Awards - Zeno Agency Ltd.

THE FINAL GIRL SUPPORT GROUP is in the Goodreads Choice Awards 1st Round!

Posted on Friday, November 19th, 2021

We’re very happy to report that THE FINAL GIRL SUPPORT GROUP by Grady Hendrix is in the first round of the Goodreads Choice Awards! Nominated in the Horror category, voting is open until November 28th.

Published in the UK by Titan Books, here’s the synopsis…

In horror movies, the final girl is the one who’s left standing when the credits roll. The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?

Lynnette Tarkington survived a massacre twenty-two years ago, and it has defined every day of her life since. And she’s not alone. For more than a decade she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette’s worst fears are realized — someone knows about the group and is determined to take their lives apart again, piece by piece.

But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

Here are just a few of the great reviews the novel has picked up so far…

‘A wildly entertaining romp through the conventions of horror’s slasher film subgenre… Hendrix masterfully evokes the paranoid existences of his diverse cast in the aftermath of their traumatic ordeals, and he so explicitly details the massacres and fictional film sagas that grew out of them that readers may believe them to be real. The result is a wonderfully suspenseful and darkly comic novel that cleverly subverts popular culture.Horror fans will be wowed.’ — Publishers Weekly (Starred Review)

‘Hendrix presents yet another thought-provoking, fun, and chilling winner.’ — Library Journal (Starred Review)

‘A bloody and grotesque but ultimately entertaining and inspiring take on horror movies, trauma, and self-determination.’ — Kirkus

‘[An] entertaining, fast-paced, and darkly humorous novel that reads like a sequel to a spooky ’80s horror flick.’ — Booklist

‘THE FINAL GIRL SUPPORT GROUP sizzles with action, originality, and a gleaming concept sharp as a scalpel.’ — Charlaine Harris, #1 New York Times bestselling author

‘Pray for morning, wish for speed, and be as quiet as you can, it doesn’t matter — Grady Hendrix’s THE FINAL GIRL SUPPORT GROUP already knows where you live and breathe.’ — Stephen Graham Jones, author of The Only Good Indians

‘Take slasher movie adoration, critique, and satire, mix with compelling, flawed characters and neck-breaking plot twists, and drop it all into an industrial blender with large blades. Voilà, you now have Grady’s maniacally clever and compulsively readable The Final Girl Support Group.’ — Paul Tremblay, National bestselling author of Survivor Song

‘A (bloody) valentine to the slasher franchises of the VHS era, but also a smart novel about survivor guilt and the concept of the enduring heroine.’ — Kim Newman, author of Anno Dracula

Zeno represents Grady Hendrix in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.

Lavie Tidhar’s UNHOLY LAND Wins 2021 Prix Planète SF Des Blogueurs!

Posted on Friday, October 1st, 2021

We’re very happy to report that the French edition of Lavie Tidhar‘s UNHOLY LAND has won the Prix Planète SF des blogueurs 2021!

Intelligent, fascinant, intrigant avant de devenir clair, Aucune terre n’est promise est un grand roman qui mérite amplement le Prix Planète-SF 2021.

The novel is published in France by Editions Mü as AUCUNE TERRE N’EST PROMISE. Here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

The English-language edition of UNHOLY LAND is published by Tachyon Publications.

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

The Prix Planète SF award joins a long list of the novel’s other commendations, which was also a best book of the year selected by NPR, Library Journal, Publishers Weekly, the Guardian, and Crime Time. It was also a Barnes & Noble Favorite Science Fiction and Fantasy Book of 2018, appeared on the Locus Recommended Reading List, and was nominated for the 2018 SCKA Award. The cover, by Sarah Anne Langton, was also a finalist for the BSFA Award for Best Cover.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophisticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Locus, Hugo, and Ignyte nominations for Aliette de Bodard!

Posted on Wednesday, May 12th, 2021

In case you missed the great news: Aliette de Bodard has received four Locus Award nominations, a Hugo Award, and an Ignyte Award nomination! Let’s start with the Locus nominations…

Aliette’s has two novellas among the finalists in the Novella Category. OF DRAGONS, FEASTS AND MURDERS, published by JABberwocky, is a stand-alone story set in the same work as the Dominion of the Fallen series. Here’s the synopsis…

Lunar New Year should be a time for familial reunions, ancestor worship, and consumption of an unhealthy amount of candied fruit.

But when dragon prince Thuan brings home his brooding and ruthless husband Asmodeus for the New Year, they find not interminable family gatherings, but a corpse outside their quarters. Asmodeus is thrilled by the murder investigation; Thuan, who gets dragged into the political plotting he’d sworn off when he left, is less enthusiastic.

It’ll take all of Asmodeus’s skill with knives, and all of Thuan’s diplomacy, to navigate this one — as well as the troubled waters of their own relationship…

The Dominion of the Fallen series is published by Gollancz in the UK, and Roc Books and JABberwocky in North America. (While a stand-alone, this novella is set after the events of the third novel in that series, THE HOUSE OF SUNDERING FLAMES.)

The second finalist novella is SEVEN OF INFINITIES, one of the author’s many acclaimed Xuya stories, published by Subterranean Press (North America) and JABberwocky…

Vân is a scholar from a poor background, eking out a living in the orbitals of the Scattered Pearls Belt as a tutor to a rich family, while hiding the illegal artificial mem-implant she manufactured as a student.

Sunless Woods is a mindship — and not just any mindship, but a notorious thief and a master of disguise. She’s come to the Belt to retire, but is drawn to Vân’s resolute integrity.

When a mysterious corpse is found in the quarters of Vân’s student, Vân and Sunless Woods find themselves following a trail of greed and murder that will lead them from teahouses and ascetic havens to the wreck of a mindship — and to the devastating secrets they’ve kept from each other.

Aliette’s third Locus finalist nomination is for the short story IN THE LANDS OF THE SPILL, which was published in the AVATARS INC Sci-Fi Anthology, edited by Ann Vandermeer.

Meanwhile, the novelette THE INACCESSIBILITY OF HEAVEN has been nominated for three awards! Published in the July-August 2020 issue of Uncanny Magazine, it is up for the Hugo, Locus, and Ignyte Best Novelette Awards!

Night. A night like any other in Starhollow: the headlights of cars, small and lost between the skyscrapers; the smell of hydromel and wine wafting from those few bars still open; and above me, the distant light of the stars, a constant reminder of the inaccessibility of Heaven.

I climbed the stairs to my flat, exhausted, my arms covered in claw-marks. At the shelter I worked at, drunken Fallen had started attacking some of the newcomers—and had turned on me when I’d tried to intervene…

The Locus Awards winners will be announced June 26, 2021, during the virtual Locus Awards Weekend.

Voting for the Hugo Awards are open now to members, and will close on November 19th. The award winners will be announced during DisCon III, which will be held in Washington, D.C., between December 15th-19th.

Voting for the Ignyte Awards is open now to anyone who wants to vote, and will close on May 21st. The award winners will be announced on September 18th.

Many congratulations, Aliette!

Forbes 30 Under 30: Yudhanjaya Wijeratne!

Posted on Wednesday, April 28th, 2021

We at Zeno are thrilled to see our author Yudhanjaya Wijeratne recently recognised in Forbes’ latest 30 Under 30 list for Asia!

The 30 Under 30 list has long been established for recognising emerging talent from across the world that everyone in their industries needs to watch out for. Yudha joins a list of fabulous science fiction and fantasy writers to be honoured in recent years on the list, including Hafsah Faizal and Tomi Adeyemi.

As well as his Nebula-nominated co-authored MESSENGER and his widely acclaimed NUMBERCASTE, Yudha continues to write at the cutting edge of science fiction publishing THE SALVAGE CREW in 2020, which was co-authored with an A.I. he created.

Agent Contact: Stevie Finegan

Lavie Tidhar’s CENTRAL STATION Wins Chinese Nebula (Xingyun) Award!

Posted on Sunday, April 25th, 2021

We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has won another award! This time, it is for the Chinese translation, which has won the Chinese Nebula (Xingyun) Award for Best Translated Fiction! Translated by Chen Yang, and published in China by Citic, as 中央星站, here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION has won a tremendous number of awards (always room for more, though), including John W. Campbell Award (2017) and
the Neukom Institute Literary Arts Award in Speculative Fiction (2018). It also landed on many end-of-year best of lists. The English-language cover, but Sarah Anne Langton, also won the Chelsey Award for Best Cover Illustration.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

If Chinese-speaking fans of Lavie’s work would like to know more about the book and the author, you can read two great interview with the author here:

Lavie’s latest novel is BY FORCE ALONE, the first novel in the author’s Anti-Matter of Britain Quartet, is published by Head of Zeus (UK) and Tor Books (North America). The second novel in the tetralogy is THE HOOD, which is due to be published later this year by Head of Zeus.

Peter Flannery’s BATTLE MAGE Nominated for Best Fantasy Novel in Poland!

Posted on Wednesday, February 3rd, 2021

We’re very happy to report that Peter A. Flannery‘s BATTLE MAGE has been nominated for the Best Fantasy Novel Award on Lubimy Czytać (the Polish Goodreads)! The award is voted on by the site’s community, and voting ends on February 28th.

A fantastic fantasy novel, with a growing number of translated editions, it’s published in Poland by Fabryka Słów, as MAG BITEWNY. Here’s the synopsis…

Nie ma uczucia silniejszego od smoczego smutku. Może tylko smocza wściekłość.

Armia nieumarłych pod wodzą demona zalewa królestwo Furii. Kolejne armie obrońców uginają się przed nieujarzmioną potęgą wroga. Ludzie zamieniają się w Opętanych i ruszają mordować własne rodziny. Świat pogrąża się w mroku, rozpaczy i dzikim przerażeniu.

Jedyną nadzieją na przetrwanie jest walka u boku maga bojowego i jego smoka. Tych jednak jest zbyt mało. Od czasu Wielkiego Opętania tylko nieliczni mają odwagę przywoływać smoki. Niektóre z nich, szalone i nieobliczalne, stanowią śmiertelne zagrożenie dla ludzi. Potrzeba wyjątkowego człowieka, by okiełznać ich moc…

Falko Dante — słabeusz w świecie wojowników, umierający na tajemniczą chorobę syn szaleńca i zdrajcy. Nie tak wyglądają bohaterowie tej wojny. A jednak to na jego barki spadnie ciężar odpowiedzialności i jemu przypadnie do odegrania rola, która zaważy na losach tysięcy ludzi.

The novel is actually published in two parts in Poland. Here are the two covers…

Here’s the English-language synopsis for the novel…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in Translation.

Craig Laurence Gidney among Carl Brandon Parallax Award Honourees!

Posted on Friday, January 1st, 2021

We’re very happy to report that Craig Laurence Gidney‘s A SPECTRAL HUE is among this year’s Carl Brandon Parallax Award Honourees! The award is ‘given to works of speculative fiction created by a self-identified person of color.’

Here’s what the award committee had to say about A SPECTRAL HUE…

An art museum in a small Maryland town is the backdrop for this ghostly tale of magical realism. Gidney offers shimmering, colorful prose and a deep sense of history.

And here’s the official synopsis for the novel…

For generations, the marsh-surrounded town of Shimmer, Maryland has played host to a loose movement of African-American artists, all working in different media, but all utilizing the same haunting color. Landscape paintings, trompe l’oeil quilts, decorated dolls, mixed-media assemblages, and more, all featuring the same peculiar hue, a shifting pigment somewhere between purple and pink, the color of the saltmarsh orchid, a rare and indigenous flower.

Graduate student Xavier Wentworth has been drawn to Shimmer, hoping to study the work of artists like quilter Hazel Whitby and landscape painter Shadrach Grayson in detail, having experienced something akin to an epiphany when viewing a Hazel Whitby tapestry as a child. Xavier will find that others, too, have been drawn to Shimmer, called by something more than art, something in the marsh itself, a mysterious, spectral hue.

The novel received a glowing review from NPR when it was released: ‘The book’s plot opens gradually, like petals on a flower, but Gidney masterfully orchestrates this slow reveal. Jumping between characters and decades, an intricate pattern begins to reveal itself… A wondrous pondering of art, memory, race, and history, Gidney’s novel is a trompe l’oeil tapestry in its own right.’

Congratulations, Craig!

William Gibson’s AGENCY is a Time Book of the Year!

Posted on Tuesday, December 8th, 2020

‘Tis the season when many people turn their attention to picking the best books of the year, and we are very happy to report that William Gibson‘s latest novel, AGENCY, was selected by Time Magazine as one of their Must Read Books of 2020!

Described as a ‘seductive sequel to THE PERIPHERAL‘, it’s published in the UK by Viking. Here’s the synopsis…

San Francisco, 2017. Clinton’s in the White House, Brexit never happened — and Verity Jane’s got herself a new job.

They call Verity ‘the app-whisperer,’ and she’s just been hired by a shadowy start-up to evaluate a pair-of-glasses-cum-digital-assistant called Eunice. Only Eunice has other ideas.

Pretty soon, Verity knows that Eunice is smarter than anyone she’s ever met, conceals some serious capabilities and is profoundly paranoid –– which is just as well since suddenly some bad people are after Verity.

Meanwhile, in a post-apocalyptic London a century from now, PR fixer Wilf Netherton is tasked by all-seeing policewoman Ainsley Lowbeer with interfering in the alternative past in which Verity and Eunice exist. It appears something nasty is about to happen there — and fixing it will require not only Eunice’s unique human-AI skillset but also a little help from the future.

A future which Verity soon fears may never be…

Here are just a few of the reviews the novel has received so far…

‘This dazzling vision of politics and power across alternate timelines is both observation and warning… begins with the classic Gibsonian unboxing scene… a sensual, remarkably visual ride, vigorous with displays of conceptual imagination and humour.’ — Guardian

‘[A] book as engaging, thought-provoking and delightful as its predecessor… Strong co-starring characters unique to this tale interact with returning old favorites… the intricate noir-thriller plotting affords constant entertainment and suspense… Gibson’s language is as zesty as ever… [Gibson] he can always be counted on to show us our contemporary milieu rendered magical by his unique insights, and a future rendered inhabitable by his wild yet disciplined imagination.’ — Washington Post

‘William Gibson’s AGENCY interrogates our relationship to technology with startling clarity’ — Globe & Mail

‘Many of the ideas in AGENCY are familiar Gibson peccadilloes. He is still interested in decentred political and technological systems and shadowy, quasi-criminal superstructures that can be navigated only by visionary individuals armed with the right tech. And he still delivers these ideas in plots that aspire to the satisfying knottiness of thrillers.’ — Financial Times

‘[A] strong presence of familiar Gibsonian traits: smooth prose, sly pop-culture references, and acute observations of behavior and social interaction… filled with the expected Gibsonian oddball details and throwaway bits of invention… an immersive, textured, and sometimes deeply strange setting, which is a good thing. Come for the intricate plotting, stay for the weird and wonderful mindscape.’ — Russell Letson, Locus

‘AGENCY… is parallel-contemporary, changing the outcome of the 2016 election without relieving us of chaos and horror. It’s a much more explicit commentary than we’re used to getting from Gibson and an implicit reminder that Trump is best understood as a dumb symptom of our predicament, rather than the cause. Writers who manage big, showy debuts are often one-trick ponies, but Gibson has an inexhaustible supply of tricks, new stories and new ways of telling them that make him the most consistent predictor of our present, contextualizer of our pasts and presager of our possible futures.’ — LA Times

The aforementioned THE PERIPHERAL is also published in the UK by Penguin.

Zeno represents William Gibson in the UK and Commonwealth, on behalf of Nell Pierce at Sterling Lord Literistic.

Charlaine Harris is Mystery Writers of America 2021 Grand Master!

Posted on Wednesday, November 25th, 2020

We are very happy to report that earlier this week, the Mystery Writers of America chose Charlaine Harris as a 2021 Grand Master! Harris shares the title with Jeffrey Deaver. We hope you will join us in congratulating Charlaine on this very well-deserved appointment and honour!

Here’s what MWA president Meg Gardiner had to say about the appointments…

‘Mystery Writers of America is thrilled to honor Jeffery Deaver and Charlaine Harris as MWA’s 2021 Grand Masters. Over the course of decades, Deaver and Harris have gripped tens of millions of readers while broadening the reach of the genre with transformative books—notably, Deaver’s Lincoln Rhyme series, and Harris’s Sookie Stackhouse novels—and while generously encouraging and supporting fellow writers and the reading public. We’re delighted to recognize their achievements.’

Harris and other honourees will receive their awards at the 75th Annual Edgar Awards Ceremony, which will be held on April 29, 2021.

Charlaine is the best-selling author of the Sookie Stackhouse novels, which were adapted into HBO’s True Blood TV series. The novels are published in the UK by Gollancz.

Gollancz also publishes the Midnight, Texas series in the UK.

The author’s Aurora Teagarden mystery series is published in the UK by Piatkus.

Charlaine’s latest series, the Gunnie Rose, is also published in the UK by Piatkus. The third novel, THE RUSSIAN CAGE, is due out in 2021.

Zeno represents Charlaine Harris in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.

Lavie Tidhar’s NEW ATLANTIS is a Sturgeon Memorial Award Finalist!

Posted on Thursday, June 18th, 2020

We are delighted to report that Lavie Tidhar‘s novella NEW ATLANTIS is a finalist for this year’s Theodore Sturgeon Memorial Award!

Originally published in the May/June 2019 issue of Fantasy & Science Fiction Magazine, it was recently published as an eBook via the JABberwocky eBook Program. Available from all major eBook retailers, it also has a superb new cover by Sarah Anne Langton.

Here’s the synopsis…

When a mysterious message arrives from vanished New Atlantis, a restless Mai undertakes the perilous journey to its drowned isles. But the journey is long and hard: through the Blasted Plains and the ancient cities of Tyr and Suf, through shipwreck and wilderness.

For this is a world where ants develop inexplicable weapons, where a lonely robot lives surrounded by cats in the ruins of old Paris, and where floating coral islands host sleeping sentience. Mai’s journey takes her by land, sea and air to the islands of New Atlantis, and to the nightmare prison buried underneath old London.

On her way she will find heartbreak and love – and a new life, awakening.

The novella has already been described as ‘Excellent’ (SF Crowsnest), ‘Amazing’ (1000 Year Plan) and ‘A wonderful, imaginative story’ (SF Revu).

This year’s winner of the award will be announced at the Gunn Center Conference, which will take place on October 1st-3rd in Lincoln, Nebraska’s University of Nebraska.

Congratulations, Lavie!

A number of Lavie’s other novellas and stories have also been published as eBooks by JABberwocky. You can find more information about these books here.

Lavie’s recent novel is BY FORCE ALONE — a retelling of the King Arthur mythology, published by Head of Zeus in the UK (out now) and Tor Books in North America (due out in August).

Lavie is also the author of the highly-acclaimed, award-winning CENTRAL STATION, UNHOLY LAND, and THE VIOLENT CENTURY — all of which are published by Tachyon Publications (also with spectacular covers by Sarah Anne Langton).

McDonald, de Bodard and Lafferty are Locus Award Finalists!

Posted on Monday, June 8th, 2020

We are delighted to share the news — in case you missed it — that Ian McDonald, Aliette de Bodard and R.A. Lafferty are all finalists in this year’s Locus Awards! Congratulations for these very well deserved nominations! Winners of the awards will be announced on June 27th.

Read on for some more details.

Ian’s third Luna novel, MOON RISING, is nominated for Best Science Fiction novel. Published in the UK by Gollancz, in North America by Tor Books, and widely in translation, here’s the synopsis…

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera pitched as Game of Thrones meets The Expanse

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Aliette’s Xuya acclaimed collection OF WARS, AND MEMORIES, AND STARLIGHT is nominated for Best Collection. Published by Subterranean Press, here’s the synopsis…

A major first collection from a writer fast becoming one of the stars of the genre… Aliette de Bodard, multiple award winner and author of The Tea Master and the Detective, now brings readers fourteen dazzling tales that showcase the richly textured worldbuilding and beloved characters that have brought her so much acclaim.

Come discover the breadth and endless invention of her universes, ranging from a dark Gothic Paris devastated by a magical war; to the multiple award-winning Xuya, a far-future space opera inspired by Vietnamese culture where scholars administrate planets and sentient spaceships are part of families.

In the Nebula award and Locus award winning “Immersion”, a young girl working in a restaurant on a colonized space station crosses paths with an older woman who has cast off her own identity. In the novelette “Children of Thorns, Children of Water”, a shapeshifting dragon infiltrating a ruined mansion finds more than he’s bargained for when his partner is snatched by eerie, child-like creatures. And in the award-winning “Three Cups of Grief, by Starlight”, three very different people — a scholar, an engineer, and a spaceship — all must deal with the loss of a woman who was the cornerstone of their world.

This collection includes a never-before seen 20,000-word novella, “Of Birthdays, and Fungus, and Kindness”, set in Bodard’s alternative dark Paris.

R.A. Lafferty is also up for Best Collection, for THE BEST OF R.A. LAFFERTY, which is published by Gollancz and contains a number of Lafferty’s award-winning fiction. Through their SF Gateway imprint, Gollancz publishes a whole host of Lafferty’s work. Here’s the synopsis for the nominated collection…

Acclaimed as one of the most original voices in modern literature, Raphael Aloysius Lafferty has been awarded and nominated for a multitude of accolades over the span of his career, including the World Fantasy Award for Lifetime Achievement.

This collection contains 22 unique tall tales, including:

Hugo Award-winning
‘Eurema’s Dam’ — introduced by Robert Silverberg

Hugo Award-nominated
‘Continued on the Next Rock’ — introduced by Nancy Kress
‘Sky’ — introduced by Gwenda Bond

Nebula Award-nominated
‘In Our Block’ — introduced by Neil Gaiman

And more stories introduced by other modern masters of SF who acknowledge.

R.A. Lafferty as a major influence and force in the field.

Zeno represents R.A. Lafferty in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.

CENTRAL STATION Nominated for Xinyung Award in China!

Posted on Monday, May 18th, 2020

We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has been nominated for a 2020 Xiyung Award for Best Translated Fiction! The novel — which has won and been nominated for a whole host of other awards, including the Campbell Award — was translated by Chen Yang, and is published in China as 中央星站, by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY.

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

‘CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’ — Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ — Chen Qiufan

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ — Ken Liu

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst

‘CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Lavie’s latest novel, BY FORCE ALONE, was published recently by Head of Zeus in the UK, and is due to be published by Tor Books in August 2020 (North America).

Lavie Tidhar & Aliette de Bodard Nominated for Seiun Awards!

Posted on Friday, May 15th, 2020

Announced late last week, we are very happy to share the news that Lavie Tidhar and Aliette de Bodard have been nominated for Seiun Awards in Japan!

In the Best Translated Novel category, we have Lavie’s A MAN LIES DREAMING. Published in Japan by 竹書房 (Takeshobo), as 黒き微睡みの囚人, here’s the synopsis…

The novel won the Jerwood Fiction Uncovered Award when it was first published in the UK. It was recently re-issued as an eBook by JABberwocky, with a cover by Sarah Anne Langton (above). Here’s the English-language synopsis…

Deep in the heart of history’s most infamous concentration camp, a man lies dreaming. His name is Shomer, and before the war he was a pulp fiction author. Now, to escape the brutal reality of life in Auschwitz, Shomer spends his nights imagining another world – a world where a disgraced former dictator now known only as Wolf ekes out a miserable existence as a low-rent PI in London’s grimiest streets.

Aliette’s ‘Memorials‘ is nominated in the Best Translated Story category. Available in Japan as part of the Xuya anthology, 茶匠と探偵, published by 竹書房. Here’s the synopsis for the collection…

星々は語らない。淡く見えるとも強く輝く――

探偵と元軍艦の宇宙船がコンビを組み深宇宙（ディープ・スペーシズ）での事件を解決する表題作の他、異文化に適応しようとした女性が偽りの自分に飲み込まれる「包嚢」、宇宙船を身籠った女性と船の設計士の交流を描く「船を造る者たち」、少女がおとぎ話の真実を知る「竜が太陽から飛びだす時」。

“アジアの宇宙”であるシュヤ宇宙を舞台に紡ぐ全9篇。
現代SFの最前線に立つ作家、日本初の短篇集。

【収録作品一覧】
「蝶々、黎明に墜ちて」（“Butterfly, Falling at Dawn”）
「船を造る者たち」（“The Shipmaker”）
「包嚢」（“Immersion”）
「星々は待っている」（“The Waiting Stars”）
「形見」（“Memorials”）
「哀しみの杯三つ、星明かりのもとで」（“Three Cups of Grief, by Starlight”）
「魂魄回収」（“A Salvaging of Ghosts”）
「竜の太陽から飛びだす時」（“The Dragon That Flew Out of the Sun”）
「茶匠と探偵」（“The Tea Master and the Detective”）

The stories included in 茶匠と探偵 are available in English in THE TEA MASTER AND THE DETECTIVE and OF WARS, AND MEMORIES, AND STARLIGHT — both published by Subterranean Press. The former is also available in the UK, published by JABberwocky.

Here’s the synopsis for OF WARS, AND MEMORIES, AND STARLIGHT…

This collection includes a never-before seen 20,000-word novella, “Of Birthdays, and Fungus, and Kindness”, set in Bodard’s alternative dark Paris.

The Seiun Awards were originally planned to be presented at F-CON, the 59th Japan SF Convention, scheduled for August 22-23, 2020 in Fukushima prefecture. However, the convention has now been postponed until March 13-14, 2021.

Congratulations to Lavie and Aliette! Both very well-deserved nominations and we have our fingers crossed!

Two Award Nominations for Ian McDonald!

Posted on Monday, April 27th, 2020

We are very happy to share the news that Ian McDonald has racked up another couple of award nominations! Announced over the past couple of weeks, read on for more details!

The third novel in Ian’s Luna series, MOON RISING, is a Prometheus Award finalist! All three of the novels in the series have been nominated for the award. Here’s what the organization had to say about the novel…

In the sequel to the Prometheus-nominated novels LUNA: NEW MOON and LUNA: WOLF MOON, McDonald dramatizes the struggle for independence and sovereignty as feuding lunar factions unite against a threat from Earth. The trilogy’s thrilling finale builds on McDonald’s intricate future of moon colonization, buoyed by somewhat free markets marred by violence, corporate espionage, and political marriages as the Five Dragons family dynasties control the main lunar industrial companies. Characters empowered by personal freedom and individual/social achievement in a society where contracts with others define people. Rendering a more positive view of a free society than earlier novels, McDonald offers justifications for freedom and markets while showing more negative aspects of politics and human behavior dealt with by people addressing inevitable problems in more voluntary ways.

The Luna series is also a finalist for the Hugo Award for Best Series! The winners will be announced as part of the 78th World Science Fiction Convention, CoNZealand, which recently announced that it will shift to a virtual format given the ongoing COVID-19 pandemic.

Congratulations Ian on these nominations!

The Luna series is published in the UK by Gollancz (covers below), in North America by Tor Books (covers above), and in a growing number of translated editions around the world.

Here’s the synopsis for MOON RISING…

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here are just a few of the great reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘LUNA: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

Jenni Keer’s THE HOPE AND DREAMS OF LUCY BAKER nominated for Best Debut Romantic Novel Award!

Posted on Wednesday, February 19th, 2020

We are delighted to report that Jenni Keer‘s debut novel, THE HOPES AND DREAMS OF LUCY BAKER, has been shortlisted for the 2020 Romantic Novel Awards! Specifically, the novel in up for the Katie Fforde Debut Romantic Novel Award!

The novel is published in the UK and North America by One More Chapter. As the graphic above notes, it is also only 99p at the time of writing! Here’s the novel’s synopsis…

Meet Lucy, aged 25, and Brenda, aged 79. Neighbours, and unlikely friends.

Lucy Baker is not your usual 25-year-old. She is more at home reading and knitting in her cluttered little flat than going out partying and socialising.

79-year-old Brenda is full of wise and wonderful advice, but when she’s diagnosed with dementia her life begins to change. Before her memories slip away for ever, Brenda is desperate to fulfil one last wish – to see Lucy happy.

Gifting Lucy the locket that helped Brenda find her own true love, she hopes to push her reticent neighbour in the right direction. But is Lucy Baker ready for the opportunities and heartbreaks of the real world? It’s about time she put her knitting needles aside and found out…

The Hopes and Dreams of Lucy Baker will be the most charming, heart-warming and feel-good novel you will read this year, perfect for fans of Ruth Hogan and Gail Honeyman.

Jenni’s second novel, THE UNLIKELY LIFE OF MAISIE MEADOWS, is also on sale, only £1.99!

The award(s) will be presented during a ceremony at Leonardo Royal London City Hotel, on Monday 2nd March.

Huge congratulations to Jenni, on this very well-deserved nomination!