Önce onları yakalıyor…
Sonra da işlerini bitiriyor…
Polis müfettişi dedektif Luc Callanach yeni çalışma ortamına tam adımını atmıştı ki kayıp Elaine vakası ile yüzyüze geldi ve işler sarpasarıp cinayet soruşturmasına dönerek ortalık kızıştı. O İnterpol’deki kariyer vadeden görevinden ayrıldıktan sonra yeni ekibine kendini ispatlama derdinde. Ama anladı ki Edinburgh Lyon’a çok uzakta ve Elaine’nin katili ayakizlerini çok titizce bir dikkatle yok ediyor.
Çok geçmeden başka bir kadın kapısının önünden çok ustaca kaçırılıyor ve Callanach da kendini zamanla yarışta buluyor. Ya da o öyle sanıyor…Kaçırılan kadınların gerçek yazgısı onun tahmin edemeyeceği kadar karmakarışık.
The Luna series is published in the UK by Gollancz, and in North America by Tor Books — NEW MOON is followed by WOLF MOON and MOON RISING. A prequel to the series, THE MENACE FROM FARSIDE, is published by Tor.com. Here’s the English-language synopsis to the first novel…
The Moon wants to kill you. It might not get there first.
Luna is a gripping thriller about five corporate families caught in a bitter battle for supremacy in the harsh environment of the moon. It’s very easy to die on the moon, but with its vast mineral wealth it’s also easy to make your fortune.
Following the fortunes of a handful of disparate characters, from one of the lowliest workers on the moon to the heads of one of the most powerful families, LUNA provides a vast mosaic of life on this airless and terrifying new home for humanity.
This is SF that will be perfect for fans of Kim Stanley Robinson and Ken Macleod alike.
Here are just a few of the many great reviews NEW MOON has received…
‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review)
‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian
‘No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing
‘Fans of cerebral, high-concept science fiction will love this exploration of society on the moon many decades after it has been colonized. The focus is more on concept and plot than on character, but the former are compelling enough to make this an addictive page-turner. Including the stories of many characters gives the reader important insights into different facets of society, and although the book starts at a slow pace, it accelerates into a mesmerizing political thriller.’ — RT Book Reviews
‘LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and others to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDonald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus