CENTRAL STATION Nominated for Xinyung Award in China!


We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has been nominated for a 2020 Xiyung Award for Best Translated Fiction! The novel — which has won and been nominated for a whole host of other awards, including the Campbell Award — was translated by Chen Yang, and is published in China as 中央星站, by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来,一场世界范围内的大离散过后,二十五万 人滞留中央星站。

城市破败,科技失控,生命廉价,数据泛滥,地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY.

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ Chen Qiufan

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ Ken Liu

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ Library Journal (starred review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

Lavie’s latest novel, BY FORCE ALONE, was published recently by Head of Zeus in the UK, and is due to be published by Tor Books in August 2020 (North America).

Lavie Tidhar’s 中央星站 out now in China!


Lavie Tidhar‘s award-winning and critically-acclaimed novel CENTRAL STATION is now available in China! Published as 中央星站 by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来,一场世界范围内的大离散过后,二十五万 人滞留中央星站。

城市破败,科技失控,生命廉价,数据泛滥,地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

Chinese-speaking fans of Lavie’s work could also turn their attention to these great interviews the author did while recently in China:

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ Chen Qiufan

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ Ken Liu

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ Library Journal (starred review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

Prepare to visit Lavie Tidhar’s 中央星站 in the New Year!


We’re very happy to share with you the details of the upcoming Chinese edition of Lavie Tidhar‘s award-winning CENTRAL STATION! Due to be published 中信出版集团 (Citic) as 中央星站 on January 1st, 2020, here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来,一场世界范围内的大离散过后,二十五万 人滞留中央星站。

城市破败,科技失控,生命廉价,数据泛滥,地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications, who also publish the acclaimed UNHOLY LAND and THE VIOLENT CENTURY (US edition). Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Chinese-speaking fans of Lavie’s work could also turn their attention to these great interviews the author did while recently in China:

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ Chen Qiufan

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ Library Journal (starred review)

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ Ken Liu

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

CENTRAL STATION Nominated for Award in Spain!


Lavie Tidhar‘s critically-acclaimed novel CENTRAL STATION has garnered another award nomination! This time, the Spanish-language edition (translated by Alexander Páez) has been nominated for Spain’s Kelvin 505 Award! The winner will be announced at the Celsius 232 convention on July 14th, 2019.

Published in Spain as ESTACIÓN CENTRAL, by Alethé, here’s the synopsis…

Una diáspora mundial ha dejado un cuarto de millón de personas a los pies de una estación espacial. Las culturas chocan en la vida real y en la virtual. La vida apenas tiene valor, y la información tiene incluso menos.

Mucho ha cambiado cuando Boris Chong vuelve de Marte a Tel Aviv. La examante de Boris está criando a un extraño y familiar niño que puede meterse en el torrente de información con el simple roce de un dedo. Su prima  está enamoradísima de un robotnik: un soldado ciborg destrozado que necesita mendigar piezas de repuesto. Su padre tiene una enfermedad terminal, una plaga mental multigeneracional. Y una atormentada vampira informática ha seguido a Boris a un lugar al que tiene prohibido volver.

Alzándose sobre todos ellos está la Estación Central, el núcleo interplanetario en medio de todo: la Tel Aviv con sus constantes cambios; una potente arena virtual y las colonias espaciales donde la humanidad se ha marcado para escapar de los estragos de la pobreza y la guerra. Todo está conectado por los Otros, poderosas entidades alienígenas que, a través de la Conversación (un torrente inestable de conciencia) suponen el inicio de un cambio irreversible.

En la Estación Central, los humanos y las máquinas siguen adaptándose, prosperando e incluso… evolucionando.

The novel has the following award wins and nominations…

  • 2017 John W. Campbell Award Winner
  • 2018 Neukom Institute Literary Arts Award Winner
  • 2017 Arthur C. Clarke Award, Shortlist
  • 2016 British Science Fiction Award, Longlist
  • 2017 Geffen Award nominee, Best Translated Science Fiction Book
  • 2019 Premio Italia, Best International Novel, Finalist (Italy)
  • 2019 Kurd Laßwitz Preis Shortlist (Germany)

CENTRAL STATION is published in English by Tachyon Publications, and has been published widely in translation. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The cover is by Sarah Anne Langton, and it also has racked up some awards and nominations…

  • 2016 British Science Fiction Award Best Cover Illustration
  • Chesley Award, Best Cover Illustration
  • 2017 British Fantasy Society – Shortlist for Best Artist

Lavie Tidhar’s CENTRAL STATION nominated for Kurd Laßwitz Preis in Germany!


Hot on the heels of the CENTRAL STATION nomination for the Premio Italia Award, Lavie Tidhar‘s novel has also been nominated for the Kurd Laßwitz Preis for Best Foreign Science-Fiction!

The novel is published by Heyne in Germany. Here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

This is just the latest nomination for CENTRAL STATION, which has been praised far and wide. Just look at this list of commendations…!

2017 John W. Campbell Award Winner
2018 Neukom Institute Literary Arts Award Winner
2017 Arthur C. Clarke Award, Shortlist
2016 British Science Fiction Award, Longlist
2017 Geffen Award nominee, Best Translated Science Fiction Book
2019 Premio Italia, Best International Novel, Finalist
2019 Kurd Laßwitz Preis Shortlist

NPR Best Books of 2016
Amazon Featured Monthly Best Science Fiction & Fantasy Books
Barnes and Noble Best Science Fiction and Fantasy of 2016
2016 Locus Recommended Reading List Winner

The novel is published in English by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The English-language cover, but Sarah Anne Langton, has also racked up some nominations and wins…!

2016 British Science Fiction Award Best Cover Illustration
Chesley Award, Best Cover Illustration
2017 British Fantasy Society – Shortlist for Best Artist

Ian McDonald and Lavie Tidhar are Premio Italia 2019 nominees!


We’re delighted to report that Ian McDonald and Lavie Tidhar have both been nominated for the Premio Italia 2019 award for Best International Novel!

Ian McDonald‘s ARES EXPRESS is published in Italy by Zona 42. Here’s the synopsis…

“Dovresti cercare di fermarmi. Dovresti farmi ragionare, dirmi quanto male staranno tutti quanti, e non pensi all’onore della famiglia, e sarà uno scandalo tale che dovranno andare in giro senza tagliarsi i capelli per i prossimi tre anni. Poi, visto che non funzionerà, dovresti chiedermi se so cosa sto facendo e se so dove sto andando e dirmi che quello là fuori è un mondo enorme e pericoloso e che mi farò del male molto in fretta e finirò per tornare con la coda tra le gambe. E quando io ti risponderò che è tutto a posto tu dovresti addolcirti e dirmi che ti mancherò e che mi hai sempre amato e che avevi questo piano brillante di comprarti la libertà e avremmo avuto il nostro treno e saremmo partiti verso il tramonto in una nuvola di vapore.”

Immagina treni grandi come quartieri, cattedrali volanti, deserti sconfinati attraversati da binari infiniti e città che si arrampicano per centinaia di piani sotto il tetto del mondo. Immagina una ragazza che vorrebbe solo guidare un treno, la sua gemella invisibile e una Storia da cui dipende il futuro – o i futuri – di un intero mondo. Immagina le meraviglie di un pianeta rutilante di colori, caleidoscopico nei molteplici panorami, con la sua corona di angeli e di intelligenze artificiali, gli artisti anarchici, le città desolate e quelle brulicanti di vita.

Ian McDonald mette in scena un’avventura governata dalle leggi ineluttabili della Narrativa, che — al solito — non sanno che farsene di un’Eroina Esuberante e Intraprendente (Ma Comunque Carina). Riuscirà Sweetness a piegare la Storia alla sua volontà, e a sopravvivere alle sfide che una dopo l’altra le si parano davanti?

Ares Express narra di uno strano mondo, così diverso, eppure così vicino al nostro, un luogo pittoresco e affascinante, dove si mescolano fantascienza e realismo magico, immaginazione e filosofia, azione scatenata e idee straordinarie.

Benvenuti nella vita di Sweetness Octave Glorious Honey-Bun Asiim XII Macchinista. Benvenuti su Marte.

ARES EXPRESS, the second novel in Ian’s Desolation Road series, is published in English via the JABberwocky eBook Program. Here’s the English-language synopsis…

Taking place in the kaleidoscopic future of Ian McDonald’s Desolation Road, this novel is set on a terraformed Mars where fusion-powered locomotives run along the network of rails that is the planet’s circulatory system and artificial intelligences reconfigure reality billions of times each second. One young woman, Sweetness Octave Glorious-Honeybun Asiim 12th, becomes the person upon whom the future – or futures – of Mars depends. Big, picaresque, funny; taking the Mars of Ray Bradbury and the more recent, terraformed Marses of authors such as Kim Stanley Robinson and Greg Bear, Ares Express is a wild and woolly magic-realist SF novel, featuring lots of bizarre philosophies, strange, mind-stretching ideas and trains as big as city blocks.

Lavie Tidhar‘s critically-acclaimed, multi-award-winning and -nominated novel CENTRAL STATION is published in Italy by Acheron Books. Here’s the synopsis…

A Tel Aviv, un quartiere popolato da un milione di persone è sorto intorno alla base spaziale Central Station. Umani, robot e i misteriosi Altri sono tutti interconnessi in una pervasiva coscienza digitale chiamata “la Conversazione”, e le molteplici culture si scontrano e si confondono fra reale e digitale. La vita può sembrare a buon mercato, ma le informazioni lo sono ancora di più.

Quando Boris Chong torna a Central Station, la ritrova in uno stato di caos. Le strade sono invase dalla droga religiosa chiamata Crucifixation. La sua ex compagna sta allevando un bambino dotato di poteri che lo rendono simile a un nuovo Messia. Suo padre è afflitto da un virus mentale multigenerazionale. Sua cugina è innamorata di un cyborg Robotnik. E una Vampira di Dati vagabonda lo ha seguito fin da Marte…

CENTRAL STATION is published in the UK and US by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Lavie Tidhar’s CENTRAL STATION available now in Italy!


The Italian edition of Lavie Tidhar‘s CENTRAL STATION is out now! Published by Acheron, here’s the synopsis…

A Tel Aviv, un quartiere popolato da un milione di persone è sorto intorno alla base spaziale Central Station. Umani, robot e i misteriosi Altri sono tutti interconnessi in una pervasiva coscienza digitale chiamata “la Conversazione”, e le molteplici culture si scontrano e si confondono fra reale e digitale. La vita può sembrare a buon mercato, ma le informazioni lo sono ancora di più.

Quando Boris Chong torna a Central Station, la ritrova in uno stato di caos. Le strade sono invase dalla droga religiosa chiamata Crucifixation. La sua ex compagna sta allevando un bambino dotato di poteri che lo rendono simile a un nuovo Messia. Suo padre è afflitto da un virus mentale multigenerazionale. Sua cugina è innamorata di un cyborg Robotnik. E una Vampira di Dati vagabonda lo ha seguito fin da Marte…

CENTRAL STATION is published in the UK and US by Tachyon Publications, and widely in translation. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Lavie Tidhar is heading to the States!


Next week, Lavie Tidhar will be taking part in a couple of events across the pond! On October 1st, he will be attending a special event hosted at Dartmouth College, as one of three winners of the Neukom Literary Arts Award For Speculative Fiction. He won the award for his novel CENTRAL STATION (Tachyon Publications). In case you missed it, here’s the synopsis for the novel, which also won the John W. Campbell Award…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Later in the week, on October 4th, he’ll be taking part in a joint event with Silvia Moreno-Garcia at Pandemonium Books in Cambridge, Massechusetts.

Lavie’s latest novel is CANDY, his critically-acclaimed first book for younger readers (published by Scholastic in the UK). His next novel is the highly-anticipated UNHOLY LAND, due to be published in November by Tachyon Publications.

Russian fans can now visit CENTRAL STATION…


Lavie Tidhar‘s CENTRAL STATION continues its conquest of the globe: the novel is now available in Russia! Published by Эксмо’s Fanzon Neo SF imprint as Центральная станция, here’s the synopsis…

250 000 мигрантов остались жить у подножия гигантского космического вокзала. Культуры сплавились вместе, как реальность и виртуальность. Город вокруг продолжает расти, словно сорняк.

Жизнь дешева, а инфа ничего не стоит.

Борис Чонг возвращается домой с Марса. Многое изменилось. У него появился ауг — марсианский симбионт, меняющий восприятие. Бывшая любовница воспитывает странного ребенка, способного “касаться” сознанием потоков данных. Двоюродная сестра влюблена в роботника — поврежденного киборга, ветерана войн, о которых уже никто не помнит. Отец неизлечимо болен раком памяти. А следом за Борисом тайно прилетает инфо-вампир.

Над ними всеми возвышается Центральная станция, межпланетный узел между Землей и космическими колониями, куда человечество во всем своем многообразии ушло, чтобы избежать войн и бедствий. Все связано с Иными, могущественными сущностями, которые через Разговор, глобальную сеть потока сознания, вызывают безвозвратные изменения.

Люди и машины Центральной станции продолжают приспосабливаться, процветать и эволюционировать…

The novel is published in English by Tachyon Publications, was also available as a Limited Edition, and has been published in Bulgaria, Israel, Germany, RomaniaSpain and Czechia (with more to come!). Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Lavie’s latest novel is CANDY, his first for younger readers, which is published by Scholastic. The author’s next novel is UNHOLY LAND, which is also due to be published by Tachyon Publications, in November 2018.

Czech edition of CENTRAL STATION out now!


The Czech edition of Lavie Tidhar‘s multi-award winning CENTRAL STATION is out now! Published by Argo as CENTRÁLNÍ STANICE, here’s the synopsis…

Celosvětová diaspora čtvrt milionů lidí žije u paty vesmírné stanice. Město bez pravidel bují doslova jako plevel. Život má pramalou cenu a data ještě menší. Když se Boris Chong vrátí z Marsu do Tel Avivu, rychle pozná, že se hodně věcí změnilo. Borisova bývalá milenka se stará o podivně povědomé dítě, které se dovede pouhým dotykem prstu napojit na datový proud. Borisova sestřenice je zamilovaná do robotnika – poškozeného kyborgovského vojáka, který taktak že nechodí žebrat o součástky. Borisův otec trpí smrtelným multigeneračním mozkovým morem. A hledaná datová upířice pronásledovala Borise až do míst, kam má zakázaný návrat. Nad těmi všemi se tyčí Centrální stanice, meziplanetární uzel, ve kterém se protíná všechno: konstantně se proměňující Tel Aviv; mocná virtuální kolbiště; a vesmírné kolonie, kam lidstvo prchlo před bídou a válkou. Propojení zajišťují „Druzí“: mocné mimozemské entity, které prostřednictvím Konverzace – pohyblivého, plynoucího proudu vědomí – právě zahajují nezvratnou změnu. U Centrální stanice se lidé a stroje se adaptují, vzkvétají… a dokonce se vyvíjejí.

The novel is published in English by Tachyon Publications, and a limited edition was available via PS Publishing. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Lavie’s next novels are CANDY (Scholastic) and UNHOLY LAND (Tachyon), both published later this year.

CENTRAL STATION wins an inaugural Neukom Award!


We are delighted to share the news that Lavie Tidhar‘s critically-acclaimed CENTRAL STATION has won an inaugural Neukom Award! You can read the full press release here.

Dan Rockmore, director of the Neukom Institute, said of the winners, ‘We are proud to have a list of award winners that features such thoughtful artistic visions of the future, both near and far… We all wrestle with the uncertainty of the future, that is what makes speculative fiction such an important and necessary genre, and that is what makes each of these works so special.’

Here’s what Lavie had to say about winning the award…

‘Writing CENTRAL STATION, I was finally able to put into form many of the ideas on the future – of people, of machines, of communication – that occupied me since first loading a command line prompt, and since the first time I heard the siren call of a modem. I’m honored to be among the inaugural recipients of the Neukom Institute Literary Arts Awards.’

CENTRAL STATION is published by Tachyon Publications in English, and is available in a growing number of translated editions — with more to come (check his author page for more information). Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Many congratulations, Lavie, on this latest very-well-deserved honour!

Last week, we shared the stunning cover for Lavie’s next novel, UNHOLY LAND, which will also be published by Tachyon Publications.

CENTRAL STATION nominated for a Neukom Institute Literary Arts Award!


Lavie Tidhar‘s critically-acclaimed latest novel, CENTRAL STATION has been nominated for a Neukom Institute Literary Arts Award! On the awards’ website, Neukom Institute Director Dan Rockmore said, ‘Whether describing a cloned space crew, the future of sexual relations, or everyday life in a changed environment, the Neukom shortlist is filled with essential reads that address the complexities that the future may bring.’ The winners (one for debut, one for an established author) will be announced in early May 2018.

CENTRAL STATION is published by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The novel has been published widely in translation (with more editions to come!). Here’s some of the aforementioned critical acclaim…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ Library Journal (starred review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

ESTACIÓN CENTRAL out now in Spain!


Lavie Tidhar‘s critically-acclaimed, award-winning CENTRAL STATION is out now in Spain! Published as ESTACIÓN CENTRAL by Alethé, here’s the synopsis…

Una diáspora mundial ha dejado un cuarto de millón de personas a los pies de una estación espacial. Las culturas chocan en la vida real y en la virtual. La vida apenas tiene valor, y la información tiene incluso menos.

Mucho ha cambiado cuando Boris Chong vuelve de Marte a Tel Aviv. La examante de Boris está criando a un extraño y familiar niño que puede meterse en el torrente de información con el simple roce de un dedo. Su prima  está enamoradísima de un robotnik: un soldado ciborg destrozado que necesita mendigar piezas de repuesto. Su padre tiene una enfermedad terminal, una plaga mental multigeneracional. Y una atormentada vampira informática ha seguido a Boris a un lugar al que tiene prohibido volver.

Alzándose sobre todos ellos está la Estación Central, el núcleo interplanetario en medio de todo: la Tel Aviv con sus constantes cambios; una potente arena virtual y las colonias espaciales donde la humanidad se ha marcado para escapar de los estragos de la pobreza y la guerra. Todo está conectado por los Otros, poderosas entidades alienígenas que, a través de la Conversación (un torrente inestable de conciencia) suponen el inicio de un cambio irreversible.

En la Estación Central, los humanos y las máquinas siguen adaptándose, prosperando e incluso… evolucionando.

CENTRAL STATION is published in English by Tachyon Publications, and has been published in select other languages and territories (check out Lavie’s author page for more details). Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Here’s some of the aforementioned critical acclaim…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ Library Journal (starred review)

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ Tor.com

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ Chicago Tribune

Zeno Clients nominated for Polish “Goodreads” Awards!


We’re very happy to report that Ian McDonald‘s WOLF MOON, Lavie Tidhar‘s CENTRAL STATION and Ian Tregillis‘s THE RISING have all been nominated for Best Sci-Fi novel on Lubimyczytać! Many congratulations to all three authors! (This situation creates a certain amount of angst for us: we really want all three to win!) Voting is open until February 28th.

Here are some more details about each novel…

Ian McDonald’s WOLF MOON, the second in the Luna series, is published in Poland by MAG as LUNA: WILCZA PEŁNIA. Here’s the synopsis…

Zabito Smoka.

Corta Hélio, jedna z pięciu rządzących Księżycem rodzinnych korporacji, została zniszczona. Rodzina się rozproszyła, wrogowie podzielili majątek między sobą. Minęło osiemnaście miesięcy.

Ocalałe dzieci Cortów, Lucasinho i Luna, uzyskały ochronę potężnego rodu Asamoah, a Robson, który nie doszedł do siebie po gwałtownej śmierci rodziców, jest teraz podopiecznym – a w istocie zakładnikiem – rodu Mackenziech. Natomiast mianowany następca tronu, Lucas Corta, zniknął z powierzchni Księżyca.

Jedynie lady Sun, głowa rodu Sunów i korporacji Taiyang, podejrzewa, że Lucas jednak żyje i wciąż jest liczącym się graczem. Przecież zawsze był królem intrygi – i nie zawahałby się zaryzykować nawet życia, by zbudować nowe Corta Hélio, jeszcze potężniejsze niż przedtem. Potrzebuje jednak sojuszników – aby ich zyskać, porywa się na podróż na Ziemię, wyprawę niewykonalną dla urodzonego na Księżycu człowieka.

W niestabilnym księżycowym klimacie zwieńczeniem intryg, zmieniających się sojuszy i politycznych machinacji wielkich rodów staje się otwarta, krwawa wojna.

The Luna series is published in the UK by Gollancz, and in the US by Tor Books. Here’s the English-language synopsis…

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and – more to the point — that he is still a major player in the game. After all, Lucas always was a schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war between the families erupts.

Lavie Tidhar’s award-winning CENTRAL STATION is published in Poland by Zysk i S-Ka as STACJA CENTRALNA. Here’s the synopsis…

U podstawy kosmoportu “Stacji Centralnej”, powstałego w przyszłościowym mieście na pograniczu między izraelskim Tel Awiwem a arabską Jaffą, zamieszkało ćwierć miliona ludzi. Rozmaite kultury zderzają się tu ze sobą, w świecie realnym i wirtualnym.

Ludzi, maszyny i Innych łączy ze sobą strumień cyfrowej świadomości. Życie może być tanie, ale dane są tańsze…

Gdy Boris Chong z oporami wraca do Tel Awiwu z Marsa, zastaje tu całkowity chaos. Jego była kochanka wychowuje dziwnie znajome dziecko, które potrafi jednym dotknięciem palca podłączyć się do strumienia danych umysłu. Jego ojciec dał początek wielopokoleniowej zarazie umysłowej i choruje na przeciążenie pamięci. Jego podróżująca po kosmosie kuzynka zakochała się w robotniku, żołnierzu-cyborgu. A nieobliczalna kobieta będąca wampirem danych podążyła za nim do domu…

Nad tym wszystkim góruje Stacja Centralna, stanowiąca połączenie między nieustannie się zmieniającym Tel Awiwem, ogromnym światem wirtualnym oraz koloniami kosmicznymi, do których przenieśli się ludzie uciekający przed nędzą i wojną. A wszystko to łączą ze sobą Inni, obce jestestwa, których nieustannie zmieniający się strumień świadomości stanął na progu fundamentalnej zmiany.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

And last, but by no means least, we have Ian Tregillis’s THE RISING. The second novel in the author’s critically-acclaimed Alchemy Wars trilogy, it is published in Poland by Wydawnictwo SQN as POWSTANIE. Here’s the synopsis…

Odrodzony w ogniach zniszczonej Wielkiej Kuźni Jax rozpoczyna życie jako wolny klakier. Z wyzwoleniem wiąże się jednak ogromne brzemię. Jax pragnie wolności dla swoich mosiężnych braci i sióstr. Nadziei upatruje w na poły legendarnej królowej Mab i jej mitycznej arkadii ukrytej gdzieś daleko na północy kontynentu.

Berenice pełniła funkcję Talleyranda – szpiegmistrzyni, bohaterki dziesiątków opowieści, herosa ludu Nowej Francji. A potem popełniła błąd… Została wygnana z kraju i pochwycona przez drakońską sekretną policję zegarmistrzów. Choć jej dni zdają się policzone, nadal zamierza za wszelką cenę dążyć do odmienienia losów wojny.

Mosiężny Tron planuje znów najechać francuskie ziemie. Ostatnim bastionem Francuzów jest dotąd niezdobyta twierdza Zachodniej Marsylii. Właśnie tu do obrony przygotowuje się kapitan Hugo Longchamp. Zadanie ma wyjątkowo trudne, bo naprzeciw niestrudzonej armii mechanicznych żołnierzy może wystawić jedynie znękane i nieprzetestowane oddziały złożone w większości z kupców i rzemieślników. Sytuacja dawno nie była tak beznadziejna.

THE RISING is published in the UK by Orbit Books, as are the other two novels in the series: THE MECHANICAL and THE LIBERATION. Here’s the English-language synopsis…

They called me Jax.

That was the name given by those who built me and enslaved me. But a miracle has happened, and now my bonds are broken.

Now I must flee — because a rogue mechanical is a very dangerous thing.

But I will not run forever.

Set in a world that might have been, of mechanical men and alchemical dreams.

Zeno represents Ian Tregillis in the UK and Translation, on behalf of Kay McCauley at Aurous Inc.

STATIA CENTRALA out now!


CENTRAL STATION, Lavie Tidhar‘s latest novel, is out today in Romania! Published by Nemira as STATIA CENTRALA, here’s the synopsis…

Statia Centrala este legatura interplanetara intre un Tel Aviv in permanenta transformare, o arena de realitate virtuala si coloniile spatiale pe care oamenii au fugit de saracie si razboaie.

O diaspora de un sfert de milion de oameni traieste la baza acestei statii spatiale, unde diversele culturi se amesteca in viata reala si in realitatea virtuala, intr-un mozaic al postumanitatii: vampiri de date infectati de Codul Nosferatu, robotniki – fosti soldati –, copii creati prin inginerie genetica si „mutilatii“, care decid sa traiasca fara tehnologie. Peste toate planeaza Alterii, entitati extraterestre care folosesc Conversatia – un flux cvasitelepatic de milioane de voci.

The award-winning, critically-acclaimed novel is published in the US and UK by Tachyon Publications, and was available as a limited edition by PS Publishing (now sold out — sorry). The novel has also been published widely in translation, with more editions on the way! Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.