Tag: Unholy Land

Lavie Tidhar’s AUCUNE TERRE N’EST PROMISE Available now in Paperback!

Posted on Thursday, March 9th, 2023

The paperback edition of Lavie Tidhar‘s AUCUNE TERRE N’EST PROMISE is out now! The French edition of UNHOLY LAND, it’s published by Pocket and was translated by Julien Bétan. Here’s the synopsis…

La révélation de la science-fiction israélienne

Berlin. Lior Tirosh, écrivain raté et désillusionné, embarque pour la Palestina, son pays natal, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer mais la ville est désormais ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Published in North America and in the UK by Tachyon Publications, here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

The novel was received with incredible acclaim when it was published, and it was selected as an NPR Best Book of 2018, a Library Journal Best Book of 2018, a Publishers Weekly Best Book of 2018, Guardian Best Book of 2018, a Barnes & Noble Favorite Science Fiction and Fantasy Book of 2018, and a Crime Time Book Best Book of 2018. It appeared on the Locus Recommended Reading List, and was nominated for a 2018 SCKA Award. The cover, by Sarah Anne Langton, was a 2018 British Science Fiction Award finalist, for Best Artwork.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

New UNHOLY LAND French Paperback Edition Out in March!

Posted on Wednesday, December 28th, 2022

In March, Pocket are due to publish a new French paperback edition of Lavie Tidhar‘s acclaimed UNHOLY LAND! Published in France as AUCUNE TERRE N’EST PROMISE, here’s the synopsis…

La révélation de la science-fiction israélienne

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

UNHOLY LAND is published in North America and in the UK by Tachyon Publications. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina—a Jewish state founded in the early 20th century—has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts—possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

The novel has received an impressive number of commendations, including being selected as an NPR, Library Journal, Publishers Weekly, Guardian, Barnes & Noble, and Crime Time best book of 2018, as well as appearing on the Locus Recommended Reading List, and also being nominated for an SCKA Award. The cover (below), by Sarah Anne Langton, was also a British Science Fiction Award finalist, for Best Artwork.

Here are just a few of the great reviews the novel has received so far…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘There are SFF writers. There are good SFF writers. And there is Lavie Tidhar. In a genre entirely of his own, and quite possibly a warped genius, he rummages in the ruins of our centuries and our genres and makes out of them something strange, dark and utterly unique. There is no one like him writing in genre today. This is a twisted piece of alt-history/geography that refuses to go where lesser writers would drive it. Bold and witty and smoky, it plays games and coquetries, makes dark dalliances and will leave you dazzled and delighted.’ — Ian McDonald

‘Lavie Tidhar’s daring UNHOLY LAND  brilliantly showcases one of the foremost science fiction authors of our generation.’ — Silvia Moreno-Garcia (author of Certain Dark Things)

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Coming Soon: TIERRA PROFANA by Lavie Tidhar

Posted on Friday, December 9th, 2022

A new Spanish translation of Lavie Tidhar‘s acclaimed UNHOLY LAND is due out next year! Translated by Alexander Páez, TIERRA PROFANA is due to be published by Duermavela in January 2023. Here’s the synopsis…

Una ucronía llena de suspense, universos alternativos y giros inesperados que reflexiona sobre la realidad del pueblo judío

Lior Tirosh es un escritor de ciencia ficción pulp que regresa a su hogar en Ararat, África, tras una larga ausencia. Pero Palestina, un estado judío fundado a principios del siglo XX, se enfrenta a sus horas más bajas. Asolada por ataques terroristas y presa de una violencia cada vez mayor, construye un polémico muro que la separa de la vecina Uganda.

La muerte de un viejo conocido y la desaparición de su sobrina enredan a Tirosh en una intrincada trama detectivesca cada vez más confusa en la que comienzan a fundirse su propio pasado, el presente y diversas realidades que parecen no encajar en ninguna parte.

Lavie Tidhar compone una obra inclasificable, que se mueve entre el noir detectivesco y las novelas de universos paralelos, mientras analiza sin concesiones la problemática del pueblo judío.

The novel is published in the UK and North America by Tachyon Publications, with a cover by Sarah Anne Langton. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

Here are just a few of the great reviews the novel has received so far…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

New Lavie Tidhar StoryBundle Now Available!

Posted on Friday, June 10th, 2022

Continuing our rather Lavie Tidhar-themed week, there is a new StoryBundle available featuring up to 12 of the author’s books! Comprised of a collection of award-winning novels and novellas, available individually via Tachyon Publications and the JABberwocky eBook Program, here’s what Lavie had to say about the bundle…

The real streets of Central Station in Tel Aviv inspired the novel of that name. Living on the Mekong in Vientiane inspired much of the atmosphere of GOREL & THE POT-BELLIED GOD, and a fascination with the game of poker led to the writing of THE BIG BLIND.

The world of UNHOLY LAND was much informed by the years I spent in south and east Africa, just as my adopted home city of London was a fundamental character in THE VIOLENT CENTURY and THE VANISHING KIND.

But I cannot, in truth, claim ever to have lived in the Doinklands of THE ESCAPEMENT.

These are some of my favourite novels and novellas of the past decade or so. I wrote them variously in Laos, in Israel, in Vanuatu and in London. A key part of UNHOLY LAND was written in Korea, at the Toji Cultural Centre whose founder, the author Pak Kyongni, inspired in turn the writing of NEW ATLANTIS.

The bundle includes my earliest novella, AN OCCUPATION OF ANGELS, with a brand-new edition and a cover by artist Paul McCaffrey, who worked with me on the graphic novel Adler. It also includes an exclusive sampler of my latest work, the forthcoming SF novel NEOM, which was inspired by my visits to Egypt over the years, and my dreams of what lay on the other side of the Red Sea.

When you buy the bundle, you will also have a chance to donate a portion of the proceeds to The United Nations High Commissioner for Refugees!

The novel NEOM is Lavie’s latest novel, which is due to be published by Tachyon Publications in November 2022 — the bundle includes an exclusive teaser as a bonus. Here’s the synopsis…

The city known as Neom is many things to many beings, human or otherwise. Neom is a tech wonderland for the rich and beautiful; an urban sprawl along the Red Sea; and a port of call between Earth and the stars.

In the desert, young orphan Saleh has joined a caravan, hoping to earn his passage off-world from Central Station. But the desert is full of mechanical artefacts, some unexplained and some unexploded. Recently, a wry, unnamed robot has unearthed one of the region’s biggest mysteries: the vestiges of a golden man.

In Neom, childhood affection is rekindling between loyal shurta-officer Nasir and hardworking flower-seller Mariam. But Nasu, a deadly terrorartist, has come to the city with missing memories and unfinished business.

Just one robot can change a city’s destiny with a single rose — especially when that robot is in search of lost love.

The Bundle is live/available for the rest of June.

ICYMI: Lavie Tidhar Interviewed for Imaginales

Posted on Monday, December 13th, 2021

Last month, Lavie Tidhar was interviewed by Lionel Davoust as part of the Imaginales 2021. In case you missed it, we’ve shared the video above.

AUCUNE TERRE N’EST PROMISE, the French edition of UNHOLY LAND, has won two awards in France: le Prix Planète SF des blogueurs 2021 and le Prix Actusf de l’uchronie 2021. It is published by Editions Mu. Here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

The novel is published by Tachyon Publications in North America and in the UK. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

Lavie Tidhar’s UNHOLY LAND Wins 2021 Prix Planète SF Des Blogueurs!

Posted on Friday, October 1st, 2021

We’re very happy to report that the French edition of Lavie Tidhar‘s UNHOLY LAND has won the Prix Planète SF des blogueurs 2021!

Intelligent, fascinant, intrigant avant de devenir clair, Aucune terre n’est promise est un grand roman qui mérite amplement le Prix Planète-SF 2021.

The novel is published in France by Editions Mü as AUCUNE TERRE N’EST PROMISE. Here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

The English-language edition of UNHOLY LAND is published by Tachyon Publications.

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

The Prix Planète SF award joins a long list of the novel’s other commendations, which was also a best book of the year selected by NPR, Library Journal, Publishers Weekly, the Guardian, and Crime Time. It was also a Barnes & Noble Favorite Science Fiction and Fantasy Book of 2018, appeared on the Locus Recommended Reading List, and was nominated for the 2018 SCKA Award. The cover, by Sarah Anne Langton, was also a finalist for the BSFA Award for Best Cover.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

New French Paperback of Lavie Tidhar’s UNHOLY LAND Out Now!

Posted on Monday, September 20th, 2021

Lavie Tidhar‘s acclaimed, award-winning UNHOLY LAND is now available in a new French paperback edition! Published by Continent Mu as AUCUNE TERRE N’EST PROMISE, here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs. Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains. Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

UNHOLY LAND is published in English by Tachyon Publications; it is also available in Poland, published by Katedra. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

Here are just a few of the great reviews UNHOLY LAND has received so far…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

Tachyon Publications also publishes Lavie’s critically acclaimed THE VIOLENT CENTURY and CENTRAL STATION; and are due to published his latest novel, THE ESCAPEMENT, in mid-October.

Polish Edition of Lavie Tidhar’s UNHOLY LAND Out in July!

Posted on Tuesday, June 22nd, 2021

Lavie Tidhar‘s acclaimed novel UNHOLY LAND is due to be published in a new Polish edition next month! Published by Katedra as ZIEMIA NIEŚWIĘTA, on July 20th, here’s the synopsis…

Fascynujący thriller science fiction, opowiadający alternatywną historię świata, w którym udało się uniknąć Holokaustu.

Gdy autor pulpowych powieści Lior Tirosh wraca do ojczystej Afryki Wschodniej, przekonuje się, że wiele się zmieniło. Palestyna – żydowskie państwo założone w początkach dwudziestego wieku – buduje potężny mur, mający odgrodzić je od afrykańskich uchodźców. W stolicy, Araracie, panują gwałtowne napięcia społeczne.

Szukając zaginionej siostrzenicy, Lior Tirosh zaczyna się zachowywać jak detektyw ze swoich powieści. Ścigają go bezlitośni agenci państwowej służby bezpieczeństwa, a jednocześnie odkrywa groźne spiski i niewiarygodne rzeczywistości. Możliwe, że istnieje więcej niż jedna Palestyna, a bariery między światami zaczynają pękać…

Selected as a best book of the year by NPR, Library Journal, Publishers Weekly and the Guardian (among other commendations), UNHOLY LAND is published in the UK and North America by Tachyon Publications. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

The novel is also available in France, published by Continent Mu, as AUCUNE TERRE N’EST PROMISE.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Tachyon Publications also publishes Lavie’s critically acclaimed THE VIOLENT CENTURY and CENTRAL STATION; and are due to published his latest novel, THE ESCAPEMENT, in September.

Lavie Tidhar’s UNHOLY LAND Out Tomorrow in France!

Posted on Thursday, January 28th, 2021

We’re very happy to report that Lavie Tidhar‘s highly acclaimed novel UNHOLY LAND will be available in a new French edition from tomorrow! Published by Continent Mu as AUCUNE TERRE N’EST PROMISE, here’s the synopsis…

… aucune destinée n’est manifeste.

Berlin. Lior Tirosh, écrivain de seconde zone, embarque pour la Palestina, fuyant une existence minée d’échecs.

Il espère retrouver à Ararat City la chaleur du foyer, mais rien ne se passe comme prévu : la ville est ceinturée par un mur immense, et sa nièce, Déborah, a disparu dans les camps de réfugiés africains.

Traqué, soupçonné de meurtre, offert en pâture à un promoteur véreux, Lior est entraîné malgré lui dans les dédales d’une histoire qu’il contribue pourtant à écrire.

Lavie Tidhar questionne nos identités, et le prix qui leur est attaché. Aucune terre n’est promise est un roman d’une incroyable lucidité sur les enjeux d’Israël, microcosme du monde. Il n’en cède pourtant rien à la poésie, seule utopie capable encore d’incarner la paix.

UNHOLY LAND is published in English by Tachyon Publications, who also publish Lavie’s other acclaimed, award-winning novels CENTRAL STATION and THE VIOLENT CENTURY. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

(Each of these covers was designed and produced by Sarah Anne Langton.)

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Cassablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Lavie’s latest novel, BY FORCE ALONE, is out now — published by Head of Zeus in the UK and Tor Books in North America.

Lavie Tidhar’s UNHOLY LAND Coming Soon to France!

Posted on Monday, July 13th, 2020

Lavie Tidhar‘s acclaimed novel UNHOLY LAND is due out in France next year! To be published by Editions Mu as AUCUNE TERRE N’EST PROMISE, we wanted to take this opportunity to share the stunning cover. (We’ll update you when we have a more-certain release date and synopsis.)

The novel is out now in the UK and North America, published by Tachyon Publications. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

Here are just some of the accolades the novel has received…

  • An NPR Best Book of 2018
  • A Library Journal Best Book of 2018
  • A Publishers Weekly Best Book of 2018
  • A Guardian Best Book of 2018
  • A Barnes & Noble Favorite Science Fiction and Fantasy Book of 2018
  • A Crime Time Book Best Book of 2018
  • Locus Recommended Reading List
  • 2018 SCKA Award nominations
  • 2018 British Science Fiction Award finalist, Best Artwork: Sarah Anne Langton

And some of the aforementioned critical-acclaim…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Cassablanca and Mieville’s The Cty & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘Tidhar has turned a suspenseful adventure tale into a complex meditation on the possible paths of modern Jewish history.’ — Chicago Tribune

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

A Couple of Nominations for Lavie Tidhar!

Posted on Wednesday, September 25th, 2019

We’re very happy to report that a couple of Lavie Tidhar‘s novels have been nominated for awards! First up, UNHOLY LAND has been nominated for the Sidewise Award for best Alternate History! Published by Tachyon Publications, the novel has been met with an incredible amount of praise, appearing on a number of Best Of and must read lists. Here’s the synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

Here are just a few of the reviews the novel has received so far…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Next up, Lavie’s first novel for young readers, CANDY has been nominated for a Lancashire Fantastic Book Award! Published by Scholastic in the UK, here’s the synopsis…

Guard your chocolate! Imagine living in a place where Mars bars are banned and sweeties are totally outlawed. Ugh – how depressing! In this miserable place, is it any wonder that gangsters trade in illegal sweeties? We can’t even blame them. Nelle Faulkner is a twelve-year-old private detective looking for her next client. So when notorious candy gangster Eddie de Menthe walks in and asks her to find a missing teddy bear, Nelle takes the case. But as soon as the teddy turns up, Eddie himself goes missing. Can Nelle track him down before all of them come to a sticky end?

Here’s what others have said about CANDY…

‘In his first book for younger readers, he creates perhaps his most chilling vision yet: a city where sweets are forbidden under a prohibition act… The tone is as hard-boiled as a cough drop. The jokes sizzle like Space Dust. CANDY is a treat, the kind of confection Roald Dahl and Raymond Chandler might have come up with after an all-night bonbon bender.’ — Financial Times

‘A perfectly pitched noir take on Charlie and the Chocolate Factory… delightful premise… as with Tidhar’s earlier work, his playful approach to genre is in service to the story’s hidden depths. He uses the trappings of noir detective tales to tell a subversive children’s story about corruption, the exploitation of vulnerable communities, and the limits of justice. The end result is a novel that for all its joyous sense of fun still packs a surprising emotional and philosophical punch… The whole thing is tied together by Tidhar’s wonderful character work and his excellent prose… engages in some beautiful, chocolate and candy themed descriptions which perfectly capture the playground noir aesthetic. Tidhar’s characters are drawn with surprising depth and sympathy, with only a few key scenes and interactions he is able to penetrate to the core of loneliness and desperation for belonging that inspires so many of his candy thugs and bullies, giving them believable humanising moments. Most importantly, we never lose sight of the characters as children, which is necessary for the novel to carry off its conceit.’ — Fantasy Faction

‘Candy is one of those books that do not take children and teenagers for fools. The story is able to change shifts, thanks to lot of humour, to more serious subjects. Of course, we can enjoy it at any age. If possible, the book should be served in place of dessert.’ — Geektest (France)

‘Due to the wonderfully fluent writing style, the pleasantly short chapters and the rousing plot, I devoured the book in record time. For girls and boys from the age of 10, who like to read exciting, funny, imaginative detective stories, “Secret Agent Candy” is just perfect. I really hope that this is a start of a series and we will soon be able to solve their second, tricky case together with Nelle… Exciting, funny, bizarre and just awesome!’ — Die Bücherwelt von CorniHolmes (Germany)

‘CANDY is the case when a children’s book can actually be interesting at any age. Children will appreciate the plot and humour, adults – a lot of references scattered throughout the text and how unexpectedly and funny elements of the classic “cool” and noir detective story are refracted, if you put them in the context of a children’s literature. Fun, playful and exciting.’ — Fantalab (Russia)

Ben Aaronovitch and Lavie Tidhar nominated for Dragon Awards!

Posted on Tuesday, August 13th, 2019

We’re delighted to report that Ben Aaronovitch and Lavie Tidhar are on the ballot for Dragon Awards! Due to be presented later this month at DragonCon in Atlanta, Georgia, read on for some more details of the nominated titles.

First up (and pictured above) is Ben’s LIES SLEEPING. Nominated for Best Fantasy Novel, it is the seventh novel in the author’s critically-acclaimed, best-selling Peter Grant/Rivers of London series. Published in the UK by Gollancz, in North America by DAW Books, and in a growing number of translated editions around the world, here’s the synopsis…

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run.

Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.

But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan.

A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.

To save his beloved city Peter’s going to need help from his former best friend and colleague – Lesley May – who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch…

‘[F]unny… laugh-out-loud prose… fans will delight in this outing.’ — Publishers Weekly

‘[R]ecounted with deadpan British wit and irony… packed with fascinating historical detail… Lively and amusing and different.’ — Kirkus

‘Peter Grant’s London has depth, breadth, and a complex array of recurring characters, and every one of the novels can be relied on to start with a bang… Aaronovitch’s Peter Grant has a distinctive voice, one that makes even the bureaucracy of regular police work engaging and compelling… Aaronovitch writes a tense, compelling police procedural with magic. As usual, Grant’s voice is striking, and the action gripping and intense.’ — Tor.com

‘[S]till as fresh as ever… Aaronovitch melds the magical and mundane extremely well. There’s a good mix of ‘London practicality’ and ‘unimaginable terror’ here; this isn’t a world where everyone can take the idea that magic is a real thing in their stride. Fear of the unknown keeps things in the margins, which provides a backdrop for the main characters’ struggles… The plot dives straight into strands from the previous titles, tying up plots going all the way back to book one whilst fraying new threads to keep the intrigue going. The pace is solid and steady, the action is as thrilling as ever and the whole thing ticks along like an old yet exciting friend… A must for fans of the series so far and, as always, we can’t wait to read the next one.’ — Starburst

Lavie’s UNHOLY LAND also racks up another nomination, this time in the Best Alternate History Novel category. Published by Tachyon Publications, here’s the synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina—a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

The novel is graced with another fantastic cover from award-winning artist Sarah Anne Langton.

‘Lavie Tidhar does it again. A jewelled little box of miracles. Magnificent.’ — Warren Ellis

‘World Fantasy Award winner Tidhar (Central Station) will leave readers’ heads spinning with this disorienting and gripping alternate history… ‘No matter what we do, human history always attempts to repeat itself,’ Tidhar writes, even as he explores the substantial differences in history that might arise from single but significant choices. Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (Starred Review)

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal (Starred Review)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own… Gorgeous in its alienness…’ — NPR Books

‘Adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

Ian McDonald and Lavie Tidhar are Campbell Memorial Award nominees!

Posted on Monday, June 24th, 2019

We are very happy to share the news that both Ian McDonald and Lavie Tidhar have both been nominated for the 2019 John W. Campbell Memorial Award!

The award will be presented during the Campbell Conference, to be held June 28-30, 2019 at the University of Kansas Student Union in Lawrence, Kansas. While this does leave us slightly conflicted (they both deserve to win!), we wanted to share our congratulations, as well as some information about the author’s nominated books.

Ian McDonald‘s latest novella, TIME WAS, is published by Tor.com, and has also been nominated for the Philip K. Dick Award. Here’s the synopsis…

A love story stitched across time and war, shaped by the power of books, and ultimately destroyed by it.

In the heart of World War II, Tom and Ben became lovers. Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found.

Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their desperate timelines overlap.

UNHOLY LAND is Lavie Tidhar‘s latest novel, and is published by Tachyon Publications. The novel has already racked up an impressive list of other commendations since its publication. Here’s the synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

Congratulations again to both Ian and Lavie!

Aaronovitch, de Bodard, McDonald & Tidhar are Locus Award Finalists!

Posted on Wednesday, May 8th, 2019

Yesterday, the finalists for this year’s Locus Awards were announced, and we’re very happy to report that four of our clients are among them! Winners of the awards will be announced during the Locus Awards Weekend, to be held in Seattle, June 28th-30th. Here are the details…

In the Best Sci-Fi Novel category: UNHOLY LAND by Lavie Tidhar. Published by Tachyon Publications, here’s the synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

UNHOLY LAND has racked up an impressive range of commendations and nominations since its release. Here, too, are just a few of the great reviews…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

In the Best Fantasy Novel category: LIES SLEEPING by Ben Aaronovitch. Published by Gollancz in the UK and DAW Books in North America, here’s the synopsis…

Martin Chorley, aka the Faceless Man, wanted for multiple counts of murder, fraud and crimes against humanity, has been unmasked and is on the run.

Peter Grant, Detective Constable and apprentice wizard, now plays a key role in an unprecedented joint operation to bring Chorley to justice.

But even as the unwieldy might of the Metropolitan Police bears down on its foe, Peter uncovers clues that Chorley, far from being finished, is executing the final stages of a long term plan.

A plan that has its roots in London’s two thousand bloody years of history, and could literally bring the city to its knees.

To save his beloved city Peter’s going to need help from his former best friend and colleague – Lesley May – who brutally betrayed him and everything he thought she believed in. And, far worse, he might even have to come to terms with the malevolent supernatural killer and agent of chaos known as Mr Punch…

As with all of Ben’s Peter Grant novels, LIES SLEEPING was met with a veritable tsunami of praise. Here’s just a taste…

‘[F]unny… laugh-out-loud prose… fans will delight in this outing.’ — Publishers Weekly

‘[R]ecounted with deadpan British wit and irony… packed with fascinating historical detail… Lively and amusing and different.’ — Kirkus

‘Peter Grant’s London has depth, breadth, and a complex array of recurring characters, and every one of the novels can be relied on to start with a bang… Aaronovitch’s Peter Grant has a distinctive voice, one that makes even the bureaucracy of regular police work engaging and compelling… Aaronovitch writes a tense, compelling police procedural with magic. As usual, Grant’s voice is striking, and the action gripping and intense.’ — Tor.com

There are two Zeno clients in the Best Novella category: First, THE TEA MASTER AND THE DETECTIVE by Aliette de Bodard, published by Subterranean Press in North America and JABberwocky elsewhere in English, here’s the synopsis…

Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appearance of environments easily modified and adapted to interlocutors or current mood.

A transport ship discharged from military service after a traumatic injury, The Shadow’s Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow’s Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The  Shadow’s Child with her.

As they dig deep into the victim’s past, The Shadow’s Child realises that the investigation points to Long Chau’s own murky past — and, ultimately, to the dark and unbearable void that lies between the stars…

Set in Aliette’s Hugo Award-nominated Xuya universe, this novella was praise far and wide upon release (and continues to receive many great reviews)…

‘[A] delicate, gender-bent recasting of Sherlock Holmes and Doctor Watson in the far future of her Xuya universe, the gorgeously mannered space opera setting of celebrated novellas… a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.’ — New York Times

‘A science-fictional ode to Arthur Conan Doyle’s Sherlock Holmes, where the Holmes figure is a sharp and biting disgraced aristocratic scholar with a solid core of empathy, and the Watson-figure is a mindship with post-traumatic stress disorder from her war experiences… This is a measured, almost stately story, right up until a conclusion that explodes in fast-paced tension. It preserves the empathy and the intensity of the original Sherlockian stories, while being told in de Bodard’s sharp prose and modern style. The worldbuilding… sparkles. The characters have presence: they’re individual and compelling. And it ends it a way that recalls the original Holmes and Watson, while being perfectly appropriate to itself.’ — Tor.com

‘De Bodard revisits her far-future Xuya universe setting with this gripping novella about damaged characters driven to search for the truth… De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.’ — Publishers Weekly

‘As a classical blend of far-future SF and traditional murder mystery, THE TEA MASTER AND THE DETECTIVE should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.’ — Locus (Gary K. Wolfe)

Second: TIME WAS by Ian McDonald. Published by Tor.com, here’s the synopsis…

A love story stitched across time and war, shaped by the power of books, and ultimately destroyed by it.

In the heart of World War II, Tom and Ben became lovers. Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found.

Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their desperate timelines overlap.

As with the other titles mentioned above, Ian’s novella has been met with widespread praise. As reported in February, the novella has also been nominated for the Philip K. Dick Award! Here are just a few of the reviews the book has received since release…

‘[E]ntrances readers with this multigenerational novella of two time-crossed lovers who can only meet for brief moments separated by several years… beautiful writing… Fans of science fiction who enjoy a dash of history and legend will savor this tender story.’ — Publishers Weekly

‘This slender, poignant queer romance incorporates time travel and hints of hard science into a story as devastatingly sad—which isn’t to say bleak—as anything you’ll read this year.’ — B&N Sci-Fi & Fantasy Blog (Best SFF Books of the Year So Far, 2018, Honourable Mention)

‘TIME WAS… a peculiar story of time, mystery, books, love, and war, compact as a parable, layered like a complex metaphor… and in some ways, strikingly unsettling… very well put together, and gorgeously written.’ — Tor.com

‘Throughout his career, Ian McDonald has demon­strated a remarkable versatility of style and language. His recent fiction has ranged from the YA sense-of-wonder exuberance of his parallel-world Everness series to the efficient social melodrama narration of the Luna novels, but he’s always been equally capable of great lyricism, and his new novella, TIME WAS, is a persuasive and gorgeous example of it. Essentially a timeslip romance in which the romance is evoked not by dramatic clinches but by a heightened sensuality, an acute awareness of nature, and a haunting sense of imminent loss, it nevertheless introduces enough chatter about quan­tum indeterminacy to work as SF. In a fascinating way, the two “time-crossed lovers,” Ben and Tom, come to represent the dual aesthetic of any good SF romance: Ben is a physicist working on a complex new experiment with his “Uncertainty Squad,” while Tom is a poet and part-time amateur actor who, when we meet him, is working for the Signal Corps. Early on, Ben confesses that he doesn’t have the soul of a poet, and Tom admits he doesn’t “have the soul of a scientist,” but, as McDonald well knows, you need both to tell a story like this… one of the most purely beautiful pieces of writing McDonald has given us in years.’ — Gary K. Wolfe (Locus)

 

Congrats to Lavie, Ben, Aliette and Ian on their very-well deserved nominations!

A Smorgasbord of Award Nominations!

Posted on Monday, February 25th, 2019

It’s February, so many award shortlists have recently been unveiled, and we’re very happy to share the news that a number of our clients have been nominated! So, in order of announcement…

Already nominated for the Philip K. Dick Award, Ian McDonald‘s TIME WAS is also on the shortlist for the BSFA Award for Best Shorter Fiction! Published by Tor.com, here’s the synopsis for the critically-acclaimed novella…

A love story stitched across time and war, shaped by the power of books, and ultimately destroyed by it.

In the heart of World War II, Tom and Ben became lovers. Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found.

Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their desperate timelines overlap.

The stunning covers of two books by Zeno clients are also on the BSFA shortlist for Best Artwork…

Aliette de Bodard‘s essay ‘On motherhood and erasure: people-shaped holes, hollow characters and the illusion of impossible adventures’ has also been nominated for a BSFA Award, for Best Non-Fiction. You can read that piece here.

The BSFA Awards will be presented on Saturday 20th April at Ytterbium, the 70th Eastercon, which will be held at the Park Inn Heathrow, London, from 19-22 April 2019.

That’s not all for Aliette, however: her critically-acclaimed novella THE TEA MASTER AND THE DETECTIVE has been nominated for the Nebula Award for Best Novella! Published in North America by Subterranean Press, and elsewhere in English via JABberwocky, the novella has been racking up an impressive number of glowing reviews. Here’s the synopsis…

Welcome to the Scattered Pearls Belt, a collection of ring habitats and orbitals ruled by exiled human scholars and powerful families, and held together by living mindships who carry people and freight between the stars. In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appearance of environments easily modified and adapted to interlocutors or current mood.

A transport ship discharged from military service after a traumatic injury, The Shadow’s Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow’s Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The  Shadow’s Child with her.

As they dig deep into the victim’s past, The Shadow’s Child realises that the investigation points to Long Chau’s own murky past — and, ultimately, to the dark and unbearable void that lies between the stars…

The Nebula Award winners will be announced at SFWA’s 54th annual Nebula Conference in Los Angeles, CA, taking place May 16th-19th at the Marriott Warner Center in Woodland Hills, CA.