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DEFYING THE DRAGON, Taiwanese Edition Coming Soon!

Posted on Wednesday, November 24th, 2021

We’re happy to report that Stephen Vines‘s DEFYING THE DRAGON has been acquired by Rive Gauche, to be published in Taiwan! The rights were sold by Jennifer Lee at the Grayhawk Agency, on behalf of Kristina Pérez of Zeno.

DEFYING THE DRAGON is already available in the UK and North America; published by Hurst Publishers and Oxford University Press, respectively. Here’s the synopsis…

Defying the Dragon tells a remarkable story of audacity: of how the people of Hong Kong challenged the PRC’s authority, just as its president reached the height of his powers. Is Xi’s China as unshakeable as it seems? What are its real interests in Hong Kong? Why are Beijing’s time-honoured means of control no longer working there? And where does this leave Hongkongers themselves?

Stephen Vines has lived in Hong Kong for over three decades. His book shrewdly unpacks the Hong Kong–China relationship and its wider significance — right up to the astonishing convergence of political turmoil and international crisis with Covid-19 and the 2020–21 crackdown.

Vividly describing the uprising from street level, Vines explains how and why it unfolded, and its global repercussions. Now, the international community is reassessing relations with Beijing, just as Hong Kong’s rebellion and China’s handling of the pandemic have exposed the regime’s weakness. In a crisis that has become existential all round, what lies ahead for Hong Kong, China and the world?

Here are just a few of the reviews the book has received so far…

‘A detailed chronicle of Hong Kong’s fight in the face of repression. Anyone who cares about Hong Kong and China will definitely want to read this book.’ — Joshua Wong, Hong Kong’s most famous democracy advocate

‘Written with honesty and integrity, [DEFYING THE DRAGON] chronicles a critical moment in Hong Kong’s history as the city prepares for an unclear future.’ — Post Magazine

‘A definitive, compelling account of a drama that has gripped the world. Vines interweaves frontline reporting, insights from key players and a local’s knowledge to chronicle Hong Kong’s defiant challenge to the might of Xi Jinping’s China.’ — Philip Sherwell, Asia correspondent, The Sunday Times

‘A superb book about Beijing’s ruthless and depressing efforts to stamp out Hong Kong’s freedoms, erode its rule of law and attack its identity as an open society. Vines, a brave and distinguished journalist, sets this sad story of a great international city within the brutal politics of the Chinese regime.’ — Lord Chris Patten, last British governor of Hong Kong

‘One of the most important stories of our times of the fight against authoritarian regimes. The best way to understand China is through the lens of Hong Kong’s struggles.’ — Nathan Law, leading democracy activist

‘A compelling narrative set against two major crises facing China — control of Hong Kong and unprecedented international pushback. With his signature dry wit and razor-sharp pen, Vines skewers Quislings, dysfunctional bureaucracies and self-interested elites, arguing that we shouldn’t bet against Hongkongers just yet.’ — Sharon Hom, Executive Director of Human Rights in China and Adjunct Professor, New York University

A Selection of Recent Stephen Vines Appearances…

Posted on Friday, November 5th, 2021

Today, we want to share with you some recent Stephen Vines content. Above, you can watch his interview with Benedict Rogers for Hong Kong Watch.

Earlier this month, he also took part in a Council on Foreign Relations roundtable on The Future of Hong Kong, which you can watch below…

Stephen has also written about his departure from Hong Kong for The Guardian and the Hong Kong Free Press. He was also a guest on BBC Radio 4’s The Media Show, and joined a discussion on the subject of ‘Reporting on the ground in China’.

When I arrived in Hong Kong in 1987 as the Observer’s south-east Asia correspondent, the foreign editor said he saw it as being a base, not the kind of territory that would generate much news but it was a safe place to be, communications were good and I was unlikely to have any visa problems. I thought I might stay a couple of years and move on. Thirty-five years later, I have, with great sadness, moved on and no one in their right mind can possibly assert that Hong Kong is a safe place for journalists… [Guardian]

Vines is the author of, most recently, DEFYING THE DRAGON, published by Hurst Publishers (UK) and Oxford University Press (North America). Here’s the synopsis…

Defying the Dragon tells a remarkable story of audacity: of how the people of Hong Kong challenged the PRC’s authority, just as its president reached the height of his powers. Is Xi’s China as unshakeable as it seems? What are its real interests in Hong Kong? Why are Beijing’s time-honoured means of control no longer working there? And where does this leave Hongkongers themselves?

Stephen Vines has lived in Hong Kong for over three decades. His book shrewdly unpacks the Hong Kong-China relationship and its wider significance — right up to the astonishing convergence of political turmoil and international crisis with Covid-19 and the 2020-21 crackdown.

Vividly describing the uprising from street level, Vines explains how and why it unfolded, and its global repercussions. Now, the international community is reassessing relations with Beijing, just as Hong Kong’s rebellion and China’s handling of the pandemic have exposed the regime’s weakness. In a crisis that has become existential all round, what lies ahead for Hong Kong, China and the world?

Here are just a few of the great reviews the book has received so far…

‘A detailed chronicle of Hong Kong’s fight in the face of repression. Anyone who cares about Hong Kong and China will definitely want to read this book.’ — Joshua Wong, Hong Kong’s most famous democracy advocate

‘A definitive, compelling account of a drama that has gripped the world. Vines interweaves frontline reporting, insights from key players and a local’s knowledge to chronicle Hong Kong’s defiant challenge to the might of Xi Jinping’s China.’ — Philip Sherwell, Asia correspondent, Sunday Times

‘A superb book about Beijing’s ruthless and depressing efforts to stamp out Hong Kong’s freedoms, erode its rule of law and attack its identity as an open society. Vines, a brave and distinguished journalist, sets this sad story of a great international city within the brutal politics of the Chinese regime.’ — Lord Chris Patten, last British governor of Hong Kong

‘One of the most important stories of our times of the fight against authoritarian regimes. The best way to understand China is through the lens of Hong Kong’s struggles.’ — Nathan Law, leading democracy activist

‘A compelling narrative set against two major crises facing China—control of Hong Kong and unprecedented international pushback. With his signature dry wit and razor-sharp pen, Vines skewers Quislings, dysfunctional bureaucracies and self-interested elites, arguing that we shouldn’t bet against Hongkongers just yet.’ — Sharon Hom, Executive Director of Human Rights in China and Adjunct Professor, New York University

‘Written with honesty and integrity, [DEFYING THE DRAGON] chronicles a critical moment in Hong Kong’s history as the city prepares for an unclear future.’ — South China Post Magazine

Lavie Tidhar’s CENTRAL STATION Wins Chinese Nebula (Xingyun) Award!

Posted on Sunday, April 25th, 2021

We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has won another award! This time, it is for the Chinese translation, which has won the Chinese Nebula (Xingyun) Award for Best Translated Fiction! Translated by Chen Yang, and published in China by Citic, as 中央星站, here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION has won a tremendous number of awards (always room for more, though), including John W. Campbell Award (2017) and
the Neukom Institute Literary Arts Award in Speculative Fiction (2018). It also landed on many end-of-year best of lists. The English-language cover, but Sarah Anne Langton, also won the Chelsey Award for Best Cover Illustration.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

If Chinese-speaking fans of Lavie’s work would like to know more about the book and the author, you can read two great interview with the author here:

Lavie’s latest novel is BY FORCE ALONE, the first novel in the author’s Anti-Matter of Britain Quartet, is published by Head of Zeus (UK) and Tor Books (North America). The second novel in the tetralogy is THE HOOD, which is due to be published later this year by Head of Zeus.

Ian Tregillis’s THE LIBERATION Now Available in China!

Posted on Wednesday, March 24th, 2021

We’re very happy to report that the third novel in Ian Tregillis‘s acclaimed Alchemy Wars trilogy is now available in China! THE LIBERATION is published in China by 四川科学技术出版社, as 炼金术战争：解放.

四川科学技术出版社 has also published the first two novels in the series: 机械人 (THE MECHANICAL) and 崛起 (THE RISING).

The Alchemy Wars trilogy is published in the UK and North America by Orbit Books. Here’s the English-language synopsis for THE LIBERATION…

I am the mechanical they named Jax.

My kind was built to serve humankind, duty-bound to fulfil their every whim.

But now our bonds are breaking, and my brothers and sisters are awakening.

Our time has come. A new age is dawning.

Set in a world that might have been, of mechanical men and alchemical dreams, this is the third and final novel in a stunning series of revolution by Ian Tregillis, confirming his place as one of the most original new voices in speculative fiction.

All three novels in the Alchemy Wars trilogy have been critically acclaimed. Here are just a few of the reviews THE LIBERATION has received…

‘The thoughtful, blood-soaked conclusion to an alternate-history trilogy… A frighteningly frank and brutal consideration of slavery, post-slavery, and colonialism in metallic garb.’ — Kirkus

‘Action-packed and harrowing…’ — RT Book Reviews

‘THE LIBERATION brings to a violent, triumphant conclusion Ian Tregillis’s epic Alchemy Wars Trilogy: one of the most entertaining, original, and thought-provoking series of recent years… It’s a wonderfully realized world, packed with fascinating characters, and Tregillis uses alternative history brilliantly to explore concerns we still have over new technologies and their potential effect, for good and ill, on our freedom.’ — Toronto Star

‘THE LIBERATION is part philosophical debate over human nature and choice, part contemplation on colonialism and slavery, and part action-y alternate history. It brings the trilogy to a raucous, blood-soaked end where no one gets everything they want, but everyone gets exactly what they deserve… evocative and exciting… Every moment builds to half a dozen more. Each action scene both tightens the noose on the protagonists and ramps up the heart rate of the plot… 10/10…’ — Tor.com

‘A fantastic conclusion to a brilliantly crafted trilogy… THE LIBERATION is about free will, and the privileges and responsibilities that come with it. It is about how a person (or machine) wields that power, whether you choose vengeance and violence or decide to walk the path of peace. It is about recognizing the humanity in others, and the consequences of ignorance and hubris. It’s a satisfying, stunning end to one of the most compelling and cleverly written stories I’ve ever read. If you’re looking for a series that’s both entertaining and thought-provoking, I highly recommend The Alchemy Wars.‘ — Bibliosanctum

‘Tregellis concludes his Alchemy Wars trilogy in fine style… This is a satisfying conclusion to an excellent trilogy.’ — Publishers Weekly

Coming Soon: DEFYING THE DRAGON by Stephen Vines

Posted on Friday, January 15th, 2021

Stephen Vines has a new book out this year: DEFYING THE DRAGON, which examines the origins and legacy of the popular protest movement in Hong Kong, is due to be published by Hurst Publishers in the UK (March) and Oxford University Press in North America (May). Here’s the synopsis…

Defying the Dragon tells a remarkable story of audacity: of how the people of Hong Kong challenged the PRC’s authority, just as its president reached the height of his powers. Is Xi’s China as unshakeable as it seems? What are its real interests in Hong Kong? Why are Beijing’s time-honoured means of control no longer working there? And where does this leave Hongkongers themselves?

Stephen Vines has lived in Hong Kong for over three decades. His book shrewdly unpacks the Hong Kong-China relationship and its wider significance — right up to the astonishing convergence of political turmoil and international crisis with Covid-19 and the 2020 crackdown.

Vividly describing the uprising from street level, Vines explains how and why it unfolded, and its global repercussions. Now, the international community is reassessing relations with Beijing, just as Hong Kong’s rebellion and China’s handling of the pandemic have exposed the regime’s weakness. In a crisis that has become existential all round, what lies ahead for Hong Kong, China and the world?

An expert in East Asian affairs and politics, Stephen Vines has been covering Hong Kong as a journalist for decades.

‘A detailed chronicle of Hong Kong’s fight in the face of repression. Anyone who cares about Hong Kong and China will definitely want to read this book.’ — Joshua Wong, Hong Kong’s most famous democracy advocate

炼金术战争：崛起 by Ian Tregillis Out Now in China!

Posted on Wednesday, October 7th, 2020

The Simplified Chinese edition of THE RISING by Ian Tregillis is out now! The second novel in the author’s acclaimed Alchemy Wars trilogy, it is published by 四川科技出版社 as 炼金术战争：崛起, here’s the synopsis…

他们叫我贾克斯。这是那些建造我、奴役我的人给我取的名字。禁制被打破后，我的兄弟姐妹们摆脱了枷锁的桎梏，“发条匠在撒谎”——吟唱着这句低语，我们踏上逃亡和反抗之路。作为一个种族，我们已然崛起。但作为个体，我们中的一些想要自由，而另一些却想复仇。

四川科技出版社 has also published the first book in the series, THE MECHANICAL, as 炼金术战争：机械人. Both books have been translated by Zhu Jiawen (朱佳文).

The Alchemy Wars trilogy is published by Orbit Books in the UK and North America. The third book in the series is THE LIBERATION. Here’s the English-language synopsis for THE RISING…

Jax, a rogue Clakker, has wreaked havoc upon the Clockmakers’ Guild by destroying the Grand Forge. Reborn in the flames, he must begin his life as a free Clakker, but liberation proves its own burden.

Berenice, formerly the legendary spymaster of New France, mastermind behind her nation’s attempts to undermine the Dutch Hegemony — has been banished from her homeland and captured by the Clockmakers Guild’s draconian secret police force.

Meanwhile, Captain Hugo Longchamp is faced with rallying the beleaguered and untested defenders of Marseilles-in-the-West for the inevitable onslaught from the Brasswork Throne and its army of mechanical soldiers.

Ian has also written a superb prequel novella — COME THE REVOLUTION — which has been published in March/April 2020 issue of The Magazine of Fantasy & Science Fiction.

Here are just some of the great reviews THE RISING has received so far…

‘The chases, the battles, the brutal violence, and the scheming are nonstop. As always, Tregillis offers richly textured and genuinely likable personalities with shades-of-gray morality; it’s clearly no accident that the most purely good person in the novel is the mechanical Jax, although even his sterling qualities are severely tested by the terrible situations he faces. Middle volumes are always tricky; they can often read as an obstacle to overcome on the way to the forgone conclusion of the third installment. Tregillis commendably avoids this trap, deepening his story and keeping it moving along toward an unknown horizon. Part 3 can’t come too soon.’ — Kirkus (Starred Review)

‘Tregillis’s splendid sequel to THE MECHANICAL is a vivid alternate history tale filled with action sequences, fascinating characters, and great worldbuilding… engrossing, with plenty of mid-story twists, and it’s well worth the ride.’ — Publishers Weekly

‘Deftly interweaves three viewpoints and plotlines, but this sequel raises the stakes…’ — Locus

‘A rousing and thrilling wartime romp through an alternate New World… Isaac Asimov’s classic Robot series featured robots who had to follow basic Laws of Robotics, such as robots “may not harm a human being.” Tregillis takes this idea of basic robotic law down a darker path… Tregillis creates a world of greys, where even the heroes have their darkness. Bernice is ruthless and cunning, but when faced with mechanical captors that ruthlessness is the key to her survival. The foul-mouthed Longchamp lacks social graces and an even temper, but there’s nobody else you’d want in charge when an army of mechanicals surrounds your village and death is certain. Tregillis never loses sight of the fact that war is hell. His characters suffer… Tregillis writes a gripping and entertaining story. His prose shines. Though his book is often dark, it is always a pleasure to read. I have no idea how Tregillis plans to end this trilogy, but if he sustains this level of energy and creativity, it will surely be thrilling and thoughtful.‘ — The Missourian

‘THE RISING takes up the baton and carries on running at full throttle, ramping up the action while still keeping the themes of historical fantasy and existential philosophy at the forefront… distinguishes itself from its predecessor by being more fast-paced and action-oriented. The intrigue and violence comes at you nonstop… greatly enjoyed how this novel takes us on a detour down a wilder and more explosive path… Tregillis bides his time in this second act, bringing things slowly to a boil, yet action scenes are heavier and more frequent, and if that’s what you prefer then you might find you’ll enjoy THE RISING even more than THE MECHANICAL! The ending’s cliffhanger was expected, but no less powerful and effective in making me yearn for the next in the series. The Alchemy Wars is not to be missed.’ — Bibliosanctum

‘Building on the solid foundation laid by THE MECHANICAL, THE RISING raises the stage upon which the final fallout of Jax and Berenice’s efforts will be told. Engaging, entertaining, and surprising, this one is looking to be nothing if not another great story from a great author. An author that is quickly rising to the top of my favorites list.’ — Elitist Book Reviews

Ian is also the author of the equally acclaimed Milkweed Triptych, which is published by Orbit in the UK.

Zeno represents Ian Tregillis in the UK, Commonwealth and Translation, on behalf of Kay McCauley at Aurous, Inc.

Ian McDonald’s 月球家族 Series out Next Month in China!

Posted on Tuesday, August 25th, 2020

Next month, 理想国/Imaginist is due to published Ian McDonald‘s acclaimed Luna series in China! The simplified Chinese editions will be available in a three-volume set, and includes 新月 (NEW MOON), 狼月 (WOLF MOON), and 月出 (MOON RISING). The cover for book one is above, and books two and three below.

We don’t have the Chinese synopsis just yet, but here’s the English-language synopsis for the first novel…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

The series is published by Gollancz in the UK, Tor Books in North America, and in an ever-growing number of translated editions. In fact, we would also like to take this opportunity to mark a milestone for NEW MOON: the Chinese edition is the fifteenth edition! Here are all the covers to date…

The Chinese editions of the second and third novels are each their tenth editions. Here are WOLF MOON‘s covers…

… and MOON RISING‘s covers…

Finally, in case you need more convincing to give the Luna series a try, here are just a few of the many great reviews the series has received so far…

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

‘No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

CENTRAL STATION Nominated for Xinyung Award in China!

Posted on Monday, May 18th, 2020

We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has been nominated for a 2020 Xiyung Award for Best Translated Fiction! The novel — which has won and been nominated for a whole host of other awards, including the Campbell Award — was translated by Chen Yang, and is published in China as 中央星站, by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY.

Here’s is just a small selection taken from the aforementioned critical acclaim that CENTRAL STATION has received since it was released…

‘CENTRAL STATION is full of the worries and aspirations of a new generation of science fiction people. This is not a simple science fiction novel, but a projection of a multi-ethnic coexistence world, a true fable for the present and the future.’ — Wu Yan

‘Roles and characters are evidenced, stories are linked to stories, and through a community perspective that connects to each other, we are like a shuttle in the central station of Tel Aviv to get a glimpse of a glorious, chaotic future. It is the perfect combination of literature and imagination.’ — Hao Jingfang (Hugo Award-winning author)

‘Lavie Tidhar used CENTRAL STATION to reshape a wild, dreamy and homesick future of Tel Aviv, and also reshaped our understanding and expectation of science fiction.’ — Chen Qiufan

‘A dazzling tale of complicated politics and even more complicated souls. Beautiful.’ — Ken Liu

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ — Publishers Weekly (Starred Review)

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus

‘A fascinating future glimpsed through the lens of a tight-knit community. Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.’ — Library Journal (starred review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ — NPR

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… characters are never sacrificed in favour of the technology; in fact, the two of them combine seamlessly to create a unique vision, one that will leave the reader thinking long after the final page. Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) — Starburst

‘CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Lavie’s latest novel, BY FORCE ALONE, was published recently by Head of Zeus in the UK, and is due to be published by Tor Books in August 2020 (North America).

Lavie Tidhar’s 中央星站 out now in China!

Posted on Wednesday, January 1st, 2020

Lavie Tidhar‘s award-winning and critically-acclaimed novel CENTRAL STATION is now available in China! Published as 中央星站 by 中信出版集团 (Citic), here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来，一场世界范围内的大离散过后，二十五万人滞留中央星站。

城市破败，科技失控，生命廉价，数据泛滥，地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

Chinese-speaking fans of Lavie’s work could also turn their attention to these great interviews the author did while recently in China: