Anne Griffin’s EIN LEBEN UND EINE NACHT out now in audio!


A new audiobook edition of Anne Griffin‘s acclaimed, best-selling debut novel, WHEN ALL IS SAID is out now in Germany! Published by Argon Hörbuch as EIN LEBEN UND EINE NACHT, and narrated by Reinhard Kuhnert, here’s the synopsis…

In einer irischen Kleinstadt sitzt Maurice Hannigan, 84 Jahre alt, an einer Hotelbar und blickt auf sein Leben zurück. Fünf Mal wird er im Lauf des Abends sein Glas erheben, um auf die wichtigsten Menschen in seinem Leben anzustoßen und seine Geschichte zu erzählen. Maurice stammte aus einfachen Verhältnissen. Sein Vater war Bauer, die Mutter arbeitete als Küchenmagd. Sein großer Bruder, den er über alles liebte, starb noch in der Kindheit. Wir erfahren, wie Maurice seine große Liebe Sadie kennenlernte, wie beide ihr erstes Kind verloren und er zu einem wohlhabenden Mann wurde. Der Mann, der seinen Gefühlen kaum Ausdruck verleihen konnte, erzählt in dieser Nacht von Momenten der Freude und des Zweifels, von verpassten Chancen und der Tragödie seines Lebens, die er vor allen versteckt hielt.

The novel is published in print in Germany by Rowohlt.

WHEN ALL IS SAID is published in the UK and Ireland by Sceptre, and in North America by St. Martin’s Press. It has also been published widely in translation (with more editions on the way!). Here’s the English-language synopsis…

‘I’m here to remember – all that I have been and all that I will never be again.’

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual -though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story.

Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories – of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice – the life of one man will be powerfully and poignantly laid bare.

Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.

‘A hugely enjoyable, engrossing novel, a genuine page-turner. Maurice is a fabulous character, wonderfully flawed and completely engaging; his voice is familiar and real, full of sadness and regret and defiance, and unexpected tenderness.’ — Donal Ryan, award-winning author of The Spinning Heart

‘[An] impressively confident debut … Maurice Hannigan emerges as an engaging, compassionate creation’ — Guardian

‘Anne Griffin’s debut novel is a must read. Beautifully observed, masterful story telling – stunning!’ — Graham Norton

‘Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the course of one memorable night.’ — Kirkus

‘Maurice’s humor, his keen observations on class and family, and his colloquial language, as well as Griffin’s strong sense of place, create the feeling of a life connected to many others by strands of affection and hatred.’ — Publishers Weekly

‘An extraordinary novel, a poetic writer, and a story that moved me to tears… There is something special here.’ — John Boyne

‘The most impressive aspects of this first novel from the pen of prize-winning short-story writer Anne Griffin are its rich, flowing prose, its convincing voice, and its imaginative and clever structure. She has complete mastery of her quite complex plot, and manages to imbue her sizeable cast of diverse characters with life and energy… Griffin is a writer of unusual confidence and authority, and a welcome arrival to the literary scene.’ — Irish Times

‘Beautiful. Intimate. Tearful. Aching and lyrical. So simply and beautifully told.’ — Louise Penny

BLACK MOULD spreads in DIE FLÜSSE VON LONDON


Today, Panini publishes the German edition of BLACK MOULD, the third Rivers of London comic series! Written by Ben Aaronovitch and Andrew Cartmel, it is published in Germany as DIE FLÜSSE VON LONDON: SCHWARZSCHIMMEL. Here’s the synopsis…

KEIN FAULER ZAUBER!

Ben Aaronovitch, der Autor der Bestseller-Romanund Graphic-Novel-Reihe Die Flüsse von London erzählt eine neue Geschichte voller übernatürlicher Spannung und guter alter Londoner Polizeiarbeit!

Peter Grant ist Polizist und Teilzeit-Zauberer bei der Londoner Einheit für Übernatürliche Fälle und bekommt es mit allem zu tun, was nicht in den Bereich normaler strafrechtlicher Ermittlungen fällt – sondern eher mit Trollen unter Brücken, verfluchten Tatorten und den Geistern einstiger Monster zu tun haben.

Dabei hatte sich Peter nie bei der Schädlingsbekämpfung gesehen, doch genau dort landet er, als ein mörderischer, empfindungsfähiger Schimmelpilz auf einen Rachefeldzug geht und dabei die schlimmsten Ängste seiner Opfer gegen sie einsetzt!

Panini has also published the first two book in the series: AUTOWAHN and DIE NACHTHEXE (or BODY WORK and NIGHT WITCH, in English).

All of the Rivers of London comic series are published in English by Titan Comics: BODY WORK, NIGHT WITCH, BLACK MOULD, DETECTIVE STORIES, CRY FOX, WATER WEEDACTION AT A DISTANCE, and the upcoming THE FEY AND THE FURIOUS. Here’s the English-language synopsis for BLACK MOULD

Peter A. Flannery’s BATTLE MAGE arriving soon in Germany!


In a couple of months, Heyne are due to publish the German edition of Peter A. Flannery‘s epic fantasy novel, BATTLE MAGE! Published on November 11th as KAMPF DER MAGIER, here’s the synopsis…

Die Welt steht am Abgrund, denn die übermächtige Armee der Besessenen überrennt ein Königreich nach dem anderen. Die Einzigen, die sie aufhalten können, sind die Kampfmagier auf ihren majestätischen Drachen. Doch das Bündnis zwischen Drachen und Menschen ist schwach geworden. Zu wenige Drachen antworten noch auf den Ruf der Magier, und die meisten von ihnen sind schwarz. Und jedes Kind weiß, dass schwarze Drachen gefährlich sind. Schwarze Drachen sind verrückt. Falco Dantes Vater, ein tapferer Kampfmagier, fiel selbst dem Wahnsinn einer solchen Kreatur zum Opfer, und sein Verlust hat Falcos ganzes Leben geprägt. Als die Armee der Besessenen auf seine Heimat zumarschiert, trifft Falco eine folgenschwere Entscheidung: Er wird in die Fußstapfen seines Vaters treten…

The novel has also been published in France by Albin Michel.

Here’s the English-language synopsis for the novel…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in Translation.

Ben Aaronovitch’s DER OKTOBERMANN out now in Germany!


Ben Aaronovitch‘s latest novella, THE OCTOBER MAN, is out now in Germany! Published by DTV in German as DER OKTOBERMANN, it is his first book set in Germany, and also stars a new protagonist: Tobias Winter. Here’s the synopsis…

Die Flüsse von London fließen nach Deutschland…

… denn auch hierzulande gibt es magische Vorkommnisse! Das deutsche Pendant zu Peter Grant heißt Tobi Winter und arbeitet beim BKA (Abteilung für komplexe und diffuse Angelegenheiten, sprich: Magie). Tobi bekommt es mit seltsamen Bräuchen in den Weinbergen rund um Trier zu tun – und mit einem übernatürlichen Rätsel, das schon Hunderte von Jahren alt ist. Selbstverständlich hat in dieser Gegend auch die Mosel ein Wörtchen mitzureden, wenn es magisch wird.

The novella is set in the same universe as Ben’s Rivers of London/Peter Grant books, many of which have been bestsellers in Germany. It is published in the UK by Gollancz and in North America by Subterranean Press. Here’s the English-language synopsis…

Trier is famous for wine, Romans and for being Germany’s oldest city. So when a man is found dead with, his body impossibly covered in a fungal rot, the local authorities know they are out of their depth.

Fortunately this is Germany, where there are procedures for everything.

Enter Investigator Tobias Winter, whose aim is to get in, deal with the problem, and get out with the minimum of fuss, personal danger and paperwork. With the help of frighteningly enthusiastic local cop, Vanessa Sommer, he’s quick to link the first victim to a group of ordinary middle aged men – and to realise they may have accidentally reawakened a bloody conflict from a previous century. But the rot is still spreading, literally and with the suspect list extending to people born before Frederick the Great solving the case may mean unearthing the city’s secret magical history.

… so long as that history doesn’t kill them first.

Here are just a couple of the great reviews the novella has received so far…

‘In this enjoyable spin-off from the Rivers of London urban fantasy series, Aaronovitch successfully transfers his blend of the supernatural and humor from England to the Continent as he introduces Tobias Winter, a German police officer who practices magic… Supernatural mystery fans who enjoy more whimsical takes on the paranormal will hope for more of Winter and Sommer.’ — Publishers Weekly

‘Aaronovitch expands the universe of his Rivers of London series (Broken Homes, 2014) to include new characters operating in different countries with ties to supernatural crimes and detective work. THE OCTOBER MAN introduces Tobias Winter, a sanctioned magic practitioner who investigates the supernatural angles of crimes for the Abteilung KDA (which fans will recognize as the German extension of the British Folly)… Aaronovitch delivers yet another classic detective novel rich with the magical world building accomplished in his previous work.’ — Booklist

‘Winter’s stolidness is a feature rather than a bug. While there are moments of adventure and daring, the story of this crime is both a satisfying whodunit and a primer on how magic works in Deutschland. THE OCTOBER MAN would be an interesting place to enter the Rivers of London world. Rather than fae, a new reader would anticipate werewolves, perhaps — and still greatly enjoy Aaronovitch’s work. Those who know the Folly will appreciate this outsider’s view of Grant and Nightingale, as well as learn a bit about how the latter spent the war, while still greatly enjoying Aaronovitch’s work, even if it is set someplace new.’ — Locus (Adrienne Martini)

DTV has published all of Ben’s books in Germany to date…

… the series is published by Gollancz in the UK…

… and in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas).

Anne Griffin’s EIN LEBEN UND EINE NACHT out now in Germany!


Anne Griffin‘s critically-acclaimed, best-selling debut novel, is out now in Germany! WHEN ALL IS SAID is published by Rowohlt as EIN LEBEN UND EINE NACHT. Here’s the synopsis…

Ich bin hier, um mich zu erinnern…

…an alles, was ich gewesen bin, und alles, was ich nie wieder sein werde.”

In einer irischen Kleinstadt sitzt Maurice Hannigan, 84 Jahre alt, an einer Hotelbar und blickt auf sein Leben zurück. Dies ist keine gewöhnliche Nacht. Fünf Mal wird er im Lauf des Abends sein Glas erheben, um auf die Menschen anzustoßen, die ihm am meisten bedeutet haben.

Der Mann, der seinen Gefühlen kaum Ausdruck verleihen konnte, erzählt in dieser Nacht von Momenten der Freude und des Zweifels, von verpassten Chancen und der Tragödie seines Lebens, die er vor allen verborgen hielt…

Ein Roman über Liebe und Verlust.Traurig und tröstend zugleich hallt die Stimme seines Helden noch lange nach.

WHEN ALL IS SAID is published in the UK and Ireland by Sceptre, in North America by St. Martin’s Press, and is available in a rapidly growing number of translated editions. Here’s the English-language synopsis…

Five toasts. Five people. One lifetime.

‘I’m here to remember – all that I have been and all that I will never be again.’

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual -though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story.

Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories – of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice – the life of one man will be powerfully and poignantly laid bare.

Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.

Here are just a few of the many great reviews the novel has received so far…

‘Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the course of one memorable night.’ — Kirkus

‘Maurice’s humor, his keen observations on class and family, and his colloquial language, as well as Griffin’s strong sense of place, create the feeling of a life connected to many others by strands of affection and hatred.’ — Publishers Weekly

‘Anne Griffin’s debut novel is a must read. Beautifully observed, masterful story telling – stunning!’ — Graham Norton

‘[An] impressively confident debut … Maurice Hannigan emerges as an engaging, compassionate creation’ — Guardian

‘An extraordinary novel, a poetic writer, and a story that moved me to tears… There is something special here.’ — John Boyne

‘An intimate character study of a wealthy 80-year-old Co Meath farmer, WHEN ALL IS SAID is also a study of extreme reticence and self-sabotage, giving voice to a man who, in matters of the heart, has all too often chosen to remain silent… Griffin’s strength is in voice and in the rhythm of her prose, which is rich without being overwritten. A winner of the John McGahern Award for Literature, she fits into the Irish lyrical tradition… but WHEN ALL IS SAID feels like a bridge between the past and the present, Maurice’s belated loquacity breaking open that familiar Irish silence… a testament to Griffin’s talent that she paints such a complete portrait of a man whose contrariness disguises his stoicism. By the end of the novel his humanity is clear; he has made himself known.’ — Independent

 

DER OKTOBERMANN kommt nach Deutschland


Next month — September 20th, to be exact — DTV are due to publish Ben Aaronovitch‘s THE OCTOBER MAN in Germany! To be published in German as DER OKTOBERMANN, here’s the synopsis…

Die Flüsse von London fließen nach Deutschland…

… denn auch hierzulande gibt es magische Vorkommnisse! Das deutsche Pendant zu Peter Grant heißt Tobi Winter und arbeitet beim BKA (Abteilung für komplexe und diffuse Angelegenheiten, sprich: Magie). Tobi bekommt es mit seltsamen Bräuchen in den Weinbergen rund um Trier zu tun – und mit einem übernatürlichen Rätsel, das schon Hunderte von Jahren alt ist. Selbstverständlich hat in dieser Gegend auch die Mosel ein Wörtchen mitzureden, wenn es magisch wird.

The novella, set in the same universe as Ben’s Rivers of London/Peter Grant books, is the first set in Germany and starring Tobias Winter. It is published in the UK by Gollancz and in North America by Subterranean Press. Here’s the English-language synopsis…

Trier is famous for wine, Romans and for being Germany’s oldest city. So when a man is found dead with, his body impossibly covered in a fungal rot, the local authorities know they are out of their depth.

Fortunately this is Germany, where there are procedures for everything.

Enter Investigator Tobias Winter, whose aim is to get in, deal with the problem, and get out with the minimum of fuss, personal danger and paperwork. With the help of frighteningly enthusiastic local cop, Vanessa Sommer, he’s quick to link the first victim to a group of ordinary middle aged men – and to realise they may have accidentally reawakened a bloody conflict from a previous century. But the rot is still spreading, literally and with the suspect list extending to people born before Frederick the Great solving the case may mean unearthing the city’s secret magical history.

… so long as that history doesn’t kill them first.

Here are just a couple of the great reviews the novella has received so far…

‘In this enjoyable spin-off from the Rivers of London urban fantasy series, Aaronovitch successfully transfers his blend of the supernatural and humor from England to the Continent as he introduces Tobias Winter, a German police officer who practices magic… Supernatural mystery fans who enjoy more whimsical takes on the paranormal will hope for more of Winter and Sommer.’ — Publishers Weekly

‘Aaronovitch expands the universe of his Rivers of London series (Broken Homes, 2014) to include new characters operating in different countries with ties to supernatural crimes and detective work. THE OCTOBER MAN introduces Tobias Winter, a sanctioned magic practitioner who investigates the supernatural angles of crimes for the Abteilung KDA (which fans will recognize as the German extension of the British Folly)… Aaronovitch delivers yet another classic detective novel rich with the magical world building accomplished in his previous work.’ — Booklist

‘Winter’s stolidness is a feature rather than a bug. While there are moments of adventure and daring, the story of this crime is both a satisfying whodunit and a primer on how magic works in Deutschland. THE OCTOBER MAN would be an interesting place to enter the Rivers of London world. Rather than fae, a new reader would anticipate werewolves, perhaps — and still greatly enjoy Aaronovitch’s work. Those who know the Folly will appreciate this outsider’s view of Grant and Nightingale, as well as learn a bit about how the latter spent the war, while still greatly enjoying Aaronovitch’s work, even if it is set someplace new.’ — Locus (Adrienne Martini)

DTV has published all of Ben’s books in Germany to date…

… the series is published by Gollancz in the UK…

… and in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas).

Ben Aaronovitch’s DIE GLOCKE VON WHITECHAPEL now available in German Audiobook!


We’re very happy to report that audiobook aficionados in Germany are now able to get Ben Aaronovitch‘s LIES SLEEPING in audio! Published by GoyaLiT as DIE GLOCKE VON WHITECHAPEL, and narrated by Dietmar Wunder, here’s the synopsis…

Constable und Zauberlehrling Peter Grant steht vor seiner größten Herausforderung: Das Schicksal Londons steht auf dem Spiel. Der gesichtslose Magier, verantwortlich für grauenvolle übernatürliche Verbrechen, ist zwar endlich demaskiert und auf der Flucht. Doch er verfolgt einen perfiden Plan, der ganz London in den Abgrund stürzen könnte. Um den Gesichtslosen zu stoppen, muss Peter all seine magischen Kräfte aufbieten – und einen bösen alten Bekannten kontaktieren: Mr. Punch, den mörderischen Geist des Aufruhrs und der Rebellion.

LIES SLEEPING is the seventh novel in Ben’s internationally best-selling, critically-acclaimed Peter Grant/Rivers of London series. GoyaLiT has published all of them in German audio to date, with DTV publishing the print and eBook editions.

The Peter Grant series is published in the UK by Gollancz, and in the US by Del Rey (1-3) and DAW Books (4-). Here’s the English-language synopsis for LIES SLEEPING

A fabulous new adventure, London under threat, and the scent of magic in the air… it must be a new Rivers of London mystery…

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run.

Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.

But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan.

A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.

To save his beloved city Peter’s going to need help from his former best friend and colleague – Lesley May – who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch…

Ben’s most recent book, THE OCTOBER MAN, is set in the same universe as the Peter Grant novels and novella, but stars a new protagonist and primary location: Tobias Winter in Germany. The novella is out now, published in the UK by Gollancz, in the US by Subterranean Press, and is forthcoming in Germany.

EIN LEBEN UND EINE NACHT: Anne Griffin’s Debut is Coming Soon in Germany!


WHEN ALL IS SAID, Anne Griffin‘s critically-acclaimed, best-selling debut novel, is getting a Germany edition! Due to be published on August 20th by Rowohlt, here’s the synopsis for EIN LEBEN UND EINE NACHT

Ich bin hier, um mich zu erinnern…

…an alles, was ich gewesen bin, und alles, was ich nie wieder sein werde.”

In einer irischen Kleinstadt sitzt Maurice Hannigan, 84 Jahre alt, an einer Hotelbar und blickt auf sein Leben zurück. Dies ist keine gewöhnliche Nacht. Fünf Mal wird er im Lauf des Abends sein Glas erheben, um auf die Menschen anzustoßen, die ihm am meisten bedeutet haben.

Der Mann, der seinen Gefühlen kaum Ausdruck verleihen konnte, erzählt in dieser Nacht von Momenten der Freude und des Zweifels, von verpassten Chancen und der Tragödie seines Lebens, die er vor allen verborgen hielt…

Ein Roman über Liebe und Verlust.Traurig und tröstend zugleich hallt die Stimme seines Helden noch lange nach.

WHEN ALL IS SAID is published in the UK and Ireland by Sceptre, in North America by St. Martin’s Press, and is available in a rapidly growing number of translated editions. Here’s the English-language synopsis…

Five toasts. Five people. One lifetime.

‘I’m here to remember – all that I have been and all that I will never be again.’

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual -though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story.

Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories – of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice – the life of one man will be powerfully and poignantly laid bare.

Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.

Here are just a few of the many great reviews the novel has received so far…

‘Anne Griffin’s debut novel is a must read. Beautifully observed, masterful story telling – stunning!’ — Graham Norton

‘An extraordinary novel, a poetic writer, and a story that moved me to tears… There is something special here.’ — John Boyne

‘[An] impressively confident debut … Maurice Hannigan emerges as an engaging, compassionate creation’ — Guardian

‘An intimate character study of a wealthy 80-year-old Co Meath farmer, WHEN ALL IS SAID is also a study of extreme reticence and self-sabotage, giving voice to a man who, in matters of the heart, has all too often chosen to remain silent… Griffin’s strength is in voice and in the rhythm of her prose, which is rich without being overwritten. A winner of the John McGahern Award for Literature, she fits into the Irish lyrical tradition… but WHEN ALL IS SAID feels like a bridge between the past and the present, Maurice’s belated loquacity breaking open that familiar Irish silence… a testament to Griffin’s talent that she paints such a complete portrait of a man whose contrariness disguises his stoicism. By the end of the novel his humanity is clear; he has made himself known.’ — Independent

‘Griffin’s portrait of an Irish octogenarian provides a stage for the exploration of guilt, regret, and loss, all in the course of one memorable night.’ — Kirkus

‘Maurice’s humor, his keen observations on class and family, and his colloquial language, as well as Griffin’s strong sense of place, create the feeling of a life connected to many others by strands of affection and hatred.’ — Publishers Weekly

The DRACHENMOND rises…


Ian McDonald fans in Germany rejoice! Today, Heyne publishes DRACHENMOND, the highly-anticipated German edition of the third Luna novel! Here is the synopsis…

Einhundert Jahre in der Zukunft: Die fünf Drachen, die einflussreichen Familienclans, haben die Herrschaft über den Mond unter sich aufgeteilt. Aber jedes Haus will noch ein wenig mehr Macht, ein wenig mehr Einfluss an sich reißen – und dazu ist ihnen jedes Mittel recht: Eheschließungen, Verschwörungen, Erpressung und sogar Mord. Doch dann taucht ein neuer Spieler auf dem politischen Parkett der Mondgesellschaft auf – und aus im Verborgenen geführten Scharmützeln wird offener Krieg…

Heyne has also published the first two novels in the series in Germany: LUNA and WOLFSMOND.

The critically-acclaimed Luna series — NEW MOONWOLF MOON and MOON RISING — is published in the UK by Gollancz, in North America by Tor Books, and widely in translation. Here’s the English-language synopsis for the third novel…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here is just a small selection taken from the fantastic reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights on MOON RISING

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and oth­ers to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDon­ald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

New German cover for Ian McDonald’s DRACHENMOND!


Due to be published by Heyne next month in Germany, there is a new cover for Ian McDonald‘s third Luna novel, MOON RISING! Published in German as DRACHENMOND, here’s the synopsis…

Einhundert Jahre in der Zukunft: Die fünf Drachen, die einflussreichen Familienclans, haben die Herrschaft über den Mond unter sich aufgeteilt. Aber jedes Haus will noch ein wenig mehr Macht, ein wenig mehr Einfluss an sich reißen – und dazu ist ihnen jedes Mittel recht: Eheschließungen, Verschwörungen, Erpressung und sogar Mord. Doch dann taucht ein neuer Spieler auf dem politischen Parkett der Mondgesellschaft auf – und aus im Verborgenen geführten Scharmützeln wird offener Krieg…

Heyne has also published the first two novels in the critically-acclaimed Luna series; and it is published in the UK by Gollancz, in North America by Tor Books, and is available in a growing number of translated editions. Here’s the English-language synopsis for MOON RISING

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera pitched as Game of Thrones meets The Expanse

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here is just a small selection taken from the reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

Andrew Cartmel’s MURDER SWING is a top 10 Crime Novel pick in Germany!


We’re very happy to report that WRITTEN IN DEAD WAX, the first novel in Andrew Cartmel‘s critically-acclaimed Vinyl Detective mystery series, has been selected as a top 10 crime pick by Germany’s Deutchlandfunk Kultur website! The novel is a ‘Super Mix aus Comic, Krimi und Groteske, heiter bis jazzig.’ (A superb mix of comedy, gritty crime and cheerful jazz.)

Published in Germany by Suhrkamp Verlag as MURDER SWING, here’s the synopsis…

London, heute: Er ist ein Plattensammler, ein Spezialist für äußerst seltene LPs, die er kauft und verkauft. Die Jobbeschreibung auf seiner Visitenkarte lautet: ›Vinyl-Detektiv‹. Und manche Leute nehmen das ganz wörtlich – so wie die geheimnisvolle Nevada Warren, die ihn für eine Unsumme anheuert, um für einen anonymen Auftraggeber eine Platte zu finden, die zu der schmalen Produktion eines winzigen kalifornischen Jazz-Labels gehört, das in den 1950ern nur ein Jahr existierte.

Bald häufen sich seltsame Todesfällen, die allesamt mit dieser Platte zu tun haben könnten. Aber was könnte auf ihr zu hören sein, was sie so ungemein wertvoll macht? Und was hat einer der mächtigsten Konzerne der weltweiten Unterhaltungsindustrie damit zu tun? Zu allem Überfluss hat unser Detektiv bald auch noch die »Aryian Twins« Heinz und Heidi an der Hacke, zwei ziemlich extravagante Killer…

The Vinyl Detective series is published in English by Titan Books: WRITTEN IN DEAD WAX, THE RUN-OUT GROOVE, VICTORY DISC, and FLIP BACK.

Here’s some of that aforementioned critical acclaim…

‘This charming mystery feels as companionable as a leisurely afternoon trawling the vintage shops with a good friend.’ — Kirkus

‘… fast-paced, lighthearted adventure… marvelously inventive and endlessly fascinating…’ — Publishers Weekly

‘Author Cartmel has combined the tropes of the several genres into a surprising, refreshing story centered around old-fashioned records… the story delivers multiple chuckles per chapter… Based on this volume, the series will be a hit.’ — New York Journal of Books

‘The story is so charming, funny and engaging… You can really tell that Andrew Cartmel is intimately familiar with both London and the vinyl scene. There is a wonderful sense of time and place, each location filled with a varied cast of colourful characters… Even more impressive, the protagonist’s passion for vinyl never comes across as preachy or boring. There is an engaging tapestry of technical information and jazz history being woven throughout, so convincing that it would take an expert to separate fact from fiction… The Vinyl Detective has it all… intrigue, mystery, romance, action, travel, humour, music, history… It’s the perfect chilled-out read… It’s British crime fiction with an American jazz soundtrack and it’s delightful. As long as Andrew Cartmel keeps spinning these characters, I’ll keep reading.’ (9/10) — Alternative Magazine Online

‘[Cartmel’s] charity-shop-haunting, record-fair-regular vinyl obsessive with an encyclopaedic knowledge of jazz is a natural and welcome addition to the genre’s pantheon… a highly entertaining cast of supporting characters… a pair of utterly convincing cats which effortlessly steal every scene in which they appear… a sharp, amusing and compulsively readable detective yarn packed with witty asides dealing with everyone from Sun Ra to Elvis Presley, as enjoyably accessible to the jazz obsessive as it is to the general reader.’ — London Jazz News

DIE GLOCKE VON WHITECHAPEL ring today!


Fans of Ben Aaronovitch‘s Peter Grant series in Germany can rejoice! The wait is finally over: LIES SLEEPING is out today! Published in Germany by DTV as DIE GLOCKE VON WHITECHAPEL, here’s the synopsis…

Constable und Zauberlehrling Peter Grant steht vor seiner größten Herausforderung: Das Schicksal Londons steht auf dem Spiel. Der gesichtslose Magier, verantwortlich für grauenvolle übernatürliche Verbrechen, ist zwar endlich demaskiert und auf der Flucht. Doch er verfolgt einen perfiden Plan, der ganz London in den Abgrund stürzen könnte. Um den Gesichtslosen zu stoppen, muss Peter all seine magischen Kräfte aufbieten – und einen bösen alten Bekannten kontaktieren: Mr. Punch, den mörderischen Geist des Aufruhrs und der Rebellion.

This is the seventh novel in Ben’s Peter Grant/Rivers of London series, all of which have been published in Germany by DTV (including the novellas).

The novel and series is published in the UK by Gollancz. The series is published in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas). Here’s the English-language synopsis…

London under threat, and the scent of magic in the air… it must be a new Rivers of London mystery…

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run.

Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.

But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan.

A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.

To save his beloved city Peter’s going to need help from his former best friend and colleague – Lesley May – who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch…

This July, the DRACHENMOND rises in Germany!


Luna Drachenmond von Ian McDonald

In July, Heyne are due to publish the German edition of Ian McDonald‘s third Luna novel, MOON RISING! Here is the synopsis for DRACHENMOND

Einhundert Jahre in der Zukunft: Die fünf Drachen, die einflussreichen Familienclans, haben die Herrschaft über den Mond unter sich aufgeteilt. Aber jedes Haus will noch ein wenig mehr Macht, ein wenig mehr Einfluss an sich reißen – und dazu ist ihnen jedes Mittel recht: Eheschließungen, Verschwörungen, Erpressung und sogar Mord. Doch dann taucht ein neuer Spieler auf dem politischen Parkett der Mondgesellschaft auf – und aus im Verborgenen geführten Scharmützeln wird offener Krieg…

Heyne has also published the first two novels in the series in Germany: LUNA and WOLFSMOND.

The critically-acclaimed Luna series — NEW MOON, WOLF MOON and MOON RISING — is published in the UK by Gollancz, in North America by Tor Books, and widely in translation. Here’s the English-language synopsis for the third novel…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here is just a small selection taken from the fantastic reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights on MOON RISING

LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and oth­ers to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDon­ald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

This May, the Bells of Whitechapel will ring… in Germany


We’ve had a lot of Ben Aaronovitch news recently, including the announcement of a mega new deal with Orion for four more books in the Peter Grant series. However, there are also great things to announce for Ben’s non-English-speaking fans. Today, as you can see above, we have the details and cover (above) for the German edition of LIES SLEEPING, the sixth novel in the series!

Due to be published on May 24th by DTV, here’s the synopsis for DIE GLOCKE VON WHITECHAPEL

Constable und Zauberlehrling Peter Grant steht vor seiner größten Herausforderung: Das Schicksal Londons steht auf dem Spiel. Der gesichtslose Magier, verantwortlich für grauenvolle übernatürliche Verbrechen, ist zwar endlich demaskiert und auf der Flucht. Doch er verfolgt einen perfiden Plan, der ganz London in den Abgrund stürzen könnte. Um den Gesichtslosen zu stoppen, muss Peter all seine magischen Kräfte aufbieten – und einen bösen alten Bekannten kontaktieren: Mr. Punch, den mörderischen Geist des Aufruhrs und der Rebellion.

LIES SLEEPING is already out in the UK and North America — published by Gollancz and DAW Books, respectively. Here’s the English-language synopsis…

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run.

Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.

But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan.

A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.

To save his beloved city Peter’s going to need help from his former best friend and colleague – Lesley May – who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch…

DTV has published all of Ben’s Peter Grant books in Germany.

Lavie Tidhar’s CENTRAL STATION nominated for Kurd Laßwitz Preis in Germany!


Hot on the heels of the CENTRAL STATION nomination for the Premio Italia Award, Lavie Tidhar‘s novel has also been nominated for the Kurd Laßwitz Preis for Best Foreign Science-Fiction!

The novel is published by Heyne in Germany. Here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

This is just the latest nomination for CENTRAL STATION, which has been praised far and wide. Just look at this list of commendations…!

2017 John W. Campbell Award Winner
2018 Neukom Institute Literary Arts Award Winner
2017 Arthur C. Clarke Award, Shortlist
2016 British Science Fiction Award, Longlist
2017 Geffen Award nominee, Best Translated Science Fiction Book
2019 Premio Italia, Best International Novel, Finalist
2019 Kurd Laßwitz Preis Shortlist

NPR Best Books of 2016
Amazon Featured Monthly Best Science Fiction & Fantasy Books
Barnes and Noble Best Science Fiction and Fantasy of 2016
2016 Locus Recommended Reading List Winner

The novel is published in English by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The English-language cover, but Sarah Anne Langton, has also racked up some nominations and wins…!

2016 British Science Fiction Award Best Cover Illustration
Chesley Award, Best Cover Illustration
2017 British Fantasy Society – Shortlist for Best Artist