ICYMI: Travis Baldree’s LEGENDS & LATTES Available in eBook and Audiobook in North America!


There’s been a lot of buzz and news surrounding Travis Baldree‘s acclaimed LEGENDS & LATTES. A self-published sensation, it has been picked up by Tor Books in North America and in the UK. The eBook and audiobook (read by the author) are available now in North America. Here’s the synopsis…

Come take a load off at Viv’s cafe, the first & only coffee shop in Thune. Grand opening!

Worn out after decades of packing steel and raising hell, Viv, the orc barbarian, cashes out of the warrior’s life with one final score. A forgotten legend, a fabled artifact, and an unreasonable amount of hope lead her to the streets of Thune, where she plans to open the first coffee shop the city has ever seen.

However, her dreams of a fresh start filling mugs instead of swinging swords are hardly a sure bet. Old frenemies and Thune’s shady underbelly may just upset her plans. To finally build something that will last, Viv will need some new partners, and a different kind of resolve.

A hot cup of fantasy, slice-of-life with a dollop of romantic froth.

The new print editions of the novel are due to be published on November 8th in North America, and November 10th in the UK (the latter will have a new cover design, too, which we’ll share as soon as we can).

We hope to have more information about translated editions, etc., in the near future.

Here are just a few of the reviews the novel has received so far…

‘This is a story about following your dreams, even when they take you away from who you thought you had to be. It’s sweet, beautiful and, most of all, kind. I hugely recommend this book.’ — Seanan McGuireNew York Times bestselling author of Every Heart A Doorway

LEGENDS & LATTES is a uniquely beautiful book. Its cast of endearing characters have no interest at all in killing one another. There is no Great Evil, no bloody battles, and yet the pillars of great fantasy — resilience, fellowship, and a desire to make the world a better place — are all here. It’s wonderfully wholesome, and I hope heralds the rise of a ‘slice-of-life’ sub-genre in modern fantasy.’ — Nicholas Eames, author of Kings of the Wyld

“Take a break from epic battles and saving the world. LEGENDS & LATTES is a low-stakes fantasy that delivers exactly what’s advertised: a wholesome, cozy novel that feels like a warm hug. This is my new comfort read.’ — Genevieve Gornichec, author of The Witch’s Heart

LEGENDS & LATTES is a big-hearted story about the small things in life. A lovingly written ode to the genre, it is a must-read for every D&D player who has ever wondered what happens after “happily ever after.”‘ — Cassandra Khaw, USA Today bestselling author

‘A stunningly-well done story at every level’ — Fantasy Faction

‘I loved LEGENDS & LATTES and I have literally nothing bad to say about it… a warm hug on a cold day. Written with care and attention, Baldree’s delicate touch and vibrant characters make this story shine… Books have their own kind of magic. LEGENDS & LATTES was positively enchanting.’ — Bookworm Blues

LEGENDS & LATTES reads like a fresh cup of coffee. The novel radiates the same sort of rich warmth you feel in your belly after a sip of a freshly brewed latte. That feeling sticks throughout, making for a refreshing and cozy tale worth your time… If you’re into cozy fantasy, or you just want a break from the epic subgenre, LEGENDS & LATTES is for you.’ — Quill to Live

‘A story of friendship and found family that is nothing less than heartwarming.’ — Novel Approach

‘Deserves the hype’ — FanFiAddict

Ian McDonald’s MESEČEV OSVIT Out Now in Serbia!


MOON RISING, the third novel in Ian McDonald‘s acclaimed Luna series is now available in Serbia! Published by Laguna as MESEČEV OSVIT, and translated by Goran Skrobonja, here’s the synopsis…

RAT ZA MESEC BESNI. NJEGOV ISHOD ODREDIĆE SUDBINU CELOG ČOVEČANSTVA.

Stotinu godina u budućnosti, vodi se rat između Pet Zmajeva – pet porodica koje kontrolišu vodeće industrijske kompanije na Mesecu. Svaki klan čini sve što je u njegovoj moći da se uzvere na vrh lanca ishrane – ugovorenim brakovima, korporativnom špijunažom, otmicama i masovnim ubistvima.

Domišljatim političkim manipulacijama i pukom snagom volje Lukas Korta se diže iz pepela i grabi kontrolu nad Mesecom. Može ga zaustaviti jedino njegova sestra Arijel, briljantna lunarna pravnica.

Prisustvujte konačnoj borbi Zmajeva za apsolutnu vlast u finalu trilogije Luna Ijana Mekdonalda od koje će vam zastati srce.

Laguna have also published the first two novels in the series, in Serbia: MLAD MESEC (NEW MOON) and VUČJI MESEC (WOLF MOON).

The Luna series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions around the world. Here’s the English-language synopsis for MOON RISING

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Ian McDonald’s VUČJI MESEC Available in Serbia!


WOLF MOON, the second novel in Ian McDonald‘s acclaimed Luna series is now available in Serbia! Published by Laguna as VUČJI MESEC, and translated by Goran Skrobonja, here’s the synopsis…

JEDAN OD ZMAJEVA JE MRTAV.

Pala je Korta helio, jedna od pet porodičnih korporacija koje vladaju Mesecom. Njena blaga podelili su brojni neprijatelji, a preživeli su se razbežali.

Prošlo je osamnaest meseci. Preostala deca senjore Korte, Lukasinjo i Luna, pod zaštitom su moćne porodice Asamoa, dok je Robson, u šoku jer je prisustvovao očevoj nasilnoj smrti, sada štićenik – praktično talac – Makenzi metala. A poslednji naslednik Lukas nestao je s površine Meseca.

Samo gospa Sun, udova Taijanga, podozreva da Lukas Korta nije mrtav, i još važnije – da je i dalje jedan od glavnih igrača. Najzad, Lukas je oduvek bio Spletkaroš, pa čak ni u smrti neće prezati ni od čega kako bi povratio sve i izgradio novi i moćniji Korta helio. Ali Korta heliju su potrebni saveznici, a da bi ih pronašao, odbegli sin će se drznuti na nemoguće putovanje – na Zemlju.

U nestabilnom lunarnom okruženju proračunate odanosti i političke mahinacije svake porodice dosežu zenit u njihovim najplodonosnijim zaverama usred erupcije pravog rata.

Laguna also publishes the first novel in the series in Serbia, as MLAD MESEC.

WOLF MOON and the other two Luna novels (NEW MOON and MOON RISING) are published in the UK by Gollancz, in North America by Tor Books, and are also available in a growing number of translated editions around the world. A prequel novella — THE MENACE FROM FARSIDE — is also available, published by Tor.com.

Here’s the English-language synopsis for the novel…

A Dragon is dead.

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward — virtually a hostage — of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and more to the point — that he is still a major player in the game. After all, Lucas always was the Schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey — to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war erupts.

Here are just a few of the great reviews WOLF MOON has received so far…

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com

Ian McDonald’s LUNE MONTANTE is Now Available in Paperback!


The third novel in Ian McDonald‘s acclaimed Luna series, MOON RISING is now available in a new French paperback edition! Published by Folio SF as LUNE MONTANTE, here’s the synopsis…

Lucas Corta, que tout le monde croyait mort, a réussi l’impossible : survivre, lui, le natif de la Lune, à un long séjour sur la Terre. Revenu en orbite pour se venger, il a triomphé. Désormais la Lune lui appartient. Mais il a également beaucoup perdu, à commencer par son fils Lucasinho, plongé dans le coma et atteint de lésions cérébrales irréversibles. Sans compter que les Mackenzie rescapés n’ont pas dit leur dernier mot et espèrent bien rendre à Lucas la monnaie de sa pièce. Les Sun, quant à eux, fourbissent toujours leurs armes pour éliminer tous leurs concurrents. Plus que jamais, sur la Lune, la guerre entre les Cinq Dragons fait rage.

Après le succès des précédents tomes, Ian McDonald conclut avec brio l’univers violent et sans concession de Luna.

Folio SF has also published the first two novels in the series in France: NOUVELLE LUNE (NEW MOON) and LUNE DU LOUP (WOLF MOON)

Ian’s Luna series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions. Here’s the English-language synopsis for MOON RISING

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here are just a few of the reviews that MOON RISING has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights

‘[T]here are few excuses for not reading Ian McDonald’ — Cheryl Morgan

International Spotlight: Ian Tregillis’s MILKWEED TRIPTYCH


Today, we wanted to shine a spotlight on Ian Tregillis‘s highly-acclaimed debut trilogy, the Milkweed Triptych: BITTER SEEDS, THE COLDEST WAR, and NECESSARY EVIL.

The series was first published by Tor Books in North America, and Orbit Books in the UK. Here’s the English-language synopsis for the first novel…

The year is 1939. Raybould Marsh and other members of British Intelligence have gathered to watch a damaged reel of film in a darkened room. It appears to show German troops walking through walls, bursting into flames and hurling tanks into the air from afar.

If the British are to believe their eyes, a twisted Nazi scientist has been endowing German troops with unnatural, unstoppable powers. And Raybould will be forced to resort to dark methods to hold the impending invasion at bay.

But dealing with the occult exacts a price. And that price must be paid in blood.

The complete trilogy is published in Spain, by Debolsillo, as Tríptico de Asclepia: SEMILLAS AMARGAS, LA GUERRA MÁS FRÍA, and UN MAL NECESARIO

… and in Latvia by Prometejs, as the Asinszāles triptihs: RŪGTĀS SĒKLAS, VISAUKSTĀKAIS KARŠ, and NEPIECIEŠAMAIS ĻAUNUMS

Here are just a few of the great reviews the Milkweed Triptych has received…

‘Debut novelist Tregillis breathes new life into alternate military history with this fun take on WWII… exciting and intense, and the clash of magic and (mad) science meshes perfectly with the tumultuous setting.’ — Publishers Weekly on BITTER SEEDS

BITTER SEEDS is a book of questions and is far deeper than you might expect… Aside from the depth of characters and meanings, this book is filled with the kinds of exciting, intelligent and intense scenes that you’ll find in only the best page turners… another huge point regarding BITTER SEEDS and that is that it is just written so damned beautifully. The prose really is some of the most accessible yet academic that I have read in a while. Tregillis writes with authority while displaying a firm understanding of the subtler things that make us human… Whether you are looking for a cool alternate history that questions the core of humanity or just a damned brilliant story with twisted powers and great action, you should check this out and be wowed. It’s one hell of a ride.’ — Fantasy Faction

‘Tregillis has journeyed into that most overtilled field, World War II alternate history, and in the process he has created a unique, unsettling, and deeply atmospheric setting; populated it with a diversity of grimly fascinating characters; and turned up the heat with the sort of plot that requires those characters to keep shoveling frantically if they are ever to stay in advance of the needs of the firebox… These are the book’s strengths – its atmosphere, its setting, the vividly imagined consequences of immoral and desperate actions… All in all, this is an excellent first book, and I am eagerly awaiting number two.’ — Tor.Com (Elizabeth Bear) on BITTER SEEDS

‘Independently intelligible sequel to the dark fantasy BITTER SEEDS, something like a cross between the devious, character-driven spy fiction of early John le Carré and the mad science fantasy of the X-Men… Despite the jaw-dropping backdrop and oblique plotting, the narrative is driven by character and personal circumstance, the only possible drawback being certain important developments that annoyingly take place offstage. Grim indeed, yet eloquent and utterly compelling.’ — Kirkus (Starred Review, “Best of 2012”) on THE COLDEST WAR

‘The engrossing second book in Tregillis’s Milkweed Triptych… Tregillis ably mixes cold war paranoia with his mythology, also nicely expanding characters (particularly Gretel)… The monstrous, extra-dimensional Eidolons add a genuinely convincing menace that transcends the more banal evil motivations of the political game players, although Gretel’s more complicated motivations really drive the action. A few nice twists keep things interesting, and the cliffhanger ending sets up the concluding volume quite well…’ — Publishers Weekly on THE COLDEST WAR

‘With all the flair he showed in his debut novel, Tregillis continues the tale, bringing to it that same marvellous plotting, immersive sense of place, and above all, wonderful characters. One of the characters introduced in the first novel is a precognitive, and in this volume – which revolves around her long plots – we are shown that the power to see the future is the most corrupting power of them all. Tregillis’s oracle is one of the most chilling psychopath villains of literature, a delicious monster who drives the book forward. As with the earlier volume, I tore through this one in a day and a half. Tregillis is a major new talent in the field, and this is some of the best – and most exciting – alternate history I’ve read. Bravo.’ — BoingBoing on THE COLDEST WAR

THE COLDEST WAR builds brilliantly on BITTER SEEDS – it’s darker, tighter, and utterly engrossing. Easily a contender for best novel of 2012… just as action-packed, and the pacing is absolutely superb… if you enjoyed BITTER SEEDS, then I have no doubt that you’ll love THE COLDEST WAR just as much, if not more. Tregillis’s prose is tight, fluid and a pleasure to read. The story is superbly crafted, and the narrative and action will pull readers through. I was hooked from the first page… This novel is superb. I can’t recommend this highly enough. A must-read for 2012.’ — Civilian Reader

‘Tregillis’ conclusion of the Milkweed Triptych is the pièce de résistance of the series… a perfect marriage of science fiction, fantasy and alternate history. His narrative flows seamlessly, and his plot is fantastically convincing. Tregillis’ characters astound, the villains as well as the heroes, especially honorable, tormented yet heroic Raybould.’ — RT Book Reviews on NECESSARY EVIL

‘The historic backdrop of World War Two is intricately detailed, and captures the British wartime spirit well. A suitably epic end to the magnificent Milkweed Triptych (aka trilogy!), this draws you in and keeps you glued to the page until the very end.’ — British Fantasy Society on NECESSARY EVIL

‘Darkly fascinating… A thoroughly satisfying conclusion to an imaginative tour de force.’ — Kirkus on NECESSARY EVIL

‘With NECESSARY EVIL… Ian Tregillis triumphantly concludes his astonishing, brilliant, pulse-pounding debut trilogy, The Milkweed Triptych… This is a book that veers precipitously from unexpected and chilling ruminations on the inherent evil of precognition; to the questions of loyalty and betrayal so thorny that they need a time-travel loop to really be explored; to spy-thriller action sequences that will keep you up under the covers with a flashlight, turning pages and unable to sleep. This is a remarkable set of books, and with all three in hand, would make a fabulous spring read.’ — BoingBoing

Ian’s latest trilogy is the Alchemy Wars, which is also published by Orbit Books in the UK and in North America: THE MECHANICAL, THE RISING, and THE LIBERATION. (The series is also available in Italy, Poland, and China.)

New Edition of Ian McDonald’s LUNE DU LOUP available now!


The second novel in Ian McDonald‘s acclaimed Luna series, WOLF MOON, is now available in a new French mass-market paperback edition. Published by Folio SF as LUNE DU LOUP, here’s the synopsis…

Sur la Lune, deux ans après les événements qui ont précipité la chute de la famille Corta, les Mackenzie se sont approprié les restes de leur entreprise. Il n’y a donc plus que quatre « Dragons », ces consortiums familiaux qui se partagent l’exploitation des ressources lunaires et, donc, le pouvoir. Pourtant, les Mackenzie se déchirent sur les cadavres encore frais de leurs ennemis de toujours. Les Sun continuent, discrètement, à élaborer des plans visant à affaiblir leurs adversaires. Les Vorontsov vendent toujours leurs indispensables services au plus offrant. Et les Asamoah tentent tant bien que mal de préserver leur neutralité de façade. Mais le statu quo, même sous gravité réduite, n’est jamais acquis. D’autant que les rares survivants de la famille Corta – blessés, en fuite ou sous la protection d’autres Dragons – n’ont pas dit leur dernier mot.

Avec le deuxième tome de sa trilogie, Ian McDonald continue, sans temps mort, l’exploration minutieuse de sa colonie lunaire, nouveau Far West où tous les coups (bas) sont permis.

Folio SF has also published the first novel in the series, NEW MOON, as NOUVELLE LUNE.

WOLF MOON and the other novels in the Luna series — which also includes MOON RISING (#3) — are published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions. Here’s the English-language synopsis for WOLF MOON

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward – virtually a hostage – of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and – more to the point – that he is still a major player in the game. After all, Lucas always was a schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey – to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war between the families erupts.

Here are just a few of the great reviews the series has received…

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing

‘No one builds a world like Ian McDonald does… Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone… McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com

A prequel novella to the series, THE MENACE FROM FARSIDE is also available, published by Tor.com.

Folio also publishes French editions of Ian’s KING OF MORNING, QUEEN OF DAY, RIVER OF GODS, CYBERABAD DAYS, and THE DERVISH HOUSE.

Lavie Tidhar’s Acclaimed BY FORCE ALONE Now Available in North American Paperback Edition


A new paperback edition of Lavie Tidhar‘s acclaimed BY FORCE ALONE is now available in North America! Published by Tor Books, here’s the synopsis…

A retelling of Arthurian myth from World Fantasy Award-winner Lavie Tidhar…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork.

BY FORCE ALONE is the first in the Anti-Matter of Britain Quartet. The novel is published in the UK by Head of Zeus. The second book in the quartet, THE HOOD, is due to be published in the UK in October 2021, also by Head of Zeus.

Here are just a few of the great reviews the novel has received so far…

‘Drawing on everything from wushu movies to The Wire by way of Tarkovsky and Tarantino, BY FORCE ALONE is wild, surprising and entertaining, and a hugely immersive read.’ — M.R. Carey

‘A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table.’ — Adrian Tchaikovsky

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’ — Daryl Gregory

‘Tidhar turns King Arthur’s court into a gangster’s paradise, full of wheelings and dealings, and true grit. If the tale didn’t go down like this, it should have.’ — Silvia Moreno-Garcia

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’ — SFX (4.5*/5)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘One of the most purely enjoyable novels of the year, Lavie Tidhar’s BY FORCE ALONE, which reads very much like an Arthurian fantasy by someone who’s lost patience with Arthurian fantasies. With its punk, post-Brexit sensibility, its cavalier anachronisms, and genre-hopping that takes us everywhere from kung fu movies to Beowulf to the Strugatskys’ Roadside Picnic, it might well upset Arthurian purists, but is marvelous example of the anarchic possibilities of post-postmodern fantasy.’ — Locus

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’ — Guardian

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ — Starburst

Lavie Tidhar’s BY FORCE ALONE out now in UK Paperback!


Lavie Tidhar‘s critically-acclaimed BY FORCE ALONE — a gritty, superb retelling of the King Arthur myth — is out today in a new UK paperback edition! Published by Head of Zeus, here’s the synopsis…

There is a legend…

Britannia, AD 535

The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation’s carcass, slaughtering and being slaughtered in turn.

This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.

This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.

This is the story of a legend forged from a pack of self-serving, turd-gilding, weasel-worded lies told to justify foul deeds and ill-gotten gains.

This is the story – viscerally entertaining, ominously subversive and poetically profane – of a Dark Age myth that shaped a nation.

Here are just a few of the (many) great reviews the novel has received so far…

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’Guardian

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ Starburst

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’Locus (Gary K. Wolfe)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

‘… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus (Ian Mond)

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’Tor.com

BY FORCE ALONE is a joyous rush of a novel, sweeping up everything from grimdark to gangster films to kung fu to Russian science fiction in its wake, and somehow pulling them together into a coherent whole that critiques Britain’s toxic self-image and the lineage of the Fantasy genre itself… BY FORCE ALONE shows the power and playfulness of Tidhar’s imagination, as he uses pop culture to make us confront grim political reality, all whilst having a whale of a time. It is this that makes him one of today’s most essential and unpredictable writers.’Fantasy Hive

‘[An] extraordinary and vivid retelling of our national myth. Gritty revisionism is supercharged by the supernatural… rich and breakneck narrative… As eclectic as the Sword In The Stone and as ruthless as A Game Of Thrones, this retelling of the whole Arthurian Legend stands alongside the very best.’Daily Mail

‘Tidhar’s latest fantasy is a ferocious and often very funny reinvention of the King Arthur myth, taking in references from Tolkien to Brexit.’I News

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Drawing on everything from wushu movies to The Wire by way of Tarkovsky and Tarantino, BY FORCE ALONE is wild, surprising and entertaining, and a hugely immersive read.’M.R. Carey

‘A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table.’Adrian Tchaikovsky

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’Daryl Gregory

‘Tidhar turns King Arthur’s court into a gangster’s paradise, full of wheelings and dealings, and true grit. If the tale didn’t go down like this, it should have.’Silvia Moreno-Garcia

The novel is published in North America by Tor Books (hardcover edition out now, paperback due in May).

New Limited Edition BITTER SEEDS on the way!


You may have seen the news via Twitter already, but there’s a new, limited edition of Ian Tregillis‘s superb debut novel, BITTER SEEDS on the way! Due to be published by Midworld Press, you can see the stunning cover above.

BITTER SEEDS is the first novel in the highly-acclaimed Milkweed Triptych, which also includes THE COLDEST WAR and NECESSARY EVIL. The trilogy is published in the UK by Orbit Books, in North America by Tor Books, and in a number of translated editions.

Milkweed Triptych (UK Covers)

Here’s the synopsis for BITTER SEEDS

The year is 1939. Raybould Marsh and other members of British Intelligence have gathered to watch a damaged reel of film in a darkened room. It appears to show German troops walking through walls, bursting into flames and hurling tanks into the air from afar.

If the British are to believe their eyes, a twisted Nazi scientist has been endowing German troops with unnatural, unstoppable powers. And Raybould will be forced to resort to dark methods to hold the impending invasion at bay.

But dealing with the occult exacts a price. And that price must be paid in blood.

Milkweed Triptych (North American Covers)

Here are just a few of the many great reviews BITTER SEEDS has received since it was first published…

‘Debut novelist Tregillis breathes new life into alternate military history with this fun take on WWII… exciting and intense, and the clash of magic and (mad) science meshes perfectly with the tumultuous setting.’ — Publishers Weekly

‘Tregillis… has created a unique, unsettling, and deeply atmospheric setting; populated it with a diversity of grimly fascinating characters; and turned up the heat with the sort of plot that requires those characters to keep shovelling frantically if they are ever to stay in advance of the needs of the firebox… These are the book’s strengths – its atmosphere, its setting, the vividly imagined consequences of immoral and desperate actions… All in all, this is an excellent first book, and I am eagerly awaiting number two.’ — Tor.Com (Elizabeth Bear)

‘Invoking black magic in an alternate history sounds silly, but Tregillis makes the psychic and physical costs to the combatants so painfully high that the supernatural elements become terrifying indeed. This novel is too bleak to be fun, but true horror was never supposed to be humorous.’ — Cleveland Plain Dealer

‘[O]ne of the best novels I’ve read this year. It’s original, inspired and engrossing from the first page until the last… brilliantly written, and filled with so many great passages – from brisk and realistic dialogue to lush, gothic description. The story kept me guessing until the end, and drops plenty of hints for things to come in the future… a superb novel, and a wonderful start to this series… I loved everything about BITTER SEEDS, and I definitely consider it among my best reads this year.’ — Civilian Reader

BITTER SEEDS is a book of questions and is far deeper than you might expect… Aside from the depth of characters and meanings, this book is filled with the kinds of exciting, intelligent and intense scenes that you’ll find in only the best page turners… another huge point regarding BITTER SEEDS and that is that it is just written so damned beautifully. The prose really is some of the most accessible yet academic that I have read in a while. Tregillis writes with authority while displaying a firm understanding of the subtler things that make us human… Whether you are looking for a cool alternate history that questions the core of humanity or just a damned brilliant story with twisted powers and great action, you should check this out and be wowed. It’s one hell of a ride.’ — Fantasy Faction

Ian’s second (and equally acclaimed) trilogy, the Alchemy Wars is also out now, published by Orbit Books in both the UK and North America (it is also available in a growing number of translated editions).

New UK Paperback Edition of Lavie Tidhar’s BY FORCE ALONE out in March!


On March 4th, Head of Zeus are due to publish a new UK paperback edition of Lavie Tidhar‘s critically-acclaimed BY FORCE ALONE — a gritty, superb retelling of the King Arthur myth. Here’s the synopsis…

There is a legend…

Britannia, AD 535

The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation’s carcass, slaughtering and being slaughtered in turn.

This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.

This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.

This is the story of a legend forged from a pack of self-serving, turd-gilding, weasel-worded lies told to justify foul deeds and ill-gotten gains.

This is the story – viscerally entertaining, ominously subversive and poetically profane – of a Dark Age myth that shaped a nation.

The novel is published in North America by Tor Books (hardcover edition out now, paperback due in May — cover below).

Here are just a few of the (many) great reviews the novel has received so far…

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’Guardian

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ Starburst

‘Lavie Tidhar has built a career out of not playing it safe. Over the last decade he has written bold, provocative novels… with a flair for metafiction and inspired by the pulps (both hard-boiled and genre)… given the political nature of his work, it’s not entirely surprising that he would shift his focus to the question of nationalism and Brexit… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… For all its foul language and radical deconstruction, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), BY FORCE ALONE isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets – Robert Wace, Chretien de Troyes, Wolfram von Eschenbach, and Thomas Mallory (just to name a few) – who took their turn in adapting and refining Monmouth’s text… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus (Ian Mond)

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’Locus (Gary K. Wolfe)

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’Tor.com

BY FORCE ALONE is a joyous rush of a novel, sweeping up everything from grimdark to gangster films to kung fu to Russian science fiction in its wake, and somehow pulling them together into a coherent whole that critiques Britain’s toxic self-image and the lineage of the Fantasy genre itself… the book’s serious intent does not make BY FORCE ALONE a difficult read. It is a book that is both funny and fun. Tidhar has a wonderful time stretching the stories into unfamiliar genres and shapes, whilst maintaining the core of the tale which has seen its appeal last for so long… BY FORCE ALONE shows the power and playfulness of Tidhar’s imagination, as he uses pop culture to make us confront grim political reality, all whilst having a whale of a time. It is this that makes him one of today’s most essential and unpredictable writers.’Fantasy Hive

‘[An] extraordinary and vivid retelling of our national myth. Gritty revisionism is supercharged by the supernatural… rich and breakneck narrative… As eclectic as the Sword In The Stone and as ruthless as A Game Of Thrones, this retelling of the whole Arthurian Legend stands alongside the very best.’Daily Mail

‘Tidhar’s latest fantasy is a ferocious and often very funny reinvention of the King Arthur myth, taking in references from Tolkien to Brexit.’I News

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Drawing on everything from wushu movies to The Wire by way of Tarkovsky and Tarantino, BY FORCE ALONE is wild, surprising and entertaining, and a hugely immersive read.’M.R. Carey

‘A twisted Arthur retelling mixing the historical and the magical with a very modern eye. Brutal and vicious, funny, Peaky Blinders of the Round Table.’Adrian Tchaikovsky

‘Profane, hilarious, brutal… kills as both sheer entertainment and canny political statement. To my fellow writers: the Arthurian Revision category is now closed. Take your ball and go home.’Daryl Gregory

‘Tidhar turns King Arthur’s court into a gangster’s paradise, full of wheelings and dealings, and true grit. If the tale didn’t go down like this, it should have.’Silvia Moreno-Garcia

Short Fiction Watch: New Stories by Ian McDonald & Lavie Tidhar!


In the final instalment of Short Fiction Watch of 2020, we want to draw your attention to two recent sci-fi anthologies featuring work by Zeno clients. Specifically: Ian McDonald and Lavie Tidhar.

First up, both authors have stories included in THE 2020 LOOK AT MARS FICTION (pictured above), edited by Allan Kaster. In Ian’s story, THE OLD COSMONAUT AND THE CONSTRUCTION WARKER DREAM OF MARS, which first appeared in 2002’s MARS PROBES collection…

… the lives of a young Indian construction worker and an old Estonian cosmonaut collide during the terraforming of Mars by quantum machines.

Lavie’s TERMINAL, which was first published on Tor.com in 2016, is about…

An improbable group of astronauts are slingshot to Mars in cheap one-person, one-way jalopies…

Finally, Ian has another story in THE 2020 LOOK AT SPACE OPERA BOOK, also edited by Allan Kaster. The collection ‘highlights 20 stellar space operas published over the past 20 years by top-notch authors of the science fiction genre’. Ian’s contribution is BOTANICA VENERIS: THIRTEEN PAPERCUTS BY IDA COUNTESS RATHAGAN, which was first published in Clarkesworld in 2017…

An aristocrat’s trip to Venus, in search of her disgraced brother, is memorialized by papercuts of flora native to the planet…

Ian McDonald’s latest series is Luna, published by Gollancz in the UK and Tor Books in North America — NEW MOON, WOLF MOON, and MOON RISING are all out now. The prequel novella, THE MENACE FROM FARSIDE, is published by Tor.com.

Lavie Tidhar’s latest novel is BY FORCE ALONE, published by Head of Zeus in the UK and Tor Books in North America.

Aliette de Bodard and Lavie Tidhar Feature among the Tor.com Reviewers’ Best of 2020!


Two of our clients’ books are featured in the Tor.com Reviewers’ Choice: Best of 2020! Specifically, SEVEN OF INFINITIES by Aliette de Bodard and BY FORCE ALONE by Lavie Tidhar. We personally feel that these are entirely justified selections to be among the Best of 2020! Congrats, Aliette and Lavie!

Aliette’s SEVEN OF INFINITIES is out now, published by Subterranean Press in limited edition and eBook. Here’s what Liz Bourke had to say about her selection of the book…

‘Drawing inspiration from Arsene Lupin and Raffles, it sees a poor scholar and a gentleperson thief — a mindship who’s been growing bored in retirement — faced with a mysterious death, a dangerous kind of treasure-hunt, and a growing mutual attraction. A dense, atmospheric, emotionally satisfying gem of a space opera.’

Here’s the synopsis…

Vân is a scholar from a poor background, eking out a living in the orbitals of the Scattered Pearls Belt as a tutor to a rich family, while hiding the illegal artificial mem-implant she manufactured as a student. 

Sunless Woods is a mindship — and not just any mindship, but a notorious thief and a master of disguise. She’s come to the Belt to retire, but is drawn to Vân’s resolute integrity.

When a mysterious corpse is found in the quarters of Vân’s student, Vân and Sunless Woods find themselves following a trail of greed and murder that will lead them from teahouses and ascetic havens to the wreck of a mindship — and to the devastating secrets they’ve kept from each other.

And here are some of the other reviews the book has received…

‘With this lush, immersive sci-fi tale, de Bodard (The House of Sundering Flames) delves into a world as gritty as it is ethereal… De Bodard hints at a vast, fully realized world… readers will be swept away by the vivid prose, intrigue, and romance of this intricate tale. This fascinating, unusual story is sure to entrance.’ — Publishers Weekly

‘A magnificent sf mystery, nuanced, intense, and romantic, with a complex, clever plot nested inside de Bodard’s rich, evocative, and vivid Xuya universe.’ — Kate Elliott

‘Aliette de Bodard is an author whose works I both like (in several cases, the word adore may be more appropriate) and admire… De Bodard’s work is marked by precision and delicacy of prose, by a concern with ethics and relationships, and by the presence of uncaring systems that violently resist critique from without – and even from within… SEVEN OF INFINITIES is a novella concerned with forgiveness, deserved or not, about cages, self-made or otherwise. It concerns itself with growth, with grace, with ruthlessness and its costs and consequences. It’s a tightly written jewel of a story, intense and full of feeling, and I recommend it highly.’ — Locus

Lavie’s BY FORCE ALONE is published by Tor Books in North America and Head of Zeus in the UK. Matt Keeley selected the novel…

‘Tidhar’s revisionist Arthurian fantasy By Force Alone was a great mix of high learning and low behavior. To my mind, the best Arthur novel since Thomas Berger’s Arthur Rex back in 1978.’

Here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork.

Here are just a few of the great reviews the novel has received so far…

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Lavie Tidhar has built a career out of not playing it safe. Over the last decade he has written bold, provocative novels… with a flair for metafiction and inspired by the pulps (both hard-boiled and genre)… given the political nature of his work, it’s not entirely surprising that he would shift his focus to the question of nationalism and Brexit… with his latest novel, BY FORCE ALONE, Tidhar takes a mythology the English hold dear, the legend of King Arthur, and goes to town with it… For all its foul language and radical deconstruction, of which I’ve provided only a taste (you should see what Tidhar does with the Holy Grail), BY FORCE ALONE isn’t a desecration of the Arthurian romances. Instead, he pays homage to the writers and poets – Robert Wace, Chretien de Troyes, Wolfram von Eschenbach, and Thomas Mallory (just to name a few) – who took their turn in adapting and refining Monmouth’s text… BY FORCE ALONE is a jolt of pure entertainment, a brilliant, revisionist blend of magic, crime syndicates and Kung-fu knights.’ — Locus (Ian Mond)

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’ — SFX (4.5*/5)

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’ — Tor.com

Complex Chinese Editions of Ian McDonald’s LUNA Series out now!


The Complex Chinese editions of Ian McDonald‘s highly-acclaimed, award-nominated Luna series are out now! Published by 麥田出版 (Rye Field Publications in Taiwan, Hong Kong and Macau, the whole trilogy is now available: 血染 新月 (NEW MOON), 狼嚎 時分 (WOLF MOON), and 王者 之戰 (MOON RISING).

The series is published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions around the world.

In case you haven’t yet had the chance to read the series, here’s the synopsis for NEW MOON

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit pay-dirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

There is also a prequel novella, THE MENACE FROM FARSIDE, published by Tor.com.

Here are just a few of the great reviews the series has received so far…

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

‘Luna: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

ICYMI: Lavie Tidhar Discusses BY FORCE ALONE with Ian McDonald


A few weeks ago, Lavie Tidhar was invited to take part in an online event by Chevaliers Books, to discuss his latest, acclaimed novel BY FORCE ALONE. Fellow Zeno client Ian McDonald joined him for the discussion, and you can watch the video above.

BY FORCE ALONE is out now, published by Tor Books in North America and Head of Zeus in the UK. Here’s the synopsis…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork.

Here’s just a small selection taken from the great reviews the novel has received so far…

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’ — Publishers Weekly

‘Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal… BY FORCE ALONE – a phrase that recurs like a mantra throughout the narrative, reminding us that power is never really a matter of heritage or destiny – serves as a reminder that Arthur is a moveable feast, infinitely adaptable even to the era of Brexit and Trump. If Tidhar’s version seems pretty bleak, even as its endless inventiveness makes it undeniably exhilarating, that may simply be a reflection of where we all find ourselves these days.’ — Locus (Gary K. Wolfe)

‘There are no parfit gentil knights in Lavie Tidhar’s Arthurian epic fantasy… It is a vicious, beautiful, profane and wickedly funny reimagining of the rise and fall of King Arthur without the chivalry, divine right or holy quests… This kind of retelling offers a wealth of opportunity to examine aspects of the familiar story in a completely new light, and is both exciting and enormously satisfying to read… The prose style is half of what makes the book so powerful. Tidhar is both clean and poetic, elegantly sparse but deeply evocative. Every phrase is load-bearing. The profanity serves its purpose. He switches between point-of-view characters and authorial voice seamlessly, using short almost-choppy sentences to give a sense of inevitable forward movement, events lensing into one another. The frequent references to Greek philosophy in the narration both serve to underline the post-Roman intellectual landscape of the time and to create a kind of distance between the reader and the text, which increases that slightly dreamy sense of inexorable direction. This story is going to happen; the terrible ending is going to occur, and we — and the characters — are swept along with it.’ — Washington Post

‘Lavie Tidhar’s BY FORCE ALONE gives us an Arthur for the Brexit era: A tyrant in lieu of a king, brute violence in lieu of gallant feats, undisguised venality in lieu of chivalric ideals. This is the Matter of Britain become the Matter with Britain… For all the bleakness and cynicism of his story, Tidhar’s profligate invention makes BY FORCE ALONE a joy… Lavie Tidhar’s joke on the Matter of Britain is a great one. And if the laughter catches in your throat, that just means you’ve been paying attention to the book, and to the world.’ — Tor.com

Ian McDonald’s latest series, Luna, is also out now and published by Tor Books in North America. The series is published in the UK by Gollancz (covers below). Here’s the synopsis for book one, NEW MOON

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere.

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

Lavie Tidhar’s BY FORCE ALONE out now in North America!


Today, Lavie Tidhar‘s highly-anticipated new novel, BY FORCE ALONE is finally available in North America! (The novel was unfortunately delayed.) Published by Tor Books, here’s the synopsis…

A retelling of Arthurian myth for the age of Brexit and Trump…

Everyone thinks they know the story of King Arthur and his knights of the Round Table.

The fact is they don’t know sh*t.

Arthur? An over-promoted gangster.
Merlin? An eldritch parasite.
Excalibur? A shady deal with a watery arms dealer.
Britain? A clogged sewer that Rome abandoned just as soon as it could.

A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.

The UK edition of the novel is published by Head of Zeus (cover below), and was published back in March. Here are just a handful of the great reviews the novel has received so far…

BY FORCE ALONE does … bold things with genre, rewriting the King Arthur legend through a mash up of horror, fantasy, history and black comedy. The narrative voice is deadly serious but there’s a strong undercurrent of gleefulness to the profanity, violence and otherworldly magic that makes BY FORCE ALONE a whole lot of fun to dive into.’Spectator (Five Unmissable Summer Reads)

‘Uther is a chancer and a shagger… [Arthur] is ruthless in pursuit of power… His Lancelot… is a ninja warrior, his Guinevere a killer — the writer is clearly having fun… Tidhar never lands direct political punches… but the very tone and shape of the book are a reminder that we need to treat national myths with caution… this is a novel that demands your attention and proves that sometimes when a writer has the audacity to revisit stories that others would avoid for fear of over-familiarity, they can steal the power of the oldest tales.’SFX (4.5*/5)

‘Tidhar saturates this epic adventure with profanity, dark humor, sword-sharp twists, and unexpected moments of pathos. Readers who hold King Arthur dear to their hearts will be gratified by Tidhar’s attention to detail amidst the innovation. This dark, imaginative take on a classic is sure to impress.’Publishers Weekly

Tidhar’s previous work is filled to the brim with new and interesting takes on history and myth, and the results are always mesmerising. And of course, he’s taken something that’s been done way too many times and found a way to make it look new and interesting while still keeping its classic appeal… some truly staggering writing… if you’re looking for a new take on King Arthur and chums, then check this out.’ — Starburst

‘… Tidhar’s prose is anything but brutish. The word choice is what makes the train wreck so fascinating and fast-paced. Heavy but never slow, short sentences and snappy wit keep the book moving. A power fantasy that pushes both words to their limits, BY FORCE ALONE adds a sharp, obscene new take to the Arthurian genre.’ — Den of Geek

‘The novel is a bloody, bravura performance, which Tidhar pulls off with graphic imagery and modern vernacular… a salutary antidote to the more romantic glossings of recent modern fantasy.’ — Guardian

‘[An] extraordinary and vivid retelling of our national myth. Gritty revisionism is supercharged by the supernatural… rich and breakneck narrative… As eclectic as the Sword In The Stone and as ruthless as A Game Of Thrones, this retelling of the whole Arthurian Legend stands alongside the very best.’ — Daily Mail

Lavie is the multi-award-winning author of a host of critically-acclaimed novels and short fiction, including UNHOLY GHOST, CENTRAL STATION (both published by Tachyon Publications), THE VIOLENT CENTURY (Tachyon), the award-winning A MAN LIES DREAMING, CANDY (Scholastic), and many more.

Here’s just a small selection of the aforementioned critical acclaim that Lavie’s other novels have received so far…

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ — Locus 

‘The best book I read last year is A MAN LIES DREAMING by Lavie Tidhar, a form of fictional historiography based on a’ what if ‘principle. I love that, if it is done well and intelligently.’Sting (yes, that Sting)

‘…savagely funny… A MAN LIES DREAMING, by the Israeli-born novelist Lavie Tidhar, has not been published with the fanfare bestowed on Martin Amis’s The Zone of Interest or Howard Jacobson’s J, but it is their equal for savage humour… Those who enjoy laughter in the dark will relish Tidhar’s parade of mordant ironies… This novel is weird, upsetting, unmissable.’ 5* — Telegraph

‘Vintage Lavie, and also I think his most fully accomplished novel yet. Nobody rides that fast-rolling wave separating schlocky pulp and serious literary sensibilities so deftly as Tidhar. He manages to make serious points about the benighted twentieth-century and its obsession with ‘supermen’ without ever letting the narrative slacken or the adventure pale. If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like THE VIOLENT CENTURY.’ — Adam Roberts, author of Jack Glass

OSAMA has ushered Tidhar into the limelight… OSAMA is the narrative symphony Philip K. Dick wished he could have composed. Not only is it beautifully written, it is expertly crafted… OSAMA is a work of art. And Tidhar is a word-painter, constructing vibrant and poetic landscapes of narrative in spite of the novel’s dark and brooding subject matter. Too often, I am surprised by works that win the World Fantasy Award, among others in the speculative genres (none more so than the Bram Stoker Award). Sometimes the quality of winners doesn’t hold up and their nominations seem to be a matter of sheer star power or nepotism. In this case, I’m happy to say, the judges got it dead right.’ — Los Angeles Review of Books

‘Delicious pastiche of “noir” fiction from SF author Lavie Tidhar, set in a city where everything sweet and sugary is banned. Private eye Nelle searches for a lost teddy bear and uncovers a Chinatown-style conspiracy. You could think of it as The Malteser Falcon, or perhaps Double Inde-mint-y.’ — Financial Times (Summer Books of 2018) on CANDY