

‘… sees Peter taking on new responsibilities both at work and at home and there’s a definite shift in tone towards the stranger side of magic and the broader implications of what a resurgence of strangeness means to the world at large. Aaronovitch is clearly having a blast building on the world he’s already created… The main character is a delight as always… The tone is light, witty, and action packed as always. Cinematic where has to be and detective chic in other places. And, as always, the description of London is so solid and real that you can practically feel the familiar layer of grime the city has… As always, Ben Aaronovitch takes the reader on an unforgettable ride into the fantastic.’ — Starburst (9/10)

‘… my favorite current series… delightful, compulsive and fresh — with a love of multicultural London evident on every page, wonderfully diverse characters, magic, mystery, and mayhem. Once you start, you will literally not be able to put them down.’ — Lavie Tidhar in Washington Post

‘Wonderfully blending technology and magic… Aaronovitch creates a fantastic blend of real-world London, harbouring a secret magical underground, delicately interwoven with an alternative history that touches on the origins of computer programming and the work of Ada Lovelace and Charles Babbage… a solid crime/detective novel that provides fans of the series with another entertaining adventure for Peter Grant complete with dark humour and explosive action.’ — SciFi Now

‘FALSE VALUE is a rousing episode in the Ben Aaronovitch’s Rivers of London series’ — Canberra Times

‘[A] great read… I enjoyed the new direction and dynamics introduced here. Big things are clearly coming for Peter Grant and I’m looking forward to seeing where the next book will take us.’ — Bibliosanctum

‘[A]nother unmissable instalment of the Rivers of London series’… FALSE VALUE is a welcome addition to the collection and long may they keep coming — Crime Review

‘Packed with treasures and little bits of history and illusion this latest adventure from Ben Aaronovitch sends Peter deep into the ‘silicon roundabout’… What I love about these stories is the way they are told. You could be listening directly to the author, no filters and straightforward dialogue by real people. Peter is great and Nightingale as the much older generation is the comforting hand on the shoulder…’ — SF Crowsnest

Ian McDonald’s LUNE MONTANTE is Now Available in Paperback!

Posted on Wednesday, September 29th, 2021

The third novel in Ian McDonald‘s acclaimed Luna series, MOON RISING is now available in a new French paperback edition! Published by Folio SF as LUNE MONTANTE, here’s the synopsis…

Lucas Corta, que tout le monde croyait mort, a réussi l’impossible : survivre, lui, le natif de la Lune, à un long séjour sur la Terre. Revenu en orbite pour se venger, il a triomphé. Désormais la Lune lui appartient. Mais il a également beaucoup perdu, à commencer par son fils Lucasinho, plongé dans le coma et atteint de lésions cérébrales irréversibles. Sans compter que les Mackenzie rescapés n’ont pas dit leur dernier mot et espèrent bien rendre à Lucas la monnaie de sa pièce. Les Sun, quant à eux, fourbissent toujours leurs armes pour éliminer tous leurs concurrents. Plus que jamais, sur la Lune, la guerre entre les Cinq Dragons fait rage.

Après le succès des précédents tomes, Ian McDonald conclut avec brio l’univers violent et sans concession de Luna.

Folio SF has also published the first two novels in the series in France: NOUVELLE LUNE (NEW MOON) and LUNE DU LOUP (WOLF MOON)

Ian’s Luna series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions. Here’s the English-language synopsis for MOON RISING…

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here are just a few of the reviews that MOON RISING has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights

‘[T]here are few excuses for not reading Ian McDonald’ — Cheryl Morgan

International Spotlight: Ian Tregillis’s MILKWEED TRIPTYCH

Posted on Friday, September 24th, 2021

Today, we wanted to shine a spotlight on Ian Tregillis‘s highly-acclaimed debut trilogy, the Milkweed Triptych: BITTER SEEDS, THE COLDEST WAR, and NECESSARY EVIL.

The series was first published by Tor Books in North America, and Orbit Books in the UK. Here’s the English-language synopsis for the first novel…

The year is 1939. Raybould Marsh and other members of British Intelligence have gathered to watch a damaged reel of film in a darkened room. It appears to show German troops walking through walls, bursting into flames and hurling tanks into the air from afar.

If the British are to believe their eyes, a twisted Nazi scientist has been endowing German troops with unnatural, unstoppable powers. And Raybould will be forced to resort to dark methods to hold the impending invasion at bay.

But dealing with the occult exacts a price. And that price must be paid in blood.

The complete trilogy is published in Spain, by Debolsillo, as Tríptico de Asclepia: SEMILLAS AMARGAS, LA GUERRA MÁS FRÍA, and UN MAL NECESARIO…

… and in Latvia by Prometejs, as the Asinszāles triptihs: RŪGTĀS SĒKLAS, VISAUKSTĀKAIS KARŠ, and NEPIECIEŠAMAIS ĻAUNUMS…

Here are just a few of the great reviews the Milkweed Triptych has received…

‘Debut novelist Tregillis breathes new life into alternate military history with this fun take on WWII… exciting and intense, and the clash of magic and (mad) science meshes perfectly with the tumultuous setting.’ — Publishers Weekly on BITTER SEEDS

‘BITTER SEEDS is a book of questions and is far deeper than you might expect… Aside from the depth of characters and meanings, this book is filled with the kinds of exciting, intelligent and intense scenes that you’ll find in only the best page turners… another huge point regarding BITTER SEEDS and that is that it is just written so damned beautifully. The prose really is some of the most accessible yet academic that I have read in a while. Tregillis writes with authority while displaying a firm understanding of the subtler things that make us human… Whether you are looking for a cool alternate history that questions the core of humanity or just a damned brilliant story with twisted powers and great action, you should check this out and be wowed. It’s one hell of a ride.’ — Fantasy Faction

‘Tregillis has journeyed into that most overtilled field, World War II alternate history, and in the process he has created a unique, unsettling, and deeply atmospheric setting; populated it with a diversity of grimly fascinating characters; and turned up the heat with the sort of plot that requires those characters to keep shoveling frantically if they are ever to stay in advance of the needs of the firebox… These are the book’s strengths – its atmosphere, its setting, the vividly imagined consequences of immoral and desperate actions… All in all, this is an excellent first book, and I am eagerly awaiting number two.’ — Tor.Com (Elizabeth Bear) on BITTER SEEDS

‘Independently intelligible sequel to the dark fantasy BITTER SEEDS, something like a cross between the devious, character-driven spy fiction of early John le Carré and the mad science fantasy of the X-Men… Despite the jaw-dropping backdrop and oblique plotting, the narrative is driven by character and personal circumstance, the only possible drawback being certain important developments that annoyingly take place offstage. Grim indeed, yet eloquent and utterly compelling.’ — Kirkus (Starred Review, “Best of 2012”) on THE COLDEST WAR

‘The engrossing second book in Tregillis’s Milkweed Triptych… Tregillis ably mixes cold war paranoia with his mythology, also nicely expanding characters (particularly Gretel)… The monstrous, extra-dimensional Eidolons add a genuinely convincing menace that transcends the more banal evil motivations of the political game players, although Gretel’s more complicated motivations really drive the action. A few nice twists keep things interesting, and the cliffhanger ending sets up the concluding volume quite well…’ — Publishers Weekly on THE COLDEST WAR

‘With all the flair he showed in his debut novel, Tregillis continues the tale, bringing to it that same marvellous plotting, immersive sense of place, and above all, wonderful characters. One of the characters introduced in the first novel is a precognitive, and in this volume – which revolves around her long plots – we are shown that the power to see the future is the most corrupting power of them all. Tregillis’s oracle is one of the most chilling psychopath villains of literature, a delicious monster who drives the book forward. As with the earlier volume, I tore through this one in a day and a half. Tregillis is a major new talent in the field, and this is some of the best – and most exciting – alternate history I’ve read. Bravo.’ — BoingBoing on THE COLDEST WAR

‘THE COLDEST WAR builds brilliantly on BITTER SEEDS – it’s darker, tighter, and utterly engrossing. Easily a contender for best novel of 2012… just as action-packed, and the pacing is absolutely superb… if you enjoyed BITTER SEEDS, then I have no doubt that you’ll love THE COLDEST WAR just as much, if not more. Tregillis’s prose is tight, fluid and a pleasure to read. The story is superbly crafted, and the narrative and action will pull readers through. I was hooked from the first page… This novel is superb. I can’t recommend this highly enough. A must-read for 2012.’ — Civilian Reader

‘Tregillis’ conclusion of the Milkweed Triptych is the pièce de résistance of the series… a perfect marriage of science fiction, fantasy and alternate history. His narrative flows seamlessly, and his plot is fantastically convincing. Tregillis’ characters astound, the villains as well as the heroes, especially honorable, tormented yet heroic Raybould.’ — RT Book Reviews on NECESSARY EVIL

‘The historic backdrop of World War Two is intricately detailed, and captures the British wartime spirit well. A suitably epic end to the magnificent Milkweed Triptych (aka trilogy!), this draws you in and keeps you glued to the page until the very end.’ — British Fantasy Society on NECESSARY EVIL

‘Darkly fascinating… A thoroughly satisfying conclusion to an imaginative tour de force.’ — Kirkus on NECESSARY EVIL

‘With NECESSARY EVIL… Ian Tregillis triumphantly concludes his astonishing, brilliant, pulse-pounding debut trilogy, The Milkweed Triptych… This is a book that veers precipitously from unexpected and chilling ruminations on the inherent evil of precognition; to the questions of loyalty and betrayal so thorny that they need a time-travel loop to really be explored; to spy-thriller action sequences that will keep you up under the covers with a flashlight, turning pages and unable to sleep. This is a remarkable set of books, and with all three in hand, would make a fabulous spring read.’ — BoingBoing

Ian’s latest trilogy is the Alchemy Wars, which is also published by Orbit Books in the UK and in North America: THE MECHANICAL, THE RISING, and THE LIBERATION. (The series is also available in Italy, Poland, and China.)

New French Paperback of Lavie Tidhar’s UNHOLY LAND Out Now!

Posted on Monday, September 20th, 2021

Lavie Tidhar‘s acclaimed, award-winning UNHOLY LAND is now available in a new French paperback edition! Published by Continent Mu as AUCUNE TERRE N’EST PROMISE, here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

UNHOLY LAND is published in English by Tachyon Publications; it is also available in Poland, published by Katedra. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

Here are just a few of the great reviews UNHOLY LAND has received so far…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

Tachyon Publications also publishes Lavie’s critically acclaimed THE VIOLENT CENTURY and CENTRAL STATION; and are due to published his latest novel, THE ESCAPEMENT, in mid-October.

Ben Aaronovitch’s DIE FÜCHSE VON HAMPSTEAD HEATH is out now!

Posted on Friday, September 17th, 2021

Ben Aaronovitch‘s latest novella, WHAT ABIGAIL DID THAT SUMMER is now available in Germany! The first novella to star Abigail Kamara, it’s published by DTV as DIE FÜCHSE VON HAMPSTEAD HEATH, and translated by Christine Blum. Here’s the synopsis…

Eine magisch begabte Cousine

Es ist Ferienzeit in London und Abigail, Peter Grants lästige Cousine, kann mehr oder weniger tun und lassen, was sie will. Was bei allen, die sie kennen, eigentlich die Alarmglocken schrillen lassen sollte. Doch Peter ist irgendwo auf dem Land auf Einhornjagd, sodass niemand Abigail davon abhält, magischen Unfug zu treiben – und einem Geheimnis auf die Spur zu kommen: In der Gegend von Hampstead Heath verschwinden immer wieder Teenager. Nach kurzer Zeit tauchen sie wieder auf, unverletzt, aber ohne eine Erinnerung, wo sie waren. Wer hat sie fortgelockt – und warum? Unterstützt von einer Bande sprechender (und ziemlich eingebildeter) Füchse stürzt sich Abigail ins magische Abenteuer.

The novella is published in the UK by Gollancz and in North America by Subterranean Press. Here’s the English-language synopsis…

Ghost hunter, fox whisperer, troublemaker.

It is the summer of 2013 and Abigail Kamara has been left to her own devices. This might, by those who know her, be considered a mistake.

While her cousin, police constable and apprentice wizard Peter Grant, is off in the sticks chasing unicorns, Abigail is chasing her own mystery. Teenagers around Hampstead Heath have been going missing but before the police can get fully engaged, the teens return home – unharmed but vague about where they’ve been.

Aided only by her new friend Simon, her knowledge that magic is real, and a posse of talking foxes that think they’re spies, Abigail must venture into the wilds of Hampstead to discover who is luring the teenagers and more importantly – why?

DTV has published all of Ben’s Rivers of London novels and novellas in Germany to date.

The comic series set in the same world, co-authored by Andrew Cartmel, are published in Germany by Panini (and Titan Comics in English).