WHEN ALL IS SAID out now in Russia!


WHEN ALL IS SAID, Anne Griffin‘s best-selling and critically-acclaimed debut novel continues its journey around the world — a new Russian edition of the novel is out now! Published by ACT as Когда все сказано, here’s the synopsis…

В баре провинциального отеля теплым летним вечером сидит старый фермер Морис Хэнниган. Пять раз он заказывает выпивку — и каждый раз поднимает тост за человека, сыгравшего важную роль в его долгой, трудной жизни.

За любимого старшего брата, которого еще подростком унесла болезнь.

За душевнобольную невестку, с первого взгляда к нему привязавшуюся.

За дочку, рожденную мертвой.

За талантливого сына-журналиста — каково ему там, в далекой Америке?

И — за нее. Любимую жену и верную подругу. За лучшую из женщин, после смерти которой из жизни его ушли и свет, и смысл.

Пять тостов. Пять историй. А в них — целая жизнь, с любовью и ненавистью, с удачами и катастрофами, днями веселья и скорби. Жизнь, рассказанная так, как это умеют делать только ирландцы!

The novel is published in the UK and Ireland by Sceptre, in North America by Picador, and in an ever-growing number of international and translated edition (check out some of the covers, below). Here’s the English-language synopsis…

Five toasts. Five people. One lifetime.

‘I’m here to remember – all that I have been and all that I will never be again.’

At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He’s alone, as usual -though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story.

Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories – of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice – the life of one man will be powerfully and poignantly laid bare.

Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.

Griffin’s second novel, LISTENING STILL, is out now in the UK, published by Sceptre, and is due to be published in North America by St. Martin’s Press, in March 2022.

DIE FLÜSSE VON LONDON: MOTOREN, MAGIE UND MÄRCHEN Out in Three Weeks!


German fans of Ben Aaronovitch and Andrew Cartmel‘s Rivers of London comics, your wait is almost over: the eighth collected story arc, MOTOREN, MAGIE UND MÄRCHEN is out in three weeks! Due to be published by Panini, on August 31st, here’s the synopsis…

Neue Fälle für Star — Ermittler Peter Grant!

Man sagt: „Der geplatzte Reifen ist nie weit von der Rennstrecke entfernt.“ Vielleicht sagt man das auch nicht, aber wenn das Rennauto eines jungen, aufstrebenden Rennfahrers aus England in den Niederlanden angespült wird und eine gänzlich ungewöhnliche Fracht enthält, muss man als Ermittler zumindest nicht lange darüber nachdenken, ob man die Geschehnisse eines illegalen Straßenrennens in Essex genauer unter die Lupe nehmen sollte.

Also begibt sich Detective Inspector Peter Grant in seinem orangefarbenen ‘asbo’ Ford Focus auf die Strecke, um die Rennszene von innen zu durchleuchten. Peter merkt schnell, dass die illegale Rennszene ein eigenes Reich ist … fast schon ein magisches Märchenland! Im neusten Fall des zaubernden Ermittlers Peter Grant verbindet Ben Aaronovitch einmal mehr seine Liebe für Krimi, Magie und schnelle Autos zu einer großartigen Geschichte.

Panini has also published the first seven collected editions in Germany.

THE FEY AND THE FURIOUS (as well as the other Rivers of London comic series) are published in the UK and North America by Titan Comics. Here’s the English-language synopsis…

Detective Inspector Peter Grant is back in an all-new comic miniseries from author Ben Aaronovitch!

Trouble never lies far from the race track. When a flash car belonging to a young boy racer from England washes up in the Netherlands with a bagload of unusual cargo, it’s evident there is more than meets the eye happening at street races held in an Essex car park.

Enter Detective Inspector Peter Grant. Fresh from suspension, he takes to the track in his orange ‘asbo’ Ford Focus to try and infiltrate the big leagues. But Peter soon finds himself sucked back into an Otherworld — a real-life fairyland!

Newcomers to the Rivers of London comics, novels and novellas might find this new readers guide/chronology handy…

All of Ben’s Rivers of London novels and novellas are published in Germany by DTV.

The novels and novellas are published in the UK by Gollancz. The novels are published in North America by Del Rey (1-3), DAW Books (4-) and Subterranean Press (novellas).

Andrew Cartmel’s acclaimed Vinyl Detective mystery series are published by Titan Books in the UK and North America.

Roger Zelazny’s DAMNATION ALLEY Gets a New Ukrainian Edition!


We’re happy to report that Roger Zelazny‘s DAMNATION ALLEY has a new Ukrainian edition! Published by Богдан as Проклін-зона, it was translated by Denys Dömin (Денис Дьомін), and is out now! Here’s the synopsis…

Страшенна хвороба загрожує зменшити людство наполовину… Точніше, не людство, а те, що від нього лишилось, — по ядерному армагедоні. Ліки, що можуть зарадити мору, потрібні «на вчора», ще й дуже далеко, але це героїчне завдання волею долі дісталося байкеру-соціопату.

Чи зможе, чи схоче він подолати заради чужого добра жахи Проклін-зони, що накрила прокляттям увесь континент? Як змінить його ця мандрівка?

Славетний фантаст розповів нам про це в динамічному бойовику «на колесах» і не без моралі, вплив якого помітний і в пізніших творах про постядерний світ. Колоритні мутанти, мобільні бандити, химерні броньовані транспортні засоби і божевільні стихії — класика жанру!

DAMNATION ALLEY was first published as a novella in 1967 (which was a Hugo Award finalist), and was expanded into a novel-length form in 1969. Here’s the English-language synopsis…

Hell Tanner isn’t the sort of guy you’d mistake for a hero: he’s a fast-driving car thief, a smuggler, and a stone-cold killer.

Facing life in prison for his various crimes, he’s given a choice: Rot away his remaining years in a tiny jail cell, or drive cross-country & deliver a case of antiserum to the plague-ridden people of Boston, Mass.

The chance of a full pardon does wonders for getting his attention. And don’t mistake this mission of mercy for any kind of normal road trip — not when there are radioactive storms, hordes of carnivorous beasts, and giant, mutated scorpions to be found along every deadly mile between LA and the East Coast. But then, this is no normal part of America, you see.

This is Damnation Alley.

Ben Aaronovitch’s FALEŠNÁ HODNOTA due out in September!


On September 30th, Argo are due to publish the Czech edition of FALSE VALUE, the eighth novel in Ben Aaronovitch‘s acclaimed, best-selling Rivers of London/Peter Grant series! Published as FALEŠNÁ HODNOTA, here’s the synopsis…

Nové dobrodružství Petera Granta… a zároveň nový rozjezd! Jsme stále v Londýně, ale Peter už nepracuje u metropolitní policie. Po uzavření případu Muže bez tváře a dalších peripetiích se Peter usazuje, připravuje se na otcovskou roli a zároveň čelí poněkud nejisté budoucnosti. Nastupuje do soukromého sektoru, do IT firmy Terrence Skinnera, kde věci nejsou takové, jaké se zdají být. V rámci zaměstnání se musí naučit splynout s civilisty, kteří jsou ještě větší geekové než on, byť nadále zůstává v kontaktu se starými známými, jež ho provázeli při dřívějších vyšetřováních, ať operují v Rozmaru nebo třeba v Americe. A i zde má samozřejmě slovo magie. Pracoviště skrývá tajemství, technologii, která je sice high-tech a zkoumá možnosti umělé inteligence, ale má kořeny u Ady Lovelaceové a Charlese Babbage.

V pořadí osmý román série Řeky Londýna má všechno, na co jsme byli zvyklí z dřívějších částí – humor i svérázný pohled na svět – a také něco navíc: třeba to, že firma, kde teď Peter působí, nese silný otisk světa Stopařova průvodce po galaxii!

Argo has published all of the other previous novels in Ben’s series in Czechia, as well as a couple of his novellas and comic series (the latter co-authored with Andrew Cartmel).

FALSE VALUE is published in the UK by Gollancz, and in North America by DAW Books. Here’s the English-language synopsis…

Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm.

Leaving his old police life behind, he takes a job with Silicon Valley tech genius Terrence Skinner’s new London start up: the Serious Cybernetics Corporation.

Drawn into the orbit of Old Street’s famous ‘silicon roundabout’, Peter must learn how to blend in with people who are both civilians and geekier than he is. Compared to his last job, Peter thinks it should be a doddle.

But magic is not finished with the Met’s first trainee wizard in fifty years…

Because a secret is hiding somewhere in the building. A technology that stretches back to Ada Lovelace and Charles Babbage, and forward to the future of artificial intelligence. A secret that is just as magical as it technological – and twice as dangerous.

FALSE VALUE has also been published in Germany, by DTV.

Here are just a few of the reviews the novel has received so far…

‘Aaronovitch showcases a superlative blend of whimsy and grit in the eighth Rivers of London urban fantasy… The suspenseful mystery at the novel’s core is laced with humor and charm. Jim Butcher meets Douglas Adams in this winning series installment.’ — Publishers Weekly (Starred Review)

‘… sees Peter taking on new responsibilities both at work and at home and there’s a definite shift in tone towards the stranger side of magic and the broader implications of what a resurgence of strangeness means to the world at large. Aaronovitch is clearly having a blast building on the world he’s already created… The main character is a delight as always… The tone is light, witty, and action packed as always. Cinematic where has to be and detective chic in other places. And, as always, the description of London is so solid and real that you can practically feel the familiar layer of grime the city has… As always, Ben Aaronovitch takes the reader on an unforgettable ride into the fantastic.’ — Starburst (9/10)

‘… my favorite current series… delightful, compulsive and fresh — with a love of multicultural London evident on every page, wonderfully diverse characters, magic, mystery, and mayhem. Once you start, you will literally not be able to put them down.’ — Lavie Tidhar in Washington Post

‘Wonderfully blending technology and magic… Aaronovitch creates a fantastic blend of real-world London, harbouring a secret magical underground, delicately interwoven with an alternative history that touches on the origins of computer programming and the work of Ada Lovelace and Charles Babbage… a solid crime/detective novel that provides fans of the series with another entertaining adventure for Peter Grant complete with dark humour and explosive action.’ — SciFi Now

FALSE VALUE is a rousing episode in the Ben Aaronovitch’s Rivers of London series’ — Canberra Times

‘[A] great read… I enjoyed the new direction and dynamics introduced here. Big things are clearly coming for Peter Grant and I’m looking forward to seeing where the next book will take us.’ — Bibliosanctum

‘[A]nother unmissable instalment of the Rivers of London series’… FALSE VALUE is a welcome addition to the collection and long may they keep coming — Crime Review

‘Packed with treasures and little bits of history and illusion this latest adventure from Ben Aaronovitch sends Peter deep into the ‘silicon roundabout’… What I love about these stories is the way they are told. You could be listening directly to the author, no filters and straightforward dialogue by real people. Peter is great and Nightingale as the much older generation is the comforting hand on the shoulder…’ — SF Crowsnest

Lavie Tidhar’s ZIEMIA NIEŚWIĘTA Out Now in Poland!


Lavie Tidhar‘s acclaimed novel UNHOLY LAND is now available in Poland! Published by Katedra as ZIEMIA NIEŚWIĘTA, here’s the synopsis…

Fascynujący thriller science fiction, opowiadający alternatywną historię świata, w którym udało się uniknąć Holokaustu.

Gdy autor pulpowych powieści Lior Tirosh wraca do ojczystej Afryki Wschodniej, przekonuje się, że wiele się zmieniło. Palestyna – żydowskie państwo założone w początkach dwudziestego wieku – buduje potężny mur, mający odgrodzić je od afrykańskich uchodźców. W stolicy, Araracie, panują gwałtowne napięcia społeczne.

Szukając zaginionej siostrzenicy, Lior Tirosh zaczyna się zachowywać jak detektyw ze swoich powieści. Ścigają go bezlitośni agenci państwowej służby bezpieczeństwa, a jednocześnie odkrywa groźne spiski i niewiarygodne rzeczywistości. Możliwe, że istnieje więcej niż jedna Palestyna, a bariery między światami zaczynają pękać…

UNHOLY LAND is published in the UK and North America by Tachyon Publications, and has racked up an impressive number of commendations — including being selected as a best book of the year by Library Journal, NPR, Publishers Weekly, and Barnes & Noble (among others). Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

The novel is also available in France, published by Continent Mu, as AUCUNE TERRE N’EST PROMISE.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Tachyon Publications also publishes Lavie’s critically acclaimed THE VIOLENT CENTURY and CENTRAL STATION; and are due to published his latest novel, THE ESCAPEMENT, in September.

Cover & Details: DIE FÜCHSE VON HAMPSTEAD HEATH by Ben Aaronovitch


This September, we’re happy to report that German-speaking fans of Ben Aaronovitch‘s Rivers of London/Peter Grant series will be able to buy the German edition of his latest novella, WHAT ABIGAIL DID THAT SUMMER. Due to be published on September 17th by DTV, as DIE FÜCHSE VON HAMPSTEAD HEATH, the novella has been translated by Christine Blum. Here’s the synopsis…

Eine magisch begabte Cousine

Es ist Ferienzeit in London und Abigail, Peter Grants lästige Cousine, kann mehr oder weniger tun und lassen, was sie will. Was bei allen, die sie kennen, eigentlich die Alarmglocken schrillen lassen sollte. Doch Peter ist irgendwo auf dem Land auf Einhornjagd, sodass niemand Abigail davon abhält, magischen Unfug zu treiben – und einem Geheimnis auf die Spur zu kommen: In der Gegend von Hampstead Heath verschwinden immer wieder Teenager. Nach kurzer Zeit tauchen sie wieder auf, unverletzt, aber ohne eine Erinnerung, wo sie waren. Wer hat sie fortgelockt – und warum? Unterstützt von einer Bande sprechender (und ziemlich eingebildeter) Füchse stürzt sich Abigail ins magische Abenteuer.

The novella is published in the UK by Gollancz and in North America by Subterranean Press. Here’s the English-language synopsis…

Ghost hunter, fox whisperer, troublemaker.

It is the summer of 2013 and Abigail Kamara has been left to her own devices. This might, by those who know her, be considered a mistake.

While her cousin, police constable and apprentice wizard Peter Grant, is off in the sticks chasing unicorns, Abigail is chasing her own mystery. Teenagers around Hampstead Heath have been going missing but before the police can get fully engaged, the teens return home – unharmed but vague about where they’ve been.

Aided only by her new friend Simon, her knowledge that magic is real, and a posse of talking foxes that think they’re spies, Abigail must venture into the wilds of Hampstead to discover who is luring the teenagers and more importantly – why?

DTV has published all of Ben’s Rivers of London novels and novellas in Germany to date.

The comic series set in the same world, co-authored by Andrew Cartmel, are published in Germany by Panini (and Titan Comics in English).

Polish Edition of Lavie Tidhar’s UNHOLY LAND Out in July!


Lavie Tidhar‘s acclaimed novel UNHOLY LAND is due to be published in a new Polish edition next month! Published by Katedra as ZIEMIA NIEŚWIĘTA, on July 20th, here’s the synopsis…

Fascynujący thriller science fiction, opowiadający alternatywną historię świata, w którym udało się uniknąć Holokaustu.

Gdy autor pulpowych powieści Lior Tirosh wraca do ojczystej Afryki Wschodniej, przekonuje się, że wiele się zmieniło. Palestyna – żydowskie państwo założone w początkach dwudziestego wieku – buduje potężny mur, mający odgrodzić je od afrykańskich uchodźców. W stolicy, Araracie, panują gwałtowne napięcia społeczne.

Szukając zaginionej siostrzenicy, Lior Tirosh zaczyna się zachowywać jak detektyw ze swoich powieści. Ścigają go bezlitośni agenci państwowej służby bezpieczeństwa, a jednocześnie odkrywa groźne spiski i niewiarygodne rzeczywistości. Możliwe, że istnieje więcej niż jedna Palestyna, a bariery między światami zaczynają pękać…

Selected as a best book of the year by NPR, Library Journal, Publishers Weekly and the Guardian (among other commendations), UNHOLY LAND is published in the UK and North America by Tachyon Publications. Here’s the English-language synopsis…

Lior Tirosh is a semi-successful author of pulp fiction, an inadvertent time traveler, and an ongoing source of disappointment to his father.

Tirosh has returned to his homeland in East Africa. But Palestina — a Jewish state founded in the early 20th century — has grown dangerous. The government is building a vast border wall to keep out African refugees. Unrest in Ararat City is growing. And Tirosh’s childhood friend, trying to deliver a warning, has turned up dead in his hotel room. A state security officer has identified Tirosh as a suspect in a string of murders, and a rogue agent is stalking Tirosh through transdimensional rifts — possible futures that can only be prevented by avoiding the mistakes of the past.

From the bestselling author of Central Station comes an extraordinary new novel recalling China Miéville and Michael Chabon, entertaining and subversive in equal measures.

The novel is also available in France, published by Continent Mu, as AUCUNE TERRE N’EST PROMISE.

Here are just a few of the great reviews the novel has received…

‘… will leave readers’ heads spinning with this disorienting and gripping alternate history… Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.’ — Publishers Weekly (PW Picks: Books of the Week, October 15, 2018)

‘Lavie Tidhar is a genius at conjuring realities that are just two steps to the left of our own — places that look and smell and feel real, if just a bit hauntingly alien. UNHOLY LAND develops slowly. It begins with banal strangeness (this Palestinia, so like and unlike modern-day Israel) and leans gently into it… This is a story that gets weirder the deeper you get into it; that cultivates strangeness like something precious. It has three narrators: Investigator Bloom, Tirosh and a woman, Nur, who works as a field agent for the Border Agency. There are echoes of Chabon’s The Yiddish Policeman’s Union in it, wild strains of P.K. Dick and Roger Zelazny’s Chronicles of Amber. But UNHOLY LAND is its own thing. Something that no one but Tidhar could’ve written. Gorgeous in its alienness, comfortingly gray in its banality, and disquieting throughout.’ — NPR

‘Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming. This latest from Campbell and World Fantasy Award winner Tidhar (Central Station) is fascinating and powerful.’ — Library Journal

‘[O]ne of those lovely books that starts out presenting itself as one thing, and mutates into another almost without you seeing it… a game-player of a writer who uses the spectrum of science fiction canon for his pieces… a grand game of alternate worlds cast like jewels on the sand. The long second act is all dust and blood and madness and glory, and the fast third act comes down on you like a sharpened spade… Lavie Tidhar is a clever bastard, and this book is a box of little miracles.’ — Warren Ellis

UNHOLY LAND starts out hard-boiled and comes at you sideways with the speculative elements. Tidhar has blended alternative history with murder in hotel rooms, missing women, an honest-to-god Fedora and mysterious borders in a tale that evokes Chabon’s The Yiddish Policemen’s Union, Casablanca and Mieville’s The City & the City. Political and pulpy, with distinct metafictional elements, Tidhar adroitly pulls off this fantastical tale of an occupied territory.’ — Tade Thompson

‘… adventurous readers will appreciate this well-written and ambitious book. It should find a place at any library that offers high-quality literary fiction.’ — Booklist

‘We are in that kind of novel, the kind that doubles back and dodges sideways. Keeping up provides its own kind of pleasure… the various points of view meet up, and the result is an altogether dizzying and masterful use of narrative voice. The clashing narrative perspectives produce something like parallax—looking out of one eye, and then the other, and then both focused together on a third point. Which is the operative metaphor of UNHOLY LAND: one of partition and perspective, the same thing seen over and over and over again through different eyes… UNHOLY LAND plays in the strange, uncomfortable DMZ between the national founding myth and the uninterrogated childhood, between the person who leaves the homeland and the one who returns.’ — Barnes & Noble Sci-Fi & Fantasy Blog

‘By extending Tidhar’s exploration of multiple and metafictional realities in even more sophis­ticated and assured ways than his earlier novels, UNHOLY LAND is quite an irritated oyster.’ — Locus (Gary K. Wolfe)

‘… provocative and brash… UNHOLY LAND is a wildly inventive and entertaining novel that moves at a breathless gallop… [Tidhar has] staked a claim as the genre’s most interesting, most bold, and most accomplished writer.’ — Locus (Ian Mond)

Tachyon Publications also publishes Lavie’s critically acclaimed THE VIOLENT CENTURY and CENTRAL STATION; and are due to published his latest novel, THE ESCAPEMENT, in September.

Audio Spotlight: Ben Aaronovitch’s EIN WEISSER SCHWAN IN TABERNACLE STREET


In case you missed it, we wanted to raise awareness that Ben Aaronovitch‘s best-selling, critically-acclaimed Peter Grant series of novels and novellas are available in Germany as audiobooks. This includes the latest novel, FALSE VALUE, which is published in Germany as an audiobook by Jumbo Verlag. Narrated by Dietmar Wunder, here’s the synopsis for EIN WEISSER SCHWAN IN TABERNACLE STREET

Peter Grant, unser Lieblings-Bobby und Zauberlehrling, ist suspendiert und zumindest für eine Weile kein Bobby mehr. Dafür wird er in Zukunft im Privatleben umso mehr gefordert sein, was ihn zu gleichen Teilen mit Panik und Begeisterung erfüllt. Um nicht untätig herumzusitzen und Nägel zu kaufen, heuert er bei der Serious Cybernetics Company an, dem neuesten Projekt des Internet-Genies Terrence Skinner. Und prompt holt die Magie ihn wieder ein. Denn in den Tiefen der SCC ist ein Geheimnis verborgen, eine geheime magische Technologie, die zurückreicht bis weit ins 19. Jahrhundert, das Zeitalter von Ada Lovelace und Charles Babbage. Und die brandgefährlich ist für die Welt.

Jumbo Verlag has published the audiobooks for all of Ben’s Peter Grant/Rivers of London books in Germany, to date. The German print and eBook editions are published by DTV.

Audible Germany has also been producing some full-cast audio dramas, the first four of which are out now: DIE FLÜSSE VON LONDON, SCHWARZER MOND ÜBER SOHO, EIN WISPERN UNTER BAKER STREET, and DER BÖSE ORT.

BATTLE MAGE Out Now in French Paperback!


Peter A. Flannery‘s acclaimed fantasy novel BATTLE MAGE is now available in mass market paperback in France! Split into two parts, it is published by Le Livre de Poche as MAGE DE BATAILLE. Here’s the synopsis…

Dans un monde en guerre peu à peu conquis par l’armée infernale des Possédés, Falco Danté est un gringalet. Pire, il est méprisé, mis à l’écart, à cause de son père qui fut un immense mage de bataille avant de sombrer dans une folie meurtrière. Alors que la Reine tente de rassembler toutes les forces armées pour repousser les Possédés, Falco prend une décision qui va l’amener aux marges du désespoir: entrer à l’académie de la Guerre, une école d’excellence pour les officiers. Là, il devra surmonter ses doutes, ceux de ses amis et même ceux de la Reine.

Le monde brûle ; seul un mage de bataille pourra sauver ce qu’il en reste. Falco réussira-t-il à libérer son pouvoir, à invoquer un dragon à sa mesure ou succombera-t-il à la folie… comme son père ?

Porté par son héros meurtri, condamné à se dépasser face au mal absolu, Mage de bataille a rencontré un formidable succès dans les pays anglo-saxons.

The French edition is translated by Patrice Louinet. The novel is also available in Germany, Poland, and Czechia. Earlier this year, the novel was nominated for Best Fantasy Novel in Poland.

Here’s the English-language synopsis…

The world is falling to the burning shadow of the Possessed and only the power of a battle mage can save it. But the ancient bond with dragonkind is failing. Of those that answer a summoning too many are black. Black dragons are the enemy of humankind. Black dragons are mad.

Falco Dante is a weakling in a world of warriors, but worse than this, he is the son of a madman. Driven by grief, Falco makes a decision that will drive him to the brink of despair. As he tries to come to terms with his actions Falco follows his friends to the Academy of War, an elite training school dedicated to martial excellence. But while his friends make progress he struggles to overcome his doubts and insecurity. Even Queen Catherine of Wrath has her doubts about Falco’s training.

While the Queen tries to unite the Kingdoms against the Possessed, Falco struggles to overcome his fears. Will he unlock the power trapped inside of him or will he succumb to madness and murder like his father?

Zeno represents Peter A. Flannery in translation.

ICYMI: Zelazny’s A NIGHT IN THE LONESOME OCTOBER is Available in Japan


In case you missed it, Roger Zelazny‘s acclaimed, fan-favourite novel A NIGHT IN THE LONESOME OCTOBER is available in a Japanese edition. Published by 竹書房 (Takeshobo) as 虚ろなる十月の夜に, here’s the synopsis…

切り裂き魔(ジャック)に吸血鬼(ドラキュラ)、名探偵(ホームズ)
いずれ劣らぬ曲者たちが旧き神々(クトゥルー)に対峙する――

十月の終わりの万聖節前夜(ハロウィーン)に、そのゲームは行われる。 《閉じる者(クローザー)》と《開く者(オープナー)》、旧き神々を崇拝する者たちとそれを阻止せんとする者たちの、 世界の変革と保持を巡る戦い──《大いなる儀式》が。
御主人(マスター)切り裂きジャックと使い魔である犬のスナッフもまた、《大いなる儀式》の参加者である。彼らが来た村には、ドラキュラ伯爵、フランケンシュタイン博士らの姿があり、使い魔たちは儀式へ向け情報を集めている。スナッフは魔女ジルの使い魔である猫のグレイモークと頻繁に情報を交換するが、果たして彼女たちが味方なのかすらもわからないのだ。そして儀式の日が迫る中、参加者たちの周りに名探偵シャーロック・ホームズの影が見え隠れする──。
著名なキャラクターたちとクトゥルー神話を融合させ、ネビュラ賞候補作ともなった、奇想横溢のゼラズニイ最後の長篇。

A NIGHT IN THE LONESOME OCTOBER is published in the UK by Farrago Books. Described by Neil Gaiman as ‘One of Zelazny’s most delightful books’, here’s the English-language synopsis…

All is not what it seems.

In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff – gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.

Some have come to open the gates. Some have come to slam them shut. And now the dread night approaches – so let the Game begin.

The novel has also been translated widely; with recent new editions in Italy, Russia, Italy, and Ukraine.

Ian McDonald’s MOON RISING Available in Hungary!


MOON RISING, the third novel in Ian McDonald‘s acclaimed Luna series, is available now in Hungary! Published by Gabo as HOLDKELTE, and translated by Tamás Gábor, here’s the synopsis…

Száz évvel a jövőben háború dúl az Öt Sárkány – a Hold vezető ipari vállalatait irányító öt család – között. Mind az öt klán foggal-körömmel igyekszik a tápláléklánc csúcsára jutni, és ehhez bevetnek érdekházasságokat, ipari kémkedést, emberrablást és tömeges merényleteket is.

Lucas Corta, a családfő zseniális politikai machinációi és akaratereje révén a veszteségből győzelmet kovácsol, és magához ragadja a Hold feletti uralmat. Az egyetlen, aki útjába állhat, páratlan ügyvéd húga, Ariel.

Ian McDonald Luna-trilógiájának lélegzetelállító fináléjában a Sárkányok ismét összecsapnak a végső hatalomért.

Gabo has also published the first two novels in the Luna series — NEW MOON and WOLF MOON — in Hungary, as ÚJHOLD and ORDASHOLD.

The Luna series is published in the UK by Gollancz and Tor Books in North America. A prequel novella, THE MENACE FROM FARSIDE, is published by Tor.com.

Here’s the English-language synopsis for MOON RISING

A hundred years in the future, a war wages between the Five Dragons — five families that control the Moon’s leading industrial companies. Each clan does everything in their power to claw their way to the top of the food chain — marriages of convenience, corporate espionage, kidnapping, and mass assassinations.

Through ingenious political manipulation and sheer force of will, Lucas Cortas rises from the ashes of corporate defeat and seizes control of the Moon. The only person who can stop him is a brilliant lunar lawyer, his sister, Ariel.

Witness the Dragons’ final battle for absolute sovereignty in Ian McDonald’s heart-stopping finale to the Luna trilogy.

Here are just a few of the great reviews the series has received so far…

‘McDonald concludes his Luna space opera trilogy in triumphant style… The political intrigue never feels too abstract or removed from 21st-century Earth. Readers will appreciate the care McDonald takes with both worldbuilding and characterization, and will enjoy little touches such as giving an assassin the job title of Corporate Conflict Resolution Officer… fans of the prior books will find this wrap-up rewarding.’ — Publishers Weekly on MOON RISING

‘McDonald’s richly imagined Lunar culture and interplanetary poleconomy make for a superb backdrop for literally dozens of richly realized human dramas, and it’s hard to say which is more fascinating. McDonald’s wildly imaginative worldbuilding (present since his debut novel, the utterly wonderful standout OUT ON BLUE SIX) and his ability to spin out intrigues are both in full flight in this final volume.’ — Boing Boing on MOON RISING

‘… cinematic set-pieces… so much fun to read… these entertaining, and intelligent novels, capped off by the very satisfying Luna: MOON RISING, have been about establishing a society, a community, a family that looks to the future, that lives and prospers in an environment that must always be treated with respect.’ — Locus (Ian Mond)

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan on NEW MOON

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review) on NEW MOON

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space… That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian on NEW MOON

No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.— BoingBoing

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly on WOLF MOON

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing on WOLF MOON

‘Luna: NEW MOON was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com on WOLF MOON

New Edition of Ian McDonald’s LUNE DU LOUP available now!


The second novel in Ian McDonald‘s acclaimed Luna series, WOLF MOON, is now available in a new French mass-market paperback edition. Published by Folio SF as LUNE DU LOUP, here’s the synopsis…

Sur la Lune, deux ans après les événements qui ont précipité la chute de la famille Corta, les Mackenzie se sont approprié les restes de leur entreprise. Il n’y a donc plus que quatre « Dragons », ces consortiums familiaux qui se partagent l’exploitation des ressources lunaires et, donc, le pouvoir. Pourtant, les Mackenzie se déchirent sur les cadavres encore frais de leurs ennemis de toujours. Les Sun continuent, discrètement, à élaborer des plans visant à affaiblir leurs adversaires. Les Vorontsov vendent toujours leurs indispensables services au plus offrant. Et les Asamoah tentent tant bien que mal de préserver leur neutralité de façade. Mais le statu quo, même sous gravité réduite, n’est jamais acquis. D’autant que les rares survivants de la famille Corta – blessés, en fuite ou sous la protection d’autres Dragons – n’ont pas dit leur dernier mot.

Avec le deuxième tome de sa trilogie, Ian McDonald continue, sans temps mort, l’exploration minutieuse de sa colonie lunaire, nouveau Far West où tous les coups (bas) sont permis.

Folio SF has also published the first novel in the series, NEW MOON, as NOUVELLE LUNE.

WOLF MOON and the other novels in the Luna series — which also includes MOON RISING (#3) — are published in the UK by Gollancz, in North America by Tor Books, and in a growing number of translated editions. Here’s the English-language synopsis for WOLF MOON

Corta Helio, one of the five family corporations that rule the Moon, has fallen. Its riches are divided up among its many enemies, its survivors scattered. Eighteen months have passed.

The remaining Helio children, Lucasinho and Luna, are under the protection of the powerful Asamoahs, while Robson, still reeling from witnessing his parent’s violent deaths, is now a ward – virtually a hostage – of Mackenzie Metals. And the last appointed heir, Lucas, has vanished from the surface of the moon.

Only Lady Sun, dowager of Taiyang, suspects that Lucas Corta is not dead, and – more to the point – that he is still a major player in the game. After all, Lucas always was a schemer, and even in death, he would go to any lengths to take back everything and build a new Corta Helio, more powerful than before. But Corta Helio needs allies, and to find them, the fleeing son undertakes an audacious, impossible journey – to Earth.

In an unstable lunar environment, the shifting loyalties and political machinations of each family reach the zenith of their most fertile plots as outright war between the families erupts.

Here are just a few of the great reviews the series has received…

‘… powerful sequel… compelling throughout. Each of McDonald’s viewpoint characters is made human in fascinating and occasionally disturbing detail, and the solar system of the 22nd century is wonderfully delineated. Fans of the first volume will love this one and eagerly look forward to the next.‘ — Publishers Weekly

NEW MOON was one of the most interesting sci-fi novels of 2015, with smart ideas on humanity and economies matched by street smarts, political brawls and murder in the streets. LUNA: WOLF MOON turns that up to eleven – it’s a fascinating story, which is also a tense, enthralling read.’ — Sci-Fi & Fantasy Review

‘The fights and vengeance that follow are more vicious and intricate than anything in Game of Thrones, full of great acts of self-sacrifice and viciousness alike, brave cavalry charges and last stands, cowardice and avarice. McDonald’s great gift is to hold the micro- and macro-scale in his hand at once. Starting with his debut novel, 1988’s Desolation Road, McDonald has used his intense, finely crafted and small personal stories of his vast casts of characters as the pixels in an unimaginably vast display on which he projects some of the field’s most audacious worldbuilding — never worldbuilding for its own sake, either, but always in the service of slyly parodying, critiquing or lionizing elements of our present-day world.’ — Boing Boing

‘No one builds a world like Ian McDonald does… Spare, simple, elegant when he needs to be…, deep and meaty when he wants to be…, he does his work like an artisan pulling a sculpture from stone… McDonald has made a world that is ruthless in its consistency and living, breathing reality, and then made characters who are not just living in it, but wholly and fully of it… McDonald’s corporate war is a gorgeous thing, fought with every tool available… McDonald is able to wrap the biggest events in constellations of the smallest so that a cocktail party here, a discussion of ’80s retro fashion (all mall-hair and WHAM! T-shirts), a love story and a day at work for a guy who cleans solar panels all build and coalesce to form the background radiation of life in this unstable future. Every moment with his characters makes them precious, real and alive.’ — NPR

‘Luna: New Moon was a “magnificent bastard of a book,” as I put it in my review. Part two, it’s my pleasure to tell you, is just as awesome, and just as masterfully nasty.’ — Tor.com

A prequel novella to the series, THE MENACE FROM FARSIDE is also available, published by Tor.com.

Folio also publishes French editions of Ian’s KING OF MORNING, QUEEN OF DAY, RIVER OF GODS, CYBERABAD DAYS, and THE DERVISH HOUSE.

Roger Zelazny’s LORD OF LIGHT out now in Lithuania!


Roger Zelazny‘s classic novel LORD OF LIGHT is now available in Lithuania! Published by Leidybos Studija’s Eridanas imprint, and translated by Danguolė Žalytė, here’s the synopsis for ŠVIESOS VALDOVAS

Žemės seniai nebėra. Kolonizuotoje planetoje grupė naujakurių užgrobė technologijas, tapo nemirtingi ir dabar valdo pasaulį kaip hinduizmo dievai. Priešintis išdrįsta tik vienas, tas, kuris kadaise buvo Sidhartha, o dabar Mahasamatmanas, Demonų Apkalėjas. Šviesos Valdovas.

Šiek tiek plačiau: 

Norėdami išgyventi naujame priešiškame pasaulyje, kolonistai pasitelkę biotechnologijas, elektroniką, kitus mokslo pasiekimus, mutavo savo smegenis, tobulino kūną, naudojo pažangiausias technologijas ir kiekvienas susikūrė įvaizdį – dieviškąjį pavidalą, kuris „sustiprino kūną, užgrūdino valią ir suteikė troškimų galią atributams, o šie stebuklingai ištikdavo tuos, į kuriuos būdavo atkreipiami“.

Jie išrado būdą perkelti žmogaus atmaną, arba sielą ir protą, į naują kūną. Reinkarnacija sukūrė nemirtingųjų rasę – buvę erdvėlaivio įgulos nariai įvedė kastinę hinduizmo sistemą, hinduizmą kaip oficialią religiją ir vietiniams gyventojams – nesuskaičiuojamiems savo pačių palikuoniams oficialiai tapo dievais.

Pagrindinis veikėjas Samas, išsiugdęs atributą valdyti elektromagnetines jėgas, atsisako dievystės ir tampa maištininku ir paskutiniu akceleratu: jis mano, kad žmonės turi teisę į technologijas, o reinkarnacijos neturi kontroliuoti elitas. Jo maištas prieš dievus trunka daugelį metų.

First published in 1967, LORD OF LIGHT won the Hugo Award for Best Novel, and was also nominated for the Nebula Award. George R.R. Martin has said it is one of the five best science fiction novels ever written. It is available in the UK as part of the SF Masterworks series, published by Gollancz. Here’s the English-language synopsis…

Imagine a distant world where gods walk as men, but wield vast and hidden powers. Here they have made the stage on which they build a subtle pattern of alliance, love, and deadly enmity. Are they truly immortal? Who are these gods who rule the destiny of a teeming world?

Their names include Brahma, Kali, Krishna and also he who was called Buddha, the Lord of Light, but who now prefers to be known simply as Sam. The gradual unfolding of the story – how the colonization of another planet became a re-enactment of Eastern mythology — is one of the great imaginative feats of modern science fiction.

LORD OF LIGHT has also been published in Germany, Russia, China, Turkey, Ukraine and Poland.

Lavie Tidhar’s CENTRAL STATION Wins Chinese Nebula (Xingyun) Award!


We’re very happy to report that Lavie Tidhar‘s CENTRAL STATION has won another award! This time, it is for the Chinese translation, which has won the Chinese Nebula (Xingyun) Award for Best Translated Fiction! Translated by Chen Yang, and published in China by Citic, as 中央 星站, here’s the synopsis…

基因孩子、节点人类、增强元人类、数据吸血鬼、机械改造人、弃物之王、造神艺术家…

特拉维夫、中央星站、耶路撒冷、汤圆城、月球港、波吕港…

地球、火星、美茹河星、谷神星、土卫六、初始太空、混沌宇宙…

在不太遥远的未来,一场世界范围内的大离散过后,二十五万 人滞留中央星站。

城市破败,科技失控,生命廉价,数据泛滥,地球沦为宇宙中的垃圾场。

在遭受战争、离散、数据和科技入侵、“人”的定义饱受质疑。

生活在这里的各色“人类”继续着他们的进化…

CENTRAL STATION has won a tremendous number of awards (always room for more, though), including John W. Campbell Award (2017) and
the Neukom Institute Literary Arts Award in Speculative Fiction (2018). It also landed on many end-of-year best of lists. The English-language cover, but Sarah Anne Langton, also won the Chelsey Award for Best Cover Illustration.

CENTRAL STATION is published in English by Tachyon Publications. Here’s the English-language synopsis…

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. Life is cheap, and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik — a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.

Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation — a shifting, flowing stream of consciousness — are just the beginning of irrevocable change.

At Central Station, humans and machines continue to adapt, thrive… and even evolve.

Tachyon also publishes Lavie’s acclaimed UNHOLY LAND and THE VIOLENT CENTURY (North America edition).

If Chinese-speaking fans of Lavie’s work would like to know more about the book and the author, you can read two great interview with the author here:

Lavie’s latest novel is BY FORCE ALONE, the first novel in the author’s Anti-Matter of Britain Quartet, is published by Head of Zeus (UK) and Tor Books (North America). The second novel in the tetralogy is THE HOOD, which is due to be published later this year by Head of Zeus.

Ian McDonald’s LUNA: MLAD MESEC Out Now in Serbia!


NEW MOON, the first novel in Ian McDonald‘s acclaimed Luna series, is now available in Serbia! Published by Laguna as MLAD MESEC, here’s the synopsis…

Mesec želi da vas ubije.

Možda će vas ubiti kad ostanete bez dnevnice koja vam je dodeljena za hranu, vodu ili vazduh. Možda će vas ubiti kad ste u klopci između vladajućih korporacija, takozvanih Pet Zmajeva. Na korak od bogatstva, u sumanutom futurističkom feudalnom društvu, na Mesecu morate da se borite za svaki pedalj koji želite da steknete. I upravo je to učinila Adrijana Korta.

Kao vođa najmlađeg Mesečevog Zmaja, Adrijana je preotela kontrolu nad industrijom helijuma 3 od korporacije Makenzi metali i borila se da stekne novi status za svoju porodicu. Sada, pred kraj života, Adrijana shvata da je njena korporacija, Korta helio, suočena sa brojnim neprijateljima koje je stekla tokom svog meteorskog uspona. Ako porodica Korta misli da preživi, petoro Adrijanine dece moraju da odbrane majčino carstvo od brojnih neprijatelja… i jedno od drugog.

This edition is translated by Goran Skrobonja.

NEW MOON and the other novels in the series are published in the UK by Gollancz, in North America by Tor Books, and also in a wide range of translated editions around the world. (See below for a selection of the covers.) Here’s the novel’s English-language synopsis…

The Moon wants to kill you.

Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did.

As the leader of the Moon’s newest “dragon,” Adriana has wrested control of the Moon’s Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family’s new status. Now, in the twilight of her life, Adriana finds her corporation — Corta Helio — confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana’s five children must defend their mother’s empire from her many enemies… and each other.

Finally, here are just a few of the great reviews NEW MOON has received so far…

‘Smart, funny, passionate and at times quite dark, McDonald brings the touch we’ve seen in RIVER OF GODS and DERVISH HOUSE to an entirely new culture as it evolves in a distant hostile place where business or family rules all… it’s terrific. My only complaint: it leaves you wanting the second book right now!’ — Jonathan Strahan

‘McDonald… begins his superb near-future series… scintillating, violent, and decadent world. McDonald creates a complex and fascinating civilization featuring believable technology, and the characters are fully developed, with individually gripping stories. Watch for this brilliantly constructed family saga on next year’s award ballots.’ — Publishers Weekly (Starred Review)

‘Mafia-style mining families clash in a compelling fantasy that offers up all the pleasures of a cut-throat soap opera in space…That McDonald is able to spin a compelling story from this unforgiving set-up is testament to his skill as a writer… One thing Luna does exceptionally well is to puncture Old Heinlein’s assumption that a frontier society based on the primacy of the family and a disregard of conventional laws would end up like idealised smalltown America. Luna argues that any realistic future colonisation of the moon will be much more The Sopranos than The Waltons. LUNA is as gripping as it is colourful, and as colourful as it is nasty.’ — Guardian

No one writes like Ian McDonald, and no one’s Moon is nearly so beautiful and terrible… Ian McDonald’s never written a bad novel, but this is a great Ian McDonald novel… McDonald has ten details for every detail proffered by other sf writers. Not gratuitous details, either: gracious ones. The fashion sense of William Gibson, the design sense of Bruce Sterling, the eye for family drama of Connie Willis, the poesie of Bradbury, and the dirty sex of Kathe Koja and Samuel Delany… McDonald’s moon is omnisexual, kinky, violent, passionate, beautiful, awful, vibrant and crushing. As the family saga of the Cortas unravels, we meet a self-sexual ninja lawyer, a werewolf who loses his mind in the Full Earth, a family tyrant whose ruthlessness is matched only by his crepulance, and a panoply of great passions and low desires. LUNA: NEW MOON is the first book of a two-book cycle. Now I’m all a-quiver for the next one.‘ — BoingBoing

‘Fans of cerebral, high-concept science fiction will love this exploration of society on the moon many decades after it has been colonized. The focus is more on concept and plot than on character, but the former are compelling enough to make this an addictive page-turner. Including the stories of many characters gives the reader important insights into different facets of society, and although the book starts at a slow pace, it accelerates into a mesmerizing political thriller.’ — RT Book Reviews

LUNA: NEW MOON is the best moon novel I’ve seen in many years, but it’s also something of a piece with the recent movement on the part of Paul McAuley, Kim Stanley Robinson, and oth­ers to confine novels to the solar system, out of a realistic assessment that this is likely all we’ll have to work with – but McDonald takes this a step further. Possibly the most chilling lines in the book for an SF reader come from Adriana herself, in her own narrative: ‘‘There was no law, no justice,’’ she writes, ‘‘only management. The moon was the frontier, but it was the frontier to nothing. There was nowhere to run.’’ Inasmuch as it challenges one of the cherished master narratives of SF, in which the moon is only a stepping-stone, and despite what it owes to the tropes of ’70s-era social melodrama, McDon­ald’s novel has some formidable SF stingers not far beneath its densely textured surface.’ — Locus

The way that Ian McDonald flawlessly adapts his writing to the relevant culture and country at hand is ingenious, and he showcases this perfectly in his much-lauded previous work. In LUNA: NEW MOON though, McDonald has clearly perfected this skill… McDonald certainly shows off the well-developed Cortas to illustrate his knack for creating dynamic human relationships that encompass the whole Moon… LUNA: NEW MOON is a world that has been intricately woven together by its author. It’s compelling and thought-provoking, and all without relying on overbearing sci-fi clichés. Brilliantly done.’ — SciFiNow

In its gravitas and tension and, alas, tragedy, it’s damn near Shakespearian… a setting so brilliantly built and deftly embellished that buying into it isn’t ever an issue; a vast cast of characters as satisfying and sympathetic individually as they are as part of McDonald’s elaborate ensemble… a world as wicked as it is convincing…’ — Tor.com