Short Fiction Watch: Lavie Tidhar is among the BEST OF BRITISH SF 2018!


In this edition of Short Fiction Watch, we wanted to draw your attention to the upcoming collection BEST OF BRITISH SCIENCE FICTION 2018, edited by Donna Scott. Due to be published by Newcon Press on August 21st, 2019 (with an official launch at Dublin Worldcon), the book includes Lavie Tidhar‘s story TALKING TO GHOSTS AT THE EDGE OF THE WORLD!

Lavie Tidhar is the author of many critically-acclaimed, multi-award-winning and -nominated novels and short stories. Most recently, his novels UNHOLY LAND and CENTRAL STATION, published by Tachyon Publications.

Andrew Cartmel’s MURDER SWING is a top 10 Crime Novel pick in Germany!


We’re very happy to report that WRITTEN IN DEAD WAX, the first novel in Andrew Cartmel‘s critically-acclaimed Vinyl Detective mystery series, has been selected as a top 10 crime pick by Germany’s Deutchlandfunk Kultur website! The novel is a ‘Super Mix aus Comic, Krimi und Groteske, heiter bis jazzig.’ (A superb mix of comedy, gritty crime and cheerful jazz.)

Published in Germany by Suhrkamp Verlag as MURDER SWING, here’s the synopsis…

London, heute: Er ist ein Plattensammler, ein Spezialist für äußerst seltene LPs, die er kauft und verkauft. Die Jobbeschreibung auf seiner Visitenkarte lautet: ›Vinyl-Detektiv‹. Und manche Leute nehmen das ganz wörtlich – so wie die geheimnisvolle Nevada Warren, die ihn für eine Unsumme anheuert, um für einen anonymen Auftraggeber eine Platte zu finden, die zu der schmalen Produktion eines winzigen kalifornischen Jazz-Labels gehört, das in den 1950ern nur ein Jahr existierte.

Bald häufen sich seltsame Todesfällen, die allesamt mit dieser Platte zu tun haben könnten. Aber was könnte auf ihr zu hören sein, was sie so ungemein wertvoll macht? Und was hat einer der mächtigsten Konzerne der weltweiten Unterhaltungsindustrie damit zu tun? Zu allem Überfluss hat unser Detektiv bald auch noch die »Aryian Twins« Heinz und Heidi an der Hacke, zwei ziemlich extravagante Killer…

The Vinyl Detective series is published in English by Titan Books: WRITTEN IN DEAD WAX, THE RUN-OUT GROOVE, VICTORY DISC, and FLIP BACK.

Here’s some of that aforementioned critical acclaim…

‘This charming mystery feels as companionable as a leisurely afternoon trawling the vintage shops with a good friend.’ — Kirkus

‘… fast-paced, lighthearted adventure… marvelously inventive and endlessly fascinating…’ — Publishers Weekly

‘Author Cartmel has combined the tropes of the several genres into a surprising, refreshing story centered around old-fashioned records… the story delivers multiple chuckles per chapter… Based on this volume, the series will be a hit.’ — New York Journal of Books

‘The story is so charming, funny and engaging… You can really tell that Andrew Cartmel is intimately familiar with both London and the vinyl scene. There is a wonderful sense of time and place, each location filled with a varied cast of colourful characters… Even more impressive, the protagonist’s passion for vinyl never comes across as preachy or boring. There is an engaging tapestry of technical information and jazz history being woven throughout, so convincing that it would take an expert to separate fact from fiction… The Vinyl Detective has it all… intrigue, mystery, romance, action, travel, humour, music, history… It’s the perfect chilled-out read… It’s British crime fiction with an American jazz soundtrack and it’s delightful. As long as Andrew Cartmel keeps spinning these characters, I’ll keep reading.’ (9/10) — Alternative Magazine Online

‘[Cartmel’s] charity-shop-haunting, record-fair-regular vinyl obsessive with an encyclopaedic knowledge of jazz is a natural and welcome addition to the genre’s pantheon… a highly entertaining cast of supporting characters… a pair of utterly convincing cats which effortlessly steal every scene in which they appear… a sharp, amusing and compulsively readable detective yarn packed with witty asides dealing with everyone from Sun Ra to Elvis Presley, as enjoyably accessible to the jazz obsessive as it is to the general reader.’ — London Jazz News

Aliette de Bodard nominated for a Lammy Award!


Hot on the heels of the author’s recent Nebula Awards win, and also multiple Hugo nominations, we are delighted to share the news that Aliette de Bodard has also been nominated for a Lammy Award! Specifically, IN THE VANISHERS’ PALACE is a finalist in the category of LGBTQ Science Fiction/Fantasy/Horror! The winner will be announced next week, June 3rd!

The critically-acclaimed IN THE VANISHERS’ PALACE is published by JABberwocky. Here’s the synopsis…

A dark retelling of Beauty and the Beast from the award-winning author of the Dominion of the Fallen series.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement. But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies — and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…

Here is just a small selection taken from the aforementioned critical acclaim…

‘This intriguing, Sapphic, Vietnamese take on Beauty and the Beast is recommended for fans of De Bodard’s previous works or readers who enjoy diverse, lushly described fantasy.’ — Library Journal

‘De Bodard has taken the outline of a classic fable and turned it into a hall of mirrors as ravishing as it is disturbing.’ — Locus (Gary K. Wolfe)

‘This is a compelling short novel, with vivid and fascinating characters. (It’s so compelling, in fact, that every time I went back to it while writing this review to check a spelling, I found myself car­ried away for pages on end before I could recall myself to my work.) For me, it’s an utter delight: a really enjoyable, polished and gleaming jewel of a story. I sincerely hope de Bodard returns to these characters and to this world.’ — Locus

‘A dark gender-fluid recasting of Beauty and the Beast with multidimensional dragons that just falls over into novella length and should be on awards ballots’ — Jonathan StrahanThe Best Science Fiction and Fantasy of the Year

‘… beautifully written. Aliette de Bodard’s prose is always on point. If you want evidence, just read one of her short stories…  de Bodard never fails to create breathtaking and complex worlds… I loved IN THE VANISHERS’ PALACE, and I know I’ll be recommending it going forward.’ — The Illustrated Page

‘[A] closely-observed and darkly compelling Beauty-and-the Beast retelling between a scholar and a dragon… a story that deserves attention: you should all keep an eye out and read it.’ — Liz Bourke

‘As a reframing of a classic fairy tale, IN THE VANISHERS’ PALACE is subversive and bold; as a romance, it is tentative, touching, and sweet.’ — Barnes & Noble

‘I loved the worldbuilding throughout this story… a very enjoyable and often even soothing book, despite some fearful moments and emotional distress for the characters… I’ll follow [de Bodard] to whatever subgenre she wants to explore next.’ — Skiffy & Fanty

The novel is also available as an audiobook.

James P. Blaylock reflects on Life, Family and more in excellent Orange Coast Magazine Article


Back in the mid-1980s, when my wife, Viki, and I had been living in downtown Orange for 10 years, I decided to build a treehouse out of redwood fence lumber in a Fuerte avocado tree that sat in the corner of our backyard. I was well past 30 at the time, and the tree was probably twice my age and 40 feet high. We had two young sons, John and Danny, and so it might seem that I wanted to build the treehouse for them — and I did — but I also wanted to build it for me. Anything worth doing has a number of solidly good reasons for getting done. And in any event, a treehouse is its own excuse…’

So begins an essay by James P. Blaylock, reflecting on life, family, neighbourhood, and memories. The piece was published in Orange Coast Magazine back in June 2018. You may have seen us Tweet about the article, but we just wanted to take this opportunity to share it again here. It’s a great example of Blaylock’s writing, and we thought it would be of interest to fans of his novels.

James is the author of the Langdon St. Ives series of novels and novellas, published by Titan Books and Subterranean Press.

Blaylock is also the author of a number of other novels, available as eBooks via the JABberwocky eBook Program, some of which were also published by Subterranean Press.

Ben Aaronovitch introduces Pratchetts GUARDS!


In case you missed it, Ben Aaronovitch has written an introduction to the latest edition of Terry Prachett’s GUARDS! GUARDS!, the eighth novel in the Discworld series and first to focus on Ankh-Morpork’s City Watch and Sam Vimes. The novel is published by Corgi in the UK.

‘Vimes ran a practised eye over the assortment before him. It was the usual Ankh-Morpork mob in times of crisis; half of them were here to complain, a quarter of them were here to watch the other half, and the remainder were here to rob, importune or sell hotdogs to the rest.’

Insurrection is in the air in Ankh-Morpork. The Haves and Have-Nots are about to fall out all over again. Captain Sam Vimes of the city’s ramshackle Night Watch is used to this. It’s enough to drive a man to drink. Well, to drink more. But this time, something is different – the Have-Nots have found the key to a dormant, lethal weapon that even they don’t fully understand, and they’re about to unleash a campaign of terror on the city. Time for Captain Vimes to sober up.

Ben’s latest novel, LIES SLEEPING, was released in paperback last week in the UK (Gollancz) — it is the seventh novel featuring Peter Grant.

His next book is the novella THE OCTOBER MAN, due to be published by Gollancz (UK), Subterranean Press (North America) and DTV (Germany).

CENTRAL STATION Nominated for Award in Spain!


Lavie Tidhar‘s critically-acclaimed novel CENTRAL STATION has garnered another award nomination! This time, the Spanish-language edition (translated by Alexander Páez) has been nominated for Spain’s Kelvin 505 Award! The winner will be announced at the Celsius 232 convention on July 14th, 2019.

Published in Spain as ESTACIÓN CENTRAL, by Alethé, here’s the synopsis…

Una diáspora mundial ha dejado un cuarto de millón de personas a los pies de una estación espacial. Las culturas chocan en la vida real y en la virtual. La vida apenas tiene valor, y la información tiene incluso menos.

Mucho ha cambiado cuando Boris Chong vuelve de Marte a Tel Aviv. La examante de Boris está criando a un extraño y familiar niño que puede meterse en el torrente de información con el simple roce de un dedo. Su prima  está enamoradísima de un robotnik: un soldado ciborg destrozado que necesita mendigar piezas de repuesto. Su padre tiene una enfermedad terminal, una plaga mental multigeneracional. Y una atormentada vampira informática ha seguido a Boris a un lugar al que tiene prohibido volver.

Alzándose sobre todos ellos está la Estación Central, el núcleo interplanetario en medio de todo: la Tel Aviv con sus constantes cambios; una potente arena virtual y las colonias espaciales donde la humanidad se ha marcado para escapar de los estragos de la pobreza y la guerra. Todo está conectado por los Otros, poderosas entidades alienígenas que, a través de la Conversación (un torrente inestable de conciencia) suponen el inicio de un cambio irreversible.

En la Estación Central, los humanos y las máquinas siguen adaptándose, prosperando e incluso… evolucionando.

The novel has the following award wins and nominations…

  • 2017 John W. Campbell Award Winner
  • 2018 Neukom Institute Literary Arts Award Winner
  • 2017 Arthur C. Clarke Award, Shortlist
  • 2016 British Science Fiction Award, Longlist
  • 2017 Geffen Award nominee, Best Translated Science Fiction Book
  • 2019 Premio Italia, Best International Novel, Finalist (Italy)
  • 2019 Kurd Laßwitz Preis Shortlist (Germany)

CENTRAL STATION is published in English by Tachyon Publications, and has been published widely in translation. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The cover is by Sarah Anne Langton, and it also has racked up some awards and nominations…

  • 2016 British Science Fiction Award Best Cover Illustration
  • Chesley Award, Best Cover Illustration
  • 2017 British Fantasy Society – Shortlist for Best Artist

THE TEA MASTER, THE DETECTIVE and the Nebula Award!


We are delighted to report that Aliette de Bodard has won a Nebula Award for her novella THE TEA MASTER AND THE DETECTIVE! The winners were announced yesterday at the Nebula Conference and Awards in Los Angeles.

The novella is published in North America by Subterranean Press, and elsewhere via the JABberwocky eBook Program. Here’s the synopsis…

Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appearance of environments easily modified and adapted to interlocutors or current mood.

A transport ship discharged from military service after a traumatic injury, The Shadow’s Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow’s Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The  Shadow’s Child with her.

As they dig deep into the victim’s past, The Shadow’s Child realises that the investigation points to Long Chau’s own murky past–and, ultimately, to the dark and unbearable void that lies between the stars…

Here, too, are just a few of the great reviews the novella has received…

‘A science-fictional ode to Arthur Conan Doyle’s Sherlock Holmes, where the Holmes figure is a sharp and biting disgraced aristocratic scholar with a solid core of empathy, and the Watson-figure is a mindship with post-traumatic stress disorder from her war experiences… This is a measured, almost stately story, right up until a conclusion that explodes in fast-paced tension. It preserves the empathy and the intensity of the original Sherlockian stories, while being told in de Bodard’s sharp prose and modern style. The worldbuilding… sparkles. The characters have presence: they’re individual and compelling. And it ends it a way that recalls the original Holmes and Watson, while being perfectly appropriate to itself.’ — Tor.com

‘De Bodard revisits her far-future Xuya universe setting with this gripping novella about damaged characters driven to search for the truth… De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.’ — Publishers Weekly

‘As a classical blend of far-future SF and traditional murder mystery, THE TEA MASTER AND THE DETECTIVE should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.’ — Locus (Gary K. Wolfe)

‘De Bodard’s world building glitters, and her characters are deeply compelling… It becomes clear early on that THE TEA MASTER AND THE DETECTIVE is strongly influenced by, if not directly based upon, the Sherlock Holmes and Dr. Watson stories of Arthur Conan Doyle. It’s measured, almost stately, up until the conclusion, where the tension explodes into high gear. It preserves the empathy and the intensity of the original Sherlockian stories, while being told in de Bodard’s cut-glass prose and inimitable modern style. This is a really satisfying story, deeply invested in choosing to do the right thing – and in the importance of kindness. I strongly recommend it.’ — Locus (Liz Bourke)

‘[A] delicate, gender-bent recasting of Sherlock Holmes and Doctor Watson in the far future of her Xuya universe, the gorgeously mannered space opera setting of celebrated novellas… a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.’ — New York Times

So, once again: Congratulations, Aliette!

THE OCTOBER MAN Independent Bookshop Tour!


We are very happy to announce that Ben Aaronovitch will be embarking on a 15-stop book tour to mark and celebrate the release of his latest book, THE OCTOBER MAN, and also Independent Bookshop Week in the UK! Ben will be visiting as many local bookshops as is physically possibly (not to mention playing rather fast-and-loose with the definition of a “week”). We would love to see as many of you as possible on this tour, so be sure to buy your tickets as quickly as possible, in order to reserve your place. (We expects tickets to go fast, so do not tarry!)

Sunday 9th June 6:30pm, CYMERA, Edinburgh

Tuesday 11th June 6:30pm, Goldsboro Books, London (Covent Garden)

Wednesday 12th June 6:30pm, Daunt Books Hampstead, London (Hampstead)

Thursday 13th June 7:30pm, Toppings & Company Ely, Ely, Cambridgeshire

Friday 14th June 7pm, Haslemere Bookshop, Haslemere, Surrey

Sunday 16th June 7pm, Linghams Booksellers, Wirral, Cheshire

Monday 17th June 7pm, Lindum Books, Lincoln

Tuesday 18th June 12:30pm – 1:30pm, The Bakewell Bookshop, Bakewell, Derby

Tuesday 18th June 7:30pm, Kibworth Books, Kibworth Beauchamp, Leicestershire

Wednesday 19th June 1pm – 2pm, Burway Books, Church Stretton, Shropshire

Wednesday 19th June 7:30pm, Book-ish, Crickhowell, Wales

Thursday 20th June 12pm – 1pm, Mostly Books, Abingdon, Oxfordshire

Thursday 20th June 7:30pm, Bookseller Crow, London (Crystal Palace)

Friday 21st June 12:30pm – 1:30pm, Storysmith, Bristol

Friday 21st June 6:30pm, Winstone’s Sidmouth, Sidmouth, Devon

THE OCTOBER MAN is set in the same world as Ben’s internationally best-selling, critically-acclaimed Peter Grant/Rivers of London series, albeit this time with a new protagonist! Here’s the synopsis…

Trier is famous for wine, Romans and for being Germany’s oldest city. So when a man is found dead with, his body impossibly covered in a fungal rot, the local authorities know they are out of their depth.

Fortunately this is Germany, where there are procedures for everything.

Enter Investigator Tobias Winter, whose aim is to get in, deal with the problem, and get out with the minimum of fuss, personal danger and paperwork. With the help of frighteningly enthusiastic local cop, Vanessa Sommer, he’s quick to link the first victim to a group of ordinary middle aged men — and to realise they may have accidentally reawakened a bloody conflict from a previous century. But the rot is still spreading, literally and with the suspect list extending to people born before Frederick the Great, solving the case may mean unearthing the city’s secret magical history.

…so long as that history doesn’t kill them first.

THE OCTOBER MAN is published in the UK by Gollancz on June 13th. You can preorder a copy through your local Independent Bookshop, here. The novella is also due to be published in North America by Subterranean Press, and is available to order now.

Here are just a couple of the early reviews the novella has received…

‘In this enjoyable spin-off from the Rivers of London urban fantasy series, Aaronovitch successfully transfers his blend of the supernatural and humor from England to the Continent as he introduces Tobias Winter, a German police officer who practices magic… Supernatural mystery fans who enjoy more whimsical takes on the paranormal will hope for more of Winter and Sommer.’ — Publishers Weekly

‘Aaronovitch expands the universe of his Rivers of London series (Broken Homes, 2014) to include new characters operating in different countries with ties to supernatural crimes and detective work. THE OCTOBER MAN introduces Tobias Winter, a sanctioned magic practitioner who investigates the supernatural angles of crimes for the Abteilung KDA (which fans will recognize as the German extension of the British Folly)… Aaronovitch delivers yet another classic detective novel rich with the magical world building accomplished in his previous work.’ — Booklist

‘Winter’s stolidness is a feature rather than a bug. While there are moments of adventure and daring, the story of this crime is both a satisfying whodunit and a primer on how magic works in Deutschland. THE OCTOBER MAN would be an interesting place to enter the Rivers of London world. Rather than fae, a new reader would anticipate werewolves, perhaps — and still greatly enjoy Aaronovitch’s work. Those who know the Folly will appreciate this outsider’s view of Grant and Nightingale, as well as learn a bit about how the latter spent the war, while still greatly enjoying Aaronovitch’s work, even if it is set someplace new.’ — Locus (Adrienne Martini)

WHEN ALL IS SAID a finalist for Big Book Awards!


Anne Griffin‘s best-selling, critically-acclaimed debut, WHEN ALL IS SAID is nominated for Good Housekeeping’s Big Book Award 2019! The award, given by Hearst UK, is intended to ‘highlight[…] the finest new or emerging fiction and non-fiction titles in UK publishing’. Huge congratulations to Anne on this very well-deserved nomination!

The novel is published by Sceptre in the UK and Thomas Dunne Books in North America. Here’s the synopsis…

Five toasts. Five people. One lifetime.

‘I’m here to remember — all that I have been and all that I will never be again.’

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual -though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story.

Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories — of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice — the life of one man will be powerfully and poignantly laid bare.

Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.

Here is just some of the aforementioned critical acclaim…

‘Anne Griffin’s debut novel is a must read. Beautifully observed, masterful story telling – stunning!’ — Graham Norton

‘An extraordinary novel, a poetic writer, and a story that moved me to tears… There is something special here.’ — John Boyne

‘Beautiful. Intimate. Tearful. Aching and lyrical. So simply and beautifully told.’ — Louise Penny

‘Beautifully written, unhurried and thoughtful, a lonely man truthfully wrought and a character you love from the off, in spite of his flaws or maybe because of them… a terrific debut.’ — Kit de Waal, award-winning author of My Name is Leon

‘A hugely enjoyable, engrossing novel, a genuine page-turner. Maurice is a fabulous character, wonderfully flawed and completely engaging; his voice is familiar and real, full of sadness and regret and defiance, and unexpected tenderness.’ — Donal Ryan, award-winning author of The Spinning Heart

‘Pitch-perfect prose… Moving and beautifully written, this is a wonderfully assured debut.’ — Mail on Sunday

‘It’s all beautifully done; a tale told in the plain but poetic prose of a man who recognises the tragic truths gleaned from a life of love and loss. A gem of a book.’ 5* — Sunday Express

‘A proper tear-jerker, but one that will ultimately leave you feeling hopeful.’ — Grazia

‘An intimate character study of a wealthy 80-year-old Co Meath farmer, WHEN ALL IS SAID is also a study of extreme reticence and self-sabotage, giving voice to a man who, in matters of the heart, has all too often chosen to remain silent… Griffin’s strength is in voice and in the rhythm of her prose, which is rich without being overwritten. A winner of the John McGahern Award for Literature, she fits into the Irish lyrical tradition… but WHEN ALL IS SAID feels like a bridge between the past and the present, Maurice’s belated loquacity breaking open that familiar Irish silence… a testament to Griffin’s talent that she paints such a complete portrait of a man whose contrariness disguises his stoicism. By the end of the novel his humanity is clear; he has made himself known.’ — Independent

‘Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the course of one memorable night.’ — Kirkus

‘Maurice’s humor, his keen observations on class and family, and his colloquial language, as well as Griffin’s strong sense of place, create the feeling of a life connected to many others by strands of affection and hatred.’ — Publishers Weekly

‘The most impressive aspects of this first novel from the pen of prize-winning short-story writer Anne Griffin are its rich, flowing prose, its convincing voice, and its imaginative and clever structure. She has complete mastery of her quite complex plot, and manages to imbue her sizeable cast of diverse characters with life and energy… Griffin is a writer of unusual confidence and authority, and a welcome arrival to the literary scene.’ — Irish Times

Aaronovitch, de Bodard, McDonald & Tidhar are Locus Award Finalists!


Yesterday, the finalists for this year’s Locus Awards were announced, and we’re very happy to report that four of our clients are among them! Winners of the awards will be announced during the Locus Awards Weekend, to be held in Seattle, June 28th-30th. Here are the details…

In the Best Sci-Fi Novel category: UNHOLY LAND by Lavie Tidhar. Published by Tachyon Publications, here’s the synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

UNHOLY LAND has racked up an impressive range of commendations and nominations since its release. Here, too, are just a few of the great reviews…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

In the Best Fantasy Novel category: LIES SLEEPING by Ben Aaronovitch. Published by Gollancz in the UK and DAW Books in North America, here’s the synopsis…

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run.

Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.

But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan.

A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.

To save his beloved city Peter’s going to need help from his former best friend and colleague – Lesley May – who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch…

As with all of Ben’s Peter Grant novels, LIES SLEEPING was met with a veritable tsunami of praise. Here’s just a taste…

‘[F]unny… laugh-out-loud prose… fans will delight in this outing.’ — Publishers Weekly

‘[R]ecounted with deadpan British wit and irony… packed with fascinating historical detail… Lively and amusing and different.’ — Kirkus

‘Peter Grant’s London has depth, breadth, and a complex array of recurring characters, and every one of the novels can be relied on to start with a bang… Aaronovitch’s Peter Grant has a distinctive voice, one that makes even the bureaucracy of regular police work engaging and compelling… Aaronovitch writes a tense, compelling police procedural with magic. As usual, Grant’s voice is striking, and the action gripping and intense.’ — Tor.com

There are two Zeno clients in the Best Novella category: First, THE TEA MASTER AND THE DETECTIVE by Aliette de Bodard, published by Subterranean Press in North America and JABberwocky elsewhere in English, here’s the synopsis…

Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appearance of environments easily modified and adapted to interlocutors or current mood.

A transport ship discharged from military service after a traumatic injury, The Shadow’s Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow’s Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The  Shadow’s Child with her.

As they dig deep into the victim’s past, The Shadow’s Child realises that the investigation points to Long Chau’s own murky past — and, ultimately, to the dark and unbearable void that lies between the stars…

Set in Aliette’s Hugo Award-nominated Xuya universe, this novella was praise far and wide upon release (and continues to receive many great reviews)…

‘[A] delicate, gender-bent recasting of Sherlock Holmes and Doctor Watson in the far future of her Xuya universe, the gorgeously mannered space opera setting of celebrated novellas… a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.’ — New York Times

‘A science-fictional ode to Arthur Conan Doyle’s Sherlock Holmes, where the Holmes figure is a sharp and biting disgraced aristocratic scholar with a solid core of empathy, and the Watson-figure is a mindship with post-traumatic stress disorder from her war experiences… This is a measured, almost stately story, right up until a conclusion that explodes in fast-paced tension. It preserves the empathy and the intensity of the original Sherlockian stories, while being told in de Bodard’s sharp prose and modern style. The worldbuilding… sparkles. The characters have presence: they’re individual and compelling. And it ends it a way that recalls the original Holmes and Watson, while being perfectly appropriate to itself.’ — Tor.com

‘De Bodard revisits her far-future Xuya universe setting with this gripping novella about damaged characters driven to search for the truth… De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.’ — Publishers Weekly

‘As a classical blend of far-future SF and traditional murder mystery, THE TEA MASTER AND THE DETECTIVE should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.’ — Locus (Gary K. Wolfe)

Second: TIME WAS by Ian McDonald. Published by Tor.com, here’s the synopsis…

A love story stitched across time and war, shaped by the power of books, and ultimately destroyed by it.

In the heart of World War II, Tom and Ben became lovers. Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found.

Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their desperate timelines overlap.

As with the other titles mentioned above, Ian’s novella has been met with widespread praise. As reported in February, the novella has also been nominated for the Philip K. Dick Award! Here are just a few of the reviews the book has received since release…

‘[E]ntrances readers with this multigenerational novella of two time-crossed lovers who can only meet for brief moments separated by several years… beautiful writing… Fans of science fiction who enjoy a dash of history and legend will savor this tender story.’ — Publishers Weekly

‘This slender, poignant queer romance incorporates time travel and hints of hard science into a story as devastatingly sad—which isn’t to say bleak—as anything you’ll read this year.’ — B&N Sci-Fi & Fantasy Blog (Best SFF Books of the Year So Far, 2018, Honourable Mention)

TIME WAS… a peculiar story of time, mystery, books, love, and war, compact as a parable, layered like a complex metaphor… and in some ways, strikingly unsettling… very well put together, and gorgeously written.’ — Tor.com

‘Throughout his career, Ian McDonald has demon­strated a remarkable versatility of style and language. His recent fiction has ranged from the YA sense-of-wonder exuberance of his parallel-world Everness series to the efficient social melodrama narration of the Luna novels, but he’s always been equally capable of great lyricism, and his new novella, TIME WAS, is a persuasive and gorgeous example of it. Essentially a timeslip romance in which the romance is evoked not by dramatic clinches but by a heightened sensuality, an acute awareness of nature, and a haunting sense of imminent loss, it nevertheless introduces enough chatter about quan­tum indeterminacy to work as SF. In a fascinating way, the two “time-crossed lovers,” Ben and Tom, come to represent the dual aesthetic of any good SF romance: Ben is a physicist working on a complex new experiment with his “Uncertainty Squad,” while Tom is a poet and part-time amateur actor who, when we meet him, is working for the Signal Corps. Early on, Ben confesses that he doesn’t have the soul of a poet, and Tom admits he doesn’t “have the soul of a scientist,” but, as McDonald well knows, you need both to tell a story like this… one of the most purely beautiful pieces of writing McDonald has given us in years.’ — Gary K. Wolfe (Locus)

 

Congrats to Lavie, Ben, Aliette and Ian on their very-well deserved nominations!

RIVERS OF LONDON optioned by Simon Pegg & Nick Frost’s Stolen Pictures!


We are delighted to be able to share the news that Simon Pegg and Nick Frost’s production company, Stolen Picture has optioned Ben Aaronovitch‘s Peter Grant/Rivers of London series for TV!

Ben is currently working on the adaption of the first novel in the series, RIVERS OF LONDON (MIDNIGHT RIOT in North America). He will also serve as an Executive Producer on the series alongside Nick Frost, Simon Pegg and Stolen Picture CEO, Miles Ketley.

Announced on Deadline, here’s what Nick Frost said about the novel:

“Suddenly we were in a position where I said ‘there’s this book that I loved’ and it became available, more or less. I was chuffed to bits that I could get the rights to make it into a TV show,” he said. “Everyone wants to potentially find the next Game of Thrones and the chance to turn Rivers of London into an eight-hour movie and hopefully find someone who will financially back that is a real draw.”

Here’s what Ben had to say on the prospect of working with Stolen Picture:

‘Nick Frost and Simon Pegg asked me if I wanted to make Rivers of London with them — you think I was going to say no? Stolen Picture have a reputation for making creator led TV with the minimum of corporate bollocks and the maximum of fun. It’s an opportunity I would be bonkers to say no to.’

Pegg, a writer himself, had the following to say about working with Ben on the project, per Deadline:

‘Often as a writer, you are the absolute bottom of the food chain and treated like scum. As a writer, I understand what it’s like for someone to use you as a springboard rather than use your vision and it’s good to have writers involved as producers because they get it and we want to make a faithful adaptation that is a true reflection of the book.’

Stolen Picture was founded in 2017 by Pegg and Frost. Miles Ketley, CEO of Stolen Picture said,

‘Ben’s Rivers of London universe is the perfect project for Stolen and the perfect show for now: it’s a suspenseful, funny, scary and magical world but is rooted in the everyday with devious plots, fully drawn characters, river gods and riots. The franchise is going to be a wonderful confluence of Simon’s and Nick’s ambition and humour and Ben’s masterful story-telling to create a truly magical global show.’

I’m sure you’ll all join us in our excitement about seeing Peter Grant, Nightingale et al realized on the screen! We can’t wait!

The series is published in the UK by Gollancz, and in the US by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas). The series has also been published widely in translation (the first novel is available in more than 15 countries).

This Friday: Anne Griffin will be at Cork World Book Fest!


Just a quick announcement/reminder, to let you know that Anne Griffin will be at Cork World Book Fest this Friday (26th) at 8pm! Anne will be taking the stage with Kit de Waal and in conversation with Paul McVeigh.

Anne is the author of WHEN ALL IS SAID, the best-selling, critically-acclaimed debut novel. de Waal was one of the first people to read and praise the novel, describing it as ‘Beautifully written… a terrific debut.’

The novel is out now in the UK and Ireland, published by Sceptre. Here’s the synopsis…

Five toasts. Five people. One lifetime.

‘I’m here to remember — all that I have been and all that I will never be again.’

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual — though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story.

Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories — of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice — the life of one man will be powerfully and poignantly laid bare.

Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.

The novel has also been published in North America (Thomas Dunne Books), France (Delcourt Littérature) and the Netherlands (Harper Collins).

Here is just some of the aforementioned critical acclaim that WHEN ALL IS SAID has received…

‘Anne Griffin’s debut novel is a must read. Beautifully observed, masterful story telling – stunning!’ — Graham Norton

‘An extraordinary novel, a poetic writer, and a story that moved me to tears… There is something special here.’ — John Boyne

‘Beautiful. Intimate. Tearful. Aching and lyrical. So simply and beautifully told.’ — Louise Penny

‘Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the course of one memorable night.’ — Kirkus

‘Maurice’s humor, his keen observations on class and family, and his colloquial language, as well as Griffin’s strong sense of place, create the feeling of a life connected to many others by strands of affection and hatred.’ — Publishers Weekly

‘The most impressive aspects of this first novel from the pen of prize-winning short-story writer Anne Griffin are its rich, flowing prose, its convincing voice, and its imaginative and clever structure. She has complete mastery of her quite complex plot, and manages to imbue her sizeable cast of diverse characters with life and energy… Griffin is a writer of unusual confidence and authority, and a welcome arrival to the literary scene.’ — Irish Times

Two Hugo Nominations for Aliette de Bodard!


We’re delighted to share the news that Aliette de Bodard has been nominated for two Hugo Awards this year!

Let’s start with her latest novel, THE TEA MASTER AND THE DETECTIVE, which is up for Best Novella! Published by Subterranean Press in the US and JABberwocky (Worldwide English), here’s the synopsis for the critically-acclaimed book…

Once, the mindship known as The Shadow’s Child was a military transport, carrying troops and crew for a war that tore the Empire apart. Until an ambush killed her crew and left her wounded and broken. Now the war is over, and The Shadow’s Child, surviving against all odds, has run away. Discharged and struggling to make a living, she has no plans to go back into space. Until the abrasive and arrogant scholar Long Chau comes to see her. Long Chau wants to retrieve a corpse for her scientific studies: a simple enough, well-paid assignment. But when the corpse they find turns out to have been murdered, the simple assignment becomes a vast and tangled investigation, inexorably leading back to the past–and, once again, to that unbearable void where The Shadow’s Child almost lost both sanity and life…

Here are just a few of the reviews that the novella has received since it was published…

‘A science-fictional ode to Arthur Conan Doyle’s Sherlock Holmes, where the Holmes figure is a sharp and biting disgraced aristocratic scholar with a solid core of empathy, and the Watson-figure is a mindship with post-traumatic stress disorder from her war experiences… This is a measured, almost stately story, right up until a conclusion that explodes in fast-paced tension. It preserves the empathy and the intensity of the original Sherlockian stories, while being told in de Bodard’s sharp prose and modern style. The worldbuilding… sparkles. The characters have presence: they’re individual and compelling. And it ends it a way that recalls the original Holmes and Watson, while being perfectly appropriate to itself.’ Tor.com

‘De Bodard revisits her far-future Xuya universe setting with this gripping novella about damaged characters driven to search for the truth… De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.’ Publishers Weekly

‘As a classical blend of far-future SF and traditional murder mystery, THE TEA MASTER AND THE DETECTIVE should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.’ Locus (Gary K. Wolfe)

‘[A] delicate, gender-bent recasting of Sherlock Holmes and Doctor Watson in the far future of her Xuya universe, the gorgeously mannered space opera setting of celebrated novellas… a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.’ New York Times

‘This slim volume packs a visceral punch. Absorbing prose pulls readers into the dark, frigid space between stars, where ships can fail, physically and emotionally, as easily as people… this novella offers sf fans an imaginative read.’ Library Journal (Starred Review)

de Bodard’s second nomination is for the Xuya Series as a whole, which is up for Best Series. This series contains a number of short stories and novellas, including THE TEA MASTER AND THE DETECTIVE and THE CITADEL OF WEEPING PEARLS — both of which are available as eBooks via the JABberwocky eBook Program — and ON A RED STATION, DRIFTING.

Many congratulations again, Aliette, on these very well-deserved nominations!

Ian McDonald and Lavie Tidhar are Premio Italia 2019 nominees!


We’re delighted to report that Ian McDonald and Lavie Tidhar have both been nominated for the Premio Italia 2019 award for Best International Novel!

Ian McDonald‘s ARES EXPRESS is published in Italy by Zona 42. Here’s the synopsis…

“Dovresti cercare di fermarmi. Dovresti farmi ragionare, dirmi quanto male staranno tutti quanti, e non pensi all’onore della famiglia, e sarà uno scandalo tale che dovranno andare in giro senza tagliarsi i capelli per i prossimi tre anni. Poi, visto che non funzionerà, dovresti chiedermi se so cosa sto facendo e se so dove sto andando e dirmi che quello là fuori è un mondo enorme e pericoloso e che mi farò del male molto in fretta e finirò per tornare con la coda tra le gambe. E quando io ti risponderò che è tutto a posto tu dovresti addolcirti e dirmi che ti mancherò e che mi hai sempre amato e che avevi questo piano brillante di comprarti la libertà e avremmo avuto il nostro treno e saremmo partiti verso il tramonto in una nuvola di vapore.”

Immagina treni grandi come quartieri, cattedrali volanti, deserti sconfinati attraversati da binari infiniti e città che si arrampicano per centinaia di piani sotto il tetto del mondo. Immagina una ragazza che vorrebbe solo guidare un treno, la sua gemella invisibile e una Storia da cui dipende il futuro – o i futuri – di un intero mondo. Immagina le meraviglie di un pianeta rutilante di colori, caleidoscopico nei molteplici panorami, con la sua corona di angeli e di intelligenze artificiali, gli artisti anarchici, le città desolate e quelle brulicanti di vita.

Ian McDonald mette in scena un’avventura governata dalle leggi ineluttabili della Narrativa, che — al solito — non sanno che farsene di un’Eroina Esuberante e Intraprendente (Ma Comunque Carina). Riuscirà Sweetness a piegare la Storia alla sua volontà, e a sopravvivere alle sfide che una dopo l’altra le si parano davanti?

Ares Express narra di uno strano mondo, così diverso, eppure così vicino al nostro, un luogo pittoresco e affascinante, dove si mescolano fantascienza e realismo magico, immaginazione e filosofia, azione scatenata e idee straordinarie.

Benvenuti nella vita di Sweetness Octave Glorious Honey-Bun Asiim XII Macchinista. Benvenuti su Marte.

ARES EXPRESS, the second novel in Ian’s Desolation Road series, is published in English via the JABberwocky eBook Program. Here’s the English-language synopsis…

Taking place in the kaleidoscopic future of Ian McDonald’s Desolation Road, this novel is set on a terraformed Mars where fusion-powered locomotives run along the network of rails that is the planet’s circulatory system and artificial intelligences reconfigure reality billions of times each second. One young woman, Sweetness Octave Glorious-Honeybun Asiim 12th, becomes the person upon whom the future – or futures – of Mars depends. Big, picaresque, funny; taking the Mars of Ray Bradbury and the more recent, terraformed Marses of authors such as Kim Stanley Robinson and Greg Bear, Ares Express is a wild and woolly magic-realist SF novel, featuring lots of bizarre philosophies, strange, mind-stretching ideas and trains as big as city blocks.

Lavie Tidhar‘s critically-acclaimed, multi-award-winning and -nominated novel CENTRAL STATION is published in Italy by Acheron Books. Here’s the synopsis…

A Tel Aviv, un quartiere popolato da un milione di persone è sorto intorno alla base spaziale Central Station. Umani, robot e i misteriosi Altri sono tutti interconnessi in una pervasiva coscienza digitale chiamata “la Conversazione”, e le molteplici culture si scontrano e si confondono fra reale e digitale. La vita può sembrare a buon mercato, ma le informazioni lo sono ancora di più.

Quando Boris Chong torna a Central Station, la ritrova in uno stato di caos. Le strade sono invase dalla droga religiosa chiamata Crucifixation. La sua ex compagna sta allevando un bambino dotato di poteri che lo rendono simile a un nuovo Messia. Suo padre è afflitto da un virus mentale multigenerazionale. Sua cugina è innamorata di un cyborg Robotnik. E una Vampira di Dati vagabonda lo ha seguito fin da Marte…

CENTRAL STATION is published in the UK and US by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

IN THE VANISHERS’ PALACE nominated for a Lammy Award!


We’re very happy to report that Aliette de Bodard‘s IN THE VANISHERS’ PALACE has been nominated for a Lammy Award! Nominated in the LGBTQ SF/F/Horror category, the awards will be announced on June 3rd in New York. The novel is published via the JABberwocky eBook Program. Here’s the synopsis…

A dark retelling of Beauty and the Beast from the award-winning author of the Dominion of the Fallen series.

When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn’s amusement. But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies — and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets…

Here are some of the great reviews the novel has received so far…

‘This intriguing, Sapphic, Vietnamese take on Beauty and the Beast is recommended for fans of De Bodard’s previous works or readers who enjoy diverse, lushly described fantasy.’ — Library Journal

‘Another stellar offering by Bodard. Her signature intensity is on display in this tale of people (and dragons) struggling to survive in the ruins of an alien conquest. Emotionally complex relationships interweave with richly drawn and deftly nuanced world-building.’ — Kate Elliott, Author of the Court of Fives series

‘A transformative experience. With dragons.’ — Fran Wilde, Hugo and Nebula nominated author of The Bone Universe and The Gemworld series

‘… beautifully written. Aliette de Bodard’s prose is always on point. If you want evidence, just read one of her short stories…  de Bodard never fails to create breathtaking and complex worlds… I loved IN THE VANISHERS’ PALACE, and I know I’ll be recommending it going forward.’ — The Illustrated Page

JABberwocky also published the UK edition of Aliette’s critically-acclaimed THE TEA MASTER AND THE DETECTIVE novella — it’s published in the US by Subterranean Press. The Dominion of the Fallen series is published in the UK by Gollancz and Roc Books in North America.