Tag: Central Station

Zeno Titles on the Dragon Award Ballots!

Posted on Tuesday, August 15th, 2023

We’re very happy to report that a few titles by our clients are on the ballots for the 2023 Dragon Awards! The ballots were announced by Locus Magazine a few days ago.

Lavie Tidhar‘s NEOM is a finalist for Best Science Fiction novel. The second novel set in the author’s Central Station universe, it’s published by Tachyon Publishing. Here’s the synopsis…

Today, Neom is a utopian dream — a megacity of the future yet to be built in the Saudi desert. In this deeply imaginative novel from the award-winning universe of Central Station, far-future Neom is already old. Sentient machines roam the desert searching for purpose, works of art can be more deadly than weapons, and the spark of a long-overdue revolution is in the wind. Only the rekindling of an impossible love affair may slow the inevitable sands of time.

The city known as Neom is many things to many beings, human or otherwise. It is a tech wonderland for the rich and beautiful, an urban sprawl along the Red Sea, and a port of call between Earth and the stars.

In the desert, young orphan Elias has joined a caravan, hoping to earn his passage off-world. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business. Just one robot can change a city’s destiny with a single rose—especially when that robot is in search of lost love.

Lavie Tidhar’s newest lushly immersive novel, Neom, which includes a guide to the Central Station universe, is at turns gritty, comedic, transportive, and fascinatingly plausible.

Silvia Moreno-Garcia‘s THE DAUGHTER OF DOCTOR MOREAU is also a finalist for Best Science Fiction novel. Published in the UK by Jo Fletcher Books, here’s the synopsis…

A dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

Carlota Moreau: A young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula, the only daughter of a genius – or a madman.

Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol, an outcast who assists Dr Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas with plentiful coffers.

The hybrids: The fruits of the Doctor’s labour, destined to blindly obey their creator while they remain in the shadows, are a motley group of part-human, part-animal monstrosities.

All of them are living in a perfectly balanced and static world which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron – who will, unwittingly, begin a dangerous chain-reaction.

For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle passions may ignite.

Brandon Sanderson‘s TRESS OF THE EMERALD SEA is a finalist for Best Fantasy novel. The first of the author’s Secret Projects books (as well as a story set in the author’s Cosmere), it’s published in the UK by Gollancz. Here’s the synopsis…

Brandon Sanderson brings us deeper into the Cosmere Universe with a standalone adventure that will appeal to fans of The Princess Bride.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Zeno represents Silvia Moreno-Garcia and Brandon Sanderson in the UK and Commonwealth, on behalf of the JABberwocky Literary Agency in New York.

Lavie Tidhar’s NEOM Out Now in Audiobook!

Posted on Wednesday, January 25th, 2023

The audiobook edition of Lavie Tidhar‘s acclaimed NEOM is out now! Published by Dreamscape, and narrated by Rasha Zamamiri, here’s the synopsis…

Today, Neom is a utopian dream — a megacity of the future yet to be built in the Saudi desert. In this deeply imaginative novel from the award-winning universe of Central Station, far-future Neom is already old. Sentient machines roam the desert searching for purpose, works of art can be more deadly than weapons, and the spark of a long-overdue revolution is in the wind. Only the rekindling of an impossible love affair may slow the inevitable sands of time.

The city known as Neom is many things to many beings, human or otherwise. It is a tech wonderland for the rich and beautiful, an urban sprawl along the Red Sea, and a port of call between Earth and the stars.

In the desert, young orphan Elias has joined a caravan, hoping to earn his passage off-world. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business. Just one robot can change a city’s destiny with a single rose — especially when that robot is in search of lost love.

Lavie Tidhar’s newest lushly immersive novel, Neom, which includes a guide to the Central Station universe, is at turns gritty, comedic, transportive, and fascinatingly plausible.

Set in the same world as the award-winning CENTRAL STATION, NEOM is published by Tachyon Publications.

Here are just a few of the great reviews NEOM has received so far…

‘World Fantasy Award winner Tidhar takes readers back to the fascinating far-future world of 2016’s CENTRAL STATION in this gentle narrative about self-fulfillment and one robot’s quest to reunite with a lost love… Tidhar offers a heartfelt exploration of artificially intelligent beings’ struggles to find existential meaning while being restrained by both coding and form. Fans of literary sci-fi are sure to be enchanted by the imaginative worldbuilding and tenderly wrought characters.’ — Publishers Weekly

‘Tidhar’s narrative takes on a gentle, ruminative air, and while that helps establish the atmosphere of a convincing, lived-in city, veteran SF readers will also find plenty of playful and affectionate Easter eggs… Neom easily joins the list of SF cities we’d like to visit.’ — Locus

‘[A] delight­ful jour­ney through a fan­ta­sy of out­er space and a future Mid­dle East. Tidhar’s world con­tains lik­able char­ac­ters who work togeth­er (some­times acci­den­tal­ly, some­times begrudg­ing­ly) to tell a sto­ry full of adven­ture, mys­tery, hope, and love… Tid­har writes sci­ence fic­tion with real-world par­al­lels and comedic tim­ing, if also a bit of a ten­den­cy toward hope­ful romanticism… NEOM is a won­der­ful read for any lover of sci­ence fic­tion. For some­one who has not yet vis­it­ed the world of CENTRAL STATION — Tidhar’s nov­el from 2016 — it is easy to catch on to the col­lo­qui­alisms and cus­toms of the sto­ry uni­verse. But after read­ing NEOM, new Tid­har fans will sure­ly want to go back for more.’ — Jewish Book Council

‘Extraordinary and compassionate.’ – Foreword (starred review)

‘… hauntingly beautiful… Written in a straightforward but luminous style… NEOM is a treasure… a compelling chapter in this future history that reflects so much about who we are and the basic things we yearn for.’ — SciFi Mind

‘This is Tidhar at his best: the crazily proliferating imagination, the textures, the ideas, the dazzling storytelling. A brilliant portrait of community and its possibilities.’ — Adam Roberts, author of Purgatory Mount

Lavie’s latest novel is MAROR, published by Head of Zeus (out now).

New NEOM Limited Edition!

Posted on Friday, January 20th, 2023

There is a new limited edition of Lavie Tidhar‘s critically-acclaimed NEOM, available to order from PS Publishing! Limited to just 200 signed copies, the hardcover comes complete with a slipcase with additional artwork (below) by Sarah Anne Langton. Here’s the synopsis…

From the rich, multi-award-winning universe of CENTRAL STATION, the inhabitants of a complex desert-city rediscover passion while at the brink of revolution. Machines roam the desert in search of purpose; works of art can be deadlier than weapons; and improbable love transcends the sands of time.

The city known as Neom is many things to many beings, human or otherwise. Neom is a tech wonderland for the rich and beautiful; an urban sprawl along the Red Sea; and a port of call between Earth and the stars.

In the desert, young orphan Saleh has joined a caravan, hoping to earn his passage off-world from Central Station. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

NEOM is also published in paperback and eBook, by Tachyon Publications. The novel is the second book set in the CENTRAL STATION universe (book one is also published by Tachyon Publications).

Here are just a few of the great reviews the novel has received so far…

‘World Fantasy Award winner Tidhar takes readers back to the fascinating far-future world of 2016’s CENTRAL STATION in this gentle narrative about self-fulfillment and one robot’s quest to reunite with a lost love… Tidhar offers a heartfelt exploration of artificially intelligent beings’ struggles to find existential meaning while being restrained by both coding and form. Fans of literary sci-fi are sure to be enchanted by the imaginative worldbuilding and tenderly wrought characters.’ — Publishers Weekly

‘Tidhar’s narrative takes on a gentle, ruminative air, and while that helps establish the atmosphere of a convincing, lived-in city, veteran SF readers will also find plenty of playful and affectionate Easter eggs… Neom easily joins the list of SF cities we’d like to visit.’ — Locus

‘[A] delight­ful jour­ney through a fan­ta­sy of out­er space and a future Mid­dle East. Tidhar’s world con­tains lik­able char­ac­ters who work togeth­er (some­times acci­den­tal­ly, some­times begrudg­ing­ly) to tell a sto­ry full of adven­ture, mys­tery, hope, and love… Tid­har writes sci­ence fic­tion with real-world par­al­lels and comedic tim­ing, if also a bit of a ten­den­cy toward hope­ful romanticism… NEOM is a won­der­ful read for any lover of sci­ence fic­tion. For some­one who has not yet vis­it­ed the world of CENTRAL STATION — Tidhar’s nov­el from 2016 — it is easy to catch on to the col­lo­qui­alisms and cus­toms of the sto­ry uni­verse. But after read­ing NEOM, new Tid­har fans will sure­ly want to go back for more.’ — Jewish Book Council

‘Extraordinary and compassionate.’ – Foreword (starred review)

‘… hauntingly beautiful… Written in a straightforward but luminous style… NEOM is a treasure… a compelling chapter in this future history that reflects so much about who we are and the basic things we yearn for.’ — SciFi Mind

‘NEOM is a thoughtful, beautifully written story about what we have, what we want, how we achieve our desires, and what, and whom, we are willing to risk for our own benefit.’ — Los Angeles Public Library

‘A new novel set in the same universe as the multi-award winning CENTRAL STATION. Tidhar is a superb author, so it really doesn’t matter to me what he writes — I’ll still happily read it.’ — Civilian Reader

‘I have never seen worldbuilding that’s as evocative, imaginative, and extensive as that in NEOM. Anywhere, in any genre… NEOM is stuffed with gut-churning scenarios, compelling worldbuilding, and dark surprises. There’s so much packed into its relatively few pages that I found myself thinking about it over and over since finishing it… Tidhar’s ideas will stick with you for weeks after turning that final page.’ — Strange Horizons

A busy NEOM End of Year…

Posted on Thursday, December 22nd, 2022

Lavie Tidhar‘s excellent new novel NEOM has received a number of great reviews since its publication. The second novel in the CENTRAL STATION setting, it is published by Tachyon Publications. Here’s the synopsis…

The city known as Neom is many things to many beings, human or otherwise. It is a tech wonderland for the rich and beautiful, an urban sprawl along the Red Sea, and a port of call between Earth and the stars.

In the desert, young orphan Elias has joined a caravan, hoping to earn his passage off-world. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business. Just one robot can change a city’s destiny with a single rose—especially when that robot is in search of lost love.

Lavie Tidhar’s (Unholy Land, The Escapement) newest lushly immersive novel, Neom, which includes a guide to the Central Station universe, is at turns gritty, comedic, transportive, and fascinatingly plausible.

If you haven’t yet read either CENTRAL STATION or NEOM, and are interested in giving the setting a try, the new short story THE SMELL OF ORANGE GROVES was published by Clarkesworld (way back in issue #62), and is available in text and audio.

For podcast enthusiasts, Lavie recently appeared as a guest on the Coode Street Podcast.

NEOM has also received another glowing review, this time from the Los Angeles Public Library:

‘NEOM is a thoughtful, beautifully written story about what we have, what we want, how we achieve our desires, and what, and whom, we are willing to risk for our own benefit.’

Here are just a few of the other reviews the novel has received so far…

‘World Fantasy Award winner Tidhar takes readers back to the fascinating far-future world of 2016’s CENTRAL STATION in this gentle narrative about self-fulfillment and one robot’s quest to reunite with a lost love… Tidhar offers a heartfelt exploration of artificially intelligent beings’ struggles to find existential meaning while being restrained by both coding and form. Fans of literary sci-fi are sure to be enchanted by the imaginative worldbuilding and tenderly wrought characters.’ — Publishers Weekly

‘Tidhar’s narrative takes on a gentle, ruminative air, and while that helps establish the atmosphere of a convincing, lived-in city, veteran SF readers will also find plenty of playful and affectionate Easter eggs… Neom easily joins the list of SF cities we’d like to visit.’ — Locus

‘[A] delight­ful jour­ney through a fan­ta­sy of out­er space and a future Mid­dle East. Tidhar’s world con­tains lik­able char­ac­ters who work togeth­er (some­times acci­den­tal­ly, some­times begrudg­ing­ly) to tell a sto­ry full of adven­ture, mys­tery, hope, and love… Tid­har writes sci­ence fic­tion with real-world par­al­lels and comedic tim­ing, if also a bit of a ten­den­cy toward hope­ful romanticism… NEOM is a won­der­ful read for any lover of sci­ence fic­tion. For some­one who has not yet vis­it­ed the world of CENTRAL STATION — Tidhar’s nov­el from 2016 — it is easy to catch on to the col­lo­qui­alisms and cus­toms of the sto­ry uni­verse. But after read­ing NEOM, new Tid­har fans will sure­ly want to go back for more.’ — Jewish Book Council

‘… hauntingly beautiful… Written in a straightforward but luminous style… NEOM is a treasure… a compelling chapter in this future history that reflects so much about who we are and the basic things we yearn for.’ — SciFi Mind

‘Lavie Tidhar’s NEOM is a stunning return to his world of CENTRAL STATION, twinning the fates of humans and robots alike at a futuristic city on the edge of the Red Sea.’ — Green Man Review

‘This was superb and I’m in awe of Tidhar’s vision. He’s conjured up a futuristic city that feels simultaneously ultramodern and also run down. The rich histories of the region and its cultures are seamlessly interwoven into the fabric of this fully-realized world.’ — Speculative Shelf

‘This is a book of hearts and of the heart, be it human or robot, and that is something that is universal, be it ourselves or in “the other”. The “other”, in Tidhar’s work, is us, and we are the other. We are all us, and in NEOM, we feel for that other, in the personage of the robots, in the human characters, and we take them, and their stories, into us.’ — File 770

Lavie’s other 2022 novel, in case you missed it, is MAROR, which has been selected as a best book of the year by The Guardian and The Economist. It is out now, published by Head of Zeus.

Lavie Tidhar’s NEOM is out now!

Posted on Tuesday, November 8th, 2022

Return to the universe of CENTRAL STATION in Lavie Tidhar‘s latest novel, NEOM — out today, published by Tachyon Publications! Here’s the synopsis…

The city known as Neom is many things to many beings, human or otherwise. Neom is a tech wonderland for the rich and beautiful; an urban sprawl along the Red Sea; and a port of call between Earth and the stars.

In the desert, young orphan Saleh has joined a caravan, hoping to earn his passage off-world from Central Station. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business.

Just one robot can change a city’s destiny with a single rose — especially when that robot is in search of lost love.

The highly-acclaimed CENTRAL STATION was published in 2016, also by Tachyon Publications. With an award-winning cover by Sarah Anne Langton, the novel was also the John W. Campbell Award Winner, Neukom Institute Literary Arts Award Winner, Xingyun Award Winner; it was shortlisted for the Arthur C. Clarke Award and Kurd Laßwitz Preis; longlisted for the British Science Fiction Award; was nominated for the Geffen Award (Best Translated Science Fiction Book); and it was a finalist for the Premio Italia, Best International Novel Award.

Here are just a few of the early reviews that NEOM has received so far…

‘… hauntingly beautiful… Written in a straightforward but luminous style… NEOM is a treasure… a compelling chapter in this future history that reflects so much about who we are and the basic things we yearn for.’ — SciFi Mind

‘Lavie Tidhar’s NEOM is a stunning return to his world of CENTRAL STATION, twinning the fates of humans and robots alike at a futuristic city on the edge of the Red Sea.’ — Green Man Review

‘This was superb and I’m in awe of Tidhar’s vision. He’s conjured up a futuristic city that feels simultaneously ultramodern and also run down. The rich histories of the region and its cultures are seamlessly interwoven into the fabric of this fully-realized world.’ — Speculative Shelf

Tachyon also publishes Lavie’s UNHOLY LAND, THE VIOLENT CENTURY, and THE ESCAPEMENT.

Lavie Tidhar’s NEOM is Out Next Week!

Posted on Wednesday, November 2nd, 2022

Next week, readers can return to the universe of CENTRAL STATION in Lavie Tidhar‘s latest novel, NEOM! Due to be published by Tachyon Publications, on November 8th, here’s the synopsis…

The city known as Neom is many things to many beings, human or otherwise. Neom is a tech wonderland for the rich and beautiful; an urban sprawl along the Red Sea; and a port of call between Earth and the stars.

In the desert, young orphan Saleh has joined a caravan, hoping to earn his passage off-world from Central Station. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business.

Just one robot can change a city’s destiny with a single rose — especially when that robot is in search of lost love.

CENTRAL STATION was published in 2016, also by Tachyon Publications. With an award-winning cover by Sarah Anne Langton, the novel was also the John W. Campbell Award Winner, Neukom Institute Literary Arts Award Winner, Xingyun Award Winner; it was shortlisted for the Arthur C. Clarke Award and Kurd Laßwitz Preis; longlisted for the British Science Fiction Award; was nominated for the Geffen Award (Best Translated Science Fiction Book); and it was a finalist for the Premio Italia, Best International Novel Award.

Here are just a few of the early reviews that NEOM has received so far…

‘… hauntingly beautiful… Written in a straightforward but luminous style… NEOM is a treasure… a compelling chapter in this future history that reflects so much about who we are and the basic things we yearn for.’ — SciFi Mind

‘Lavie Tidhar’s NEOM is a stunning return to his world of CENTRAL STATION, twinning the fates of humans and robots alike at a futuristic city on the edge of the Red Sea.’ — Green Man Review

‘This was superb and I’m in awe of Tidhar’s vision. He’s conjured up a futuristic city that feels simultaneously ultramodern and also run down. The rich histories of the region and its cultures are seamlessly interwoven into the fabric of this fully-realized world.’ — Speculative Shelf

To celebrate the release of NEOM (as well as the recent publication of MAROR and THE BEST OF WORLD SF, Volume 2), Lavie will be taking part in a number of events over the next few weeks. The date are below, with links for more details and information:

  • 5th November — 42 Festival (in person), Barcelona
  • 8th November — SRFC (in person) (see above)
  • 12th November — Mysterious Galaxy virtual event, with Samit Basu
  • 13th November — City Lit Books virtual event, with Daryl Gregory
  • 19th November — NY Public Library online panel for THE BEST OF WORLD SF, Volume 2 [no event link just yet]
  • 2nd December — Waterstones Kingston Xmas Evening, in-person event [no current link]
  • 11th December — Jewish Museum Milwaukee online event

Tachyon also publishes Lavie’s UNHOLY LAND, THE VIOLENT CENTURY, and THE ESCAPEMENT.

Lavie Tidhar Returns to the CENTRAL STATION Universe, with NEOM!

Posted on Tuesday, June 21st, 2022

This winter, Lavie Tidhar returns to the setting of his multi-award-winning CENTRAL STATION! The new novel, NEOM, is due to be published by Tachyon Publications in November. Here’s the synopsis…

The city known as Neom is many things to many beings, human or otherwise. Neom is a tech wonderland for the rich and beautiful; an urban sprawl along the Red Sea; and a port of call between Earth and the stars.

In the desert, young orphan Saleh has joined a caravan, hoping to earn his passage off-world from Central Station. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business.

Just one robot can change a city’s destiny with a single rose — especially when that robot is in search of lost love.

Here are just a few of the early reviews the novel has received so far…

‘… hauntingly beautiful… Written in a straightforward but luminous style… NEOM is a treasure… a compelling chapter in this future history that reflects so much about who we are and the basic things we yearn for.’ — SciFi Mind

‘Lavie Tidhar’s NEOM is a stunning return to his world of CENTRAL STATION, twinning the fates of humans and robots alike at a futuristic city on the edge of the Red Sea.’ — Green Man Review

‘This was superb and I’m in awe of Tidhar’s vision. He’s conjured up a futuristic city that feels simultaneously ultramodern and also run down. The rich histories of the region and its cultures are seamlessly interwoven into the fabric of this fully-realized world.’ — Speculative Shelf

CENTRAL STATION was published in 2016, also by Tachyon Publications. With an award-winning cover by Sarah Anne Langton, the novel was also the John W. Campbell Award Winner, Neukom Institute Literary Arts Award Winner, Xingyun Award Winner; it was shortlisted for the Arthur C. Clarke Award and Kurd Laßwitz Preis; longlisted for the British Science Fiction Award; was nominated for the Geffen Award (Best Translated Science Fiction Book); and it was a finalist for the Premio Italia, Best International Novel Award.

Tachyon also publishes Lavie’s UNHOLY LAND, THE VIOLENT CENTURY, and THE ESCAPEMENT.

New Lavie Tidhar StoryBundle Now Available!

Posted on Friday, June 10th, 2022

Continuing our rather Lavie Tidhar-themed week, there is a new StoryBundle available featuring up to 12 of the author’s books! Comprised of a collection of award-winning novels and novellas, available individually via Tachyon Publications and the JABberwocky eBook Program, here’s what Lavie had to say about the bundle…

The real streets of Central Station in Tel Aviv inspired the novel of that name. Living on the Mekong in Vientiane inspired much of the atmosphere of GOREL & THE POT-BELLIED GOD, and a fascination with the game of poker led to the writing of THE BIG BLIND.

The world of UNHOLY LAND was much informed by the years I spent in south and east Africa, just as my adopted home city of London was a fundamental character in THE VIOLENT CENTURY and THE VANISHING KIND.

But I cannot, in truth, claim ever to have lived in the Doinklands of THE ESCAPEMENT.

These are some of my favourite novels and novellas of the past decade or so. I wrote them variously in Laos, in Israel, in Vanuatu and in London. A key part of UNHOLY LAND was written in Korea, at the Toji Cultural Centre whose founder, the author Pak Kyongni, inspired in turn the writing of NEW ATLANTIS.

The bundle includes my earliest novella, AN OCCUPATION OF ANGELS, with a brand-new edition and a cover by artist Paul McCaffrey, who worked with me on the graphic novel Adler. It also includes an exclusive sampler of my latest work, the forthcoming SF novel NEOM, which was inspired by my visits to Egypt over the years, and my dreams of what lay on the other side of the Red Sea.

When you buy the bundle, you will also have a chance to donate a portion of the proceeds to The United Nations High Commissioner for Refugees!

The novel NEOM is Lavie’s latest novel, which is due to be published by Tachyon Publications in November 2022 — the bundle includes an exclusive teaser as a bonus. Here’s the synopsis…

The city known as Neom is many things to many beings, human or otherwise. Neom is a tech wonderland for the rich and beautiful; an urban sprawl along the Red Sea; and a port of call between Earth and the stars.

In the desert, young orphan Saleh has joined a caravan, hoping to earn his passage off-world from Central Station. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business.

Just one robot can change a city’s destiny with a single rose — especially when that robot is in search of lost love.

The Bundle is live/available for the rest of June.

Lavie Tidhar’s CENTRAL STATION Wins Chinese Nebula (Xingyun) Award!

Posted on Sunday, April 25th, 2021

We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has won another award! This time, it is for the Chinese translation, which has won the Chinese Nebula (Xingyun) Award for Best Translated Fiction! Translated by Chen Yang, and published in China by Citic, as 中央 星站, here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万 人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION has won a tremendous number of awards (always room for more, though), including John W. Campbell Award (2017) and
the Neukom Institute Literary Arts Award in Speculative Fiction (2018). It also landed on many end-of-year best of lists. The English-language cover, but Sarah Anne Langton, also won the Chelsey Award for Best Cover Illustration.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

If Chinese-speaking fans of Lavie’s work would like to know more about the book and the author, you can read two great interview with the author here:

Lavie’s latest novel is BY FORCE ALONE, the first novel in the author’s Anti-Matter of Britain Quartet, is published by Head of Zeus (UK) and Tor Books (North America). The second novel in the tetralogy is THE HOOD, which is due to be published later this year by Head of Zeus.

CENTRAL STATION Nominated for Xinyung Award in China!

Posted on Monday, May 18th, 2020

We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has been nominated for a 2020 Xiyung Award for Best Translated Fiction! The novel — which has won and been nominated for a whole host of other awards, including the Campbell Award — was translated by Chen Yang, and is published in China as 中央星站, by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万 人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY.

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

‘CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’ — Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ — Chen Qiufan

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ — Ken Liu

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

‘CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Lavie’s latest novel, BY FORCE ALONE, was published recently by Head of Zeus in the UK, and is due to be published by Tor Books in August 2020 (North America).

Lavie Tidhar’s 中央星站 out now in China!

Posted on Wednesday, January 1st, 2020

Lavie Tidhar‘s award-winning and critically-acclaimed novel CENTRAL STATION is now available in China! Published as 中央星站 by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万 人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

Chinese-speaking fans of Lavie’s work could also turn their attention to these great interviews the author did while recently in China:

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

‘CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’ — Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ — Chen Qiufan

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ — Ken Liu

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

‘CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Prepare to visit Lavie Tidhar’s 中央星站 in the New Year!

Posted on Friday, November 15th, 2019

We’re very happy to share with you the details of the upcoming Chinese edition of Lavie Tidhar‘s award-winning CENTRAL STATION! Due to be published 中信出版集团 (Citic) as 中央星站 on January 1st, 2020, here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万 人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications, who also publish the acclaimed UNHOLY LAND and THE VIOLENT CENTURY (US edition). Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Chinese-speaking fans of Lavie’s work could also turn their attention to these great interviews the author did while recently in China:

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

‘CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’ — Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ — Chen Qiufan

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ — Ken Liu

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst 

‘CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

CENTRAL STATION Nominated for Award in Spain!

Posted on Tuesday, May 21st, 2019

Lavie Tidhar‘s critically-acclaimed novel CENTRAL STATION has garnered another award nomination! This time, the Spanish-language edition (translated by Alexander Páez) has been nominated for Spain’s Kelvin 505 Award! The winner will be announced at the Celsius 232 convention on July 14th, 2019.

Published in Spain as ESTACIÓN CENTRAL, by Alethé, here’s the synopsis…

Una diáspora mundial ha dejado un cuarto de millón de personas a los pies de una estación espacial. Las culturas chocan en la vida real y en la virtual. La vida apenas tiene valor, y la información tiene incluso menos.

Mucho ha cambiado cuando Boris Chong vuelve de Marte a Tel Aviv. La examante de Boris está criando a un extraño y familiar niño que puede meterse en el torrente de información con el simple roce de un dedo. Su prima  está enamoradísima de un robotnik: un soldado ciborg destrozado que necesita mendigar piezas de repuesto. Su padre tiene una enfermedad terminal, una plaga mental multigeneracional. Y una atormentada vampira informática ha seguido a Boris a un lugar al que tiene prohibido volver.

Alzándose sobre todos ellos está la Estación Central, el núcleo interplanetario en medio de todo: la Tel Aviv con sus constantes cambios; una potente arena virtual y las colonias espaciales donde la humanidad se ha marcado para escapar de los estragos de la pobreza y la guerra. Todo está conectado por los Otros, poderosas entidades alienígenas que, a través de la Conversación (un torrente inestable de conciencia) suponen el inicio de un cambio irreversible.

En la Estación Central, los humanos y las máquinas siguen adaptándose, prosperando e incluso… evolucionando.

The novel has the following award wins and nominations…

  • 2017 John W. Campbell Award Winner
  • 2018 Neukom Institute Literary Arts Award Winner
  • 2017 Arthur C. Clarke Award, Shortlist
  • 2016 British Science Fiction Award, Longlist
  • 2017 Geffen Award nominee, Best Translated Science Fiction Book
  • 2019 Premio Italia, Best International Novel, Finalist (Italy)
  • 2019 Kurd Laßwitz Preis Shortlist (Germany)

CENTRAL STATION is published in English by Tachyon Publications, and has been published widely in translation. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The cover is by Sarah Anne Langton, and it also has racked up some awards and nominations…

  • 2016 British Science Fiction Award Best Cover Illustration
  • Chesley Award, Best Cover Illustration
  • 2017 British Fantasy Society – Shortlist for Best Artist

Lavie Tidhar’s CENTRAL STATION nominated for Kurd Laßwitz Preis in Germany!

Posted on Friday, April 12th, 2019

Hot on the heels of the CENTRAL STATION nomination for the Premio Italia Award, Lavie Tidhar‘s novel has also been nominated for the Kurd Laßwitz Preis for Best Foreign Science-Fiction!

The novel is published by Heyne in Germany. Here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

This is just the latest nomination for CENTRAL STATION, which has been praised far and wide. Just look at this list of commendations…!

2017 John W. Campbell Award Winner
2018 Neukom Institute Literary Arts Award Winner
2017 Arthur C. Clarke Award, Shortlist
2016 British Science Fiction Award, Longlist
2017 Geffen Award nominee, Best Translated Science Fiction Book
2019 Premio Italia, Best International Novel, Finalist
2019 Kurd Laßwitz Preis Shortlist

NPR Best Books of 2016
Amazon Featured Monthly Best Science Fiction & Fantasy Books
Barnes and Noble Best Science Fiction and Fantasy of 2016
2016 Locus Recommended Reading List Winner

The novel is published in English by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The English-language cover, but Sarah Anne Langton, has also racked up some nominations and wins…!

2016 British Science Fiction Award Best Cover Illustration
Chesley Award, Best Cover Illustration
2017 British Fantasy Society – Shortlist for Best Artist

Ian McDonald and Lavie Tidhar are Premio Italia 2019 nominees!

Posted on Wednesday, March 27th, 2019

We’re delighted to report that Ian McDonald and Lavie Tidhar have both been nominated for the Premio Italia 2019 award for Best International Novel!

Ian McDonald‘s ARES EXPRESS is published in Italy by Zona 42. Here’s the synopsis…

“Dovresti cercare di fermarmi. Dovresti farmi ragionare, dirmi quanto male staranno tutti quanti, e non pensi all’onore della famiglia, e sarà uno scandalo tale che dovranno andare in giro senza tagliarsi i capelli per i prossimi tre anni. Poi, visto che non funzionerà, dovresti chiedermi se so cosa sto facendo e se so dove sto andando e dirmi che quello là fuori è un mondo enorme e pericoloso e che mi farò del male molto in fretta e finirò per tornare con la coda tra le gambe. E quando io ti risponderò che è tutto a posto tu dovresti addolcirti e dirmi che ti mancherò e che mi hai sempre amato e che avevi questo piano brillante di comprarti la libertà e avremmo avuto il nostro treno e saremmo partiti verso il tramonto in una nuvola di vapore.”

Immagina treni grandi come quartieri, cattedrali volanti, deserti sconfinati attraversati da binari infiniti e città che si arrampicano per centinaia di piani sotto il tetto del mondo. Immagina una ragazza che vorrebbe solo guidare un treno, la sua gemella invisibile e una Storia da cui dipende il futuro – o i futuri – di un intero mondo. Immagina le meraviglie di un pianeta rutilante di colori, caleidoscopico nei molteplici panorami, con la sua corona di angeli e di intelligenze artificiali, gli artisti anarchici, le città desolate e quelle brulicanti di vita.

Ian McDonald mette in scena un’avventura governata dalle leggi ineluttabili della Narrativa, che — al solito — non sanno che farsene di un’Eroina Esuberante e Intraprendente (Ma Comunque Carina). Riuscirà Sweetness a piegare la Storia alla sua volontà, e a sopravvivere alle sfide che una dopo l’altra le si parano davanti?

Ares Express narra di uno strano mondo, così diverso, eppure così vicino al nostro, un luogo pittoresco e affascinante, dove si mescolano fantascienza e realismo magico, immaginazione e filosofia, azione scatenata e idee straordinarie.

Benvenuti nella vita di Sweetness Octave Glorious Honey-Bun Asiim XII Macchinista. Benvenuti su Marte.

ARES EXPRESS, the second novel in Ian’s Desolation Road series, is published in English via the JABberwocky eBook Program. Here’s the English-language synopsis…

Taking place in the kaleidoscopic future of Ian McDonald’s Desolation Road, this novel is set on a terraformed Mars where fusion-powered locomotives run along the network of rails that is the planet’s circulatory system and artificial intelligences reconfigure reality billions of times each second. One young woman, Sweetness Octave Glorious-Honeybun Asiim 12th, becomes the person upon whom the future – or futures – of Mars depends. Big, picaresque, funny; taking the Mars of Ray Bradbury and the more recent, terraformed Marses of authors such as Kim Stanley Robinson and Greg Bear, Ares Express is a wild and woolly magic-realist SF novel, featuring lots of bizarre philosophies, strange, mind-stretching ideas and trains as big as city blocks.

Lavie Tidhar‘s critically-acclaimed, multi-award-winning and -nominated novel CENTRAL STATION is published in Italy by Acheron Books. Here’s the synopsis…

A Tel Aviv, un quartiere popolato da un milione di persone è sorto intorno alla base spaziale Central Station. Umani, robot e i misteriosi Altri sono tutti interconnessi in una pervasiva coscienza digitale chiamata “la Conversazione”, e le molteplici culture si scontrano e si confondono fra reale e digitale. La vita può sembrare a buon mercato, ma le informazioni lo sono ancora di più.

Quando Boris Chong torna a Central Station, la ritrova in uno stato di caos. Le strade sono invase dalla droga religiosa chiamata Crucifixation. La sua ex compagna sta allevando un bambino dotato di poteri che lo rendono simile a un nuovo Messia. Suo padre è afflitto da un virus mentale multigenerazionale. Sua cugina è innamorata di un cyborg Robotnik. E una Vampira di Dati vagabonda lo ha seguito fin da Marte…

CENTRAL STATION is published in the UK and US by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.