Audio Spotlight: Peter A. Flannery’s BATTLE MAGE in Germany!


More Peter A. Flannery news! We’ve recently shared news about new translated editions available in Germany, Poland and Czechia.

In this latest Audio Spotlight, we wanted to draw your attention to the German audio editions, which are out now. Published by Random House Audio, and available via Audible, both KAMPF DER MAGIER and RÜCKKEHR DES DRACHEN are out now. The print editions of the books are published by Heyne. Here’s the Germany synopsis…

Die Welt steht am Abgrund, denn die übermächtige Armee der Besessenen überrennt ein Königreich nach dem anderen. Die Einzigen, die sie aufhalten können, sind die Kampfmagier auf ihren majestätischen Drachen. Doch das Bündnis zwischen Drachen und Menschen ist schwach geworden. Zu wenige Drachen antworten noch auf den Ruf der Magier, und die meisten von ihnen sind schwarz. Und jedes Kind weiß, dass schwarze Drachen gefährlich sind. Schwarze Drachen sind verrückt. Falco Dantes Vater, ein tapferer Kampfmagier, fiel selbst dem Wahnsinn einer solchen Kreatur zum Opfer, und sein Verlust hat Falcos ganzes Leben geprägt. Als die Armee der Besessenen auf seine Heimat zumarschiert, trifft Falco eine folgenschwere Entscheidung: Er wird in die Fußstapfen seines Vaters treten…

BATTLE MAGE is also available as an audio book in France, published exclusively via AudibleMAGE DE BATAILLE. The print editions are published by Albin Michel.

Falco Danté est un gringalet dans un monde en guerre peu à peu conquis par l’armée infernale des Possédés. Pire, Falco est méprisé, mis à l’écart, à cause de son père qui fut un immense mage de bataille avant de sombrer dans une folie meurtrière. Alors que la Reine tente de rassembler toutes les forces armées pour repousser les Possédés, Falco prend une décision qui va l’amener aux marges du désespoir: il va entrer à l’académie de la guerre, une école d’excellence pour les officiers. Là, il devra surmonter ses doutes, ceux de ses amis et même ceux de la Reine.

Le monde brûle ; seul un mage de bataille pourra sauver ce qu’il en reste. Falco réussira-t-il à libérer son pouvoir, à invoquer un dragon à sa mesure ou succombera-t-il à la folie… comme son père?

Porté par son héros meurtri, condamné à se dépasser face au mal absolu, Mage de bataille a rencontré un formidable succès dans les pays anglo-saxons.

Here’s the English-language synopsis for the book…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in Translation.

Return of the Dragon: Peter A. Flannery’s BATTLE MAGE Part 2 Available in Germany!


The second part of Peter A. Flannery‘s acclaimed BATTLE MAGE is out now in Germany! Published by Heyne as RÜCKKEHR DES DRACHEN, and translated by Bernhard Stäber, here’s the synopsis…

Noch immer tobt in den Sieben Königreichen von Grimm ein schrecklicher Krieg zwischen den Menschen und der übermächtigen Armee der Besessenen. Um das Blatt zugunsten der Menschen zu wenden, wagt der junge Kampfmagier Falco Dante ein ebenso kühnes wie verzweifeltes Unterfangen: Er will einen schwarzen Drachen beschwören und auf ihm in die alles entscheidende Schlacht gegen die Besessenen ziehen. Doch schwarze Drachen sind wahnsinnig, das weiß Falco besser als jeder andere, schließlich wurde sein eigener Vater von einem getötet. Dann stößt Falco auf ein Geheimnis, das tief in der Vergangenheit der Sieben Königreiche von Grimm verborgen liegt und das die schwarzen Drachen in einem völlig anderen Licht erscheinen lässt…

The first part of BATTLE MAGE is also published by Heyne, as KAMPF DER MAGIER.

The novel has also been published in France (Albin Michel) and Poland (Fabryka Słów).

Here’s the English-language synopsis…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in Translation.

Peter A. Flannery’s BATTLE MAGE out Next Week in Germany!


Next week, Heyne will publish the German edition of Peter A. Flannery‘s epic fantasy novel, BATTLE MAGE! The first part (of two), it will be published on Monday, November 11th, as KAMPF DER MAGIER. Here’s the synopsis…

Die Welt steht am Abgrund, denn die übermächtige Armee der Besessenen überrennt ein Königreich nach dem anderen. Die Einzigen, die sie aufhalten können, sind die Kampfmagier auf ihren majestätischen Drachen. Doch das Bündnis zwischen Drachen und Menschen ist schwach geworden. Zu wenige Drachen antworten noch auf den Ruf der Magier, und die meisten von ihnen sind schwarz. Und jedes Kind weiß, dass schwarze Drachen gefährlich sind. Schwarze Drachen sind verrückt. Falco Dantes Vater, ein tapferer Kampfmagier, fiel selbst dem Wahnsinn einer solchen Kreatur zum Opfer, und sein Verlust hat Falcos ganzes Leben geprägt. Als die Armee der Besessenen auf seine Heimat zumarschiert, trifft Falco eine folgenschwere Entscheidung: Er wird in die Fußstapfen seines Vaters treten…

The novel has also been published in France by Albin Michel.

Here’s the English-language synopsis for the novel…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in Translation.

NECROVILLE: 25 Years of TERMINAL CAFE!


This month marks quite the amazing milestone: Ian McDonald‘s NECROVILLE was first published 25 years ago! The novel was published in 1994 by Gollancz (UK), and by Spectra (US) as TERMINAL CAFÉ. Both of the first covers are above. Here’s the synopsis…

In the Los Angeles ghetto of Necroville, the yearly celebration of the Night of the Dead – where the dead are resurrected through the miracle of nanotechnology and live their second lives as non-citizens – becomes a journey of discovery and revelation for five individuals on the run from their pasts.

With his customary flair for making the bizarre both credible and fascinating, McDonald tosses aside the line of demarcation between living and dead in a story that confronts the central quandary of human existence: the essence of non-being.

The novel is still available in the UK, published by Gollancz.

The BSFA Award-nominated novel was met with some great reviews when it was first published. Unfortunately, because the internet wasn’t a thing, yet, it makes it a little difficult to find good pull-quotes. We do have a few, though…

‘McDonald’s lush prose paints a vivid and credible Armageddon. World-building SF that’s punk, funky, and frightening: a fantastic acid trip to the end of the world.’ — Kirkus

‘McDonald, who won the Philip K. Dick Award for KING OF THE MORNING QUEEN OF THE DAY, reveals the workings of his bizarre society through the exploits of five friends as they search for the meaning of life in the Necroville at Los Angeles on the Night of the Dead. Sorting through five points of view requires some patience, but it is well rewarded. In the best science fiction tradition, McDonald provokes reexamination of current societal standards through the prism of another time and place.’ — Publishers Weekly

‘McDonald revels in the creation of brilliantly described near-futures and lushly exotic settings, and has more ideas in a book than most writers dream up in a lifetime. Here death is no more: the dead are reborn thanks to nanotechnology in Jesus-tanks and decanted into “techtoplastic” bodies. Drug-designer Santiago Columbar invites his friends to join him in the Terminal café in the suburb of LA known as Necroville, and in the resulting free-wheeling, mind-spinning novel we follow the friends as they travel to meet him, encountering genetically engineered dinosaurs, undead prostitutes, werewolves and an invasion of Earth by resurrected space workers. In Necroville, decay sits next to fabulous invention, terrible privation next to limitless possibility. The book…offers a graphic dystopian vision.’Guardian

For those who prefer their books delivered as audiobooks, the novel is also available via Audible, narrated by Christopher Ragland.

The novel has also been published in translation in a number of territories, including Germany where it is published by Heyne.

Peter A. Flannery’s BATTLE MAGE arriving soon in Germany!


In a couple of months, Heyne are due to publish the German edition of Peter A. Flannery‘s epic fantasy novel, BATTLE MAGE! Published on November 11th as KAMPF DER MAGIER, here’s the synopsis…

Die Welt steht am Abgrund, denn die übermächtige Armee der Besessenen überrennt ein Königreich nach dem anderen. Die Einzigen, die sie aufhalten können, sind die Kampfmagier auf ihren majestätischen Drachen. Doch das Bündnis zwischen Drachen und Menschen ist schwach geworden. Zu wenige Drachen antworten noch auf den Ruf der Magier, und die meisten von ihnen sind schwarz. Und jedes Kind weiß, dass schwarze Drachen gefährlich sind. Schwarze Drachen sind verrückt. Falco Dantes Vater, ein tapferer Kampfmagier, fiel selbst dem Wahnsinn einer solchen Kreatur zum Opfer, und sein Verlust hat Falcos ganzes Leben geprägt. Als die Armee der Besessenen auf seine Heimat zumarschiert, trifft Falco eine folgenschwere Entscheidung: Er wird in die Fußstapfen seines Vaters treten…

The novel has also been published in France by Albin Michel.

Here’s the English-language synopsis for the novel…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in Translation.

The DRACHENMOND rises…


Ian McDonald fans in Germany rejoice! Today, Heyne publishes DRACHENMOND, the highly-anticipated German edition of the third Luna novel! Here is the synopsis…

Einhundert Jahre in der Zukunft: Die fünf Drachen, die einflussreichen Familienclans, haben die Herrschaft über den Mond unter sich aufgeteilt. Aber jedes Haus will noch ein wenig mehr Macht, ein wenig mehr Einfluss an sich reißen – und dazu ist ihnen jedes Mittel recht: Eheschließungen, Verschwörungen, Erpressung und sogar Mord. Doch dann taucht ein neuer Spieler auf dem politischen Parkett der Mondgesellschaft auf – und aus im Verborgenen geführten Scharmützeln wird offener Krieg…

Heyne has also published the first two novels in the series in Germany: LUNA and WOLFSMOND.

The critically-acclaimed Luna series — NEW MOONWOLF MOON and MOON RISING — is published in the UK by Gollancz, in North America by Tor Books, and widely in translation. Here’s the English-language synopsis for the third novel…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here is just a small selection taken from the fantastic reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights on MOON RISING

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and oth­ers to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDon­ald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

New German cover for Ian McDonald’s DRACHENMOND!


Due to be published by Heyne next month in Germany, there is a new cover for Ian McDonald‘s third Luna novel, MOON RISING! Published in German as DRACHENMOND, here’s the synopsis…

Einhundert Jahre in der Zukunft: Die fünf Drachen, die einflussreichen Familienclans, haben die Herrschaft über den Mond unter sich aufgeteilt. Aber jedes Haus will noch ein wenig mehr Macht, ein wenig mehr Einfluss an sich reißen – und dazu ist ihnen jedes Mittel recht: Eheschließungen, Verschwörungen, Erpressung und sogar Mord. Doch dann taucht ein neuer Spieler auf dem politischen Parkett der Mondgesellschaft auf – und aus im Verborgenen geführten Scharmützeln wird offener Krieg…

Heyne has also published the first two novels in the critically-acclaimed Luna series; and it is published in the UK by Gollancz, in North America by Tor Books, and is available in a growing number of translated editions. Here’s the English-language synopsis for MOON RISING

The continuing saga of the Five Dragons, Ian McDonald’s fast-paced, intricately plotted space opera pitched as Game of Thrones meets The Expanse

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here is just a small selection taken from the reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

This July, the DRACHENMOND rises in Germany!


Luna Drachenmond von Ian McDonald

In July, Heyne are due to publish the German edition of Ian McDonald‘s third Luna novel, MOON RISING! Here is the synopsis for DRACHENMOND

Einhundert Jahre in der Zukunft: Die fünf Drachen, die einflussreichen Familienclans, haben die Herrschaft über den Mond unter sich aufgeteilt. Aber jedes Haus will noch ein wenig mehr Macht, ein wenig mehr Einfluss an sich reißen – und dazu ist ihnen jedes Mittel recht: Eheschließungen, Verschwörungen, Erpressung und sogar Mord. Doch dann taucht ein neuer Spieler auf dem politischen Parkett der Mondgesellschaft auf – und aus im Verborgenen geführten Scharmützeln wird offener Krieg…

Heyne has also published the first two novels in the series in Germany: LUNA and WOLFSMOND.

The critically-acclaimed Luna series — NEW MOON, WOLF MOON and MOON RISING — is published in the UK by Gollancz, in North America by Tor Books, and widely in translation. Here’s the English-language synopsis for the third novel…

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here is just a small selection taken from the fantastic reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘The Luna trilogy is a masterpiece of worldbuilding. Ian McDonald has created an incredibly developed, complex and astonishingly plausible future for the Moon… What stands out, though, are its threads of gorgeous storytelling… as a whole, this is an extraordinary trilogy. Ian McDonald always writes beautifully. I love what he has to say. I’ll always remember his vision of the Moon, which at times is horrifying and violent and yet at others is so heartwarming and wondrous.’ — For Winter Nights on MOON RISING

LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and oth­ers to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDon­ald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘A Howling Good Read… No one builds a world like Ian McDonald does. Piece by piece and brick by brick. Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone. There are no wasted moves, nothing that isn’t vital because, in the end, everything is vital. Everything matters… it is fascinating, all of it. Because McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR on WOLF MOON

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

Lavie Tidhar’s CENTRAL STATION nominated for Kurd Laßwitz Preis in Germany!


Hot on the heels of the CENTRAL STATION nomination for the Premio Italia Award, Lavie Tidhar‘s novel has also been nominated for the Kurd Laßwitz Preis for Best Foreign Science-Fiction!

The novel is published by Heyne in Germany. Here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

This is just the latest nomination for CENTRAL STATION, which has been praised far and wide. Just look at this list of commendations…!

2017 John W. Campbell Award Winner
2018 Neukom Institute Literary Arts Award Winner
2017 Arthur C. Clarke Award, Shortlist
2016 British Science Fiction Award, Longlist
2017 Geffen Award nominee, Best Translated Science Fiction Book
2019 Premio Italia, Best International Novel, Finalist
2019 Kurd Laßwitz Preis Shortlist

NPR Best Books of 2016
Amazon Featured Monthly Best Science Fiction & Fantasy Books
Barnes and Noble Best Science Fiction and Fantasy of 2016
2016 Locus Recommended Reading List Winner

The novel is published in English by Tachyon Publications. Here’s the synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

The English-language cover, but Sarah Anne Langton, has also racked up some nominations and wins…!

2016 British Science Fiction Award Best Cover Illustration
Chesley Award, Best Cover Illustration
2017 British Fantasy Society – Shortlist for Best Artist

Backlist Plug: Ian McDonald’s CHAGA series


Today, we wanted to draw your attention to Ian McDonald‘s classic Chaga series: CHAGA, KIRINYA and TENDELÉO’S STORY. The trilogy is now available in eBook, published by the JABberwocky eBook Program, and the first two books are also published in Germany by Heyne.

CHAGA, originally called EVOLUTION’S SHORE, was first published in 1995 and was nominated for the John W. Campbell Memorial Award for Best Science Fiction Novel. Here’s the synopsis…

On the trail of the mystery of Saturn’s disappearing moons, network journalist Gaby McAslan finds herself in Africa researching the Kilimanjaro Event: a meteor-strike in Kenya which caused the stunning African landscape to give way to something equally beautiful – and indescribably alien. Dubbed the ‘Chaga’, the alien flora destroys all man-made materials, and moulds human flesh, bone and spirit to its own designs. But when Gaby finds the first man to survive the Chaga’s changes, she realizes it has its own plans for humankind… Against the backdrop of Mount Kilimanjaro, McDonald weaves a staggering tale of keen human observation and speculation, as the Kilimanjaro Event changes the course of the human race by exposure to something beyond its imagination.

Here are some of the reviews CHAGA received…

‘McDonald… consistently explores new territory with his breathtaking images and incisive language. Both form and substance blend fortuitously in a work that features strong characters, a suspenseful story, and a profound message of hope and transformation. A priority purchase for SF collections.’ Library Journal

‘One of the finest writers of his generation, who chooses to write science fiction because that is how he can best illuminate the world.’ New Statesman

‘Optimistic near-future alien-contact yarn… McDonald’s tale is also inventive and challenging… a dense, complex, rather weighty, often fascinating piece of speculation.’ Kirkus

You can also read an excerpt from the novel here.

KIRINYA (1998) was showered with similar accolades when it was published: the novel was described by SFX as ‘a huge and ambitious novel’ and ‘the work of a supremely talented writer’, and McDonald was hailed as an ‘outstanding writer’ and ‘marvellous talent’ by The Times...

The end of the universe happened at around ten o’clock at night on 22 December, 2032. It’s just that humanity hasn’t realized it yet. And the Chaga, the strange flora deposited from the stars, is still busy terraforming the tropics into someone else’s terra. Gaby McAslan was once a hungry news reporter who compromised her relationship with UNECTA researcher Dr. Shepard for the sake of her story… but Gaby is no longer a journalist and she doesn’t want to be a full-time mother, even though her child Serena is her last link with Shepard. Gaby’s fire has gone out; she’s gone soft. But the massive political and military upheavals rocking the world are about to drag her back into the action.

The final book in the Chaga series, TENDELÉO’S STORY is a novella that was originally published by PS Publishing in 2000.

From the top of Mt. Kilimanjaro, an alien force begins to spread, turning the land into an unrecognizable alien landscape. Tendeléo is nine years old when this first package comes down, and before she reaches adulthood the Chaga will change her life forever.

Ian’s latest series is Luna, of which the first two books are out now: NEW MOON and WOLF MOON, published by Gollancz in the UK and Tor Books in North America. The series is also available in a growing number of translated editions.

KIRINYA turns 20!


This week marked the 20th anniversary of the publication of Ian McDonald‘s novel KIRINYA, which was described when released as ‘a huge and ambitious novel, the work of a supremely talented writer approaching the top of his game.’ (SFX) The second book in the author’s Chaga series, it was first published by Gollancz in the UK in 1998. Here’s the synopsis…

The end of the universe happened at around ten o’clock at night on 22 December 2032. It’s just that humanity hasn’t realized it yet. And the Chaga, the strange flora deposited from the stars, is still busy terraforming the tropics into someone else’s terra. Gaby McAslan was once a hungry news reporter who compromised her relationship with UNECTA researcher Dr. Shepard for the sake of her story…but Gaby is no longer a journalist and she doesn’t want to be a full-time mother, even though her child Serena is her last link with Shepard. Gaby’s fire has gone out; she’s gone soft. But the massive political and military upheavals that are rocking the world are about to drag her back into the action.

The release of KIRINYA inspired The Times to describe McDonald as an outstanding’ writer with such marvellous talent, so vivid an imagination’ whose prose sings and zings’.

KIRINYA, as well as the other two books in the Chaga series are available as an eBook via the JABberwocky eBook Program, and also via Audible. The first two books have been published in Germany by Heyne.

Ian’s latest series is the critically-acclaimed Luna, published by Gollancz in the UK and Tor Books in the US, as well as in a growing number of translated editions (more details on his author page).

Ian McDonald’s Luna series continues with MOON RISING…


We’re very happy to report that Ian McDonald‘s critically-acclaimed Luna series has been nominated for the Kurd Laßwitz Preis in the ‘Bestes ausländisches SF-Werk mit deutscher Erstausgabe’ category (Best Foreign SF available in German translation)!

Both of the novels — LUNA and WOLFSMOND — are published in Germany by Heyne. Here’s the synopsis for the first novel…

Kampf der Fünf Drachen

Die Zukunft: Schon lange ist der Mond den Menschen zu einer zweiten Heimat geworden. Doch auf dem Erdtrabanten geschieht nichts, ohne dass die dort ansässigen, rivalisierenden Wirtschaftsgiganten – die sogenannten Fünf Drachen – davon erfahren. Einer davon ist die Corta Helio Corporation unter dem Vorsitz der Patriarchin Adriana Corta. Als junge Frau musste sich Adriana in der brutalen Mondgesellschaft nach oben kämpfen – und hat sich dabei eine Menge Feinde gemacht. Feinde, die Adriana und ihren Clan nun zu Fall bringen wollen…

The winner of the award will be announced on September 22nd, 2018, at ElsterCon in Leipzig.

The series — NEW MOON, WOLF MOON and the upcoming MOON RISING (2019) — is published in the UK by Gollancz and in the US by Tor Books. The series has also been published widely in translation (for more information on the other editions available, be sure to check out Ian’s author page). Here’s the English-language synopsis for the first novel…

The scions of a falling house must navigate a world of corporate warfare to maintain their family’s status in the Moon’s vicious political atmosphere…

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations — the Five Dragons — in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

CENTRAL STATION opens tomorrow in Germany!


Tomorrow, Heyne will publish Lavie Tidhar‘s CENTRAL STATION in Germany! Here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

CENTRAL STATION is published in English by Tachyon Publications, with a limited edition also available from PS Publishing. The novel was showered in praise upon its release, and was selected as a best Science Fiction of 2016 by Kirkus, The Guardian and Barnes & Noble. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Here are just a few reviews that the novel has received so far…

‘Magnificently blends literary and speculative elements in this streetwise mosaic novel set under the towering titular spaceport… Tidhar gleefully mixes classic SF concepts with prose styles and concepts that recall the best of world literature. The byways of Central Station ring with dusty life, like the bruising, bustling Cairo streets depicted by Naguib Mahfouz. Characters wrestle with problems of identity forged under systems of oppression, much as displaced Easterners and Westerners do in the novels of Orhan Pamuk. And yet this is unmistakably SF. Readers of all persuasions will be entranced.’ Publishers Weekly (Starred Review)

‘It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.’ NPR

‘The stories include some of Tidhar’s most beautiful prose, and his future Tel Aviv is among the most evocative settings in recent SF… Somehow, CENTRAL STATION combines a cultural sensibility too long invisible in SF with a sensibility which is nothing but classic SF, and the result is a rather elegant suite of tales.’ Locus

‘[Tidhar] has created a textured and original future that echoes real historical and economic tensions while satisfying veteran readers with deliberate echoes of classic science fiction… Deeply humane.’ Chicago Tribune

‘Tidhar’s prose draws the reader in, bringing this world to life with ease… Not only intelligent, it’s emotional too, telling of loves lost and those only just begun, of those wishing to escape their past and those hoping to bring it back… Tidhar is reminiscent of an early William Gibson, not just in sharing that short and punchy style, but in his ability to create a world where the speculation is believable enough to fit seamlessly into the narrative; somehow, despite being set centuries into the future, it feels just around the corner… cement[s] Lavie Tidhar as one of science fiction’s great voices, an author who creates scenarios and characters that feel destined to become classics, ones that readers will be happy to revisit time and time again. It’s a compelling collection that mixes the epic and the intimate, one that succeeds at being profound, incredibly moving and, quite simply, stunning.’ (10/10) Starburst 

CENTRAL STATION is without question the best assemblage of short stories I’ve read in recent memory. Sublimely sensual, emotionally moreish, and composed with crystalline clarity irrespective of its incredible complexity.’ — Tor.com

Throwback Thursday: Michael Cobley’s SHADOWKINGS series


Today, we wanted to draw your attention to Michael Cobley‘s first series, the grimdark fantasy Shadowkings trilogy: SHADOWKINGS, SHADOWGODS and SHADOWMASQUE. The trilogy is still available widely in eBook in English and German, and various rights are available (please get in touch if you have any questions).

The novels were published before the grimdark wave came to dominate the fantasy genre (albeit relatively briefly), and was published in the UK by Earthlight, between 2001-5. Here’s the synopsis for the first novel…

For one thousand bright and fortunate years the Khatrimantine Empire had guaranteed peace and benevolence. Then came the vast hordes of the Mogaun, driven by an evil deity, the Lord of Twilight, corrupter and devourer. At the very pinnacle of his triumph, the Lord of Twilight made a fatal mistake, shattering his essence into five parts: five lost souls destined to become the Shadowkings. Now, sixteen years after the invasion, Mogaun warlords and petty despots squabble amid the ruins. Yet ancient powers are stirring and the Empire’s last valiant defenders are gathering their strength, hoping that one decisive strike can reverse their long, bleak decline.

The covers at the top of this piece are for the current eBook editions of the trilogy, available through the JABberwocky eBook Program. Here are the original covers…

The series was well-received on publication, and here are just a few of the reviews the series has enjoyed…

‘A pacey action and adventure story, packed with battles, rescues and political double-dealing… a refreshing and believable take on the Fight Against Insurmountable Evil Foes sub-genre, without dispensing with any of the familiar staples that make the genre what it is.’ Infinity Plus on SHADOWKINGS

‘Impressively unpleasant first fantasy novel… If it were not for its unrelenting bleakness, Shadowkings would be a fairly standard story of apocalyptic evil and heroic good–Cobley has a sense, however, of how bad a battlefield or a ruined town smells, and his dark magic is appropriately sinister.’ Roz Kaveney on SHADOWKINGS

SHADOWKINGS, was brutal, cruel and realistic in a way genre usually avoids. SHADOWGOD, his second, is not only lighter, it is better written and makes good use of the world Cobley has created… writing to rival David Gemmell.’Guardian (Jon Courtenay-Grimwood)

‘Unconventional high fantasy trilogy… [Cobley] has taken traditional sword and sorcery to some new and perhaps uncomfortable places… Once again Mike has succeeded in producing an unusually dark and claustrophobic piece of work, though it is a lot less bleak than its predecessors. It is also a lot less convoluted with the battle lines more clearly drawn.’ Infinity Plus on SHADOWMASQUE

‘[Cobley] drew the characters with verve and style, encouraging the reader to participate in the story he was unfolding. The plot was complex but clearly spun out, providing tantalising teasers at the end of each episode, which made me want to skip ahead to the next time that particular thread was picked up and woven. In my opinion, a clear winner for Michael Cobley.’ SF Crowsnest on SHADOWMASQUE

The series has also been published by Heyne in Germany. Here are the covers…

Michael Cobley is also the author of the critically-acclaimed Humanity’s Fire series, which includes the trilogy SEEDS OF EARTH, THE ORPHANED WORLDS and THE ASCENDANT STARS, and the stand-alone ANCESTRAL MACHINES. All four novels are published by Orbit Books in the UK and US, and Heyne in Germany.

CENTRAL STATION coming soon to Germany!


Central Station von Lavie Tidhar

Lavie Tidhar‘s critically-acclaimed, multi-award winning novel CENTRAL STATION is due to be published in Germany in January 2018! To be published by Heyne, here’s the synopsis…

Die Menschheit ist ins All aufgebrochen. Der Mars wurde besiedelt, der Asteroidengürtel wird ausgebeutet, und virtuelle Spielewelten haben sich zu Paralleluniversen entwickelt. Die Menschheit ist fortschrittlicher, schillernder und kaputter denn je. In dieser Zukunft kommt Boris Chong nach langjähriger Abwesenheit vom Mars zurück auf die Erde zur Central Station — um einen seit Generationen andauernden Familienfluch abzuwenden, um einer alten Liebe wiederzubegegnen, und um vielleicht sein Schicksal zu finden.

The novel is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.